Songs like Rachmaninoff: Rhapsody On A Theme Of Paganini by John Barry
Based on a tempo of (+/- 10%) and a similar genre
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Chemayne
Ballad for Adeline
128 bpm • C Maj • 03:35 • -20db
37% Popularity • 34% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
37% Popularity • 34% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
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John Barry
Rachmaninoff: Rhapsody On A Theme Of Pag...
128 bpm • C# Maj • 03:09 • -16db
39% Popularity • 27% Danceability • 11% Energy • 16% Liveness
85% Instrumentalness • 4% Positiveness
39% Popularity • 27% Danceability • 11% Energy • 16% Liveness
85% Instrumentalness • 4% Positiveness
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Lola & Hauser
Nocturno
128 bpm • A# Maj • 03:32 • -17.11db
44% Popularity • 31% Danceability • 18% Energy • 13% Liveness
92% Instrumentalness • 8% Positiveness
44% Popularity • 31% Danceability • 18% Energy • 13% Liveness
92% Instrumentalness • 8% Positiveness
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Nicola Piovani
La vita è bella: La vita è bella
129 bpm • D Maj • 02:38 • -14.34db
39% Popularity • 26% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
39% Popularity • 26% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
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Maurizio Malagnini
Summer Is Coming
129 bpm • G Maj • 02:33 • -15db
30% Popularity • 23% Danceability • 27% Energy • 21% Liveness
87% Instrumentalness • 20% Positiveness
30% Popularity • 23% Danceability • 27% Energy • 21% Liveness
87% Instrumentalness • 20% Positiveness
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Andrea Guerra
Tema romantico solitario
129 bpm • C Maj • 01:04 • -21.24db
46% Popularity • 56% Danceability • 12% Energy • 7% Liveness
77% Instrumentalness • 6% Positiveness
46% Popularity • 56% Danceability • 12% Energy • 7% Liveness
77% Instrumentalness • 6% Positiveness
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Leroy Anderson
Forgotten Dreams
129 bpm • D Maj • 02:37 • -28db
20% Popularity • 22% Danceability • 3% Energy • 8% Liveness
60% Instrumentalness • 7% Positiveness
20% Popularity • 22% Danceability • 3% Energy • 8% Liveness
60% Instrumentalness • 7% Positiveness
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John Barry
Moviola
129 bpm • F min • 04:33 • -20.21db
21% Popularity • 16% Danceability • 16% Energy • 19% Liveness
87% Instrumentalness • 4% Positiveness
21% Popularity • 16% Danceability • 16% Energy • 19% Liveness
87% Instrumentalness • 4% Positiveness
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Frederick Delius
Marche Caprice
127 bpm • C Maj • 04:09 • -26db
12% Popularity • 22% Danceability • 5% Energy • 9% Liveness
85% Instrumentalness • 8% Positiveness
12% Popularity • 22% Danceability • 5% Energy • 9% Liveness
85% Instrumentalness • 8% Positiveness
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Aram Khachaturian
Spartacus: Adagio of Spartacus and Phryg...
129 bpm • G# Maj • 09:09 • -22.37db
29% Popularity • 17% Danceability • 8% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
29% Popularity • 17% Danceability • 8% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: XIII. T...
127 bpm • G Maj • 03:06 • -41.41db
30% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
30% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Andrea Guerra
Cenerentola - Main Title
129 bpm • C Maj • 00:56 • -17.97db
42% Popularity • 51% Danceability • 23% Energy • 9% Liveness
88% Instrumentalness • 13% Positiveness
42% Popularity • 51% Danceability • 23% Energy • 9% Liveness
88% Instrumentalness • 13% Positiveness
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Geoffrey Burgon
Going to Brideshead
126 bpm • D Maj • 03:02 • -23.42db
25% Popularity • 22% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
25% Popularity • 22% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
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The O'Neill Brothers Group
Meditation for Trio
126 bpm • D Maj • 01:23 • -15.15db
38% Popularity • 29% Danceability • 18% Energy • 10% Liveness
46% Instrumentalness • 11% Positiveness
38% Popularity • 29% Danceability • 18% Energy • 10% Liveness
46% Instrumentalness • 11% Positiveness
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Victor Young
Around The World In 80 Days - Overture
126 bpm • D# Maj • 03:21 • -18.97db
21% Popularity • 25% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 11% Positiveness
21% Popularity • 25% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 11% Positiveness
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Samuel Barber
The School for Scandal, Op. 5
131 bpm • A min • 08:42 • -26.83db
9% Popularity • 22% Danceability • 4% Energy • 21% Liveness
46% Instrumentalness • 8% Positiveness
9% Popularity • 22% Danceability • 4% Energy • 21% Liveness
46% Instrumentalness • 8% Positiveness
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Nicola Piovani
La vita è bella
125 bpm • A Maj • 04:51 • -15.58db
49% Popularity • 39% Danceability • 14% Energy • 9% Liveness
28% Instrumentalness • 15% Positiveness
49% Popularity • 39% Danceability • 14% Energy • 9% Liveness
28% Instrumentalness • 15% Positiveness
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Frédéric Chopin
Nocturnes, Op. 9: No. 2 in E-Flat Major
125 bpm • A# Maj • 04:44 • -32.95db
16% Popularity • 36% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
16% Popularity • 36% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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The Melachrino Strings
Stardust
131 bpm • D Maj • 04:11 • -19db
31% Popularity • 17% Danceability • 16% Energy • 30% Liveness
68% Instrumentalness • 4% Positiveness
31% Popularity • 17% Danceability • 16% Energy • 30% Liveness
68% Instrumentalness • 4% Positiveness
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Andrea Guerra
Atelier Fontana - Main Title
132 bpm • F Maj • 02:30 • -19.2db
47% Popularity • 18% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
47% Popularity • 18% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
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Cantovano and His Orchestra
Waltz for Peppy - The Artist
132 bpm • G Maj • 03:18 • -9db
28% Popularity • 32% Danceability • 34% Energy • 14% Liveness
55% Instrumentalness • 18% Positiveness
28% Popularity • 32% Danceability • 34% Energy • 14% Liveness
55% Instrumentalness • 18% Positiveness
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Golden Strings Orchestra
Aria En Re
124 bpm • D Maj • 03:13 • -16.92db
41% Popularity • 18% Danceability • 30% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
41% Popularity • 18% Danceability • 30% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
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Nicola Piovani
La vita è bella
131 bpm • D Maj • 02:51 • -16db
28% Popularity • 26% Danceability • 25% Energy • 13% Liveness
32% Instrumentalness • 31% Positiveness
28% Popularity • 26% Danceability • 25% Energy • 13% Liveness
32% Instrumentalness • 31% Positiveness
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John Debney
A New Hope
132 bpm • D# Maj • 01:46 • -25.95db
40% Popularity • 16% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 9% Positiveness
40% Popularity • 16% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 9% Positiveness
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City of Prague Orchestra
Life is Beautiful
124 bpm • A Maj • 04:05 • -10.86db
11% Popularity • 26% Danceability • 28% Energy • 9% Liveness
84% Instrumentalness • 14% Positiveness
11% Popularity • 26% Danceability • 28% Energy • 9% Liveness
84% Instrumentalness • 14% Positiveness
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Academy of St. Martin in the Fields
I'll Always Go Back To That Church
133 bpm • D Maj • 01:53 • -17.84db
40% Popularity • 23% Danceability • 24% Energy • 6% Liveness
70% Instrumentalness • 25% Positiveness
40% Popularity • 23% Danceability • 24% Energy • 6% Liveness
70% Instrumentalness • 25% Positiveness
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Jules Massenet
Espada Suite: II. Boléro
133 bpm • E min • 02:01 • -17.12db
13% Popularity • 60% Danceability • 20% Energy • 36% Liveness
71% Instrumentalness • 67% Positiveness
13% Popularity • 60% Danceability • 20% Energy • 36% Liveness
71% Instrumentalness • 67% Positiveness
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Ralph Vaughan Williams
Serenade in A Minor: IV. Romance - Andan...
123 bpm • A min • 08:57 • -22.4db
13% Popularity • 17% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 5% Positiveness
13% Popularity • 17% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 5% Positiveness
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Nicola Piovani
Caro Diario: Medici
124 bpm • F Maj • 02:04 • -29.53db
44% Popularity • 39% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 11% Positiveness
44% Popularity • 39% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 11% Positiveness
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John Debney
Queen Clarisse - Score
133 bpm • C Maj • 00:53 • -20.98db
36% Popularity • 57% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 46% Positiveness
36% Popularity • 57% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 46% Positiveness
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Dmitri Shostakovich
The Gadfly Suite, Op. 97a: No. 8 Romance
133 bpm • C# Maj • 06:28 • -20.3db
24% Popularity • 18% Danceability • 13% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
24% Popularity • 18% Danceability • 13% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
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Rachel Portman
End Titles
122 bpm • E min • 02:08 • -20db
44% Popularity • 18% Danceability • 17% Energy • 21% Liveness
90% Instrumentalness • 7% Positiveness
44% Popularity • 18% Danceability • 17% Energy • 21% Liveness
90% Instrumentalness • 7% Positiveness
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Louis Armstrong
Escape From Piz Gloria
123 bpm • F min • 04:53 • -13.92db
22% Popularity • 26% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 26% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 14% Positiveness
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Michel Legrand
Umbrellas Of Cherbourg
122 bpm • A min • 05:45 • -22db
19% Popularity • 35% Danceability • 3% Energy • 10% Liveness
6% Instrumentalness • 16% Positiveness
19% Popularity • 35% Danceability • 3% Energy • 10% Liveness
6% Instrumentalness • 16% Positiveness
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John Barry
Born Free
134 bpm • F Maj • 04:40 • -20.47db
31% Popularity • 16% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
31% Popularity • 16% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Daniela Jakubowicz
Nocturne in E-Flat Major, Op. 9, No. 2
134 bpm • A# Maj • 02:27 • -23.46db
26% Popularity • 49% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
26% Popularity • 49% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
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Henri Seroka
Easy Go
134 bpm • D Maj • 03:02 • -18db
51% Popularity • 30% Danceability • 13% Energy • 14% Liveness
82% Instrumentalness • 17% Positiveness
51% Popularity • 30% Danceability • 13% Energy • 14% Liveness
82% Instrumentalness • 17% Positiveness
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Dave Grusin
On Golden Pond
134 bpm • G Maj • 03:46 • -18.84db
31% Popularity • 54% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 38% Positiveness
31% Popularity • 54% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 38% Positiveness
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John Debney
Mia Invites Lilly To The Ball - Score
122 bpm • A Maj • 01:08 • -32db
49% Popularity • 25% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
49% Popularity • 25% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Jóhann Jóhannsson
The Wedding
135 bpm • A# Maj • 01:42 • -16db
55% Popularity • 24% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
55% Popularity • 24% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Präludium (Al...
135 bpm • G Maj • 03:00 • -22.57db
42% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
42% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
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Dmitri Shostakovich
The Gadfly Suite, Op. 97a: Romance
135 bpm • C# Maj • 04:16 • -15db
23% Popularity • 19% Danceability • 13% Energy • 13% Liveness
50% Instrumentalness • 4% Positiveness
23% Popularity • 19% Danceability • 13% Energy • 13% Liveness
50% Instrumentalness • 4% Positiveness
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Albert Ketèlbey
Bells across the Meadows
136 bpm • D# Maj • 05:12 • -27db
16% Popularity • 15% Danceability • 4% Energy • 17% Liveness
61% Instrumentalness • 4% Positiveness
16% Popularity • 15% Danceability • 4% Energy • 17% Liveness
61% Instrumentalness • 4% Positiveness
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Orchestre Symphonique de Montréal
Rhapsodie Sur Un Thème De Paganini: Var...
136 bpm • C# Maj • 03:16 • -23.05db
20% Popularity • 32% Danceability • 7% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
20% Popularity • 32% Danceability • 7% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
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Debbie Wiseman
George VI
121 bpm • G Maj • 03:23 • -24db
14% Popularity • 17% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Ian Mulder
Ocean of Dreams
136 bpm • A# Maj • 04:22 • -17.3db
24% Popularity • 19% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
24% Popularity • 19% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
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Vincenzo Bellini
Norma, Акт I, Сцена 1: "Casta Di...
136 bpm • E Maj • 04:40 • -24.53db
29% Popularity • 18% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
29% Popularity • 18% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
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Gustav Holst
The Planets, Op. 32: IV. Jupiter, the Br...
136 bpm • G min • 07:58 • -17.61db
24% Popularity • 26% Danceability • 20% Energy • 15% Liveness
92% Instrumentalness • 16% Positiveness
24% Popularity • 26% Danceability • 20% Energy • 15% Liveness
92% Instrumentalness • 16% Positiveness
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John Barry
The John Dunbar Theme
136 bpm • D# Maj • 02:17 • -24.51db
53% Popularity • 15% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
53% Popularity • 15% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Ji-Hae. Park
Johann Sebastian Bach: Miunet in G major
120 bpm • C Maj • 02:34 • -17.01db
35% Popularity • 47% Danceability • 13% Energy • 11% Liveness
67% Instrumentalness • 57% Positiveness
35% Popularity • 47% Danceability • 13% Energy • 11% Liveness
67% Instrumentalness • 57% Positiveness
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Samuel Barber
Commando March
120 bpm • C min • 03:46 • -16.36db
7% Popularity • 32% Danceability • 37% Energy • 30% Liveness
96% Instrumentalness • 23% Positiveness
7% Popularity • 32% Danceability • 37% Energy • 30% Liveness
96% Instrumentalness • 23% Positiveness
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Chet Swiatkowski
Rhapsody On A Theme Of Paganini
137 bpm • C# Maj • 02:53 • -20db
37% Popularity • 23% Danceability • 8% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
37% Popularity • 23% Danceability • 8% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
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John Debney
The Princess Diaries Waltz - Score
137 bpm • A Maj • 02:09 • -18.08db
48% Popularity • 25% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 15% Positiveness
48% Popularity • 25% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 15% Positiveness
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Johan Stengård
John Dunbar Theme - Dansar Med Vargar
120 bpm • C# Maj • 04:00 • -8.77db
27% Popularity • 17% Danceability • 36% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
27% Popularity • 17% Danceability • 36% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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Andrea Guerra
La città eterna
137 bpm • C min • 02:13 • -18.58db
45% Popularity • 15% Danceability • 16% Energy • 12% Liveness
81% Instrumentalness • 5% Positiveness
45% Popularity • 15% Danceability • 16% Energy • 12% Liveness
81% Instrumentalness • 5% Positiveness
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Jerry Goldsmith
Main Title
138 bpm • F# Maj • 02:12 • -19.08db
18% Popularity • 15% Danceability • 16% Energy • 9% Liveness
91% Instrumentalness • 10% Positiveness
18% Popularity • 15% Danceability • 16% Energy • 9% Liveness
91% Instrumentalness • 10% Positiveness
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Einojuhani Rautavaara
Cantus arcticus, Op. 61, "Concerto for B...
119 bpm • F# Maj • 07:07 • -30db
18% Popularity • 23% Danceability • 6% Energy • 11% Liveness
18% Instrumentalness • 4% Positiveness
18% Popularity • 23% Danceability • 6% Energy • 11% Liveness
18% Instrumentalness • 4% Positiveness
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John Barry
The Man Of My Dreams
138 bpm • F Maj • 01:30 • -25.82db
23% Popularity • 17% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 6% Positiveness
23% Popularity • 17% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 6% Positiveness
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Elmer Bernstein
Main Theme
138 bpm • C Maj • 03:33 • -10.78db
27% Popularity • 17% Danceability • 36% Energy • 9% Liveness
75% Instrumentalness • 5% Positiveness
27% Popularity • 17% Danceability • 36% Energy • 9% Liveness
75% Instrumentalness • 5% Positiveness
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Amilcare Ponchielli
La Gioconda / Act 3: Dance Of The Hours
138 bpm • E Maj • 01:26 • -30db
49% Popularity • 51% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
49% Popularity • 51% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
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Danny Wright
Terms of Endearment
138 bpm • C Maj • 03:55 • -16.18db
28% Popularity • 38% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
28% Popularity • 38% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
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Richard Stoltzman
Love Theme / I'll Never Leave You
139 bpm • E Maj • 03:36 • -19.86db
12% Popularity • 24% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
12% Popularity • 24% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
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William Grant Still
American Suite: II. Danse
117 bpm • D min • 01:39 • -21db
14% Popularity • 41% Danceability • 9% Energy • 21% Liveness
85% Instrumentalness • 29% Positiveness
14% Popularity • 41% Danceability • 9% Energy • 21% Liveness
85% Instrumentalness • 29% Positiveness
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Antonio Rossi & His Orchestra
The Windmills of Your Mind
140 bpm • E min • 03:31 • -16.55db
29% Popularity • 31% Danceability • 18% Energy • 34% Liveness
94% Instrumentalness • 10% Positiveness
29% Popularity • 31% Danceability • 18% Energy • 34% Liveness
94% Instrumentalness • 10% Positiveness
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Jan A.P. Kaczmarek
Dance Rehearsal
140 bpm • A min • 02:16 • -16.99db
35% Popularity • 32% Danceability • 17% Energy • 11% Liveness
61% Instrumentalness • 26% Positiveness
35% Popularity • 32% Danceability • 17% Energy • 11% Liveness
61% Instrumentalness • 26% Positiveness
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Christian Schittenhelm
Dawn
140 bpm • F min • 07:00 • -22.56db
12% Popularity • 14% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
12% Popularity • 14% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Danny Wright
Forrest Gump Suite
140 bpm • G Maj • 02:40 • -16.92db
43% Popularity • 34% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
43% Popularity • 34% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Traditional
Scarborough Fair (Arr. Parkin for Cello ...
117 bpm • D Maj • 03:14 • -30.56db
52% Popularity • 31% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 25% Positiveness
52% Popularity • 31% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 25% Positiveness
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Richard Addinsell
Warsaw Concerto
141 bpm • B Maj • 09:06 • -24db
9% Popularity • 22% Danceability • 6% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 6% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
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John Barry
Near The Lake
141 bpm • C Maj • 02:17 • -14.82db
31% Popularity • 14% Danceability • 18% Energy • 16% Liveness
95% Instrumentalness • 5% Positiveness
31% Popularity • 14% Danceability • 18% Energy • 16% Liveness
95% Instrumentalness • 5% Positiveness
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Rachel Portman
The Duchess
116 bpm • G Maj • 01:41 • -18db
40% Popularity • 32% Danceability • 17% Energy • 14% Liveness
89% Instrumentalness • 15% Positiveness
40% Popularity • 32% Danceability • 17% Energy • 14% Liveness
89% Instrumentalness • 15% Positiveness
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Paul Lewis
Rosa Mundi
141 bpm • C min • 03:37 • -20db
34% Popularity • 14% Danceability • 14% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
34% Popularity • 14% Danceability • 14% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Guy Farley
Love Theme
116 bpm • C# Maj • 02:45 • -29db
44% Popularity • 17% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
44% Popularity • 17% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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George Walker
Lyric for Strings
116 bpm • F# Maj • 05:22 • -31.62db
34% Popularity • 17% Danceability • 1% Energy • 8% Liveness
37% Instrumentalness • 3% Positiveness
34% Popularity • 17% Danceability • 1% Energy • 8% Liveness
37% Instrumentalness • 3% Positiveness
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Émile Waldteufel
Les Patineurs Valse Op. 183 (The Skater'...
142 bpm • A Maj • 04:23 • -14.79db
9% Popularity • 42% Danceability • 19% Energy • 17% Liveness
78% Instrumentalness • 9% Positiveness
9% Popularity • 42% Danceability • 19% Energy • 17% Liveness
78% Instrumentalness • 9% Positiveness
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Clint Eastwood
Deep In Thought
115 bpm • F Maj • 01:53 • -22db
32% Popularity • 25% Danceability • 6% Energy • 9% Liveness
42% Instrumentalness • 10% Positiveness
32% Popularity • 25% Danceability • 6% Energy • 9% Liveness
42% Instrumentalness • 10% Positiveness
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Rachel Portman
End Credits - Instrumental
141 bpm • C Maj • 04:35 • -19.18db
38% Popularity • 14% Danceability • 9% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
38% Popularity • 14% Danceability • 9% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Ernest Tomlinson
Little Serenade
142 bpm • A Maj • 03:23 • -29db
21% Popularity • 17% Danceability • 4% Energy • 9% Liveness
97% Instrumentalness • 17% Positiveness
21% Popularity • 17% Danceability • 4% Energy • 9% Liveness
97% Instrumentalness • 17% Positiveness
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George Fenton
Goodnight Dear Void
115 bpm • E min • 01:07 • -20db
43% Popularity • 27% Danceability • 7% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
43% Popularity • 27% Danceability • 7% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
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Henry Salomon y su Orquesta
Los Paraguas de Cherburgo - De "Los Para...
115 bpm • C min • 02:23 • -16.23db
35% Popularity • 28% Danceability • 20% Energy • 11% Liveness
8% Instrumentalness • 35% Positiveness
35% Popularity • 28% Danceability • 20% Energy • 11% Liveness
8% Instrumentalness • 35% Positiveness
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Francis Lai
Générique (de "Bilitis")
115 bpm • C# Maj • 03:26 • -25.37db
38% Popularity • 17% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Secret Garden
Chaconne
115 bpm • B min • 03:27 • -12.12db
40% Popularity • 20% Danceability • 25% Energy • 10% Liveness
38% Instrumentalness • 7% Positiveness
40% Popularity • 20% Danceability • 25% Energy • 10% Liveness
38% Instrumentalness • 7% Positiveness
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Geoffrey Burgon
Brideshead Revisited Variations: Theme
114 bpm • C Maj • 02:01 • -13db
19% Popularity • 18% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 10% Positiveness
19% Popularity • 18% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 10% Positiveness
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Ernest Tomlinson
Little Serenade
143 bpm • A Maj • 03:23 • -31db
20% Popularity • 18% Danceability • 2% Energy • 13% Liveness
67% Instrumentalness • 17% Positiveness
20% Popularity • 18% Danceability • 2% Energy • 13% Liveness
67% Instrumentalness • 17% Positiveness
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Barbra Streisand
The Way We Were - Instrumental
144 bpm • G# Maj • 03:00 • -13.1db
21% Popularity • 20% Danceability • 25% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
21% Popularity • 20% Danceability • 25% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
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John Barry
Thanks
114 bpm • C Maj • 01:23 • -20.82db
34% Popularity • 20% Danceability • 12% Energy • 13% Liveness
94% Instrumentalness • 8% Positiveness
34% Popularity • 20% Danceability • 12% Energy • 13% Liveness
94% Instrumentalness • 8% Positiveness
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Joaquín Rodrigo
Rodrigo: Concierto de Aranjuez: II. Adag...
144 bpm • B min • 04:45 • -25.23db
31% Popularity • 29% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
31% Popularity • 29% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
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Samuel Barber
Canzonetta, Op. 48 posth.
145 bpm • D# Maj • 08:45 • -22.84db
13% Popularity • 14% Danceability • 7% Energy • 16% Liveness
94% Instrumentalness • 3% Positiveness
13% Popularity • 14% Danceability • 7% Energy • 16% Liveness
94% Instrumentalness • 3% Positiveness
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Rael Jones
I am Free
113 bpm • E min • 04:55 • -21.48db
28% Popularity • 19% Danceability • 6% Energy • 14% Liveness
90% Instrumentalness • 5% Positiveness
28% Popularity • 19% Danceability • 6% Energy • 14% Liveness
90% Instrumentalness • 5% Positiveness
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Frank Chacksfield Orchestra
A Time for Us
145 bpm • C min • 02:41 • -19db
40% Popularity • 31% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
40% Popularity • 31% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
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Dmitry Kabalevsky
Violin Concerto, Op. 48: I. Allegro molt...
145 bpm • C Maj • 04:33 • -19.26db
21% Popularity • 36% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
21% Popularity • 36% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
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Gerald Finzi
Lo, the full, final sacrifice, Op. 26: A...
112 bpm • E Maj • 02:40 • -25.09db
51% Popularity • 20% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
51% Popularity • 20% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
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Geoffrey Burgon
Brideshead Revisited Theme
112 bpm • C Maj • 02:07 • -15db
36% Popularity • 21% Danceability • 19% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
36% Popularity • 21% Danceability • 19% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
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Samuel Barber
Capricorn Concerto, Op. 21: II. Allegret...
113 bpm • D# min • 03:01 • -32db
10% Popularity • 42% Danceability • 4% Energy • 24% Liveness
64% Instrumentalness • 25% Positiveness
10% Popularity • 42% Danceability • 4% Energy • 24% Liveness
64% Instrumentalness • 25% Positiveness
► Preview
Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
112 bpm • C# Maj • 02:48 • -20db
30% Popularity • 27% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 27% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Andrea Guerra
Il dolore di una città
112 bpm • C min • 01:19 • -26.05db
52% Popularity • 17% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
52% Popularity • 17% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Peter Buffett
The Bird - The Swimmer
111 bpm • A# Maj • 03:07 • -26.37db
15% Popularity • 25% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
15% Popularity • 25% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Concerto No. 1 in B-Flat Major, K. 207: ...
149 bpm • A# Maj • 05:40 • -20.67db
16% Popularity • 40% Danceability • 5% Energy • 14% Liveness
28% Instrumentalness • 58% Positiveness
16% Popularity • 40% Danceability • 5% Energy • 14% Liveness
28% Instrumentalness • 58% Positiveness
