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Quits
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Danny O'Keefe
Based on a tempo of (+/- 10%) and a similar genre
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Danny O'Keefe
Quits
133 bpm • G Maj • 03:18 • -12.4db
16% Popularity • 45% Danceability • 30% Energy • 9% Liveness
41% Instrumentalness • 34% Positiveness
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Bob Dylan
You're a Big Girl Now - Take 2, Remake
133 bpm • E Maj • 04:21 • -16.33db
22% Popularity • 39% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
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Eric Andersen
Thirsty Boots
133 bpm • B Maj • 05:13 • -14.81db
23% Popularity • 57% Danceability • 40% Energy • 12% Liveness
9% Instrumentalness • 74% Positiveness
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Jonathan Edwards
Evangelina
133 bpm • B Maj • 03:45 • -15.76db
17% Popularity • 64% Danceability • 32% Energy • 15% Liveness
29% Instrumentalness • 76% Positiveness
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The Ozark Mountain Daredevils
It Could Be Better
133 bpm • A Maj • 04:23 • -18.04db
19% Popularity • 53% Danceability • 11% Energy • 14% Liveness
2% Instrumentalness • 32% Positiveness
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Karla Bonoff
I Can't Hold On
133 bpm • E Maj • 03:12 • -11.51db
18% Popularity • 65% Danceability • 59% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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Bruce Cockburn
Hills Of Morning
133 bpm • G# Maj • 04:31 • -11.12db
21% Popularity • 68% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Lyle Lovett
She's Already Made Up Her Mind
133 bpm • A Maj • 04:48 • -22.25db
23% Popularity • 41% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Warren Zevon
Hasten Down the Wind
133 bpm • F Maj • 02:59 • -10.21db
28% Popularity • 50% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Steve Goodman
Would You Like To Learn To Dance
132 bpm • F Maj • 04:01 • -14.59db
13% Popularity • 65% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Darden Smith
Mine Till Morning
134 bpm • C Maj • 03:26 • -10.83db
15% Popularity • 64% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Danny O'Keefe
Angel Spread Your Wings
134 bpm • E Maj • 03:31 • -11.22db
13% Popularity • 60% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Valerie Carter
Face Of Appalachia
134 bpm • F Maj • 04:14 • -16db
10% Popularity • 51% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Eric Andersen
Faithful
132 bpm • G# Maj • 03:15 • -18.63db
9% Popularity • 64% Danceability • 25% Energy • 11% Liveness
64% Instrumentalness • 56% Positiveness
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The Souther-Hillman-Furay Band
Mexico
132 bpm • E Maj • 03:14 • -12.79db
16% Popularity • 60% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Aaron Neville
Louisiana 1927
131 bpm • G Maj • 03:04 • -15db
29% Popularity • 48% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Peter Wolf
Wastin' Time
131 bpm • G Maj • 04:16 • -11.75db
9% Popularity • 59% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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John Gorka
I Saw A Stranger With Your Hair
131 bpm • A Maj • 04:03 • -17db
23% Popularity • 65% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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B.W. Stevenson
On My Own
131 bpm • G Maj • 04:53 • -14.96db
15% Popularity • 35% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Danny O'Keefe
On Discovering a Missing Person
135 bpm • G Maj • 04:14 • -15.73db
3% Popularity • 59% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Lyle Lovett
Step Inside This House
131 bpm • D# Maj • 05:29 • -11.06db
28% Popularity • 56% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Dan Penn
The Dark End of the Street
135 bpm • G Maj • 02:51 • -11.83db
24% Popularity • 58% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Mary Chapin Carpenter
Stones in the Road
131 bpm • A# Maj • 04:32 • -12db
28% Popularity • 66% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
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Nanci Griffith
Going Back to Georgia
135 bpm • F Maj • 04:16 • -11db
31% Popularity • 50% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Greg Brown
Dream Café
131 bpm • F Maj • 05:57 • -16.78db
31% Popularity • 77% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Pousette-Dart Band
What Can I Say
131 bpm • G Maj • 03:04 • -8.28db
28% Popularity • 68% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Tift Merritt
Danny’s Song
135 bpm • C Maj • 02:08 • -13.41db
30% Popularity • 48% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Danny O'Keefe
Plastic Saddle
131 bpm • E Maj • 03:14 • -13.34db
3% Popularity • 70% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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John Stewart
Omaha Rainbow
131 bpm • G# Maj • 03:07 • -8.39db
12% Popularity • 60% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Loggins & Messina
Golden Ribbons
135 bpm • G Maj • 06:08 • -15db
20% Popularity • 50% Danceability • 31% Energy • 12% Liveness
4% Instrumentalness • 34% Positiveness
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The Flying Burrito Brothers
Colorado
135 bpm • B Maj • 04:52 • -13db
34% Popularity • 46% Danceability • 43% Energy • 20% Liveness
13% Instrumentalness • 38% Positiveness
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Amazing Rhythm Aces
The End Is Not in Sight (The Cowboy Tune...
130 bpm • E Maj • 03:50 • -15.18db
39% Popularity • 70% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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John Gorka
Land of the Bottom Line
136 bpm • G# min • 03:33 • -15.1db
21% Popularity • 74% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Danny O'Keefe
You Look Just Like a Girl Again
130 bpm • C# min • 04:23 • -15.43db
4% Popularity • 62% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Dave Mason
Maybe
136 bpm • C min • 04:02 • -11.94db
17% Popularity • 62% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Colvin & Earle
You Were On My Mind
130 bpm • E Maj • 02:56 • -7.81db
29% Popularity • 48% Danceability • 64% Energy • 29% Liveness
1% Instrumentalness • 42% Positiveness
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Tim Hardin
Unforgiven
130 bpm • D Maj • 03:22 • -15.47db
39% Popularity • 35% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Amazing Rhythm Aces
If I Just Knew What to Say - Remastered
136 bpm • E Maj • 02:05 • -17.84db
25% Popularity • 56% Danceability • 23% Energy • 10% Liveness
1% Instrumentalness • 21% Positiveness
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Teddy Thompson
Delilah
129 bpm • A Maj • 03:27 • -6db
17% Popularity • 42% Danceability • 60% Energy • 22% Liveness
2% Instrumentalness • 52% Positiveness
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Danny O'Keefe
She Said, "Drive On, Driver"
130 bpm • E min • 05:46 • -11.86db
3% Popularity • 58% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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John Gorka
I Saw a Stranger With Your Hair
136 bpm • A Maj • 03:47 • -18.86db
8% Popularity • 66% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Warren Zevon
Please Stay
129 bpm • C Maj • 03:34 • -11.33db
23% Popularity • 56% Danceability • 21% Energy • 11% Liveness
9% Instrumentalness • 14% Positiveness
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Iris DeMent
No Time to Cry
129 bpm • C Maj • 06:48 • -13.51db
20% Popularity • 64% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Michael Nesmith
Different Drum
137 bpm • G Maj • 03:01 • -14.39db
22% Popularity • 49% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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American Flyer
Spirit of a Woman
129 bpm • A# Maj • 02:32 • -11.87db
22% Popularity • 63% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Dave Mason
Sad And Deep As You
129 bpm • E min • 03:36 • -20.11db
29% Popularity • 55% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 36% Positiveness
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Charlie Rich
Feel Like Going Home
129 bpm • F Maj • 04:45 • -13.52db
25% Popularity • 49% Danceability • 23% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
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Danny O'Keefe
Steel Guitar
129 bpm • B Maj • 04:07 • -9.01db
2% Popularity • 68% Danceability • 54% Energy • 24% Liveness
2% Instrumentalness • 77% Positiveness
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Steve Goodman
Yellow Coat
129 bpm • B min • 04:40 • -11.31db
8% Popularity • 52% Danceability • 48% Energy • 14% Liveness
55% Instrumentalness • 42% Positiveness
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Lyle Lovett
If I Needed You
129 bpm • D# Maj • 03:46 • -11.12db
36% Popularity • 47% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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John Gorka
Love Is Our Cross To Bear
137 bpm • C min • 04:16 • -18db
34% Popularity • 60% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Roger McGuinn
May The Road Rise To Meet You
129 bpm • F# Maj • 03:58 • -10.96db
11% Popularity • 53% Danceability • 37% Energy • 55% Liveness
0% Instrumentalness • 55% Positiveness
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Greg Brown
I Don't Know That Guy
138 bpm • G Maj • 04:49 • -18.12db
16% Popularity • 72% Danceability • 30% Energy • 8% Liveness
1% Instrumentalness • 75% Positiveness
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Danny O'Keefe
The Edge - 0
128 bpm • D Maj • 05:18 • -21.08db
2% Popularity • 51% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
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Nanci Griffith
Gulf Coast Highway
128 bpm • D Maj • 03:08 • -17.37db
33% Popularity • 53% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Eric Andersen
Blue River
127 bpm • F Maj • 04:45 • -14.43db
19% Popularity • 41% Danceability • 26% Energy • 12% Liveness
53% Instrumentalness • 14% Positiveness
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John Gorka
I Know
138 bpm • G Maj • 02:35 • -15.44db
23% Popularity • 73% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Warren Zevon
Hasten Down the Wind
139 bpm • E Maj • 02:32 • -11.5db
45% Popularity • 42% Danceability • 30% Energy • 14% Liveness
41% Instrumentalness • 30% Positiveness
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Jim Croce
New York's Not My Home - Live at Harper ...
127 bpm • B min • 03:23 • -16.79db
27% Popularity • 54% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Danny O'Keefe
Angel Spread Your Wings
128 bpm • E Maj • 03:37 • -6.8db
4% Popularity • 77% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Chris Hillman
Walk Right Back
127 bpm • D Maj • 02:30 • -6db
28% Popularity • 64% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Alejandro Escovedo
Broken Bottle
127 bpm • G Maj • 03:52 • -12.81db
27% Popularity • 56% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 26% Positiveness
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Amazing Rhythm Aces
Dancing the Night Away - Remastered
127 bpm • A Maj • 05:40 • -13db
27% Popularity • 46% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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Cowboy
5'll Getcha Ten
127 bpm • A Maj • 04:56 • -15.88db
17% Popularity • 53% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
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Tim Hardin
Bird On the Wire
126 bpm • G Maj • 05:27 • -13db
25% Popularity • 43% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Danny O'Keefe
Covered Wagon
128 bpm • D Maj • 02:44 • -8.34db
11% Popularity • 67% Danceability • 80% Energy • 16% Liveness
3% Instrumentalness • 87% Positiveness
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Donnie Fritts
We Had It All
126 bpm • D Maj • 03:03 • -18.81db
9% Popularity • 64% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Nanci Griffith
Sweet Dreams Will Come
126 bpm • E Maj • 04:26 • -17.86db
12% Popularity • 57% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Jonathan Edwards
Hearts Overflowing
140 bpm • A# Maj • 03:55 • -17.2db
9% Popularity • 41% Danceability • 21% Energy • 11% Liveness
30% Instrumentalness • 50% Positiveness
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Cowboy
Shoestrings
127 bpm • C Maj • 03:25 • -14.84db
24% Popularity • 74% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Nicolette Larson
French Waltz
140 bpm • D# Maj • 04:22 • -16.07db
14% Popularity • 41% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Danny O'Keefe
Covered Wagon
128 bpm • D Maj • 02:46 • -9.74db
2% Popularity • 68% Danceability • 72% Energy • 13% Liveness
4% Instrumentalness • 83% Positiveness
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Tim Hardin
Southern Butterfly
141 bpm • C Maj • 02:50 • -15.62db
15% Popularity • 32% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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The Band
It Makes No Difference - Remastered 2000
126 bpm • A# Maj • 06:34 • -8.02db
37% Popularity • 49% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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John Stewart
Daydream Believer
126 bpm • D Maj • 03:33 • -12.34db
15% Popularity • 57% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Jim Croce
Dreamin’ Again
126 bpm • D Maj • 02:41 • -16.2db
40% Popularity • 46% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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B.W. Stevenson
Texas Morning
125 bpm • E Maj • 03:24 • -13.84db
14% Popularity • 42% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
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Danny O'Keefe
Just Jones
127 bpm • G Maj • 03:25 • -14.27db
3% Popularity • 49% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Harry Chapin
Sunday Morning Sunshine
125 bpm • E Maj • 03:51 • -17db
35% Popularity • 63% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Jonathan Edwards
Sunshine (Go Away Today)
125 bpm • A# Maj • 02:18 • -15.39db
51% Popularity • 70% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Loggins & Messina
Lady Of My Heart
141 bpm • C# min • 01:43 • -14.03db
36% Popularity • 66% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Jim Croce
Alabama Rain
126 bpm • G Maj • 02:14 • -14.78db
52% Popularity • 62% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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The Souther-Hillman-Furay Band
Deep, Dark and Dreamless
141 bpm • G Maj • 05:37 • -10.03db
7% Popularity • 32% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Danny O'Keefe
Junkman
140 bpm • A min • 04:06 • -6.41db
6% Popularity • 55% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
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Gordon Lightfoot
The Way I Feel
125 bpm • B min • 03:45 • -14.43db
28% Popularity • 63% Danceability • 32% Energy • 13% Liveness
3% Instrumentalness • 59% Positiveness
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Eric Andersen
Dusty Box Car Wall
125 bpm • E min • 02:29 • -16.18db
14% Popularity • 45% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Iain Matthews
Shady Lies
124 bpm • D Maj • 03:54 • -8.08db
9% Popularity • 61% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
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Jim Croce
The Hard Way Every Time
125 bpm • E Maj • 02:30 • -14.32db
39% Popularity • 58% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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John Stewart
Never Goin' Back
142 bpm • F Maj • 04:58 • -7.81db
9% Popularity • 50% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Danny O'Keefe
The Runaway
126 bpm • A Maj • 04:22 • -11.84db
2% Popularity • 56% Danceability • 48% Energy • 7% Liveness
1% Instrumentalness • 53% Positiveness
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Jonathan Edwards
People Get Ready
143 bpm • B Maj • 03:02 • -15.21db
18% Popularity • 54% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Eric Andersen
Wind and Sand
124 bpm • F Maj • 04:28 • -18db
10% Popularity • 50% Danceability • 13% Energy • 13% Liveness
18% Instrumentalness • 15% Positiveness
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Cowboy Junkies
A Horse In The Country
124 bpm • A Maj • 03:50 • -14.94db
31% Popularity • 69% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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John Gorka
The Water is Wide
143 bpm • D Maj • 04:28 • -14.97db
22% Popularity • 50% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Bruce Cockburn
Closer To The Light
144 bpm • B min • 04:10 • -18.33db
27% Popularity • 54% Danceability • 22% Energy • 12% Liveness
3% Instrumentalness • 30% Positiveness
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Danny O'Keefe
Bottle up and Go
141 bpm • E Maj • 02:22 • -8db
4% Popularity • 48% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Pete Townshend
Till The Rivers All Run Dry
123 bpm • E Maj • 03:52 • -22db
33% Popularity • 73% Danceability • 22% Energy • 6% Liveness
16% Instrumentalness • 60% Positiveness
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Roger McGuinn
Circle Song
144 bpm • G Maj • 03:03 • -9.42db
29% Popularity • 53% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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Valerie Carter
O-o-h Child
143 bpm • F# Maj • 02:55 • -14.1db
31% Popularity • 58% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Warren Zevon
El Amor De Mi Vida
144 bpm • F Maj • 03:33 • -12.69db
21% Popularity • 66% Danceability • 41% Energy • 10% Liveness
27% Instrumentalness • 28% Positiveness
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Quits