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Rachel's Flat
Songs like
Rachel's Flat
by
Badly Drawn Boy
Based on a tempo of (+/- 10%) and a similar genre
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Badly Drawn Boy
Rachel's Flat
111 bpm • G Maj • 00:34 • -17.98db
22% Popularity • 33% Danceability • 5% Energy • 14% Liveness
22% Instrumentalness • 4% Positiveness
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The Lemonheads
Favorite T
111 bpm • C Maj • 02:54 • -18.59db
19% Popularity • 58% Danceability • 19% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
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Ed Harcourt
Shanghai
110 bpm • C Maj • 03:49 • -6.47db
10% Popularity • 51% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Dean Wareham
Park Slope
110 bpm • C# Maj • 01:28 • -16.8db
12% Popularity • 52% Danceability • 22% Energy • 14% Liveness
93% Instrumentalness • 24% Positiveness
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Lightships
Sunlight To The Dawn
110 bpm • F Maj • 05:58 • -7.32db
7% Popularity • 55% Danceability • 76% Energy • 14% Liveness
94% Instrumentalness • 50% Positiveness
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Doves
There Goes The Fear
110 bpm • F Maj • 06:54 • -4.5db
47% Popularity • 50% Danceability • 98% Energy • 3% Liveness
7% Instrumentalness • 51% Positiveness
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Badly Drawn Boy
Pissing in the Wind
111 bpm • C Maj • 04:19 • -6db
29% Popularity • 35% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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The Polyphonic Spree
It's the Sun
112 bpm • A# Maj • 05:34 • -5.85db
26% Popularity • 26% Danceability • 85% Energy • 50% Liveness
0% Instrumentalness • 17% Positiveness
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Damien Jurado
White Center
110 bpm • A Maj • 03:04 • -11.85db
9% Popularity • 42% Danceability • 30% Energy • 8% Liveness
39% Instrumentalness • 18% Positiveness
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Wheat
Raised Ranch Revolution
109 bpm • F Maj • 04:41 • -5.87db
12% Popularity • 34% Danceability • 67% Energy • 20% Liveness
18% Instrumentalness • 13% Positiveness
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Ben Folds Five
Hospital Song
112 bpm • C# Maj • 02:04 • -13.01db
22% Popularity • 59% Danceability • 35% Energy • 11% Liveness
2% Instrumentalness • 12% Positiveness
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Sigur Rós
MÃlanó
109 bpm • D Maj • 10:25 • -9.91db
32% Popularity • 18% Danceability • 32% Energy • 5% Liveness
87% Instrumentalness • 4% Positiveness
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Badly Drawn Boy
File Me Away
112 bpm • G Maj • 03:23 • -12.46db
18% Popularity • 48% Danceability • 30% Energy • 10% Liveness
24% Instrumentalness • 32% Positiveness
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The Polyphonic Spree
Section 16 - One Man Show
112 bpm • C Maj • 05:01 • -11.87db
10% Popularity • 32% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Sufjan Stevens
Movement VI—Isorhythmic Night Dance wi...
109 bpm • C min • 03:16 • -10.95db
12% Popularity • 42% Danceability • 20% Energy • 4% Liveness
63% Instrumentalness • 32% Positiveness
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Clap Your Hands Say Yeah
Blue Turning Gray
109 bpm • E Maj • 01:17 • -18.89db
42% Popularity • 60% Danceability • 21% Energy • 11% Liveness
76% Instrumentalness • 54% Positiveness
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Beck
Nobody's Fault But My Own
109 bpm • D min • 05:02 • -10.5db
29% Popularity • 38% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Richard Hawley
Just Like the Rain
113 bpm • G Maj • 03:17 • -10db
36% Popularity • 56% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Gomez
Bubble Gum Years
113 bpm • D# Maj • 03:20 • -14.83db
12% Popularity • 46% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Idlewild
I'm Happy to Be Here Tonight
113 bpm • F# Maj • 03:13 • -10db
23% Popularity • 54% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Ron Sexsmith
Disappearing Act
114 bpm • G# Maj • 03:40 • -6db
13% Popularity • 66% Danceability • 85% Energy • 54% Liveness
0% Instrumentalness • 49% Positiveness
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Elbow
Asleep In The Back
109 bpm • D# Maj • 03:47 • -8.63db
44% Popularity • 56% Danceability • 59% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
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Spiritualized
The Straight and Narrow
114 bpm • G Maj • 05:10 • -7db
17% Popularity • 38% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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Richard Hawley
Remorse Code
113 bpm • D Maj • 09:53 • -14db
32% Popularity • 58% Danceability • 40% Energy • 10% Liveness
31% Instrumentalness • 24% Positiveness
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Tindersticks
E-Type
108 bpm • D Maj • 02:52 • -6.94db
9% Popularity • 56% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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David Holmes
Birth
114 bpm • B Maj • 01:07 • -24.98db
16% Popularity • 19% Danceability • 3% Energy • 14% Liveness
83% Instrumentalness • 4% Positiveness
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Mercury Rev
Delta Sun Bottleneck Stomp
114 bpm • D Maj • 06:19 • -6.26db
21% Popularity • 51% Danceability • 92% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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Pernice Brothers
Number Two
108 bpm • C Maj • 05:39 • -7.6db
9% Popularity • 48% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Badly Drawn Boy
Cause a Rockslide
114 bpm • A min • 05:55 • -8.63db
23% Popularity • 42% Danceability • 76% Energy • 42% Liveness
2% Instrumentalness • 38% Positiveness
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King Creosote
First Watch
108 bpm • G Maj • 02:36 • -31.19db
36% Popularity • 35% Danceability • 7% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Grandaddy
O.K. With My Decay
108 bpm • C Maj • 06:10 • -11.47db
17% Popularity • 32% Danceability • 50% Energy • 9% Liveness
5% Instrumentalness • 5% Positiveness
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Stornoway
I Never Thought of Home
115 bpm • A Maj • 05:27 • -8.95db
11% Popularity • 45% Danceability • 37% Energy • 11% Liveness
12% Instrumentalness • 9% Positiveness
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Gomez
Whippin' Piccadilly
115 bpm • C# Maj • 03:12 • -10.36db
45% Popularity • 74% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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The Reindeer Section
Who Told You
115 bpm • B min • 03:10 • -13.79db
8% Popularity • 71% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
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Badly Drawn Boy
Stockport
115 bpm • F# min • 02:37 • -5.65db
8% Popularity • 50% Danceability • 72% Energy • 17% Liveness
97% Instrumentalness • 6% Positiveness
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Athlete
Le Casio
115 bpm • C Maj • 02:29 • -12.09db
15% Popularity • 68% Danceability • 33% Energy • 11% Liveness
3% Instrumentalness • 23% Positiveness
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Grandaddy
The Go In The Go-For-It
107 bpm • F Maj • 02:58 • -8.71db
25% Popularity • 67% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Lloyd Cole
The Young Idealists
115 bpm • C Maj • 02:43 • -11.65db
10% Popularity • 86% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 84% Positiveness
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El Perro del Mar
Inside The Golden Egg
107 bpm • E min • 01:46 • -20.63db
8% Popularity • 40% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 35% Positiveness
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The Reindeer Section
Last Song on Blue Tape
115 bpm • G Maj • 02:35 • -10.5db
13% Popularity • 63% Danceability • 52% Energy • 10% Liveness
81% Instrumentalness • 35% Positiveness
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Scott Matthews
Blue In The Face Again
115 bpm • G Maj • 01:10 • -16.37db
11% Popularity • 59% Danceability • 45% Energy • 23% Liveness
84% Instrumentalness • 38% Positiveness
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Camera Obscura
Pen and Notebook
115 bpm • C Maj • 03:28 • -13.3db
19% Popularity • 45% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
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Badly Drawn Boy
Is There Nothing We Could Do?
107 bpm • C Maj • 03:37 • -13.73db
17% Popularity • 45% Danceability • 32% Energy • 24% Liveness
1% Instrumentalness • 38% Positiveness
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Jean-Michel Bernard
Stéphane visite appart
116 bpm • D min • 01:18 • -22.3db
16% Popularity • 31% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Jon Brion
Drive In
116 bpm • C min • 02:18 • -11.16db
25% Popularity • 68% Danceability • 21% Energy • 30% Liveness
74% Instrumentalness • 29% Positiveness
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Athlete
Dungeness
116 bpm • F Maj • 04:17 • -8.74db
17% Popularity • 66% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
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Gomez
Tijuana Lady
116 bpm • A Maj • 07:08 • -12db
43% Popularity • 63% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Doves
Here It Comes
116 bpm • A# min • 04:50 • -4db
34% Popularity • 52% Danceability • 96% Energy • 12% Liveness
90% Instrumentalness • 32% Positiveness
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Lightships
Every Blossom
106 bpm • F Maj • 02:40 • -11.62db
7% Popularity • 58% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Sparklehorse
Spirit Ditch
116 bpm • B Maj • 03:23 • -18db
38% Popularity • 49% Danceability • 16% Energy • 10% Liveness
49% Instrumentalness • 10% Positiveness
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Badly Drawn Boy
Journey from a to B
116 bpm • C Maj • 03:48 • -5.37db
19% Popularity • 55% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Ed Harcourt
Bittersweetheart
105 bpm • F Maj • 04:31 • -8.91db
9% Popularity • 46% Danceability • 54% Energy • 10% Liveness
76% Instrumentalness • 35% Positiveness
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Longpigs
Sleep
105 bpm • E Maj • 04:10 • -35.02db
16% Popularity • 36% Danceability • 1% Energy • 9% Liveness
2% Instrumentalness • 5% Positiveness
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Bill Wells
Tasogare
106 bpm • D Maj • 01:58 • -15.4db
14% Popularity • 42% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 29% Positiveness
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Malcolm Middleton
Fuck It I Love You
117 bpm • F# Maj • 03:48 • -5.87db
16% Popularity • 57% Danceability • 73% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
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Eels
Bride of Theme from Blinking Lights
117 bpm • G Maj • 01:50 • -13.94db
17% Popularity • 56% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 35% Positiveness
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Tindersticks
La mort de Felix
117 bpm • C# Maj • 01:31 • -26.85db
7% Popularity • 35% Danceability • 0% Energy • 13% Liveness
92% Instrumentalness • 19% Positiveness
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Doves
Kingdom Of Rust - Instrumental
105 bpm • G min • 05:13 • -9.25db
12% Popularity • 50% Danceability • 68% Energy • 8% Liveness
79% Instrumentalness • 51% Positiveness
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Pernice Brothers
Bryte Side
105 bpm • D Maj • 03:11 • -4.81db
13% Popularity • 41% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Elbow
Grace Under Pressure
105 bpm • G Maj • 04:57 • -6.76db
23% Popularity • 20% Danceability • 72% Energy • 66% Liveness
6% Instrumentalness • 7% Positiveness
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Badly Drawn Boy
Walk You Home
105 bpm • B min • 03:45 • -5.82db
9% Popularity • 59% Danceability • 70% Energy • 34% Liveness
1% Instrumentalness • 82% Positiveness
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Mercury Rev
You're My Queen
118 bpm • G Maj • 02:33 • -9.23db
27% Popularity • 50% Danceability • 72% Energy • 11% Liveness
6% Instrumentalness • 21% Positiveness
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Gruff Rhys
Skyward
118 bpm • G Maj • 01:21 • -15.17db
29% Popularity • 24% Danceability • 19% Energy • 9% Liveness
81% Instrumentalness • 42% Positiveness
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The Reindeer Section
Budapest
118 bpm • F Maj • 03:25 • -9.96db
15% Popularity • 62% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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King Creosote
Coast On By
118 bpm • A# Maj • 03:32 • -8.03db
9% Popularity • 78% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Eels
Marie Floating over the Backyard
118 bpm • D min • 02:02 • -28.17db
21% Popularity • 32% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Badly Drawn Boy
Above You Below Me
118 bpm • E min • 02:40 • -8.26db
24% Popularity • 50% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Mercury Rev
Endlessly
118 bpm • F Maj • 04:25 • -6.13db
28% Popularity • 39% Danceability • 58% Energy • 27% Liveness
26% Instrumentalness • 21% Positiveness
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Andrew Bird
Unfolding Fans
104 bpm • G Maj • 00:57 • -17.99db
4% Popularity • 26% Danceability • 12% Energy • 12% Liveness
98% Instrumentalness • 12% Positiveness
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Ed Harcourt
Visit from the Dead Dog
104 bpm • D# Maj • 03:00 • -6.36db
10% Popularity • 59% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Cherry Ghost
Mary on the Mend
104 bpm • B min • 07:50 • -7.96db
11% Popularity • 52% Danceability • 35% Energy • 7% Liveness
1% Instrumentalness • 27% Positiveness
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Field Music
Them That Do Nothing
118 bpm • A Maj • 03:08 • -8db
3% Popularity • 75% Danceability • 57% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
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Guillemots
Sao Paulo
118 bpm • G Maj • 11:44 • -8.11db
15% Popularity • 27% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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The Magnetic Fields
Heather Heather
104 bpm • G# Maj • 02:08 • -6.13db
8% Popularity • 53% Danceability • 84% Energy • 40% Liveness
1% Instrumentalness • 68% Positiveness
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Public Service Broadcasting
Valentina
104 bpm • D# Maj • 04:29 • -13.52db
29% Popularity • 48% Danceability • 36% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
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David Byrne
Empire
119 bpm • G Maj • 04:12 • -10.16db
19% Popularity • 26% Danceability • 23% Energy • 22% Liveness
15% Instrumentalness • 16% Positiveness
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Badly Drawn Boy
Another Pearl
103 bpm • G# Maj • 04:27 • -5.25db
25% Popularity • 61% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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The Frames
Rent Day Blues
119 bpm • D Maj • 03:44 • -11.66db
13% Popularity • 73% Danceability • 58% Energy • 7% Liveness
88% Instrumentalness • 67% Positiveness
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Ed Harcourt
She Fell into My Arms
103 bpm • C# Maj • 03:48 • -6.33db
21% Popularity • 62% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Elvis Perkins
Good Friday
103 bpm • E Maj • 05:17 • -15.33db
9% Popularity • 30% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Cherry Ghost
My God Betrays
119 bpm • F# min • 04:06 • -11.2db
13% Popularity • 44% Danceability • 41% Energy • 10% Liveness
9% Instrumentalness • 22% Positiveness
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Willy Mason
Letter #1
120 bpm • B min • 01:57 • -12.25db
9% Popularity • 81% Danceability • 77% Energy • 9% Liveness
73% Instrumentalness • 90% Positiveness
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Sufjan Stevens
Inaugural Pop Music for Jane Margaret By...
120 bpm • G Maj • 01:25 • -12.85db
18% Popularity • 54% Danceability • 39% Energy • 28% Liveness
94% Instrumentalness • 19% Positiveness
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The Boo Radleys
Fairfax Scene
120 bpm • F# Maj • 02:14 • -11.28db
16% Popularity • 54% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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The Frames
Fighting On The Stairs
120 bpm • C Maj • 03:20 • -9.36db
11% Popularity • 69% Danceability • 79% Energy • 7% Liveness
21% Instrumentalness • 92% Positiveness
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The Magnetic Fields
I Looked All over Town
120 bpm • G Maj • 02:39 • -8.16db
25% Popularity • 77% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Cherry Ghost
Conquered Pt. 2
120 bpm • A Maj • 01:13 • -12.66db
25% Popularity • 39% Danceability • 70% Energy • 15% Liveness
84% Instrumentalness • 10% Positiveness
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Ed Harcourt
Apple of My Eye
103 bpm • G Maj • 04:02 • -5.82db
18% Popularity • 65% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Badly Drawn Boy
Say It Again
102 bpm • D Maj • 04:41 • -7.47db
21% Popularity • 54% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Saint Saviour
The Place I Want to Be
121 bpm • C Maj • 03:04 • -12.89db
35% Popularity • 57% Danceability • 25% Energy • 8% Liveness
23% Instrumentalness • 19% Positiveness
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The Frames
Mighty Sword
121 bpm • E Maj • 09:40 • -10.87db
8% Popularity • 26% Danceability • 18% Energy • 7% Liveness
42% Instrumentalness • 19% Positiveness
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The Magnetic Fields
We Are Having a Hootenanny
120 bpm • C Maj • 02:10 • -5.08db
9% Popularity • 55% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Ron Sexsmith
There's A Rhythm
120 bpm • A Maj • 03:11 • -12.23db
27% Popularity • 48% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Camera Obscura
Arrangements of Shapes and Space
122 bpm • C Maj • 03:49 • -10.11db
14% Popularity • 45% Danceability • 40% Energy • 14% Liveness
87% Instrumentalness • 23% Positiveness
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The Walkmen
While I Shovel the Snow
101 bpm • D Maj • 04:00 • -13.7db
16% Popularity • 48% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
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Doves
Break Me Gently
122 bpm • B Maj • 04:38 • -9.78db
34% Popularity • 39% Danceability • 54% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
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Patrick Wolf
Apparition
101 bpm • D Maj • 01:16 • -14.59db
8% Popularity • 20% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
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Sufjan Stevens
Movement V—Self-Organizing Emergent Pa...
121 bpm • G min • 03:44 • -10.36db
12% Popularity • 48% Danceability • 37% Energy • 16% Liveness
85% Instrumentalness • 42% Positiveness
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The Sleepy Jackson
Fill Me With Apples
122 bpm • A Maj • 01:05 • -14.01db
11% Popularity • 38% Danceability • 42% Energy • 30% Liveness
12% Instrumentalness • 62% Positiveness
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The New Pornographers
Streets Of Fire
122 bpm • E Maj • 02:41 • -7.14db
22% Popularity • 67% Danceability • 59% Energy • 79% Liveness
0% Instrumentalness • 34% Positiveness
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Rachel's Flat