Songs like Quiet Dawn by Archie Shepp
Based on a tempo of (+/- 10%) and a similar genre
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Archie Shepp
Quiet Dawn
129 bpm • G min • 06:12 • -14db
24% Popularity • 35% Danceability • 45% Energy • 10% Liveness
59% Instrumentalness • 38% Positiveness
24% Popularity • 35% Danceability • 45% Energy • 10% Liveness
59% Instrumentalness • 38% Positiveness
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Anthony Braxton
To Composer John Cage
129 bpm • G# Maj • 09:30 • -10.35db
12% Popularity • 42% Danceability • 43% Energy • 31% Liveness
62% Instrumentalness • 75% Positiveness
12% Popularity • 42% Danceability • 43% Energy • 31% Liveness
62% Instrumentalness • 75% Positiveness
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Wilma Archer
Scarecrow
129 bpm • A# min • 05:53 • -11.66db
18% Popularity • 43% Danceability • 37% Energy • 30% Liveness
47% Instrumentalness • 31% Positiveness
18% Popularity • 43% Danceability • 37% Energy • 30% Liveness
47% Instrumentalness • 31% Positiveness
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Michael White
Spirit Dance
130 bpm • F Maj • 03:17 • -13.83db
13% Popularity • 48% Danceability • 37% Energy • 11% Liveness
53% Instrumentalness • 47% Positiveness
13% Popularity • 48% Danceability • 37% Energy • 11% Liveness
53% Instrumentalness • 47% Positiveness
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The Ethics
Now Is The Time
128 bpm • D Maj • 03:25 • -8.29db
8% Popularity • 49% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
8% Popularity • 49% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Leon Thomas
Echoes
130 bpm • C min • 05:40 • -16.09db
16% Popularity • 37% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 37% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Tarika Blue
Truth Is The Key
130 bpm • D min • 06:49 • -14.2db
27% Popularity • 60% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 60% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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24 Carat Black
Now You Sit Alone
128 bpm • F min • 04:52 • -19.66db
11% Popularity • 72% Danceability • 13% Energy • 8% Liveness
1% Instrumentalness • 69% Positiveness
11% Popularity • 72% Danceability • 13% Energy • 8% Liveness
1% Instrumentalness • 69% Positiveness
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Wilma Archer
Scarecrow
130 bpm • A# min • 05:50 • -12.55db
12% Popularity • 49% Danceability • 32% Energy • 18% Liveness
17% Instrumentalness • 39% Positiveness
12% Popularity • 49% Danceability • 32% Energy • 18% Liveness
17% Instrumentalness • 39% Positiveness
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Art Ensemble Of Chicago
Thème de Yoyo
130 bpm • C min • 09:01 • -12.28db
26% Popularity • 48% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 48% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Ornette Coleman
What Reason Could I Give
128 bpm • G Maj • 03:05 • -10db
26% Popularity • 23% Danceability • 49% Energy • 34% Liveness
92% Instrumentalness • 20% Positiveness
26% Popularity • 23% Danceability • 49% Energy • 34% Liveness
92% Instrumentalness • 20% Positiveness
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Gary Bartz Ntu Troop
Vietcong
128 bpm • C# Maj • 05:17 • -10.09db
8% Popularity • 57% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 57% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Pharoah Sanders
Love Is Everywhere
128 bpm • F min • 05:18 • -11.72db
43% Popularity • 51% Danceability • 73% Energy • 15% Liveness
34% Instrumentalness • 75% Positiveness
43% Popularity • 51% Danceability • 73% Energy • 15% Liveness
34% Instrumentalness • 75% Positiveness
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Jack Wilkins
Canzona
130 bpm • A# min • 05:20 • -10.6db
19% Popularity • 43% Danceability • 82% Energy • 11% Liveness
32% Instrumentalness • 81% Positiveness
19% Popularity • 43% Danceability • 82% Energy • 11% Liveness
32% Instrumentalness • 81% Positiveness
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Don Cherry
Makondi
127 bpm • A Maj • 03:48 • -17db
15% Popularity • 59% Danceability • 54% Energy • 13% Liveness
81% Instrumentalness • 74% Positiveness
15% Popularity • 59% Danceability • 54% Energy • 13% Liveness
81% Instrumentalness • 74% Positiveness
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John McLaughlin
Earth Bound Hearts
127 bpm • E Maj • 04:17 • -19.78db
10% Popularity • 36% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
10% Popularity • 36% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
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Amnesty
Three Cheers For My Baby
131 bpm • C# Maj • 04:10 • -7.45db
15% Popularity • 59% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 59% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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David Axelrod
Don't You Worry 'Bout A Thing
127 bpm • C min • 03:42 • -11.39db
26% Popularity • 64% Danceability • 60% Energy • 13% Liveness
66% Instrumentalness • 66% Positiveness
26% Popularity • 64% Danceability • 60% Energy • 13% Liveness
66% Instrumentalness • 66% Positiveness
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Archie Shepp
The Original Mr. Sonny Boy Williamson
127 bpm • C Maj • 05:59 • -13.76db
3% Popularity • 49% Danceability • 41% Energy • 8% Liveness
1% Instrumentalness • 39% Positiveness
3% Popularity • 49% Danceability • 41% Energy • 8% Liveness
1% Instrumentalness • 39% Positiveness
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Art Ensemble Of Chicago
Charlie M
127 bpm • A# min • 09:17 • -15db
14% Popularity • 47% Danceability • 31% Energy • 15% Liveness
17% Instrumentalness • 36% Positiveness
14% Popularity • 47% Danceability • 31% Energy • 15% Liveness
17% Instrumentalness • 36% Positiveness
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Gil Scott-Heron
The Middle of Your Day
131 bpm • G Maj • 04:32 • -9.66db
18% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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The Lyman Woodard Organization
Joy Road
131 bpm • G min • 04:57 • -7.67db
24% Popularity • 31% Danceability • 39% Energy • 19% Liveness
80% Instrumentalness • 30% Positiveness
24% Popularity • 31% Danceability • 39% Energy • 19% Liveness
80% Instrumentalness • 30% Positiveness
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Marion Brown
Sweet Earth Flying - Pt. 1
127 bpm • A Maj • 03:40 • -24db
26% Popularity • 35% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 10% Positiveness
26% Popularity • 35% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 10% Positiveness
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Ornette Coleman
Peace
127 bpm • B Maj • 09:04 • -15db
33% Popularity • 61% Danceability • 6% Energy • 11% Liveness
44% Instrumentalness • 19% Positiveness
33% Popularity • 61% Danceability • 6% Energy • 11% Liveness
44% Instrumentalness • 19% Positiveness
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Archie Shepp
Syeeda's Song Flute
127 bpm • C Maj • 08:29 • -11db
10% Popularity • 52% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 52% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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Bobbi Humphrey
Sad Bag
126 bpm • D min • 05:08 • -15.67db
11% Popularity • 41% Danceability • 27% Energy • 16% Liveness
96% Instrumentalness • 19% Positiveness
11% Popularity • 41% Danceability • 27% Energy • 16% Liveness
96% Instrumentalness • 19% Positiveness
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Tarika Blue
You'll Be With Me
132 bpm • A min • 07:10 • -13.09db
18% Popularity • 47% Danceability • 51% Energy • 6% Liveness
15% Instrumentalness • 60% Positiveness
18% Popularity • 47% Danceability • 51% Energy • 6% Liveness
15% Instrumentalness • 60% Positiveness
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The Edge Of Daybreak
Our Love
126 bpm • C# min • 05:15 • -10db
29% Popularity • 60% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 60% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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ã‚»ã‚トオ・シゲオ
処女航海
126 bpm • A# Maj • 06:58 • -13.53db
38% Popularity • 48% Danceability • 37% Energy • 9% Liveness
73% Instrumentalness • 24% Positiveness
38% Popularity • 48% Danceability • 37% Energy • 9% Liveness
73% Instrumentalness • 24% Positiveness
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Gary Wilson
6.4 = Make Out
132 bpm • G# min • 05:01 • -11.12db
18% Popularity • 46% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
18% Popularity • 46% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
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P.E. Hewitt Jazz Ensemble
Free
132 bpm • A Maj • 02:25 • -6.69db
14% Popularity • 34% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 34% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Bobbi Humphrey
Satin Doll
126 bpm • C Maj • 04:09 • -9.2db
17% Popularity • 36% Danceability • 79% Energy • 17% Liveness
6% Instrumentalness • 51% Positiveness
17% Popularity • 36% Danceability • 79% Energy • 17% Liveness
6% Instrumentalness • 51% Positiveness
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Jaco Pastorius
John and Mary
132 bpm • C# Maj • 10:53 • -13.2db
24% Popularity • 44% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 41% Positiveness
24% Popularity • 44% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 41% Positiveness
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Christian Scott aTunde Adjuah
Her Arrival
126 bpm • G# Maj • 04:36 • -7.67db
16% Popularity • 65% Danceability • 81% Energy • 4% Liveness
59% Instrumentalness • 85% Positiveness
16% Popularity • 65% Danceability • 81% Energy • 4% Liveness
59% Instrumentalness • 85% Positiveness
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Tchangodei
Soweto ( For Nelson Mandela )
132 bpm • D# Maj • 09:49 • -13.79db
2% Popularity • 56% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
2% Popularity • 56% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Dr. Lonnie Smith
Son Of Ice Bag - Remastered 2003/Rudy Va...
132 bpm • C Maj • 11:15 • -10.49db
25% Popularity • 68% Danceability • 83% Energy • 12% Liveness
32% Instrumentalness • 59% Positiveness
25% Popularity • 68% Danceability • 83% Energy • 12% Liveness
32% Instrumentalness • 59% Positiveness
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Horace Silver
Soul Searchin'
132 bpm • G min • 04:19 • -8.54db
32% Popularity • 62% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 62% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Archie Shepp
Stick 'Em Up
133 bpm • D# Maj • 02:04 • -7.38db
5% Popularity • 46% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
5% Popularity • 46% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Tarika Blue
Blue Neptune
125 bpm • E min • 04:46 • -15.03db
15% Popularity • 39% Danceability • 35% Energy • 19% Liveness
13% Instrumentalness • 16% Positiveness
15% Popularity • 39% Danceability • 35% Energy • 19% Liveness
13% Instrumentalness • 16% Positiveness
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Charles Mingus
Myself When I Am Real
133 bpm • A# min • 07:35 • -17db
34% Popularity • 44% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
34% Popularity • 44% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Idris Ackamoor
Tango of Love
125 bpm • A# min • 06:32 • -7.73db
14% Popularity • 39% Danceability • 59% Energy • 12% Liveness
1% Instrumentalness • 57% Positiveness
14% Popularity • 39% Danceability • 59% Energy • 12% Liveness
1% Instrumentalness • 57% Positiveness
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Don Cherry
Surrender Rose
125 bpm • C Maj • 03:30 • -8.92db
12% Popularity • 31% Danceability • 44% Energy • 22% Liveness
3% Instrumentalness • 22% Positiveness
12% Popularity • 31% Danceability • 44% Energy • 22% Liveness
3% Instrumentalness • 22% Positiveness
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Material
Take A Chance
125 bpm • F Maj • 04:30 • -10.92db
1% Popularity • 80% Danceability • 87% Energy • 34% Liveness
5% Instrumentalness • 68% Positiveness
1% Popularity • 80% Danceability • 87% Energy • 34% Liveness
5% Instrumentalness • 68% Positiveness
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Damu The Fudgemunk
Learning to Breathe - Album Mix
133 bpm • D Maj • 02:05 • -9.93db
14% Popularity • 52% Danceability • 56% Energy • 50% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 52% Danceability • 56% Energy • 50% Liveness
0% Instrumentalness • 38% Positiveness
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Eberhard Weber
The Colours Of Chloë
133 bpm • A Maj • 07:51 • -19.83db
29% Popularity • 28% Danceability • 25% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
29% Popularity • 28% Danceability • 25% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
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Albert Ayler
Heart Love
125 bpm • G Maj • 05:33 • -7.95db
14% Popularity • 61% Danceability • 80% Energy • 11% Liveness
10% Instrumentalness • 46% Positiveness
14% Popularity • 61% Danceability • 80% Energy • 11% Liveness
10% Instrumentalness • 46% Positiveness
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Rufus
Your Smile
125 bpm • E Maj • 03:20 • -13.23db
33% Popularity • 49% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 49% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Gil Scott-Heron
Speed Kills
125 bpm • A min • 03:18 • -11.58db
20% Popularity • 53% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 53% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 16% Positiveness
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Idris Ackamoor
Papyrus
125 bpm • F min • 07:41 • -8.43db
14% Popularity • 63% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 63% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Andy Bey
Rosemary Blue
124 bpm • F min • 03:22 • -12.26db
8% Popularity • 55% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 55% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Tarika Blue
Jimi
134 bpm • C# min • 04:37 • -10.54db
20% Popularity • 37% Danceability • 79% Energy • 7% Liveness
61% Instrumentalness • 34% Positiveness
20% Popularity • 37% Danceability • 79% Energy • 7% Liveness
61% Instrumentalness • 34% Positiveness
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Father's Children
Dirt And Grime
124 bpm • C min • 03:32 • -8db
40% Popularity • 55% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
40% Popularity • 55% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Rare Silk
Up From The Skies
124 bpm • C min • 04:40 • -14.52db
7% Popularity • 68% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
7% Popularity • 68% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Gil Scott-Heron
Combinations
124 bpm • A min • 03:39 • -17.41db
23% Popularity • 58% Danceability • 20% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
23% Popularity • 58% Danceability • 20% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
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The Equatics
The Touch of You
134 bpm • A# Maj • 03:36 • -8.8db
25% Popularity • 38% Danceability • 48% Energy • 8% Liveness
84% Instrumentalness • 53% Positiveness
25% Popularity • 38% Danceability • 48% Energy • 8% Liveness
84% Instrumentalness • 53% Positiveness
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Archie Shepp
Blues For Brother George Jackson
124 bpm • B Maj • 04:00 • -14.24db
17% Popularity • 53% Danceability • 49% Energy • 20% Liveness
59% Instrumentalness • 68% Positiveness
17% Popularity • 53% Danceability • 49% Energy • 20% Liveness
59% Instrumentalness • 68% Positiveness
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Billy Cobham
Almustafa the Beloved
134 bpm • C# Maj • 06:51 • -13.4db
7% Popularity • 42% Danceability • 45% Energy • 62% Liveness
0% Instrumentalness • 27% Positiveness
7% Popularity • 42% Danceability • 45% Energy • 62% Liveness
0% Instrumentalness • 27% Positiveness
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Father's Children
In Shallah
124 bpm • A Maj • 04:01 • -8db
19% Popularity • 64% Danceability • 64% Energy • 20% Liveness
3% Instrumentalness • 82% Positiveness
19% Popularity • 64% Danceability • 64% Energy • 20% Liveness
3% Instrumentalness • 82% Positiveness
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La Mont Zeno Theatre
Black Land of the Nile
135 bpm • B min • 02:56 • -9.04db
9% Popularity • 45% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 45% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Peter Giger's Family Of Percussion
Anonymus V
123 bpm • G# Maj • 03:05 • -13.05db
2% Popularity • 54% Danceability • 87% Energy • 7% Liveness
92% Instrumentalness • 72% Positiveness
2% Popularity • 54% Danceability • 87% Energy • 7% Liveness
92% Instrumentalness • 72% Positiveness
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Eddie Harris
Why Must We Part
123 bpm • C Maj • 05:26 • -13.07db
10% Popularity • 40% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 40% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Archie Shepp
The Cry Of My People
123 bpm • F Maj • 05:43 • -12.84db
5% Popularity • 27% Danceability • 43% Energy • 56% Liveness
20% Instrumentalness • 20% Positiveness
5% Popularity • 27% Danceability • 43% Energy • 56% Liveness
20% Instrumentalness • 20% Positiveness
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Miles Davis
Nothing Like You
136 bpm • G# Maj • 01:56 • -15.65db
29% Popularity • 40% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 40% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
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Gil Scott-Heron
Pieces of a Man
136 bpm • F Maj • 04:54 • -10.94db
35% Popularity • 47% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
35% Popularity • 47% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Sun Ra & His Arkestra
Springtime Again
123 bpm • F Maj • 09:15 • -11.99db
33% Popularity • 36% Danceability • 43% Energy • 14% Liveness
40% Instrumentalness • 18% Positiveness
33% Popularity • 36% Danceability • 43% Energy • 14% Liveness
40% Instrumentalness • 18% Positiveness
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Cecil Taylor
Rick Kick Shaw
136 bpm • D Maj • 06:05 • -17db
8% Popularity • 40% Danceability • 41% Energy • 10% Liveness
30% Instrumentalness • 47% Positiveness
8% Popularity • 40% Danceability • 41% Energy • 10% Liveness
30% Instrumentalness • 47% Positiveness
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Mary Lou Williams
Anima Christi - Chorale Vocal
136 bpm • F Maj • 02:51 • -18.88db
9% Popularity • 49% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
9% Popularity • 49% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Archie Shepp
Nice Work if you can get it
135 bpm • F Maj • 04:27 • -10.92db
4% Popularity • 56% Danceability • 14% Energy • 15% Liveness
88% Instrumentalness • 16% Positiveness
4% Popularity • 56% Danceability • 14% Energy • 15% Liveness
88% Instrumentalness • 16% Positiveness
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Peter Giger's Family Of Percussion
Messing Muus
122 bpm • G# Maj • 02:44 • -20.21db
1% Popularity • 40% Danceability • 33% Energy • 10% Liveness
7% Instrumentalness • 24% Positiveness
1% Popularity • 40% Danceability • 33% Energy • 10% Liveness
7% Instrumentalness • 24% Positiveness
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Marion Brown
Sweet Earth Flying - Pt. 4 : Prince Will...
137 bpm • E Maj • 05:57 • -14.64db
7% Popularity • 46% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 46% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Jackie McLean
Love And Hate
122 bpm • A# Maj • 08:25 • -17db
15% Popularity • 57% Danceability • 7% Energy • 10% Liveness
26% Instrumentalness • 17% Positiveness
15% Popularity • 57% Danceability • 7% Energy • 10% Liveness
26% Instrumentalness • 17% Positiveness
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Albert Ayler
Summertime
137 bpm • A# Maj • 08:47 • -16db
37% Popularity • 45% Danceability • 19% Energy • 30% Liveness
57% Instrumentalness • 29% Positiveness
37% Popularity • 45% Danceability • 19% Energy • 30% Liveness
57% Instrumentalness • 29% Positiveness
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Hailu Mergia
Almaz Eyasebkush
121 bpm • F# min • 05:40 • -8.06db
28% Popularity • 40% Danceability • 71% Energy • 16% Liveness
42% Instrumentalness • 71% Positiveness
28% Popularity • 40% Danceability • 71% Energy • 16% Liveness
42% Instrumentalness • 71% Positiveness
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Archie Shepp
Mr. Syms
122 bpm • C min • 07:41 • -13.25db
10% Popularity • 54% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 54% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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Art Farmer
Siddhartha
137 bpm • D min • 07:38 • -14db
22% Popularity • 50% Danceability • 41% Energy • 7% Liveness
94% Instrumentalness • 48% Positiveness
22% Popularity • 50% Danceability • 41% Energy • 7% Liveness
94% Instrumentalness • 48% Positiveness
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Damu The Fudgemunk
Learning to Breathe - Extended Mix
137 bpm • E min • 03:44 • -11.79db
5% Popularity • 41% Danceability • 59% Energy • 13% Liveness
2% Instrumentalness • 29% Positiveness
5% Popularity • 41% Danceability • 59% Energy • 13% Liveness
2% Instrumentalness • 29% Positiveness
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Betty Carter
Open The Door
121 bpm • D# Maj • 03:13 • -20.32db
31% Popularity • 39% Danceability • 19% Energy • 10% Liveness
23% Instrumentalness • 29% Positiveness
31% Popularity • 39% Danceability • 19% Energy • 10% Liveness
23% Instrumentalness • 29% Positiveness
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Tarika Blue
Love It
121 bpm • A min • 03:55 • -12.4db
21% Popularity • 41% Danceability • 54% Energy • 31% Liveness
8% Instrumentalness • 36% Positiveness
21% Popularity • 41% Danceability • 54% Energy • 31% Liveness
8% Instrumentalness • 36% Positiveness
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Father's Children
Universal Train
137 bpm • A Maj • 06:16 • -7.69db
17% Popularity • 60% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 60% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Archie Shepp
Dig (Coda sax: Sonny)
122 bpm • G# Maj • 05:38 • -10.28db
1% Popularity • 63% Danceability • 67% Energy • 98% Liveness
0% Instrumentalness • 55% Positiveness
1% Popularity • 63% Danceability • 67% Energy • 98% Liveness
0% Instrumentalness • 55% Positiveness
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Milt Jackson
Bags & Trane
121 bpm • F# min • 07:22 • -17.2db
8% Popularity • 49% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 23% Positiveness
8% Popularity • 49% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 23% Positiveness
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Mary Lou Williams
Miss D.D.
137 bpm • F min • 02:33 • -34db
34% Popularity • 45% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 55% Positiveness
34% Popularity • 45% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 55% Positiveness
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Jackie McLean
Ode to Super
137 bpm • D# Maj • 08:26 • -13.78db
13% Popularity • 41% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 41% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Idris Ackamoor
Eternity
121 bpm • G# Maj • 09:36 • -8.91db
10% Popularity • 59% Danceability • 49% Energy • 40% Liveness
13% Instrumentalness • 62% Positiveness
10% Popularity • 59% Danceability • 49% Energy • 40% Liveness
13% Instrumentalness • 62% Positiveness
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Sun Ra & His Arkestra
Moonship Journey
137 bpm • F Maj • 06:13 • -19.94db
9% Popularity • 55% Danceability • 23% Energy • 12% Liveness
14% Instrumentalness • 73% Positiveness
9% Popularity • 55% Danceability • 23% Energy • 12% Liveness
14% Instrumentalness • 73% Positiveness
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Archie Shepp
Angel Eyes
136 bpm • A# Maj • 07:58 • -19.38db
1% Popularity • 50% Danceability • 10% Energy • 14% Liveness
44% Instrumentalness • 21% Positiveness
1% Popularity • 50% Danceability • 10% Energy • 14% Liveness
44% Instrumentalness • 21% Positiveness
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Horace Parlan
Congalegre
121 bpm • F min • 04:24 • -11.89db
32% Popularity • 54% Danceability • 67% Energy • 11% Liveness
66% Instrumentalness • 84% Positiveness
32% Popularity • 54% Danceability • 67% Energy • 11% Liveness
66% Instrumentalness • 84% Positiveness
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Amnesty
We Have Love
121 bpm • F Maj • 04:32 • -9.48db
37% Popularity • 44% Danceability • 26% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 44% Danceability • 26% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
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Cecil Taylor
Port Of Call - Remastered
121 bpm • F min • 04:20 • -17.38db
23% Popularity • 40% Danceability • 40% Energy • 14% Liveness
81% Instrumentalness • 56% Positiveness
23% Popularity • 40% Danceability • 40% Energy • 14% Liveness
81% Instrumentalness • 56% Positiveness
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Michael White
Ebony Plaza
121 bpm • C Maj • 09:11 • -13db
7% Popularity • 50% Danceability • 44% Energy • 39% Liveness
37% Instrumentalness • 84% Positiveness
7% Popularity • 50% Danceability • 44% Energy • 39% Liveness
37% Instrumentalness • 84% Positiveness
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Art Ensemble Of Chicago
Thème de Céline
121 bpm • G min • 03:03 • -5db
11% Popularity • 41% Danceability • 84% Energy • 11% Liveness
79% Instrumentalness • 53% Positiveness
11% Popularity • 41% Danceability • 84% Energy • 11% Liveness
79% Instrumentalness • 53% Positiveness
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Archie Shepp
Invocation To Mr. Parker
137 bpm • A Maj • 03:16 • -28.92db
13% Popularity • 46% Danceability • 7% Energy • 19% Liveness
90% Instrumentalness • 4% Positiveness
13% Popularity • 46% Danceability • 7% Energy • 19% Liveness
90% Instrumentalness • 4% Positiveness
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Oliver Nelson
In A Japanese Garden
138 bpm • A# Maj • 03:11 • -11db
37% Popularity • 44% Danceability • 45% Energy • 14% Liveness
96% Instrumentalness • 37% Positiveness
37% Popularity • 44% Danceability • 45% Energy • 14% Liveness
96% Instrumentalness • 37% Positiveness
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Ornette Coleman
Tomorrow Is The Question! - Instrumental
120 bpm • D Maj • 03:10 • -19db
28% Popularity • 66% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 76% Positiveness
28% Popularity • 66% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 76% Positiveness
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Sam Rivers
Beatrice
120 bpm • F Maj • 06:12 • -18.62db
34% Popularity • 49% Danceability • 12% Energy • 9% Liveness
5% Instrumentalness • 23% Positiveness
34% Popularity • 49% Danceability • 12% Energy • 9% Liveness
5% Instrumentalness • 23% Positiveness
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Don Cherry
Butterfly Friend
120 bpm • F min • 03:43 • -15.56db
14% Popularity • 83% Danceability • 33% Energy • 6% Liveness
3% Instrumentalness • 50% Positiveness
14% Popularity • 83% Danceability • 33% Energy • 6% Liveness
3% Instrumentalness • 50% Positiveness
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Tchangodei
Una Noche Con Francis
120 bpm • G# Maj • 04:18 • -14.53db
1% Popularity • 57% Danceability • 46% Energy • 26% Liveness
2% Instrumentalness • 63% Positiveness
1% Popularity • 57% Danceability • 46% Energy • 26% Liveness
2% Instrumentalness • 63% Positiveness
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Leon Thomas
Balance of Life (Peace of Mind)
138 bpm • C Maj • 06:55 • -18.58db
10% Popularity • 46% Danceability • 50% Energy • 18% Liveness
31% Instrumentalness • 46% Positiveness
10% Popularity • 46% Danceability • 50% Energy • 18% Liveness
31% Instrumentalness • 46% Positiveness
