Songs like Rachmaninov: Vespers, Op. 37: No. 6, Bogoroditse Devo by Sergei Rachmaninoff
Based on a tempo of (+/- 10%) and a similar genre
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Sergei Rachmaninoff
Rachmaninov: Vespers, Op. 37: No. 6, Bog...
121 bpm • F Maj • 03:28 • -27db
20% Popularity • 17% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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George Frideric Handel
Messiah, HWV 56, Part II: "Hallelujah!"
120 bpm • C# Maj • 03:34 • -19db
37% Popularity • 46% Danceability • 18% Energy • 10% Liveness
3% Instrumentalness • 34% Positiveness
37% Popularity • 46% Danceability • 18% Energy • 10% Liveness
3% Instrumentalness • 34% Positiveness
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Antonio Vivaldi
Vivaldi: Gloria in D Major, RV 589: II. ...
121 bpm • B min • 04:39 • -17.43db
9% Popularity • 17% Danceability • 17% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 17% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Johann Christian Bach
Magnificat, W. E22: Et misericordia eius...
120 bpm • B min • 01:10 • -22db
30% Popularity • 18% Danceability • 7% Energy • 14% Liveness
93% Instrumentalness • 6% Positiveness
30% Popularity • 18% Danceability • 7% Energy • 14% Liveness
93% Instrumentalness • 6% Positiveness
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Gioachino Rossini
Petite messe solennelle: Kyrie
120 bpm • C Maj • 06:17 • -29db
29% Popularity • 18% Danceability • 4% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 4% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
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Giovanni Pierluigi da Palestrina
Stabat Mater
123 bpm • G# Maj • 09:19 • -26.25db
9% Popularity • 20% Danceability • 7% Energy • 27% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 7% Energy • 27% Liveness
0% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Symphony No. 2 in E Minor, Op. 27: III. ...
120 bpm • D Maj • 10:52 • -20.53db
40% Popularity • 37% Danceability • 12% Energy • 24% Liveness
91% Instrumentalness • 9% Positiveness
40% Popularity • 37% Danceability • 12% Energy • 24% Liveness
91% Instrumentalness • 9% Positiveness
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Hildegard von Bingen
IV. O virtus Sapientiae
120 bpm • A min • 01:34 • -9.56db
12% Popularity • 26% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 26% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Claudio Monteverdi
L'incoronazione di Poppea: "Pur ti miro"
123 bpm • F# Maj • 04:36 • -20db
19% Popularity • 28% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 9% Positiveness
19% Popularity • 28% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 9% Positiveness
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David Crown
Bogoroditse Devo - Live
119 bpm • F Maj • 02:48 • -23.9db
10% Popularity • 19% Danceability • 18% Energy • 66% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 19% Danceability • 18% Energy • 66% Liveness
0% Instrumentalness • 7% Positiveness
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Gioachino Rossini
Petite Messe solennelle, Kyrie: III. Kyr...
119 bpm • A Maj • 02:22 • -30db
28% Popularity • 27% Danceability • 4% Energy • 7% Liveness
68% Instrumentalness • 5% Positiveness
28% Popularity • 27% Danceability • 4% Energy • 7% Liveness
68% Instrumentalness • 5% Positiveness
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Ensemble Concerto
Settimo Libro de Madrigali: Non vedrò m...
123 bpm • A min • 03:31 • -20db
6% Popularity • 30% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
6% Popularity • 30% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Sergei Rachmaninoff
Kolokola (The Bells), Op. 35: I. Allegro...
123 bpm • C# Maj • 06:41 • -25.83db
23% Popularity • 25% Danceability • 8% Energy • 9% Liveness
22% Instrumentalness • 5% Positiveness
23% Popularity • 25% Danceability • 8% Energy • 9% Liveness
22% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus in D Major, K. 618
123 bpm • D Maj • 02:47 • -21db
31% Popularity • 17% Danceability • 8% Energy • 7% Liveness
37% Instrumentalness • 3% Positiveness
31% Popularity • 17% Danceability • 8% Energy • 7% Liveness
37% Instrumentalness • 3% Positiveness
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Claudio Monteverdi
Vespro della Beata Vergine, SV 206: Hymn...
123 bpm • G Maj • 09:28 • -25.9db
17% Popularity • 20% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
17% Popularity • 20% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
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Joseph Haydn
Insanae et vanae curae
124 bpm • C# min • 06:42 • -19.79db
11% Popularity • 28% Danceability • 11% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
11% Popularity • 28% Danceability • 11% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
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Charles Villiers Stanford
The Blue Bird, Op. 119 No. 3
124 bpm • F# Maj • 03:47 • -31.49db
12% Popularity • 18% Danceability • 2% Energy • 7% Liveness
82% Instrumentalness • 3% Positiveness
12% Popularity • 18% Danceability • 2% Energy • 7% Liveness
82% Instrumentalness • 3% Positiveness
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Gioachino Rossini
Petite messe solennelle: I. Kyrie
118 bpm • C Maj • 02:29 • -14db
30% Popularity • 26% Danceability • 26% Energy • 12% Liveness
96% Instrumentalness • 20% Positiveness
30% Popularity • 26% Danceability • 26% Energy • 12% Liveness
96% Instrumentalness • 20% Positiveness
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Hildegard von Bingen
Antiphon Caritas habundant in omnia
125 bpm • F min • 02:18 • -26.93db
22% Popularity • 27% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
22% Popularity • 27% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Così fan tutte, K. 588, Act 1: ...
124 bpm • E Maj • 03:04 • -23.49db
30% Popularity • 19% Danceability • 9% Energy • 10% Liveness
79% Instrumentalness • 6% Positiveness
30% Popularity • 19% Danceability • 9% Energy • 10% Liveness
79% Instrumentalness • 6% Positiveness
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Cyrillus Kreek
Taaveti laulud (Psalms of David): Onnis ...
125 bpm • A min • 03:25 • -24.74db
11% Popularity • 20% Danceability • 8% Energy • 15% Liveness
17% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 8% Energy • 15% Liveness
17% Instrumentalness • 4% Positiveness
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Nordic Chamber Choir - Nicol Matt
La Rose Complete
125 bpm • C# Maj • 04:10 • -33.25db
13% Popularity • 17% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Alexander Sheremetiev
Nine sili nebesniye
125 bpm • C# min • 03:45 • -23.13db
11% Popularity • 17% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
11% Popularity • 17% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Cristobal de Morales
Officium defunctorum: Invitatorium: Anti...
125 bpm • F Maj • 03:10 • -25.36db
13% Popularity • 17% Danceability • 8% Energy • 11% Liveness
14% Instrumentalness • 5% Positiveness
13% Popularity • 17% Danceability • 8% Energy • 11% Liveness
14% Instrumentalness • 5% Positiveness
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Antonio Vivaldi
Vivaldi: Gloria in D Major, RV 589: I. G...
125 bpm • A Maj • 02:23 • -11db
19% Popularity • 45% Danceability • 46% Energy • 19% Liveness
88% Instrumentalness • 39% Positiveness
19% Popularity • 45% Danceability • 46% Energy • 19% Liveness
88% Instrumentalness • 39% Positiveness
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Claudio Monteverdi
Monteverdi / Arr Pluhar: Zefiro torna e ...
117 bpm • F Maj • 07:03 • -19.78db
30% Popularity • 40% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 40% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Alessandro Striggio
Ecce beatam lucem à 40
126 bpm • C Maj • 08:15 • -19db
8% Popularity • 18% Danceability • 15% Energy • 8% Liveness
15% Instrumentalness • 5% Positiveness
8% Popularity • 18% Danceability • 15% Energy • 8% Liveness
15% Instrumentalness • 5% Positiveness
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Francesco Durante
Magnificat in B flat major: Magnificat a...
126 bpm • A Maj • 02:35 • -16db
16% Popularity • 28% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 28% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Gioachino Rossini
Petite messe solennelle: I. Kyrie. Kyrie...
116 bpm • C Maj • 02:32 • -28.98db
30% Popularity • 22% Danceability • 4% Energy • 6% Liveness
87% Instrumentalness • 14% Positiveness
30% Popularity • 22% Danceability • 4% Energy • 6% Liveness
87% Instrumentalness • 14% Positiveness
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Henryk Górecki
Miserere, Op. 44: 6. Domine Deus noster-...
126 bpm • C Maj • 04:34 • -38.75db
9% Popularity • 17% Danceability • 1% Energy • 11% Liveness
3% Instrumentalness • 5% Positiveness
9% Popularity • 17% Danceability • 1% Energy • 11% Liveness
3% Instrumentalness • 5% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75: I. Ad pede...
116 bpm • C min • 08:49 • -22db
13% Popularity • 29% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 29% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Stabat Mater, RV 621: I. Stabat Mater do...
116 bpm • E min • 02:54 • -23.96db
38% Popularity • 19% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 7% Positiveness
38% Popularity • 19% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 7% Positiveness
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Antonio Caldara
Stabat Mater: I. Stabat Mater dolorosa
126 bpm • C# Maj • 01:38 • -21.97db
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: Requiem aeternam I
126 bpm • E min • 03:47 • -35db
20% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Giacomo Carissimi
Jephte: Plorate, filii Israel
127 bpm • F# Maj • 05:00 • -24db
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Olivier Messiaen
O sacrum convivium!
127 bpm • F# Maj • 04:31 • -30.76db
20% Popularity • 17% Danceability • 2% Energy • 18% Liveness
42% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 2% Energy • 18% Liveness
42% Instrumentalness • 3% Positiveness
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Charles Gounod
Messe solennelle de Sainte Cécile: Agnu...
115 bpm • D Maj • 04:17 • -28db
9% Popularity • 21% Danceability • 8% Energy • 8% Liveness
34% Instrumentalness • 6% Positiveness
9% Popularity • 21% Danceability • 8% Energy • 8% Liveness
34% Instrumentalness • 6% Positiveness
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Jan Dismas Zelenka
Dixit Dominus, ZWV 66: Dixit Dominus - A...
115 bpm • F# Maj • 02:02 • -17db
31% Popularity • 38% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 51% Positiveness
31% Popularity • 38% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 51% Positiveness
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Antonio Lotti
Crucifixus
127 bpm • C min • 03:29 • -25.68db
21% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
21% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
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Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
127 bpm • F Maj • 01:35 • -29.29db
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
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Henry Purcell
Motet for five Voices: Psalm 3: Jehova, ...
127 bpm • G# min • 06:16 • -23.61db
8% Popularity • 27% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 27% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Nikolay Kedrov
Otche Nash (Our Father)
127 bpm • C Maj • 03:04 • -37db
14% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Suite No. 2 for 2 Pianos, Op. 17: III. R...
127 bpm • G# Maj • 07:10 • -26.77db
27% Popularity • 34% Danceability • 3% Energy • 13% Liveness
93% Instrumentalness • 8% Positiveness
27% Popularity • 34% Danceability • 3% Energy • 13% Liveness
93% Instrumentalness • 8% Positiveness
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John Bennet
Weep, O mine eyes
127 bpm • G# min • 02:44 • -25.16db
22% Popularity • 17% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
22% Popularity • 17% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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William Byrd
Byrd : Ave verum corpus
127 bpm • G min • 04:33 • -30db
15% Popularity • 17% Danceability • 6% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
15% Popularity • 17% Danceability • 6% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
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Luigi Cherubini
Requiem No. 1 in C Minor: Agnus Dei
128 bpm • C Maj • 07:24 • -26db
22% Popularity • 17% Danceability • 1% Energy • 6% Liveness
70% Instrumentalness • 4% Positiveness
22% Popularity • 17% Danceability • 1% Energy • 6% Liveness
70% Instrumentalness • 4% Positiveness
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Jan Dismas Zelenka
Missa Sancti Josephi, ZWV 14: No. 3 Et i...
114 bpm • A# min • 02:50 • -27.32db
19% Popularity • 28% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
19% Popularity • 28% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Gloria in D Major, RV 589: 1. Gloria in ...
128 bpm • C# Maj • 02:21 • -13.47db
24% Popularity • 46% Danceability • 32% Energy • 15% Liveness
43% Instrumentalness • 27% Positiveness
24% Popularity • 46% Danceability • 32% Energy • 15% Liveness
43% Instrumentalness • 27% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Resu...
128 bpm • D min • 01:35 • -22.99db
27% Popularity • 19% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
27% Popularity • 19% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Earl Wild
The Muse, Op. 34 No. 1
128 bpm • E min • 05:06 • -29.79db
7% Popularity • 37% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
7% Popularity • 37% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48: VI. Libera me
114 bpm • D min • 04:42 • -24.8db
14% Popularity • 19% Danceability • 8% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 8% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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Niccolò Jommelli
Requiem, Introitus: Requiem æternam
114 bpm • D# Maj • 05:26 • -33.34db
15% Popularity • 17% Danceability • 1% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 1% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Giacomo Carissimi
Jephte: Plorate filii Israel plorate (Ch...
129 bpm • F# Maj • 04:49 • -25db
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Alfred Deller
If Music Be The Food Of Love
129 bpm • D min • 02:38 • -22.62db
25% Popularity • 35% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 35% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Grea...
129 bpm • C min • 08:30 • -24.09db
15% Popularity • 19% Danceability • 8% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
15% Popularity • 19% Danceability • 8% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
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Robert Lucas Pearsall
Lay a garland on her hearse
129 bpm • C min • 03:01 • -25db
22% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
22% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Francesco Landini
Nella partita
114 bpm • A Maj • 03:45 • -29db
11% Popularity • 25% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 25% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Christoph Willibald Gluck
Iphigénie en Tauride, Wq. 46 (Excerpts)...
114 bpm • A min • 01:34 • -31db
48% Popularity • 17% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
48% Popularity • 17% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Bach, JS: Matthäus-Passion, BWV 244, Pt...
129 bpm • D# min • 06:40 • -19.08db
34% Popularity • 23% Danceability • 17% Energy • 15% Liveness
57% Instrumentalness • 18% Positiveness
34% Popularity • 23% Danceability • 17% Energy • 15% Liveness
57% Instrumentalness • 18% Positiveness
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Jackson Hill
Ma fin est mon commencement
129 bpm • G# min • 06:18 • -22.34db
8% Popularity • 21% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Michael Tippett
Steal Away
113 bpm • G Maj • 03:21 • -24.87db
9% Popularity • 20% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Henryk Górecki
Miserere, Op. 44: 11. Miserere nobis - L...
129 bpm • A min • 02:50 • -44db
29% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
29% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
Anton Bruckner
Vexilla regis, WAB 51
130 bpm • F Maj • 04:55 • -27.43db
11% Popularity • 16% Danceability • 3% Energy • 9% Liveness
60% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 3% Energy • 9% Liveness
60% Instrumentalness • 3% Positiveness
► Preview
John Sheppard
Libera nos I & II: Libera nos I & II
130 bpm • G# Maj • 05:36 • -27db
13% Popularity • 16% Danceability • 8% Energy • 16% Liveness
24% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 8% Energy • 16% Liveness
24% Instrumentalness • 4% Positiveness
► Preview
Giulio Caccini
All'imperio d'Amore: 5. Ineffabile ardor...
113 bpm • A# Maj • 01:00 • -17db
37% Popularity • 17% Danceability • 25% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 17% Danceability • 25% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Herbert Howells
Requiem: Salvator Mundi
130 bpm • G Maj • 02:19 • -30.35db
23% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Johann Sebastian Bach
Suite from Violin Partita in E Major, BW...
130 bpm • E Maj • 03:22 • -23.47db
7% Popularity • 38% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 46% Positiveness
7% Popularity • 38% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 46% Positiveness
► Preview
The Tallis Scholars
Isaac: Virgo Prudentissima, 6vv - 1. Vir...
112 bpm • E min • 05:19 • -20db
25% Popularity • 22% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
25% Popularity • 22% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act III, Scen...
112 bpm • F# Maj • 03:28 • -19.1db
22% Popularity • 30% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 30% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Sergei Rachmaninoff
Suite No. 2 for 2 Pianos, Op. 17: II. Wa...
112 bpm • D# Maj • 05:48 • -21.97db
28% Popularity • 37% Danceability • 13% Energy • 22% Liveness
90% Instrumentalness • 13% Positiveness
28% Popularity • 37% Danceability • 13% Energy • 22% Liveness
90% Instrumentalness • 13% Positiveness
► Preview
Charles Gounod
Ave Maria, CG89a
131 bpm • F Maj • 02:52 • -25.34db
14% Popularity • 18% Danceability • 10% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 10% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
► Preview
Hildegard von Bingen
O Viridissima virga
131 bpm • C Maj • 03:48 • -26.4db
13% Popularity • 34% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 34% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Henry Purcell
Dido and Aeneas, Z.626 - Arr. for cello ...
131 bpm • G min • 03:54 • -27.85db
13% Popularity • 16% Danceability • 7% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 7% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
► Preview
PÄ“teris Vasks
Silent Songs: No. 2 Dusi dusi
132 bpm • A min • 01:33 • -38.7db
15% Popularity • 17% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Agostino Steffani
Stabat Mater: Stabat Mater Dolorosa
111 bpm • G min • 02:09 • -18.08db
29% Popularity • 27% Danceability • 7% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
29% Popularity • 27% Danceability • 7% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Fauré / Arr. Rutter: Requiem, Op. 48: I...
111 bpm • A# Maj • 03:17 • -27.29db
12% Popularity • 21% Danceability • 5% Energy • 10% Liveness
42% Instrumentalness • 4% Positiveness
12% Popularity • 21% Danceability • 5% Energy • 10% Liveness
42% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Than...
132 bpm • C Maj • 01:34 • -16.66db
23% Popularity • 22% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
23% Popularity • 22% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
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Francois-Joseph Gossec
Grande Messe des Morts: XXIII. Agnus Dei...
132 bpm • C min • 02:08 • -26.61db
21% Popularity • 18% Danceability • 5% Energy • 13% Liveness
70% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 5% Energy • 13% Liveness
70% Instrumentalness • 4% Positiveness
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Henry Purcell
O dive custos, Z. 504
132 bpm • B min • 07:35 • -24.9db
10% Popularity • 21% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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Reynaldo Hahn
A Chloris
133 bpm • E Maj • 03:00 • -18.56db
30% Popularity • 35% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
30% Popularity • 35% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
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Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Samuel Barber
Barber: Agnus Dei, Op. 11 (Barber Adagio...
133 bpm • A# min • 08:00 • -24db
27% Popularity • 16% Danceability • 9% Energy • 34% Liveness
81% Instrumentalness • 3% Positiveness
27% Popularity • 16% Danceability • 9% Energy • 34% Liveness
81% Instrumentalness • 3% Positiveness
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Pavel Chesnokov
Spaseniye sodelal yesi posrede zemli (Sa...
133 bpm • D Maj • 03:35 • -27db
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
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Giovanni Battista Martini
In monte Oliveti, IGM 4
133 bpm • G min • 01:34 • -27.54db
48% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
48% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: Messa di Gloria: Kyrie eleison,...
110 bpm • G# Maj • 05:22 • -26.76db
9% Popularity • 17% Danceability • 3% Energy • 6% Liveness
89% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 3% Energy • 6% Liveness
89% Instrumentalness • 4% Positiveness
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George Frideric Handel
Crux Fidelis (after "Ombra ma fu"- Xerse...
133 bpm • F Maj • 02:29 • -28.2db
24% Popularity • 18% Danceability • 5% Energy • 12% Liveness
50% Instrumentalness • 5% Positiveness
24% Popularity • 18% Danceability • 5% Energy • 12% Liveness
50% Instrumentalness • 5% Positiveness
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Antonio Vivaldi
Laudate pueri Dominum, RV 600: Sit nomen...
110 bpm • D Maj • 02:47 • -29.35db
45% Popularity • 35% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
45% Popularity • 35% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
35% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Manuel Machado
Dos estrellas le seguen. Romance – à ...
133 bpm • E min • 03:56 • -24db
17% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Come...
110 bpm • B min • 01:40 • -19db
26% Popularity • 25% Danceability • 23% Energy • 35% Liveness
23% Instrumentalness • 14% Positiveness
26% Popularity • 25% Danceability • 23% Energy • 35% Liveness
23% Instrumentalness • 14% Positiveness
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Cecilia McDowall
I Know That My Redeemer Liveth
134 bpm • D Maj • 05:28 • -25.34db
16% Popularity • 18% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
16% Popularity • 18% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
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Hildegard von Bingen
Columba aspexit
134 bpm • F Maj • 07:20 • -29.83db
14% Popularity • 26% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
14% Popularity • 26% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Henry Purcell
Dido & Aeneas, Z. 626: Dido & Aeneas, Z....
134 bpm • F# min • 04:09 • -26db
25% Popularity • 21% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
25% Popularity • 21% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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George Frideric Handel
Serse, HWV 40, Act I Scene 1: Arioso "Om...
109 bpm • E Maj • 03:03 • -23.48db
40% Popularity • 20% Danceability • 10% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
40% Popularity • 20% Danceability • 10% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
La sonnambula / Act 2: "Ah, non credea m...
109 bpm • A min • 04:17 • -24.42db
20% Popularity • 32% Danceability • 6% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
20% Popularity • 32% Danceability • 6% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Resu...
134 bpm • C Maj • 03:32 • -24.89db
15% Popularity • 16% Danceability • 6% Energy • 6% Liveness
87% Instrumentalness • 3% Positiveness
15% Popularity • 16% Danceability • 6% Energy • 6% Liveness
87% Instrumentalness • 3% Positiveness
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Benjamin Britten
A Hymn To The Virgin
134 bpm • A min • 03:49 • -27.1db
15% Popularity • 16% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Josef Rheinberger
3 Sacred Songs, Op. 69: No. 3, Abendlied...
134 bpm • F Maj • 03:24 • -22db
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
