Songs like Quiet - Stripped by MILCK
Based on a tempo of (+/- 10%) and a similar genre
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LÉON
I Believe in Us
137 bpm • C Maj • 03:22 • -6.23db
49% Popularity • 56% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
49% Popularity • 56% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Janelle Kroll
Outsider - Recorded at Spotify Studios N...
137 bpm • F# Maj • 04:35 • -10.45db
13% Popularity • 50% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 50% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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MILCK
Best Part
137 bpm • D# Maj • 04:20 • -5.6db
29% Popularity • 62% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 62% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Layla
Holes
137 bpm • E Maj • 04:24 • -12db
19% Popularity • 44% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 44% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Whissell
It's Going Down
137 bpm • D Maj • 03:36 • -7db
31% Popularity • 54% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 54% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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AG
No Expectations
138 bpm • A Maj • 04:47 • -14db
34% Popularity • 22% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
34% Popularity • 22% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Roses & Revolutions
The Pines
138 bpm • B min • 03:07 • -7db
44% Popularity • 56% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 56% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Ella Vos
White Noise - Recorded at Spotify Studio...
138 bpm • D# Maj • 02:48 • -13db
26% Popularity • 56% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
26% Popularity • 56% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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MILCK
Quiet - Stripped
137 bpm • C Maj • 03:28 • -10.11db
33% Popularity • 44% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
33% Popularity • 44% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Au/Ra
Outsiders (Acoustic)
138 bpm • C min • 04:20 • -8db
20% Popularity • 55% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 55% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Zealyn
Faster Now
138 bpm • A Maj • 04:07 • -11.49db
10% Popularity • 43% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 43% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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The Civil Wars
Dust to Dust - Acoustic
138 bpm • C# Maj • 03:43 • -17.11db
24% Popularity • 68% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
24% Popularity • 68% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Rosi Golan
Give up the Ghost
136 bpm • C Maj • 03:55 • -11.81db
31% Popularity • 70% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 70% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Lily Moore
Heart Of Glass
138 bpm • G Maj • 03:08 • -11.11db
29% Popularity • 47% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
29% Popularity • 47% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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MILCK
This Is Not the End
138 bpm • C Maj • 03:29 • -7db
22% Popularity • 60% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 60% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Molly Kate Kestner
Footprints
136 bpm • A# Maj • 04:13 • -8db
31% Popularity • 51% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 51% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Mary Lambert
When You Sleep
135 bpm • F# Maj • 03:47 • -12db
35% Popularity • 65% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 65% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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SPELLES
Teach Me How to Pray
139 bpm • B min • 03:38 • -4.98db
18% Popularity • 45% Danceability • 57% Energy • 40% Liveness
0% Instrumentalness • 31% Positiveness
18% Popularity • 45% Danceability • 57% Energy • 40% Liveness
0% Instrumentalness • 31% Positiveness
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Mononoke
Alice
135 bpm • C Maj • 03:26 • -11db
16% Popularity • 53% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 53% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Claire Guerreso
Battle Cry
139 bpm • C# Maj • 03:31 • -6db
25% Popularity • 50% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 50% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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New Portals
Change of Mind - Acoustic
135 bpm • B min • 03:03 • -12.02db
44% Popularity • 59% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
44% Popularity • 59% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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Amber Run
Hide & Seek
135 bpm • A Maj • 04:41 • -8.81db
41% Popularity • 33% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 33% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 20% Positiveness
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Mary Lambert
Shame
135 bpm • C Maj • 04:32 • -10.19db
14% Popularity • 64% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 64% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Brandi Carlile
Party of One
139 bpm • C Maj • 04:19 • -11.8db
53% Popularity • 35% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
53% Popularity • 35% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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MILCK
Ooh Child
135 bpm • F# Maj • 02:42 • -12.61db
40% Popularity • 40% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 40% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Fenne Lily
What's Good
134 bpm • G# min • 03:36 • -14.84db
42% Popularity • 43% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
42% Popularity • 43% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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SVRCINA
Ocean Eyes (Acoustic)
140 bpm • F min • 03:36 • -8.31db
36% Popularity • 55% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
36% Popularity • 55% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Ruelle
Love Changes Everything
140 bpm • D Maj • 04:01 • -10.4db
22% Popularity • 23% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 23% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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CLOVES
Wasted Time
140 bpm • A Maj • 04:04 • -8db
39% Popularity • 44% Danceability • 44% Energy • 22% Liveness
2% Instrumentalness • 19% Positiveness
39% Popularity • 44% Danceability • 44% Energy • 22% Liveness
2% Instrumentalness • 19% Positiveness
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Daisy Gray
Saviour - Acoustic
140 bpm • F min • 03:33 • -6.06db
14% Popularity • 52% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 52% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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MILCK
Quiet
140 bpm • C Maj • 03:22 • -7.56db
38% Popularity • 47% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
38% Popularity • 47% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Rozzi
Uphill Battle
140 bpm • C Maj • 03:54 • -6.94db
26% Popularity • 59% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 59% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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The Majestic Ones
Bring Me Back
134 bpm • D Maj • 03:54 • -6.98db
18% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Rosemary & Garlic
Old Now
140 bpm • F Maj • 04:49 • -13db
45% Popularity • 49% Danceability • 41% Energy • 12% Liveness
24% Instrumentalness • 28% Positiveness
45% Popularity • 49% Danceability • 41% Energy • 12% Liveness
24% Instrumentalness • 28% Positiveness
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Leah Nobel
Joshua Tree
134 bpm • B Maj • 03:35 • -8.78db
10% Popularity • 58% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 58% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Tommee Profitt
Breathe
140 bpm • C Maj • 03:37 • -7.8db
49% Popularity • 46% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
49% Popularity • 46% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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MILCK
Black Sheep
140 bpm • A# Maj • 03:48 • -7.43db
21% Popularity • 43% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
21% Popularity • 43% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Belle Mt.
Loving You
140 bpm • C Maj • 04:13 • -8.35db
24% Popularity • 54% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 54% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 21% Positiveness
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nilu
What I'm Looking For
133 bpm • G# min • 04:20 • -12db
17% Popularity • 60% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 60% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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ANIIML
IT’S OVER
141 bpm • A Maj • 03:29 • -9.26db
9% Popularity • 67% Danceability • 44% Energy • 5% Liveness
8% Instrumentalness • 6% Positiveness
9% Popularity • 67% Danceability • 44% Energy • 5% Liveness
8% Instrumentalness • 6% Positiveness
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Donna Missal
Keep Lying (Demo)
133 bpm • G# min • 04:14 • -5.29db
33% Popularity • 48% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 48% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Leon Else
Beautiful World
141 bpm • E Maj • 04:20 • -13db
25% Popularity • 51% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 51% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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MILCK
Quiet - Spanish
140 bpm • C Maj • 03:22 • -7.48db
6% Popularity • 50% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
6% Popularity • 50% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Corey Kilgannon
The More We Find (Sister IV)
142 bpm • D Maj • 04:54 • -9.82db
18% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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MUNA
I Know A Place - Acoustic
133 bpm • D# Maj • 04:51 • -4.1db
39% Popularity • 55% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
39% Popularity • 55% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Emily Hearn
Worth Fighting For
142 bpm • D Maj • 04:09 • -6.3db
23% Popularity • 47% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 47% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Reuben And The Dark
Hurricane
142 bpm • B min • 03:43 • -6.54db
18% Popularity • 59% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 59% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Brittain Ashford
Good for Goodness
142 bpm • C Maj • 05:02 • -8.53db
20% Popularity • 48% Danceability • 42% Energy • 8% Liveness
2% Instrumentalness • 30% Positiveness
20% Popularity • 48% Danceability • 42% Energy • 8% Liveness
2% Instrumentalness • 30% Positiveness
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Band of Horses
No One's Gonna Love You (Stockholm Versi...
142 bpm • C# Maj • 03:48 • -8.56db
47% Popularity • 60% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
47% Popularity • 60% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Alon Apollo
Burning Bridges
132 bpm • F min • 03:35 • -15.16db
19% Popularity • 40% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 40% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Billie Marten
Out of the Black
142 bpm • B min • 03:59 • -12.55db
28% Popularity • 49% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 49% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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MILCK
Devil Devil
142 bpm • C# Maj • 04:18 • -10db
50% Popularity • 54% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
50% Popularity • 54% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Anna Leone
My Soul I
132 bpm • A Maj • 04:15 • -10.57db
46% Popularity • 29% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 9% Positiveness
46% Popularity • 29% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 9% Positiveness
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Fenne Lily
The Hand You Deal
132 bpm • D min • 04:23 • -12.04db
31% Popularity • 51% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
31% Popularity • 51% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Roses & Revolutions
Sugar, We're Goin' Down
132 bpm • B min • 03:29 • -10.43db
30% Popularity • 69% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 69% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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VÉRITÉ
John My Beloved
132 bpm • G Maj • 04:19 • -10db
29% Popularity • 48% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 48% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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P!nk
90 Days
132 bpm • G min • 03:50 • -5.38db
51% Popularity • 57% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
51% Popularity • 57% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Sky Barbarick
Paper Legs
132 bpm • G Maj • 02:44 • -11.17db
16% Popularity • 62% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 62% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Trent Dabbs
Come Home Safe
132 bpm • C Maj • 03:31 • -11db
33% Popularity • 62% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 62% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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Aisha Badru
Navy Blues
132 bpm • G# min • 03:26 • -15db
22% Popularity • 49% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
22% Popularity • 49% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Jamie McDell
God is a Woman (615 Sessions)
143 bpm • G# Maj • 03:07 • -10.65db
39% Popularity • 50% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
39% Popularity • 50% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Ruelle
Ten Years
143 bpm • G# Maj • 03:51 • -7.64db
23% Popularity • 46% Danceability • 24% Energy • 9% Liveness
8% Instrumentalness • 10% Positiveness
23% Popularity • 46% Danceability • 24% Energy • 9% Liveness
8% Instrumentalness • 10% Positiveness
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Whissell
I'm a Woman
131 bpm • F# Maj • 02:36 • -9.41db
21% Popularity • 40% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 40% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Unions
Bury
144 bpm • G Maj • 03:29 • -13.3db
35% Popularity • 50% Danceability • 18% Energy • 5% Liveness
8% Instrumentalness • 12% Positiveness
35% Popularity • 50% Danceability • 18% Energy • 5% Liveness
8% Instrumentalness • 12% Positiveness
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Overcoats
Fix You
144 bpm • C# Maj • 04:00 • -11db
25% Popularity • 47% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
25% Popularity • 47% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Brandi Carlile
Party of One
144 bpm • C Maj • 05:47 • -6.6db
36% Popularity • 34% Danceability • 34% Energy • 17% Liveness
1% Instrumentalness • 31% Positiveness
36% Popularity • 34% Danceability • 34% Energy • 17% Liveness
1% Instrumentalness • 31% Positiveness
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CLOVES
Up And Down
144 bpm • C# min • 04:08 • -7.56db
23% Popularity • 61% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 61% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Ruelle
The Fear Of Letting Go
144 bpm • G# Maj • 04:01 • -7db
29% Popularity • 38% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
29% Popularity • 38% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Ryn Weaver
Reasons Not To Die - Demo
130 bpm • E Maj • 03:40 • -10db
42% Popularity • 57% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 57% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Von Grey
Forever Bound
130 bpm • D Maj • 03:51 • -8.61db
23% Popularity • 59% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 59% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Mary Lambert
Monochromatic
130 bpm • C Maj • 03:19 • -9.67db
13% Popularity • 57% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 57% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Fenne Lily
For a While
130 bpm • D Maj • 03:54 • -12db
39% Popularity • 49% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 49% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Ariela Jacobs
Dare You To Run
144 bpm • C# min • 03:36 • -10.17db
12% Popularity • 43% Danceability • 32% Energy • 17% Liveness
5% Instrumentalness • 5% Positiveness
12% Popularity • 43% Danceability • 32% Energy • 17% Liveness
5% Instrumentalness • 5% Positiveness
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Armon Jay
A Little Longer
130 bpm • C Maj • 06:51 • -12db
8% Popularity • 58% Danceability • 35% Energy • 7% Liveness
4% Instrumentalness • 11% Positiveness
8% Popularity • 58% Danceability • 35% Energy • 7% Liveness
4% Instrumentalness • 11% Positiveness
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MILCK
Undercover
130 bpm • F# Maj • 03:35 • -8.74db
18% Popularity • 58% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
18% Popularity • 58% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Denmark + Winter
Walk the Line
145 bpm • F min • 03:38 • -12db
12% Popularity • 33% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 33% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Cary Brothers
Everything I Say
130 bpm • C Maj • 02:50 • -13.53db
14% Popularity • 57% Danceability • 29% Energy • 15% Liveness
34% Instrumentalness • 24% Positiveness
14% Popularity • 57% Danceability • 29% Energy • 15% Liveness
34% Instrumentalness • 24% Positiveness
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Aisha Badru
Waiting Around - Acoustic
145 bpm • C Maj • 02:32 • -15db
52% Popularity • 48% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
52% Popularity • 48% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Adna
Silhouette (Always Yours)
130 bpm • F min • 03:48 • -9.07db
21% Popularity • 50% Danceability • 33% Energy • 6% Liveness
10% Instrumentalness • 8% Positiveness
21% Popularity • 50% Danceability • 33% Energy • 6% Liveness
10% Instrumentalness • 8% Positiveness
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Caroline Pennell
Patient
130 bpm • F Maj • 03:53 • -9.89db
19% Popularity • 50% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 50% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Avila
Dream On
145 bpm • F min • 03:13 • -8.28db
18% Popularity • 32% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
18% Popularity • 32% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Empara Mi
The Come Down - 3 A.M. Version
130 bpm • G Maj • 03:33 • -13.91db
17% Popularity • 59% Danceability • 38% Energy • 76% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 59% Danceability • 38% Energy • 76% Liveness
0% Instrumentalness • 43% Positiveness
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Gordi
Can We Work It Out - Piano Version - Bon...
130 bpm • C Maj • 04:03 • -10.73db
7% Popularity • 75% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
7% Popularity • 75% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Richard Walters
Nervous Energy
130 bpm • G# Maj • 03:33 • -16.48db
11% Popularity • 47% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
11% Popularity • 47% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Julia Michaels
Don't Wanna Think
130 bpm • C Maj • 02:59 • -6.52db
37% Popularity • 53% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 53% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Lxandra
Dig Deep - Acoustic Version
129 bpm • G# Maj • 03:35 • -10.46db
31% Popularity • 51% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
31% Popularity • 51% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Jade Bird
What Am I Here For
129 bpm • G Maj • 04:43 • -13db
45% Popularity • 40% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
45% Popularity • 40% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Rosie Carney
K.
129 bpm • D# Maj • 04:29 • -10.92db
40% Popularity • 35% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 35% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Lucie Silvas
You Got It
129 bpm • C Maj • 05:22 • -9db
13% Popularity • 33% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
13% Popularity • 33% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Storm Greenwood
A Little Broken
129 bpm • D# Maj • 04:07 • -12db
18% Popularity • 50% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 50% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Roses & Revolutions
Boulevard of Broken Dreams
146 bpm • G Maj • 03:10 • -11.87db
51% Popularity • 53% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 53% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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The Rigs
Home
146 bpm • E min • 03:40 • -14db
19% Popularity • 45% Danceability • 42% Energy • 8% Liveness
32% Instrumentalness • 5% Positiveness
19% Popularity • 45% Danceability • 42% Energy • 8% Liveness
32% Instrumentalness • 5% Positiveness
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Dan Owen
Hand That You Hold
129 bpm • G Maj • 03:17 • -6.44db
37% Popularity • 38% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 38% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Calum Scott
Not Dark Yet
128 bpm • C Maj • 03:35 • -7.7db
38% Popularity • 59% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
38% Popularity • 59% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Bryde
To Be Brave
128 bpm • E min • 04:13 • -9.65db
23% Popularity • 40% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
23% Popularity • 40% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Regina Price
Hanging on the Edge
128 bpm • C Maj • 03:21 • -9.62db
23% Popularity • 62% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 62% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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ADONA
Our Time Will Come
128 bpm • D min • 04:26 • -16.6db
19% Popularity • 41% Danceability • 21% Energy • 8% Liveness
23% Instrumentalness • 4% Positiveness
19% Popularity • 41% Danceability • 21% Energy • 8% Liveness
23% Instrumentalness • 4% Positiveness
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Fleurie
Summer Girl
128 bpm • A# Maj • 03:35 • -10db
17% Popularity • 47% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 47% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
