Songs like Quintetto de Mozart, Op. 156 by Ferdinando Carulli
Based on a tempo of (+/- 10%) and a similar genre
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Ferdinando Carulli
24 Preludes, Op. 114: No. 1
140 bpm • C Maj • 01:26 • -22.22db
3% Popularity • 21% Danceability • 23% Energy • 13% Liveness
91% Instrumentalness • 33% Positiveness
3% Popularity • 21% Danceability • 23% Energy • 13% Liveness
91% Instrumentalness • 33% Positiveness
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Hermann Ambrosius
Concerto for 2 Guitars & Orchestra: III....
140 bpm • E min • 03:05 • -12.71db
19% Popularity • 68% Danceability • 30% Energy • 12% Liveness
86% Instrumentalness • 51% Positiveness
19% Popularity • 68% Danceability • 30% Energy • 12% Liveness
86% Instrumentalness • 51% Positiveness
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Matteo Carcassi
Carcassi Op.26 N.4 Allegro
140 bpm • A min • 01:58 • -17.39db
26% Popularity • 27% Danceability • 28% Energy • 12% Liveness
87% Instrumentalness • 56% Positiveness
26% Popularity • 27% Danceability • 28% Energy • 12% Liveness
87% Instrumentalness • 56% Positiveness
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Mario Castelnuovo-Tedesco
Les guitares bien temperees (The Well-Te...
140 bpm • G min • 02:49 • -27.23db
12% Popularity • 43% Danceability • 7% Energy • 13% Liveness
92% Instrumentalness • 41% Positiveness
12% Popularity • 43% Danceability • 7% Energy • 13% Liveness
92% Instrumentalness • 41% Positiveness
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Giuseppe Antonio Brescianello
Colascione Partita XVI: IV. Gigue
140 bpm • E min • 01:54 • -29.68db
14% Popularity • 34% Danceability • 3% Energy • 8% Liveness
78% Instrumentalness • 31% Positiveness
14% Popularity • 34% Danceability • 3% Energy • 8% Liveness
78% Instrumentalness • 31% Positiveness
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Frantz Casseus
Etude No. 1
141 bpm • A min • 01:48 • -28.16db
7% Popularity • 46% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 23% Positiveness
7% Popularity • 46% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 23% Positiveness
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Marek Pasieczny
Pōkarekare Ana (The Waves are Breaking)
141 bpm • D Maj • 03:38 • -19.39db
8% Popularity • 43% Danceability • 11% Energy • 17% Liveness
91% Instrumentalness • 34% Positiveness
8% Popularity • 43% Danceability • 11% Energy • 17% Liveness
91% Instrumentalness • 34% Positiveness
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David Albornoz
Caprice #2 Op.36, Luigi Legnani
141 bpm • E min • 00:58 • -15.87db
21% Popularity • 41% Danceability • 24% Energy • 12% Liveness
92% Instrumentalness • 34% Positiveness
21% Popularity • 41% Danceability • 24% Energy • 12% Liveness
92% Instrumentalness • 34% Positiveness
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Luigi Legnani
36 Caprices, Op. 20: II. Allegro
139 bpm • E min • 00:50 • -26db
34% Popularity • 31% Danceability • 18% Energy • 13% Liveness
91% Instrumentalness • 79% Positiveness
34% Popularity • 31% Danceability • 18% Energy • 13% Liveness
91% Instrumentalness • 79% Positiveness
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Johann Kaspar Mertz
Tarantella
139 bpm • A min • 03:53 • -13.52db
20% Popularity • 36% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 34% Positiveness
20% Popularity • 36% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 34% Positiveness
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Ferdinando Carulli
24 Preludes, Op. 114: No. 5
141 bpm • E Maj • 01:00 • -21.84db
2% Popularity • 31% Danceability • 24% Energy • 12% Liveness
94% Instrumentalness • 73% Positiveness
2% Popularity • 31% Danceability • 24% Energy • 12% Liveness
94% Instrumentalness • 73% Positiveness
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Joaquín Turina
Homenaje a Tarrega: I. Garrotin
141 bpm • D Maj • 02:41 • -17.58db
14% Popularity • 43% Danceability • 19% Energy • 22% Liveness
90% Instrumentalness • 48% Positiveness
14% Popularity • 43% Danceability • 19% Energy • 22% Liveness
90% Instrumentalness • 48% Positiveness
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Vincenzo Galilei
26 Ricercares: No. 7, Ricercare del sett...
139 bpm • D Maj • 01:18 • -22db
26% Popularity • 46% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 51% Positiveness
26% Popularity • 46% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 51% Positiveness
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Julian Arcas
Colección de Tangos: V. Tango V
138 bpm • D min • 03:13 • -20.25db
15% Popularity • 45% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
15% Popularity • 45% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
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W.H. Rulison
Rochester Schottisch (Arr. J. Holland fo...
142 bpm • D Maj • 01:57 • -17.42db
23% Popularity • 46% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 54% Positiveness
23% Popularity • 46% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 54% Positiveness
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Ellis Lamar
Study in A minor (Aguado)
142 bpm • A min • 01:02 • -24.02db
16% Popularity • 37% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 43% Positiveness
16% Popularity • 37% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 43% Positiveness
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Ferdinando Carulli
24 Preludes, Op. 114: No. 6
139 bpm • F Maj • 01:05 • -22.93db
2% Popularity • 25% Danceability • 18% Energy • 10% Liveness
93% Instrumentalness • 21% Positiveness
2% Popularity • 25% Danceability • 18% Energy • 10% Liveness
93% Instrumentalness • 21% Positiveness
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Joaquín Turina
Sevillana
141 bpm • G Maj • 07:14 • -17db
13% Popularity • 40% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
13% Popularity • 40% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
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Domenico Scarlatti
Sonata K 40
138 bpm • A Maj • 01:18 • -16db
28% Popularity • 53% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 39% Positiveness
28% Popularity • 53% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 39% Positiveness
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Maximo Diego Pujol
Stella australis
137 bpm • E Maj • 04:04 • -27.62db
20% Popularity • 32% Danceability • 8% Energy • 9% Liveness
91% Instrumentalness • 29% Positiveness
20% Popularity • 32% Danceability • 8% Energy • 9% Liveness
91% Instrumentalness • 29% Positiveness
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Luigi Legnani
36 Caprices, Op. 20: No. 4, Allegretto
137 bpm • E min • 01:01 • -23.67db
16% Popularity • 42% Danceability • 24% Energy • 11% Liveness
93% Instrumentalness • 52% Positiveness
16% Popularity • 42% Danceability • 24% Energy • 11% Liveness
93% Instrumentalness • 52% Positiveness
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Niccolò Paganini
Ghiribizzi, Ms 43: No. 8 in C Major. And...
137 bpm • C Maj • 01:10 • -33.7db
23% Popularity • 32% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
23% Popularity • 32% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
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Ferdinando Carulli
24 Pièces, Op. 121: No. 18, Andante
138 bpm • A Maj • 02:06 • -12.19db
2% Popularity • 54% Danceability • 50% Energy • 11% Liveness
92% Instrumentalness • 97% Positiveness
2% Popularity • 54% Danceability • 50% Energy • 11% Liveness
92% Instrumentalness • 97% Positiveness
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Luis Orlandini
Cristalino
143 bpm • D Maj • 04:55 • -16.36db
7% Popularity • 50% Danceability • 15% Energy • 16% Liveness
80% Instrumentalness • 10% Positiveness
7% Popularity • 50% Danceability • 15% Energy • 16% Liveness
80% Instrumentalness • 10% Positiveness
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CHISSI
Menuett No.1 in G-Dur
143 bpm • G Maj • 01:25 • -12.33db
16% Popularity • 69% Danceability • 39% Energy • 12% Liveness
79% Instrumentalness • 82% Positiveness
16% Popularity • 69% Danceability • 39% Energy • 12% Liveness
79% Instrumentalness • 82% Positiveness
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Federico Moreno Torroba
Castillos de España: Alba de Tormes
143 bpm • D Maj • 01:33 • -22.57db
22% Popularity • 45% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
22% Popularity • 45% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
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Janco de Leeuw
Over de Velden
137 bpm • A min • 01:18 • -14.76db
8% Popularity • 52% Danceability • 30% Energy • 11% Liveness
96% Instrumentalness • 49% Positiveness
8% Popularity • 52% Danceability • 30% Energy • 11% Liveness
96% Instrumentalness • 49% Positiveness
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João Pernambuco
Sons de Carilhões (Version 2)
143 bpm • D Maj • 01:30 • -21.69db
19% Popularity • 35% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 88% Positiveness
19% Popularity • 35% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 88% Positiveness
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Ferdinando Carulli
24 Preludes, Op. 114: No. 7
142 bpm • A min • 01:57 • -22.27db
2% Popularity • 21% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 38% Positiveness
2% Popularity • 21% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 38% Positiveness
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José Maria Gallardo del Rey
California Suite: I. Preludio
144 bpm • D Maj • 01:57 • -22.15db
19% Popularity • 24% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
19% Popularity • 24% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
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Maurizio Baudino
Sulle scale per terze
136 bpm • C Maj • 01:57 • -23.75db
23% Popularity • 44% Danceability • 14% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
23% Popularity • 44% Danceability • 14% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
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Franz Schubert
Schwanengesang, D. 957: No. 5. Aufenthal...
136 bpm • E min • 03:17 • -22.46db
17% Popularity • 43% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 30% Positiveness
17% Popularity • 43% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 30% Positiveness
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Matteo Carcassi
Carcassi Op.60 N.7 Allegro
144 bpm • A min • 01:35 • -16db
32% Popularity • 19% Danceability • 47% Energy • 9% Liveness
90% Instrumentalness • 39% Positiveness
32% Popularity • 19% Danceability • 47% Energy • 9% Liveness
90% Instrumentalness • 39% Positiveness
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Luigi Legnani
36 Caprices, Op. 20: VII. Prestissimo
136 bpm • A Maj • 01:29 • -24db
27% Popularity • 38% Danceability • 15% Energy • 13% Liveness
92% Instrumentalness • 67% Positiveness
27% Popularity • 38% Danceability • 15% Energy • 13% Liveness
92% Instrumentalness • 67% Positiveness
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Ferdinando Carulli
24 Preludes, Op. 114: No. 8
143 bpm • C Maj • 01:11 • -24.11db
2% Popularity • 24% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 49% Positiveness
2% Popularity • 24% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 49% Positiveness
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Michael Lucarelli
Prelude in D Minor
136 bpm • D min • 01:10 • -19.55db
12% Popularity • 33% Danceability • 44% Energy • 14% Liveness
84% Instrumentalness • 15% Positiveness
12% Popularity • 33% Danceability • 44% Energy • 14% Liveness
84% Instrumentalness • 15% Positiveness
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Leo Brouwer
Preludios Epigramaticos: No. 4
144 bpm • A Maj • 01:28 • -31db
35% Popularity • 30% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
35% Popularity • 30% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
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Marek Pasieczny
Przyjechal Jasiu (Johnny Arrived, Poland...
144 bpm • A min • 01:16 • -21.86db
12% Popularity • 48% Danceability • 5% Energy • 10% Liveness
83% Instrumentalness • 27% Positiveness
12% Popularity • 48% Danceability • 5% Energy • 10% Liveness
83% Instrumentalness • 27% Positiveness
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Matteo Carcassi
25 études
145 bpm • F Maj • 01:13 • -19.99db
22% Popularity • 48% Danceability • 2% Energy • 8% Liveness
82% Instrumentalness • 46% Positiveness
22% Popularity • 48% Danceability • 2% Energy • 8% Liveness
82% Instrumentalness • 46% Positiveness
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Hermann Ambrosius
Concerto for 2 Guitars & Orchestra: I. A...
145 bpm • E min • 02:39 • -10.74db
18% Popularity • 70% Danceability • 33% Energy • 24% Liveness
76% Instrumentalness • 55% Positiveness
18% Popularity • 70% Danceability • 33% Energy • 24% Liveness
76% Instrumentalness • 55% Positiveness
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Ferdinando Carulli
24 Preludes, Op. 114: No. 3
137 bpm • D Maj • 01:09 • -22.11db
3% Popularity • 25% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
3% Popularity • 25% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
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Miguel Llobet Solés
13 Catalan Folksongs: La pastoreta
135 bpm • D Maj • 01:19 • -20db
28% Popularity • 46% Danceability • 24% Energy • 9% Liveness
87% Instrumentalness • 77% Positiveness
28% Popularity • 46% Danceability • 24% Energy • 9% Liveness
87% Instrumentalness • 77% Positiveness
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Leo Brouwer
Nuevos Estudios Sencillos: II. Omaggio a...
136 bpm • G Maj • 01:06 • -18.98db
16% Popularity • 34% Danceability • 15% Energy • 12% Liveness
93% Instrumentalness • 73% Positiveness
16% Popularity • 34% Danceability • 15% Energy • 12% Liveness
93% Instrumentalness • 73% Positiveness
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Miko Régis
Etude En La Major Op. 60 No. 3
135 bpm • A Maj • 01:31 • -11.71db
25% Popularity • 35% Danceability • 48% Energy • 12% Liveness
89% Instrumentalness • 52% Positiveness
25% Popularity • 35% Danceability • 48% Energy • 12% Liveness
89% Instrumentalness • 52% Positiveness
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Andrew York
Poem No. 4
135 bpm • D min • 01:37 • -15.21db
10% Popularity • 50% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 38% Positiveness
10% Popularity • 50% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 38% Positiveness
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Efrain Silva
Quince Estudios Venezolanos: No. 3, Canc...
134 bpm • D Maj • 01:58 • -23.16db
27% Popularity • 30% Danceability • 13% Energy • 9% Liveness
93% Instrumentalness • 18% Positiveness
27% Popularity • 30% Danceability • 13% Energy • 9% Liveness
93% Instrumentalness • 18% Positiveness
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Ferdinando Carulli
24 Pieces, Op. 121: No. 12, Walzer
136 bpm • D Maj • 02:08 • -13.7db
2% Popularity • 54% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 51% Positiveness
2% Popularity • 54% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 51% Positiveness
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Mauro Giuliani
Studio Op.48 N.15 - Andantino
134 bpm • A# Maj • 01:13 • -21.03db
22% Popularity • 50% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 44% Positiveness
22% Popularity • 50% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 44% Positiveness
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Astor Piazzolla
Invierno Porteño
134 bpm • G min • 06:08 • -17db
8% Popularity • 36% Danceability • 18% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
8% Popularity • 36% Danceability • 18% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Napoléon Coste
Méthode complète pour la guitare
134 bpm • A Maj • 01:25 • -21.99db
27% Popularity • 29% Danceability • 16% Energy • 14% Liveness
94% Instrumentalness • 50% Positiveness
27% Popularity • 29% Danceability • 16% Energy • 14% Liveness
94% Instrumentalness • 50% Positiveness
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Antonio Chover Salom
Homenaje a Escocia (Variaciones sobre un...
134 bpm • D Maj • 08:50 • -21db
12% Popularity • 43% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
12% Popularity • 43% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
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Carlo Domeniconi
Schnee in Istanbul & Schneeschmelze, Op....
134 bpm • E Maj • 02:25 • -30.84db
16% Popularity • 27% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
16% Popularity • 27% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
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Ferdinando Carulli
24 Preludes, Op. 114: No. 4
145 bpm • A Maj • 01:35 • -21.36db
2% Popularity • 18% Danceability • 29% Energy • 11% Liveness
93% Instrumentalness • 42% Positiveness
2% Popularity • 18% Danceability • 29% Energy • 11% Liveness
93% Instrumentalness • 42% Positiveness
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Mauro Giuliani
Grande Ouverture, Op.61:Andante sostenut...
134 bpm • A min • 00:58 • -30.81db
16% Popularity • 55% Danceability • 1% Energy • 9% Liveness
28% Instrumentalness • 26% Positiveness
16% Popularity • 55% Danceability • 1% Energy • 9% Liveness
28% Instrumentalness • 26% Positiveness
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Johann Kaspar Mertz
Elegie: Elegy
133 bpm • A min • 08:32 • -29db
16% Popularity • 33% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
16% Popularity • 33% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
133 bpm • D min • 02:19 • -26.37db
42% Popularity • 61% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 66% Positiveness
42% Popularity • 61% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 66% Positiveness
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Vincenzo Galilei
26 Ricercares: No. 26, Altro ricercare d...
134 bpm • B min • 01:03 • -21.1db
25% Popularity • 38% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 49% Positiveness
25% Popularity • 38% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 49% Positiveness
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Klaus Rothkegel
10 Miniaturen In Pop. Stilen: Little Lig...
132 bpm • A Maj • 01:45 • -19db
13% Popularity • 55% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 47% Positiveness
13% Popularity • 55% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 47% Positiveness
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Ferdinando Carulli
24 Preludes, Op. 114: No. 2
146 bpm • G Maj • 01:09 • -23.32db
2% Popularity • 23% Danceability • 24% Energy • 12% Liveness
94% Instrumentalness • 49% Positiveness
2% Popularity • 23% Danceability • 24% Energy • 12% Liveness
94% Instrumentalness • 49% Positiveness
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Komitas
Alagiaz / Khnki Tzar (Arr. by João Kouy...
133 bpm • B min • 02:47 • -17.3db
14% Popularity • 61% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
14% Popularity • 61% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
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Matteo Carcassi
25 Etudes Mèlodiques, Op. 60: No. 2, Mo...
148 bpm • A min • 02:11 • -14.11db
11% Popularity • 42% Danceability • 46% Energy • 12% Liveness
90% Instrumentalness • 38% Positiveness
11% Popularity • 42% Danceability • 46% Energy • 12% Liveness
90% Instrumentalness • 38% Positiveness
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Alvaro Company
Suite per Flavio: I. Le campanelle in le...
132 bpm • F# min • 02:20 • -26.98db
16% Popularity • 37% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 27% Positiveness
16% Popularity • 37% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 27% Positiveness
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Niccolò Paganini
24 Caprices, Op. 1: No. 9 in E Major (ar...
132 bpm • E Maj • 04:39 • -24.34db
11% Popularity • 54% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
11% Popularity • 54% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
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Instrumental genius
Echoes of Six Strings
132 bpm • D Maj • 01:02 • -29db
26% Popularity • 48% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 33% Positiveness
26% Popularity • 48% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 33% Positiveness
► Preview
Ferdinando Carulli
24 Pieces, Op. 121: No. 13, Walzer
147 bpm • A Maj • 01:41 • -16.88db
2% Popularity • 54% Danceability • 19% Energy • 11% Liveness
95% Instrumentalness • 92% Positiveness
2% Popularity • 54% Danceability • 19% Energy • 11% Liveness
95% Instrumentalness • 92% Positiveness
► Preview
Bjørn Bolstad Skjelbred
Lockdown Miniature #3
132 bpm • D Maj • 03:51 • -20.9db
11% Popularity • 55% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
11% Popularity • 55% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
► Preview
Johann Kaspar Mertz
Standchen (Serenade)
132 bpm • C Maj • 05:58 • -29.27db
14% Popularity • 40% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
14% Popularity • 40% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
► Preview
Mauro Giuliani
Studio Op.48 N.16 - Allegro Maestoso
132 bpm • A Maj • 01:12 • -17.75db
24% Popularity • 35% Danceability • 29% Energy • 11% Liveness
90% Instrumentalness • 80% Positiveness
24% Popularity • 35% Danceability • 29% Energy • 11% Liveness
90% Instrumentalness • 80% Positiveness
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Vincenzo Galilei
26 Ricercares: No. 10, Ricercare del dec...
132 bpm • E Maj • 01:03 • -22.32db
30% Popularity • 52% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 49% Positiveness
30% Popularity • 52% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 49% Positiveness
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Joaquín Turina
Sonate, Op. 61: I. allegro
131 bpm • D Maj • 04:08 • -20.35db
13% Popularity • 38% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 33% Positiveness
13% Popularity • 38% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 33% Positiveness
► Preview
Ferdinando Carulli
24 Pièces, Op. 121: No. 16, Walzer
148 bpm • C Maj • 01:40 • -11.91db
1% Popularity • 46% Danceability • 29% Energy • 11% Liveness
95% Instrumentalness • 39% Positiveness
1% Popularity • 46% Danceability • 29% Energy • 11% Liveness
95% Instrumentalness • 39% Positiveness
► Preview
Andrés Segovia
Preludio No. 3: León
131 bpm • E min • 01:11 • -28.36db
14% Popularity • 48% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
14% Popularity • 48% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
► Preview
Miguel Llobet Solés
Variations on a Theme of Sor, Op. 15: In...
150 bpm • E Maj • 01:05 • -25db
26% Popularity • 40% Danceability • 5% Energy • 9% Liveness
68% Instrumentalness • 25% Positiveness
26% Popularity • 40% Danceability • 5% Energy • 9% Liveness
68% Instrumentalness • 25% Positiveness
► Preview
Leo Brouwer
Un Dia de Noviembre
131 bpm • A min • 04:01 • -17db
9% Popularity • 46% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
9% Popularity • 46% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
► Preview
Per-Olov Kindgren
This Is the Time
131 bpm • A Maj • 01:25 • -21db
21% Popularity • 38% Danceability • 19% Energy • 22% Liveness
87% Instrumentalness • 32% Positiveness
21% Popularity • 38% Danceability • 19% Energy • 22% Liveness
87% Instrumentalness • 32% Positiveness
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Mauro Giuliani
Studio Op.48 N.23 - Allegro Con Moto
130 bpm • B min • 00:58 • -22.87db
24% Popularity • 36% Danceability • 20% Energy • 10% Liveness
87% Instrumentalness • 48% Positiveness
24% Popularity • 36% Danceability • 20% Energy • 10% Liveness
87% Instrumentalness • 48% Positiveness
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Ferdinando Carulli
Guitar Sonata, Op. 21, No. 2: III. Alleg...
149 bpm • D Maj • 03:50 • -26db
17% Popularity • 33% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
17% Popularity • 33% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
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João Kouyoumdjian
Sons De Carrilhões
130 bpm • D Maj • 02:41 • -22.93db
17% Popularity • 41% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 62% Positiveness
17% Popularity • 41% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 62% Positiveness
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Miguel Llobet Solés
Variations on a Theme of Sor, Op. 15: Va...
150 bpm • E min • 00:53 • -15db
25% Popularity • 48% Danceability • 23% Energy • 12% Liveness
91% Instrumentalness • 41% Positiveness
25% Popularity • 48% Danceability • 23% Energy • 12% Liveness
91% Instrumentalness • 41% Positiveness
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Ernest Shand
The Gnomes, Op. 77
130 bpm • E min • 02:00 • -14.9db
13% Popularity • 51% Danceability • 37% Energy • 25% Liveness
91% Instrumentalness • 18% Positiveness
13% Popularity • 51% Danceability • 37% Energy • 25% Liveness
91% Instrumentalness • 18% Positiveness
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Luigi Legnani
36 Caprices, Op. 20: XXIV. Allegro molto
151 bpm • E Maj • 01:11 • -25.63db
14% Popularity • 40% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
14% Popularity • 40% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
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Leo Brouwer
Un dia de Noviembre
130 bpm • A min • 04:48 • -29.83db
14% Popularity • 26% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
14% Popularity • 26% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
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Ferdinando Carulli
Guitar Duo, Op. 62 No. 1: IV. Polonaise ...
132 bpm • D Maj • 03:53 • -9.39db
8% Popularity • 53% Danceability • 53% Energy • 20% Liveness
93% Instrumentalness • 80% Positiveness
8% Popularity • 53% Danceability • 53% Energy • 20% Liveness
93% Instrumentalness • 80% Positiveness
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Jonathan Richter
Etude No. 5, Op. 241: Andantino
129 bpm • G Maj • 01:45 • -14db
2% Popularity • 50% Danceability • 25% Energy • 14% Liveness
92% Instrumentalness • 75% Positiveness
2% Popularity • 50% Danceability • 25% Energy • 14% Liveness
92% Instrumentalness • 75% Positiveness
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Johann Kaspar Mertz
Bardenklange, Op. 13: Book 3: No. 3. Cap...
152 bpm • D min • 01:36 • -26db
33% Popularity • 19% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 26% Positiveness
33% Popularity • 19% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 26% Positiveness
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Harish Powar
Once Upon a Time
129 bpm • E Maj • 02:09 • -23.24db
27% Popularity • 49% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 45% Positiveness
27% Popularity • 49% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 45% Positiveness
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Mauro Giuliani
Studio Op.100 N.11 - Allegro
129 bpm • A min • 01:13 • -22.98db
25% Popularity • 26% Danceability • 31% Energy • 13% Liveness
86% Instrumentalness • 38% Positiveness
25% Popularity • 26% Danceability • 31% Energy • 13% Liveness
86% Instrumentalness • 38% Positiveness
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Joseph Haydn
Symphony No. 93 in D Major, Hob.I:93: I....
128 bpm • D Maj • 05:51 • -24db
2% Popularity • 45% Danceability • 7% Energy • 18% Liveness
89% Instrumentalness • 38% Positiveness
2% Popularity • 45% Danceability • 7% Energy • 18% Liveness
89% Instrumentalness • 38% Positiveness
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Ferdinando Carulli
24 Preludes, Op. 114: No. 10
131 bpm • C Maj • 01:49 • -18.32db
2% Popularity • 40% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
2% Popularity • 40% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
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Leo Brouwer
Estudios Sencillos: I. Movido
153 bpm • E min • 00:55 • -21db
16% Popularity • 32% Danceability • 20% Energy • 10% Liveness
95% Instrumentalness • 19% Positiveness
16% Popularity • 32% Danceability • 20% Energy • 10% Liveness
95% Instrumentalness • 19% Positiveness
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Maximo Diego Pujol
Elegia por la muerte de un tanguero (Ele...
153 bpm • E min • 02:43 • -28db
19% Popularity • 23% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
19% Popularity • 23% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
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Hermann Ambrosius
Duo for 2 Guitars in G Major: II. Romanz...
128 bpm • C Maj • 03:02 • -22.57db
9% Popularity • 55% Danceability • 5% Energy • 10% Liveness
85% Instrumentalness • 12% Positiveness
9% Popularity • 55% Danceability • 5% Energy • 10% Liveness
85% Instrumentalness • 12% Positiveness
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Giulio Regondi
"Nocturne" Reverie, Op. 19
128 bpm • D Maj • 09:59 • -18.67db
16% Popularity • 27% Danceability • 25% Energy • 9% Liveness
92% Instrumentalness • 24% Positiveness
16% Popularity • 27% Danceability • 25% Energy • 9% Liveness
92% Instrumentalness • 24% Positiveness
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Trần Hoài Phương
Góp Lá Mùa Xuân
154 bpm • A min • 04:04 • -20.66db
4% Popularity • 42% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 26% Positiveness
4% Popularity • 42% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 26% Positiveness
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Ferdinando Carulli
Quatre rondeaux pour la guitarre : no. 4
130 bpm • A Maj • 02:04 • -22.94db
1% Popularity • 40% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 66% Positiveness
1% Popularity • 40% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 66% Positiveness
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Florian Forestino
Indecisive
127 bpm • C min • 01:02 • -32.54db
23% Popularity • 52% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 39% Positiveness
23% Popularity • 52% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 39% Positiveness
► Preview
Maximo Diego Pujol
Suite del Plata No. 1: III. Milonga
128 bpm • D min • 03:20 • -11.45db
11% Popularity • 54% Danceability • 30% Energy • 32% Liveness
93% Instrumentalness • 21% Positiveness
11% Popularity • 54% Danceability • 30% Energy • 32% Liveness
93% Instrumentalness • 21% Positiveness
► Preview
Federico Moreno Torroba
Castillos de Espana II: No. 2. Manzanare...
127 bpm • A min • 01:05 • -27db
32% Popularity • 36% Danceability • 16% Energy • 10% Liveness
84% Instrumentalness • 78% Positiveness
32% Popularity • 36% Danceability • 16% Energy • 10% Liveness
84% Instrumentalness • 78% Positiveness