Songs like Quite Some Time by Nick Leng
Based on a tempo of (+/- 10%) and a similar genre
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Nick Leng
Quite Some Time
145 bpm • B Maj • 03:15 • -8.54db
17% Popularity • 51% Danceability • 66% Energy • 17% Liveness
7% Instrumentalness • 13% Positiveness
17% Popularity • 51% Danceability • 66% Energy • 17% Liveness
7% Instrumentalness • 13% Positiveness
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Elijah Fox
Heathrow (Leaving)
145 bpm • A min • 01:32 • -26db
46% Popularity • 53% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
46% Popularity • 53% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
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Alice Phoebe Lou
Open My Door
145 bpm • C Maj • 02:33 • -6.68db
61% Popularity • 50% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
61% Popularity • 50% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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No Vacation
Last Dance
145 bpm • E Maj • 02:35 • -19.97db
41% Popularity • 29% Danceability • 8% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
41% Popularity • 29% Danceability • 8% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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RICEWINE
Bye, Goodnight
145 bpm • F Maj • 02:29 • -16.23db
33% Popularity • 40% Danceability • 34% Energy • 9% Liveness
95% Instrumentalness • 37% Positiveness
33% Popularity • 40% Danceability • 34% Energy • 9% Liveness
95% Instrumentalness • 37% Positiveness
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Kate Bollinger
Shadows
146 bpm • F min • 02:37 • -7.48db
43% Popularity • 54% Danceability • 43% Energy • 12% Liveness
15% Instrumentalness • 38% Positiveness
43% Popularity • 54% Danceability • 43% Energy • 12% Liveness
15% Instrumentalness • 38% Positiveness
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Nick Leng
Coffee and Fruit
144 bpm • C# Maj • 01:49 • -10.26db
15% Popularity • 65% Danceability • 39% Energy • 24% Liveness
2% Instrumentalness • 32% Positiveness
15% Popularity • 65% Danceability • 39% Energy • 24% Liveness
2% Instrumentalness • 32% Positiveness
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Adam Melchor
Last Time
146 bpm • G Maj • 03:13 • -11.35db
43% Popularity • 49% Danceability • 56% Energy • 29% Liveness
4% Instrumentalness • 41% Positiveness
43% Popularity • 49% Danceability • 56% Energy • 29% Liveness
4% Instrumentalness • 41% Positiveness
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Okey Dokey
Threw My Love Away
144 bpm • A Maj • 03:31 • -6.69db
44% Popularity • 33% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
44% Popularity • 33% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
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Dario Lessing
Elfe
146 bpm • A Maj • 03:38 • -20.2db
38% Popularity • 31% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
38% Popularity • 31% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
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Lake Isabel
Scenes From the Cityscape
144 bpm • F min • 02:34 • -24.13db
44% Popularity • 39% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 41% Positiveness
44% Popularity • 39% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 41% Positiveness
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The Brazen Youth
Pleo
147 bpm • E min • 03:05 • -21.19db
17% Popularity • 31% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
17% Popularity • 31% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
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Strawberry Guy
Sun Outside My Window
142 bpm • A# Maj • 03:21 • -6db
52% Popularity • 43% Danceability • 63% Energy • 23% Liveness
91% Instrumentalness • 22% Positiveness
52% Popularity • 43% Danceability • 63% Energy • 23% Liveness
91% Instrumentalness • 22% Positiveness
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Golden Daze
Wayward Tide
142 bpm • E Maj • 02:57 • -12.38db
24% Popularity • 40% Danceability • 36% Energy • 32% Liveness
87% Instrumentalness • 35% Positiveness
24% Popularity • 40% Danceability • 36% Energy • 32% Liveness
87% Instrumentalness • 35% Positiveness
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Uma
Maybe We'll Wake Up - Demo
148 bpm • G Maj • 02:09 • -10.81db
37% Popularity • 38% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 38% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Lullatone
Just Spending Time
148 bpm • C Maj • 02:02 • -27db
32% Popularity • 50% Danceability • 20% Energy • 20% Liveness
96% Instrumentalness • 31% Positiveness
32% Popularity • 50% Danceability • 20% Energy • 20% Liveness
96% Instrumentalness • 31% Positiveness
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Far Caspian
Questions
141 bpm • F Maj • 03:40 • -7db
40% Popularity • 49% Danceability • 90% Energy • 12% Liveness
87% Instrumentalness • 23% Positiveness
40% Popularity • 49% Danceability • 90% Energy • 12% Liveness
87% Instrumentalness • 23% Positiveness
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Julien Chang
Butterflies From Monaco
148 bpm • F Maj • 05:52 • -16.2db
33% Popularity • 32% Danceability • 20% Energy • 12% Liveness
11% Instrumentalness • 12% Positiveness
33% Popularity • 32% Danceability • 20% Energy • 12% Liveness
11% Instrumentalness • 12% Positiveness
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Nick Leng
Platform
141 bpm • F# Maj • 03:45 • -8.17db
19% Popularity • 37% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 37% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
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TOLEDO
What Happened to the Menorah?
141 bpm • C min • 02:38 • -10.63db
17% Popularity • 35% Danceability • 54% Energy • 15% Liveness
56% Instrumentalness • 17% Positiveness
17% Popularity • 35% Danceability • 54% Energy • 15% Liveness
56% Instrumentalness • 17% Positiveness
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Benjamin Gustafsson
I Thought About Death, About Time
141 bpm • A# min • 02:00 • -34.65db
38% Popularity • 19% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
38% Popularity • 19% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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Ark Patrol
Refusal
150 bpm • F Maj • 02:14 • -31.96db
41% Popularity • 38% Danceability • 4% Energy • 12% Liveness
91% Instrumentalness • 26% Positiveness
41% Popularity • 38% Danceability • 4% Energy • 12% Liveness
91% Instrumentalness • 26% Positiveness
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Far Caspian
Finding My Way Home
149 bpm • A Maj • 04:09 • -10.29db
43% Popularity • 53% Danceability • 55% Energy • 11% Liveness
78% Instrumentalness • 26% Positiveness
43% Popularity • 53% Danceability • 55% Energy • 11% Liveness
78% Instrumentalness • 26% Positiveness
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Eleni Drake
King Street
150 bpm • E Maj • 03:38 • -11.58db
47% Popularity • 57% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
47% Popularity • 57% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Hether
Twinkle
140 bpm • G# Maj • 03:14 • -9db
45% Popularity • 66% Danceability • 46% Energy • 11% Liveness
46% Instrumentalness • 43% Positiveness
45% Popularity • 66% Danceability • 46% Energy • 11% Liveness
46% Instrumentalness • 43% Positiveness
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Boy Willows
Quick Stop By
150 bpm • E Maj • 03:15 • -10.97db
21% Popularity • 51% Danceability • 46% Energy • 14% Liveness
6% Instrumentalness • 17% Positiveness
21% Popularity • 51% Danceability • 46% Energy • 14% Liveness
6% Instrumentalness • 17% Positiveness
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LAUNDRY DAY
Evening News
150 bpm • A Maj • 05:27 • -11.13db
43% Popularity • 59% Danceability • 31% Energy • 11% Liveness
5% Instrumentalness • 33% Positiveness
43% Popularity • 59% Danceability • 31% Energy • 11% Liveness
5% Instrumentalness • 33% Positiveness
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Sufjan Stevens
Futile Devices (Doveman Remix)
140 bpm • E Maj • 02:15 • -19.99db
67% Popularity • 46% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 25% Positiveness
67% Popularity • 46% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 25% Positiveness
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Mike Kota
Wasted Time
140 bpm • E Maj • 03:42 • -13.02db
27% Popularity • 56% Danceability • 37% Energy • 91% Liveness
27% Instrumentalness • 16% Positiveness
27% Popularity • 56% Danceability • 37% Energy • 91% Liveness
27% Instrumentalness • 16% Positiveness
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MOSSS
Rose
140 bpm • D Maj • 03:24 • -17.67db
12% Popularity • 62% Danceability • 36% Energy • 11% Liveness
20% Instrumentalness • 59% Positiveness
12% Popularity • 62% Danceability • 36% Energy • 11% Liveness
20% Instrumentalness • 59% Positiveness
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Gabriel Sayer
We Love a Different Way
140 bpm • D Maj • 03:23 • -9.54db
28% Popularity • 70% Danceability • 39% Energy • 10% Liveness
10% Instrumentalness • 47% Positiveness
28% Popularity • 70% Danceability • 39% Energy • 10% Liveness
10% Instrumentalness • 47% Positiveness
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Racoma
Decade
140 bpm • A min • 01:48 • -15.8db
31% Popularity • 46% Danceability • 42% Energy • 22% Liveness
57% Instrumentalness • 35% Positiveness
31% Popularity • 46% Danceability • 42% Energy • 22% Liveness
57% Instrumentalness • 35% Positiveness
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Small Forward
Most of You
140 bpm • A Maj • 04:24 • -8.46db
38% Popularity • 57% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
38% Popularity • 57% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Ritt Momney
Golden Slumbers
140 bpm • C Maj • 02:58 • -12.31db
35% Popularity • 38% Danceability • 32% Energy • 10% Liveness
69% Instrumentalness • 12% Positiveness
35% Popularity • 38% Danceability • 32% Energy • 10% Liveness
69% Instrumentalness • 12% Positiveness
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Golden Daze
Blue Bell
140 bpm • D Maj • 03:45 • -14.72db
43% Popularity • 23% Danceability • 29% Energy • 12% Liveness
61% Instrumentalness • 20% Positiveness
43% Popularity • 23% Danceability • 29% Energy • 12% Liveness
61% Instrumentalness • 20% Positiveness
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ellis
March 13 - Zoon Remix
139 bpm • C# Maj • 03:36 • -13.11db
30% Popularity • 15% Danceability • 43% Energy • 63% Liveness
88% Instrumentalness • 5% Positiveness
30% Popularity • 15% Danceability • 43% Energy • 63% Liveness
88% Instrumentalness • 5% Positiveness
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Arcade Fire
Photograph
139 bpm • F Maj • 02:25 • -23.05db
53% Popularity • 24% Danceability • 15% Energy • 8% Liveness
77% Instrumentalness • 8% Positiveness
53% Popularity • 24% Danceability • 15% Energy • 8% Liveness
77% Instrumentalness • 8% Positiveness
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flipturn
Space Cowboy
139 bpm • C Maj • 04:06 • -6.73db
52% Popularity • 48% Danceability • 50% Energy • 26% Liveness
54% Instrumentalness • 14% Positiveness
52% Popularity • 48% Danceability • 50% Energy • 26% Liveness
54% Instrumentalness • 14% Positiveness
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Dreams We've Had
News From The War
152 bpm • B min • 04:44 • -4.63db
40% Popularity • 49% Danceability • 86% Energy • 14% Liveness
82% Instrumentalness • 42% Positiveness
40% Popularity • 49% Danceability • 86% Energy • 14% Liveness
82% Instrumentalness • 42% Positiveness
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Jaguar Sun
One Day
152 bpm • B Maj • 03:03 • -9.72db
28% Popularity • 49% Danceability • 48% Energy • 21% Liveness
96% Instrumentalness • 35% Positiveness
28% Popularity • 49% Danceability • 48% Energy • 21% Liveness
96% Instrumentalness • 35% Positiveness
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Beach Vacation
It Soothes Me
152 bpm • B Maj • 02:11 • -8.42db
60% Popularity • 51% Danceability • 93% Energy • 23% Liveness
82% Instrumentalness • 93% Positiveness
60% Popularity • 51% Danceability • 93% Energy • 23% Liveness
82% Instrumentalness • 93% Positiveness
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meija
No Words
138 bpm • A min • 03:30 • -5.35db
36% Popularity • 74% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 74% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Joey Gx
Outer Space
138 bpm • E Maj • 03:33 • -15.37db
42% Popularity • 78% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
42% Popularity • 78% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
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Yellow House
Ain't Gonna Call
138 bpm • C Maj • 03:39 • -11.94db
45% Popularity • 67% Danceability • 30% Energy • 12% Liveness
7% Instrumentalness • 36% Positiveness
45% Popularity • 67% Danceability • 30% Energy • 12% Liveness
7% Instrumentalness • 36% Positiveness
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Lunar Vacation
Purple Dreams No. 4 - Demo (purple dream...
137 bpm • D Maj • 02:28 • -24.1db
16% Popularity • 53% Danceability • 8% Energy • 29% Liveness
93% Instrumentalness • 47% Positiveness
16% Popularity • 53% Danceability • 8% Energy • 29% Liveness
93% Instrumentalness • 47% Positiveness
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Ritt Momney
Escalator
153 bpm • C Maj • 02:26 • -8.4db
43% Popularity • 79% Danceability • 30% Energy • 11% Liveness
57% Instrumentalness • 50% Positiveness
43% Popularity • 79% Danceability • 30% Energy • 11% Liveness
57% Instrumentalness • 50% Positiveness
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Lord Huron
Jem's Theme
137 bpm • C Maj • 04:00 • -17.33db
41% Popularity • 32% Danceability • 21% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
41% Popularity • 32% Danceability • 21% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Matt Maltese
Krystal
154 bpm • D# Maj • 03:40 • -8.06db
68% Popularity • 52% Danceability • 51% Energy • 12% Liveness
78% Instrumentalness • 37% Positiveness
68% Popularity • 52% Danceability • 51% Energy • 12% Liveness
78% Instrumentalness • 37% Positiveness
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Elephant Castle
Euphoria
154 bpm • D# Maj • 02:48 • -9.63db
33% Popularity • 47% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 47% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Florist
Instrumental 3
137 bpm • A Maj • 01:27 • -25.08db
60% Popularity • 32% Danceability • 9% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
60% Popularity • 32% Danceability • 9% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Matty
Warm You
154 bpm • C Maj • 04:28 • -17.12db
36% Popularity • 41% Danceability • 30% Energy • 20% Liveness
43% Instrumentalness • 22% Positiveness
36% Popularity • 41% Danceability • 30% Energy • 20% Liveness
43% Instrumentalness • 22% Positiveness
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Alek Olsen
Winter Surf
136 bpm • G Maj • 01:22 • -26.17db
50% Popularity • 44% Danceability • 6% Energy • 36% Liveness
70% Instrumentalness • 21% Positiveness
50% Popularity • 44% Danceability • 6% Energy • 36% Liveness
70% Instrumentalness • 21% Positiveness
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Barrie
Human Nature
136 bpm • B min • 02:13 • -9.67db
46% Popularity • 72% Danceability • 52% Energy • 12% Liveness
85% Instrumentalness • 55% Positiveness
46% Popularity • 72% Danceability • 52% Energy • 12% Liveness
85% Instrumentalness • 55% Positiveness
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Sarah Kinsley
Ascension
136 bpm • A Maj • 02:56 • -8.9db
44% Popularity • 21% Danceability • 41% Energy • 12% Liveness
3% Instrumentalness • 7% Positiveness
44% Popularity • 21% Danceability • 41% Energy • 12% Liveness
3% Instrumentalness • 7% Positiveness
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Zeph
Forever & Always
155 bpm • G# min • 04:09 • -24db
59% Popularity • 50% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
59% Popularity • 50% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
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Far Caspian
House
136 bpm • D# Maj • 04:15 • -7.74db
27% Popularity • 61% Danceability • 45% Energy • 8% Liveness
89% Instrumentalness • 40% Positiveness
27% Popularity • 61% Danceability • 45% Energy • 8% Liveness
89% Instrumentalness • 40% Positiveness
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Angelo De Augustine
Tide
136 bpm • D Maj • 05:15 • -13.32db
30% Popularity • 45% Danceability • 25% Energy • 12% Liveness
38% Instrumentalness • 11% Positiveness
30% Popularity • 45% Danceability • 25% Energy • 12% Liveness
38% Instrumentalness • 11% Positiveness
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Baird
Lightning Of July
156 bpm • F# Maj • 02:56 • -8db
44% Popularity • 46% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
44% Popularity • 46% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
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Justice Der
Seigfried
156 bpm • E min • 06:13 • -22.64db
44% Popularity • 37% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
44% Popularity • 37% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
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Strawberry Guy
As We Bloom
134 bpm • G Maj • 02:05 • -7.9db
47% Popularity • 23% Danceability • 38% Energy • 14% Liveness
88% Instrumentalness • 9% Positiveness
47% Popularity • 23% Danceability • 38% Energy • 14% Liveness
88% Instrumentalness • 9% Positiveness
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Boyscott
Embarrassingly Enough
134 bpm • F# Maj • 03:14 • -9db
42% Popularity • 46% Danceability • 42% Energy • 12% Liveness
63% Instrumentalness • 12% Positiveness
42% Popularity • 46% Danceability • 42% Energy • 12% Liveness
63% Instrumentalness • 12% Positiveness
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Far Caspian
Pool
136 bpm • F# Maj • 04:18 • -7.96db
47% Popularity • 61% Danceability • 50% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
47% Popularity • 61% Danceability • 50% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
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Mindchatter
Referees Don't Fall in Love
134 bpm • G min • 02:28 • -12db
41% Popularity • 52% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
41% Popularity • 52% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Searows
Start
134 bpm • C# min • 01:25 • -21.67db
44% Popularity • 16% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
44% Popularity • 16% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Scott James
Belvedere
134 bpm • E Maj • 03:57 • -11.65db
38% Popularity • 45% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
38% Popularity • 45% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Brad Oberhofer
Baptism
134 bpm • C Maj • 01:06 • -20.22db
47% Popularity • 45% Danceability • 13% Energy • 16% Liveness
75% Instrumentalness • 16% Positiveness
47% Popularity • 45% Danceability • 13% Energy • 16% Liveness
75% Instrumentalness • 16% Positiveness
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Jadu Heart
Heroin Song
134 bpm • C Maj • 05:10 • -8db
43% Popularity • 51% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
43% Popularity • 51% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
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Far Caspian
Warning Sign - Alt Version
156 bpm • G min • 02:59 • -14.96db
29% Popularity • 49% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 49% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Men I Trust
Pines
134 bpm • F# min • 03:42 • -12.7db
55% Popularity • 64% Danceability • 35% Energy • 11% Liveness
80% Instrumentalness • 28% Positiveness
55% Popularity • 64% Danceability • 35% Energy • 11% Liveness
80% Instrumentalness • 28% Positiveness
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Matt Maltese
madhouse
157 bpm • A# Maj • 03:31 • -8db
59% Popularity • 64% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
59% Popularity • 64% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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TOLEDO
Qué Pasa?
134 bpm • F# Maj • 03:04 • -8.87db
35% Popularity • 63% Danceability • 57% Energy • 23% Liveness
18% Instrumentalness • 52% Positiveness
35% Popularity • 63% Danceability • 57% Energy • 23% Liveness
18% Instrumentalness • 52% Positiveness
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Nick Leng
Waste My Time
158 bpm • G# Maj • 02:07 • -13.53db
18% Popularity • 77% Danceability • 49% Energy • 15% Liveness
77% Instrumentalness • 92% Positiveness
18% Popularity • 77% Danceability • 49% Energy • 15% Liveness
77% Instrumentalness • 92% Positiveness
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Dreams We've Had
Aiyana (come down)
133 bpm • A Maj • 02:35 • -11.57db
35% Popularity • 29% Danceability • 41% Energy • 37% Liveness
60% Instrumentalness • 14% Positiveness
35% Popularity • 29% Danceability • 41% Energy • 37% Liveness
60% Instrumentalness • 14% Positiveness
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Far Caspian
Brother
134 bpm • F# Maj • 02:53 • -8.24db
50% Popularity • 61% Danceability • 67% Energy • 11% Liveness
90% Instrumentalness • 50% Positiveness
50% Popularity • 61% Danceability • 67% Energy • 11% Liveness
90% Instrumentalness • 50% Positiveness
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Jaguar Sun
Forever and More
157 bpm • B Maj • 04:22 • -11.91db
43% Popularity • 49% Danceability • 61% Energy • 14% Liveness
22% Instrumentalness • 16% Positiveness
43% Popularity • 49% Danceability • 61% Energy • 14% Liveness
22% Instrumentalness • 16% Positiveness
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Golden Vessel
besides you
132 bpm • D# min • 03:29 • -14.04db
35% Popularity • 51% Danceability • 27% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
35% Popularity • 51% Danceability • 27% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
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Elijah Fox
Wall St Underwater
132 bpm • G Maj • 01:08 • -35.75db
62% Popularity • 47% Danceability • 5% Energy • 8% Liveness
84% Instrumentalness • 57% Positiveness
62% Popularity • 47% Danceability • 5% Energy • 8% Liveness
84% Instrumentalness • 57% Positiveness
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Nick Leng
In a Book (Back to Me)
159 bpm • B Maj • 04:27 • -13.32db
23% Popularity • 55% Danceability • 37% Energy • 11% Liveness
46% Instrumentalness • 35% Positiveness
23% Popularity • 55% Danceability • 37% Energy • 11% Liveness
46% Instrumentalness • 35% Positiveness
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Miel
Shrine
132 bpm • F# Maj • 02:25 • -14.41db
22% Popularity • 58% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 37% Positiveness
22% Popularity • 58% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 37% Positiveness
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Far Caspian
Get Along
159 bpm • A# Maj • 03:22 • -5.34db
34% Popularity • 48% Danceability • 93% Energy • 10% Liveness
82% Instrumentalness • 96% Positiveness
34% Popularity • 48% Danceability • 93% Energy • 10% Liveness
82% Instrumentalness • 96% Positiveness
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Searows
Keep The Rain
132 bpm • C# Maj • 04:47 • -17.66db
57% Popularity • 47% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
57% Popularity • 47% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
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Matt Maltese
Curl up & Die
132 bpm • B Maj • 03:22 • -8.47db
65% Popularity • 62% Danceability • 28% Energy • 11% Liveness
54% Instrumentalness • 23% Positiveness
65% Popularity • 62% Danceability • 28% Energy • 11% Liveness
54% Instrumentalness • 23% Positiveness
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Ritt Momney
I
132 bpm • C Maj • 01:25 • -12.97db
40% Popularity • 42% Danceability • 17% Energy • 72% Liveness
0% Instrumentalness • 29% Positiveness
40% Popularity • 42% Danceability • 17% Energy • 72% Liveness
0% Instrumentalness • 29% Positiveness
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Nick Leng
Two Birds
132 bpm • E Maj • 03:11 • -11.07db
21% Popularity • 58% Danceability • 46% Energy • 33% Liveness
1% Instrumentalness • 48% Positiveness
21% Popularity • 58% Danceability • 46% Energy • 33% Liveness
1% Instrumentalness • 48% Positiveness
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Tomo
Coffee Cups and Cigarettes
132 bpm • G# Maj • 03:27 • -14db
57% Popularity • 46% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 15% Positiveness
57% Popularity • 46% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 15% Positiveness
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Arcade Fire
Song on the Beach
132 bpm • F Maj • 03:35 • -31.41db
59% Popularity • 60% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 33% Positiveness
59% Popularity • 60% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 33% Positiveness
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Jaguar Sun
Red
160 bpm • A Maj • 02:46 • -13.21db
41% Popularity • 37% Danceability • 46% Energy • 13% Liveness
81% Instrumentalness • 62% Positiveness
41% Popularity • 37% Danceability • 46% Energy • 13% Liveness
81% Instrumentalness • 62% Positiveness
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Current Joys
My Shadow Life
160 bpm • F# min • 01:37 • -11.16db
47% Popularity • 51% Danceability • 47% Energy • 12% Liveness
29% Instrumentalness • 14% Positiveness
47% Popularity • 51% Danceability • 47% Energy • 12% Liveness
29% Instrumentalness • 14% Positiveness
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Golden Daze
Amber
160 bpm • D Maj • 03:17 • -7.42db
32% Popularity • 52% Danceability • 65% Energy • 8% Liveness
7% Instrumentalness • 42% Positiveness
32% Popularity • 52% Danceability • 65% Energy • 8% Liveness
7% Instrumentalness • 42% Positiveness
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Nick Leng
A Plant Fell from the Window
132 bpm • B Maj • 03:36 • -12.06db
13% Popularity • 56% Danceability • 52% Energy • 14% Liveness
1% Instrumentalness • 9% Positiveness
13% Popularity • 56% Danceability • 52% Energy • 14% Liveness
1% Instrumentalness • 9% Positiveness
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BAANDIT!
rumination
131 bpm • A Maj • 01:56 • -21.41db
52% Popularity • 39% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 32% Positiveness
52% Popularity • 39% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 32% Positiveness
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Will Paquin
Grass
131 bpm • F# min • 02:09 • -15.33db
13% Popularity • 64% Danceability • 39% Energy • 13% Liveness
10% Instrumentalness • 47% Positiveness
13% Popularity • 64% Danceability • 39% Energy • 13% Liveness
10% Instrumentalness • 47% Positiveness
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Jaguar Sun
Make It Out
160 bpm • D Maj • 04:04 • -11db
40% Popularity • 64% Danceability • 61% Energy • 12% Liveness
84% Instrumentalness • 50% Positiveness
40% Popularity • 64% Danceability • 61% Energy • 12% Liveness
84% Instrumentalness • 50% Positiveness
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The Brazen Youth
Center of Gravity
130 bpm • C# min • 05:27 • -12.14db
48% Popularity • 52% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
48% Popularity • 52% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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The Breathing Effect
Week 10
131 bpm • G# min • 03:31 • -18.78db
27% Popularity • 35% Danceability • 18% Energy • 15% Liveness
91% Instrumentalness • 7% Positiveness
27% Popularity • 35% Danceability • 18% Energy • 15% Liveness
91% Instrumentalness • 7% Positiveness
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Nick Leng
Computer Madness
160 bpm • B Maj • 02:23 • -7.54db
12% Popularity • 77% Danceability • 70% Energy • 34% Liveness
10% Instrumentalness • 90% Positiveness
12% Popularity • 77% Danceability • 70% Energy • 34% Liveness
10% Instrumentalness • 90% Positiveness
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Uma
Overture
130 bpm • G Maj • 01:13 • -10.72db
30% Popularity • 36% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
30% Popularity • 36% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Lake Isabel
Cruising Altitude
161 bpm • C Maj • 02:31 • -23.79db
22% Popularity • 39% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 47% Positiveness
22% Popularity • 39% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 47% Positiveness
