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Quizassa
Songs like
Quizassa
by
Merrill Garbus
Based on a tempo of (+/- 10%) and a similar genre
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Colin Stetson
A dream of water
115 bpm • A# min • 03:35 • -13.7db
21% Popularity • 37% Danceability • 52% Energy • 63% Liveness
10% Instrumentalness • 16% Positiveness
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Tanya Tagaq
Uja
115 bpm • C# Maj • 02:49 • -10.59db
23% Popularity • 67% Danceability • 49% Energy • 17% Liveness
70% Instrumentalness • 62% Positiveness
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Black Ox Orkestar
Violin Duet
115 bpm • D Maj • 05:22 • -9.8db
10% Popularity • 33% Danceability • 32% Energy • 6% Liveness
17% Instrumentalness • 13% Positiveness
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John Cage
Experiences No. 2
115 bpm • E min • 04:46 • -19.63db
12% Popularity • 37% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Merrill Garbus
Quizassa
115 bpm • F Maj • 03:42 • -8.65db
9% Popularity • 41% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Sarah Neufeld
Hero Brother
115 bpm • G min • 04:49 • -10.24db
7% Popularity • 48% Danceability • 67% Energy • 13% Liveness
23% Instrumentalness • 51% Positiveness
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Julia Wolfe
Reeling
116 bpm • C Maj • 05:49 • -8.67db
9% Popularity • 57% Danceability • 65% Energy • 20% Liveness
5% Instrumentalness • 80% Positiveness
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Blind Willie Johnson
Dark Was the Night, Cold Was the Ground
114 bpm • F# min • 03:52 • -13.37db
12% Popularity • 50% Danceability • 14% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
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Andrew Bird
You Woke Me Up!
116 bpm • E min • 07:16 • -17.12db
17% Popularity • 62% Danceability • 13% Energy • 15% Liveness
72% Instrumentalness • 36% Positiveness
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Tanya Tagaq
Qimiruluapik
114 bpm • C min • 02:04 • -13.25db
10% Popularity • 48% Danceability • 57% Energy • 43% Liveness
3% Instrumentalness • 84% Positiveness
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Third Coast Percussion
Fractalia
116 bpm • F# min • 04:18 • -16db
15% Popularity • 53% Danceability • 37% Energy • 10% Liveness
96% Instrumentalness • 56% Positiveness
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Tune-Yards
Killa
116 bpm • C Maj • 03:12 • -7.29db
22% Popularity • 83% Danceability • 67% Energy • 22% Liveness
1% Instrumentalness • 82% Positiveness
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Elysian Quartet
Where the Heart Is
117 bpm • G min • 08:01 • -16.65db
10% Popularity • 72% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Caroline Shaw
Cast the Bells in Sand
117 bpm • G Maj • 04:44 • -9.51db
15% Popularity • 32% Danceability • 82% Energy • 36% Liveness
66% Instrumentalness • 9% Positiveness
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Mountain Man
Mouthwings
113 bpm • F# min • 02:20 • -13.51db
2% Popularity • 39% Danceability • 14% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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Imani Winds
Coleman: Umoja
117 bpm • D Maj • 02:56 • -18.07db
12% Popularity • 36% Danceability • 15% Energy • 7% Liveness
56% Instrumentalness • 42% Positiveness
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Harry Partch
2 Studies on Ancient Greek Scales (Arr. ...
117 bpm • G min • 01:13 • -24.14db
22% Popularity • 56% Danceability • 12% Energy • 8% Liveness
30% Instrumentalness • 6% Positiveness
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Ernst Reijseger
Longing for a Frozen Sky
117 bpm • C min • 02:08 • -18.47db
30% Popularity • 55% Danceability • 24% Energy • 60% Liveness
61% Instrumentalness • 18% Positiveness
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Lingua Ignota
FAITHFUL SERVANT FRIEND OF CHRIST
117 bpm • D Maj • 04:42 • -11.13db
30% Popularity • 17% Danceability • 33% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Tin Hat Trio
A Life In East Poultney
117 bpm • F Maj • 01:18 • -13.99db
19% Popularity • 33% Danceability • 25% Energy • 24% Liveness
69% Instrumentalness • 9% Positiveness
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Colleen
Break Away
113 bpm • A# min • 01:20 • -16.95db
19% Popularity • 75% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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My Brightest Diamond
We Added it Up
118 bpm • G min • 04:04 • -11db
16% Popularity • 55% Danceability • 16% Energy • 18% Liveness
1% Instrumentalness • 27% Positiveness
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Holly Herndon
Unequal
118 bpm • A min • 05:11 • -12.44db
9% Popularity • 28% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Omar Souleyman
La Sidounak Sayyada
112 bpm • G min • 04:27 • -10.51db
7% Popularity • 64% Danceability • 51% Energy • 16% Liveness
5% Instrumentalness • 22% Positiveness
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The Staves
The Way Is Read
118 bpm • G# min • 02:55 • -5db
12% Popularity • 66% Danceability • 44% Energy • 26% Liveness
1% Instrumentalness • 62% Positiveness
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Tin Hat Trio
The Longest Night
112 bpm • A min • 03:54 • -12.93db
20% Popularity • 40% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Sheila Chandra
Speaking in Tongues I
112 bpm • F min • 01:48 • -16.8db
16% Popularity • 69% Danceability • 26% Energy • 8% Liveness
1% Instrumentalness • 72% Positiveness
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Colleen
Ursa Major Find
113 bpm • A# Maj • 04:07 • -14.88db
11% Popularity • 37% Danceability • 16% Energy • 9% Liveness
2% Instrumentalness • 7% Positiveness
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Moondog
Moondog Monologue
112 bpm • F min • 08:24 • -13.84db
8% Popularity • 52% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Igbal Jogi and Party
Lal Mori Pat
118 bpm • C# Maj • 06:46 • -11.79db
5% Popularity • 39% Danceability • 70% Energy • 17% Liveness
63% Instrumentalness • 73% Positiveness
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Steve Reich
Godspeed Remix (Nagoya Guitars remix)
111 bpm • D min • 04:53 • -13.12db
16% Popularity • 63% Danceability • 45% Energy • 8% Liveness
86% Instrumentalness • 48% Positiveness
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Tin Hat Trio
Light Black from Pole to Pole
118 bpm • G# min • 02:49 • -17.22db
13% Popularity • 27% Danceability • 41% Energy • 37% Liveness
92% Instrumentalness • 27% Positiveness
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Tanya Tagaq
Umingmak
119 bpm • C# Maj • 03:56 • -13.73db
9% Popularity • 41% Danceability • 58% Energy • 11% Liveness
76% Instrumentalness • 32% Positiveness
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John Cage
Sonata and Interludes for Prepared Piano...
119 bpm • E min • 01:28 • -31db
35% Popularity • 37% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 54% Positiveness
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Anna Homler
Ee Chê
119 bpm • A# min • 08:03 • -11.16db
9% Popularity • 88% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 41% Positiveness
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London Bulgarian Choir
Izgreyala Yasna Zvezda
111 bpm • F# min • 01:57 • -9.02db
16% Popularity • 29% Danceability • 38% Energy • 68% Liveness
4% Instrumentalness • 14% Positiveness
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Philip Glass
Einstein on the Beach: Knee 5
111 bpm • G Maj • 05:11 • -20.52db
14% Popularity • 48% Danceability • 5% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
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Tune-Yards
Backbone
111 bpm • G Maj • 02:32 • -11.62db
8% Popularity • 85% Danceability • 65% Energy • 35% Liveness
1% Instrumentalness • 66% Positiveness
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Tanya Tagaq
Retribution
119 bpm • C# Maj • 07:57 • -6.75db
15% Popularity • 57% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Dan Deacon
Wet Wings
119 bpm • C# min • 02:53 • -5.1db
0% Popularity • 20% Danceability • 54% Energy • 13% Liveness
17% Instrumentalness • 4% Positiveness
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John Tavener
The Veil of the Temple: Mother of God, H...
111 bpm • G Maj • 06:04 • -27db
10% Popularity • 39% Danceability • 1% Energy • 6% Liveness
48% Instrumentalness • 15% Positiveness
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Sam Lee
Jonny O'the Brine
111 bpm • F# Maj • 04:50 • -12.07db
9% Popularity • 52% Danceability • 47% Energy • 12% Liveness
10% Instrumentalness • 51% Positiveness
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Moondog
To A Sea Horse
120 bpm • D Maj • 01:43 • -23db
36% Popularity • 61% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 47% Positiveness
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Colleen
I’ll Read You A Story
110 bpm • E Maj • 06:51 • -13.99db
15% Popularity • 32% Danceability • 24% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Wildbirds & Peacedrums
Bleed Like There Was No Other Flood
120 bpm • D# min • 05:06 • -10db
14% Popularity • 54% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Marcos Balter
Bladed Stance
120 bpm • B min • 05:47 • -21db
13% Popularity • 50% Danceability • 16% Energy • 19% Liveness
84% Instrumentalness • 14% Positiveness
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Caroline Shaw
Other Song
120 bpm • A# Maj • 03:42 • -16.62db
13% Popularity • 20% Danceability • 14% Energy • 10% Liveness
22% Instrumentalness • 7% Positiveness
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Gabriella Smith
Bard of a Wasteland
120 bpm • E min • 04:31 • -20.42db
8% Popularity • 71% Danceability • 38% Energy • 11% Liveness
86% Instrumentalness • 71% Positiveness
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David Skidmore
Aliens with Extraordinary Abilities: Agr...
120 bpm • G# Maj • 04:27 • -13.33db
8% Popularity • 64% Danceability • 71% Energy • 11% Liveness
86% Instrumentalness • 22% Positiveness
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David Lang
Increase
120 bpm • C# Maj • 10:15 • -12db
19% Popularity • 40% Danceability • 37% Energy • 8% Liveness
92% Instrumentalness • 22% Positiveness
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Tanya Tagaq
Snowblind
120 bpm • D min • 03:50 • -16.6db
16% Popularity • 35% Danceability • 15% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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The Staves
Take Me Home
120 bpm • F Maj • 04:47 • -6.23db
13% Popularity • 44% Danceability • 56% Energy • 27% Liveness
34% Instrumentalness • 57% Positiveness
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Holly Herndon
Lonely At The Top
120 bpm • G# Maj • 04:31 • -28.23db
10% Popularity • 61% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 21% Positiveness
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The Books
If Not Now, Whenever
120 bpm • F min • 03:36 • -10.41db
17% Popularity • 58% Danceability • 64% Energy • 36% Liveness
16% Instrumentalness • 46% Positiveness
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Mary Lattimore
Otis Walks Into the Woods
120 bpm • F min • 09:40 • -12db
11% Popularity • 68% Danceability • 21% Energy • 10% Liveness
84% Instrumentalness • 9% Positiveness
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Paul de Jong
Auction Block
110 bpm • B min • 03:19 • -11.38db
8% Popularity • 57% Danceability • 50% Energy • 3% Liveness
9% Instrumentalness • 15% Positiveness
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Tanya Tagaq
Aorta
120 bpm • C# Maj • 03:37 • -6.21db
20% Popularity • 60% Danceability • 84% Energy • 39% Liveness
1% Instrumentalness • 55% Positiveness
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Johann Sebastian Bach
Passacaglia
110 bpm • C min • 04:05 • -11.1db
7% Popularity • 54% Danceability • 42% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Osvaldo Golijov
Ainadamar: Water and Horse Prelude
121 bpm • C min • 02:42 • -23.37db
12% Popularity • 82% Danceability • 44% Energy • 10% Liveness
72% Instrumentalness • 12% Positiveness
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The Books
Read, Eat, Sleep
120 bpm • C Maj • 03:49 • -16.6db
20% Popularity • 74% Danceability • 44% Energy • 11% Liveness
22% Instrumentalness • 6% Positiveness
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Andrew Bird
Master Sigh
110 bpm • D Maj • 05:12 • -17.26db
17% Popularity • 22% Danceability • 14% Energy • 9% Liveness
86% Instrumentalness • 11% Positiveness
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Henri Texier
Le piroguier
109 bpm • E Maj • 04:24 • -14.08db
26% Popularity • 64% Danceability • 22% Energy • 8% Liveness
20% Instrumentalness • 15% Positiveness
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Jenny Hval
A Silver Fox
109 bpm • C Maj • 01:42 • -16.25db
16% Popularity • 62% Danceability • 7% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Meara O'Reilly
Hockets for Two Voices: II. —
121 bpm • D# min • 01:42 • -16.98db
19% Popularity • 78% Danceability • 12% Energy • 13% Liveness
47% Instrumentalness • 80% Positiveness
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Traditional
Sumer is icumen in
109 bpm • D Maj • 04:37 • -24.35db
19% Popularity • 38% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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The Books
Group Autogenics II
120 bpm • B Maj • 04:52 • -14.64db
1% Popularity • 53% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Bon Iver
10 d E A T h b R E a s T âš„ âš„
109 bpm • G# min • 02:24 • -7.03db
45% Popularity • 69% Danceability • 79% Energy • 5% Liveness
11% Instrumentalness • 73% Positiveness
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Toumani Diabaté
Kaouding Cissoko
121 bpm • E Maj • 06:27 • -12.66db
18% Popularity • 34% Danceability • 39% Energy • 12% Liveness
27% Instrumentalness • 14% Positiveness
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Cyrillus Kreek
The Sun Shall Not Smite Thee
109 bpm • A# min • 03:05 • -21db
15% Popularity • 21% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Terry Riley
G Song
109 bpm • G min • 09:39 • -20.98db
23% Popularity • 31% Danceability • 22% Energy • 34% Liveness
87% Instrumentalness • 45% Positiveness
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Andrew Bird
Section 8 City
122 bpm • F Maj • 07:09 • -17.64db
17% Popularity • 53% Danceability • 8% Energy • 11% Liveness
9% Instrumentalness • 31% Positiveness
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Huun-Huur-Tu
Kozhamyk
122 bpm • C# Maj • 03:56 • -13.27db
20% Popularity • 60% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Cosmo Sheldrake
In Berlin
122 bpm • E min • 04:21 • -13.34db
35% Popularity • 66% Danceability • 26% Energy • 10% Liveness
4% Instrumentalness • 34% Positiveness
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Balanescu Quartet
Mountain Call
122 bpm • A Maj • 04:28 • -19.31db
14% Popularity • 24% Danceability • 12% Energy • 10% Liveness
28% Instrumentalness • 4% Positiveness
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Gaelynn Lea
Someday We'll Linger in the Sun
108 bpm • G min • 04:36 • -8.76db
28% Popularity • 30% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 6% Positiveness
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Holly Herndon
Fear, Uncertainty, Doubt
122 bpm • D# min • 03:11 • -13.39db
23% Popularity • 23% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Tin Hat Trio
Empire of Light
108 bpm • A Maj • 02:59 • -18.29db
15% Popularity • 24% Danceability • 11% Energy • 22% Liveness
13% Instrumentalness • 24% Positiveness
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Philip Glass
Concerto for Saxophone - Quartet: Moveve...
108 bpm • C# Maj • 06:22 • -22db
21% Popularity • 29% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Tune-Yards
Rocking Chair
108 bpm • F Maj • 02:03 • -12.72db
15% Popularity • 71% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Balanescu Quartet
Lullaby Dream
122 bpm • G min • 07:48 • -16.74db
12% Popularity • 20% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Sufjan Stevens
The Human Plague
108 bpm • C# Maj • 04:15 • -18.02db
15% Popularity • 87% Danceability • 30% Energy • 7% Liveness
88% Instrumentalness • 13% Positiveness
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Steve Reich
Music for 18 Musicians (modular version)...
108 bpm • D Maj • 04:18 • -18db
15% Popularity • 68% Danceability • 30% Energy • 12% Liveness
86% Instrumentalness • 41% Positiveness
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Dawn of Midi
Algol
123 bpm • A# min • 04:16 • -10.2db
15% Popularity • 54% Danceability • 80% Energy • 10% Liveness
95% Instrumentalness • 42% Positiveness
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yMusic
Falling
108 bpm • A# min • 00:59 • -12.08db
13% Popularity • 39% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 43% Positiveness
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Julia Holter
Marienbad
108 bpm • B Maj • 05:24 • -9.61db
19% Popularity • 45% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Ernst Reijseger
Forgotten Dreams #4
123 bpm • G Maj • 04:11 • -22.87db
17% Popularity • 38% Danceability • 8% Energy • 5% Liveness
95% Instrumentalness • 14% Positiveness
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Colleen
The Weighing of the Heart
108 bpm • A min • 04:42 • -14db
12% Popularity • 41% Danceability • 37% Energy • 11% Liveness
72% Instrumentalness • 29% Positiveness
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Arvo Pärt
My Heart's In The Highlands (2000)
107 bpm • C# Maj • 07:36 • -30.82db
13% Popularity • 20% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Tomoko Sunazaki
The Devil's Suggestion - O You Who Are I...
123 bpm • A min • 07:12 • -25.21db
17% Popularity • 24% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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My Brightest Diamond
This Is My Hand
124 bpm • C# min • 03:45 • -12.44db
13% Popularity • 52% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Adult Jazz
(Cry for Home)
124 bpm • D min • 01:53 • -21.08db
7% Popularity • 27% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 19% Positiveness
► Preview
Nonesuch Explorer Series
Nhemamusasa: Instrumental Excerpt I
124 bpm • C# min • 02:36 • -20.44db
17% Popularity • 39% Danceability • 22% Energy • 30% Liveness
92% Instrumentalness • 61% Positiveness
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Philip Glass
Are Years What? (For Marianne Moore)
124 bpm • D# Maj • 04:03 • -12.14db
11% Popularity • 29% Danceability • 40% Energy • 30% Liveness
97% Instrumentalness • 31% Positiveness
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Steve Reich
Different Trains: America, Before the Wa...
107 bpm • C# Maj • 08:58 • -14.07db
30% Popularity • 40% Danceability • 37% Energy • 12% Liveness
19% Instrumentalness • 61% Positiveness
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Sam Amidon
How Come That Blood
124 bpm • F# min • 03:31 • -11db
18% Popularity • 76% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Moondog
Für Fritz, Chaconne in A Minor
107 bpm • A Maj • 02:13 • -20.44db
17% Popularity • 78% Danceability • 41% Energy • 9% Liveness
93% Instrumentalness • 96% Positiveness
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Colleen
Going Forth by Day
107 bpm • G# min • 04:18 • -16db
14% Popularity • 40% Danceability • 31% Energy • 11% Liveness
91% Instrumentalness • 15% Positiveness
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Bryce Dessner
Murder Ballades: Omie Wise
124 bpm • C# Maj • 03:15 • -14.34db
10% Popularity • 45% Danceability • 23% Energy • 15% Liveness
88% Instrumentalness • 48% Positiveness
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Lonnie Holley
Looking for All (All Rendered Truth)
106 bpm • A# min • 03:07 • -6.13db
13% Popularity • 46% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Dumisani Maraire
Mai Nozipo ("Mother Nozipo")
125 bpm • F# min • 06:59 • -25.17db
28% Popularity • 49% Danceability • 17% Energy • 18% Liveness
10% Instrumentalness • 4% Positiveness
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Quizassa