Songs like Radetzky-Marsch, Op. 228 by Johann Strauss I
Based on a tempo of (+/- 10%) and a similar genre
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Johann Strauss I
Radetzky-Marsch, Op. 228
116 bpm • A Maj • 02:55 • -15.78db
7% Popularity • 65% Danceability • 42% Energy • 8% Liveness
93% Instrumentalness • 51% Positiveness
7% Popularity • 65% Danceability • 42% Energy • 8% Liveness
93% Instrumentalness • 51% Positiveness
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CHA Medical Center
Orchestral Suite No.2 in B minor, BWV106...
116 bpm • B min • 01:29 • -18.34db
44% Popularity • 55% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 84% Positiveness
44% Popularity • 55% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 84% Positiveness
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Franz Schubert
Marche militaire, Op. 51, No. 1
116 bpm • D Maj • 04:07 • -19db
25% Popularity • 53% Danceability • 13% Energy • 9% Liveness
94% Instrumentalness • 64% Positiveness
25% Popularity • 53% Danceability • 13% Energy • 9% Liveness
94% Instrumentalness • 64% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: I. March
116 bpm • F Maj • 03:07 • -14.36db
25% Popularity • 52% Danceability • 41% Energy • 6% Liveness
58% Instrumentalness • 88% Positiveness
25% Popularity • 52% Danceability • 41% Energy • 6% Liveness
58% Instrumentalness • 88% Positiveness
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101 Strings Orchestra
CARMEN: MARCH OF THE TOREADORS (Bizet)
116 bpm • A Maj • 04:08 • -14.85db
9% Popularity • 46% Danceability • 47% Energy • 7% Liveness
95% Instrumentalness • 57% Positiveness
9% Popularity • 46% Danceability • 47% Energy • 7% Liveness
95% Instrumentalness • 57% Positiveness
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Joseph Hellmesberger, Jr.
Ball Scene
116 bpm • B Maj • 06:41 • -19.41db
11% Popularity • 28% Danceability • 31% Energy • 21% Liveness
90% Instrumentalness • 40% Positiveness
11% Popularity • 28% Danceability • 31% Energy • 21% Liveness
90% Instrumentalness • 40% Positiveness
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Antonín Dvořák
Dvořák: Humoresque in G-Flat Major, Op...
116 bpm • G Maj • 02:59 • -24db
12% Popularity • 25% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
12% Popularity • 25% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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Bedřich Smetana
Má Vlast, JB1:112: 2. Vltava - Excerpt
116 bpm • C Maj • 03:49 • -18.2db
25% Popularity • 23% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
25% Popularity • 23% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
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Armonie Symphony Orchestra
Il Lado Dei Cigni, Suite dal Balletto Op...
116 bpm • A Maj • 07:42 • -17db
22% Popularity • 28% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 17% Positiveness
22% Popularity • 28% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 17% Positiveness
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Giuseppe Verdi
Aida: Marcia (Orchestra) - Highlights
115 bpm • G# Maj • 01:30 • -24.01db
26% Popularity • 51% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 60% Positiveness
26% Popularity • 51% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 60% Positiveness
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Gioachino Rossini
The Barber of Seville: "Largo al factotu...
115 bpm • C Maj • 04:50 • -11db
11% Popularity • 35% Danceability • 49% Energy • 29% Liveness
91% Instrumentalness • 35% Positiveness
11% Popularity • 35% Danceability • 49% Energy • 29% Liveness
91% Instrumentalness • 35% Positiveness
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London Philharmonic Orchestra
L'Arlesienne Suite No. 1: Prelude
115 bpm • C min • 06:53 • -16.31db
21% Popularity • 26% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
21% Popularity • 26% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
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Rodion Shchedrin
Carmen Ballet Suite (after Bizet): IX. T...
115 bpm • F Maj • 02:42 • -12db
34% Popularity • 52% Danceability • 47% Energy • 8% Liveness
72% Instrumentalness • 46% Positiveness
34% Popularity • 52% Danceability • 47% Energy • 8% Liveness
72% Instrumentalness • 46% Positiveness
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Emmanuel Chabrier
España: Espana
117 bpm • F Maj • 06:44 • -16db
17% Popularity • 35% Danceability • 26% Energy • 3% Liveness
85% Instrumentalness • 30% Positiveness
17% Popularity • 35% Danceability • 26% Energy • 3% Liveness
85% Instrumentalness • 30% Positiveness
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101 Strings Orchestra
ラデツキー行進曲
117 bpm • D Maj • 02:26 • -11db
23% Popularity • 60% Danceability • 60% Energy • 52% Liveness
79% Instrumentalness • 84% Positiveness
23% Popularity • 60% Danceability • 60% Energy • 52% Liveness
79% Instrumentalness • 84% Positiveness
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Émile Waldteufel
Espana, Waltz, Op. 236
118 bpm • F Maj • 06:25 • -14.33db
19% Popularity • 41% Danceability • 37% Energy • 14% Liveness
89% Instrumentalness • 59% Positiveness
19% Popularity • 41% Danceability • 37% Energy • 14% Liveness
89% Instrumentalness • 59% Positiveness
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Franz von Suppé
Caballeria Ligera - Obertura
115 bpm • G Maj • 01:34 • -12.02db
37% Popularity • 47% Danceability • 52% Energy • 5% Liveness
91% Instrumentalness • 24% Positiveness
37% Popularity • 47% Danceability • 52% Energy • 5% Liveness
91% Instrumentalness • 24% Positiveness
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Johann Strauss I
Radetzky March, Op. 228: Radesky March
114 bpm • A Maj • 02:17 • -18.88db
19% Popularity • 53% Danceability • 33% Energy • 10% Liveness
76% Instrumentalness • 80% Positiveness
19% Popularity • 53% Danceability • 33% Energy • 10% Liveness
76% Instrumentalness • 80% Positiveness
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Pyotr Ilyich Tchaikovsky
Swan Lake, Op. 20: No. 13 Danses Des Cyg...
114 bpm • F# min • 01:25 • -32db
32% Popularity • 58% Danceability • 4% Energy • 8% Liveness
98% Instrumentalness • 76% Positiveness
32% Popularity • 58% Danceability • 4% Energy • 8% Liveness
98% Instrumentalness • 76% Positiveness
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Léo Delibes
Coppélia / Tableau 1: No. 1 Valse
114 bpm • D# Maj • 02:01 • -23db
30% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
30% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
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London Philharmonic Orchestra
3rd Movement: Scherzo
118 bpm • C Maj • 08:14 • -22db
33% Popularity • 34% Danceability • 5% Energy • 14% Liveness
42% Instrumentalness • 10% Positiveness
33% Popularity • 34% Danceability • 5% Energy • 14% Liveness
42% Instrumentalness • 10% Positiveness
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George Frideric Handel
The Arrival Of The Queen Of Sheba, From ...
118 bpm • A Maj • 03:11 • -18.41db
38% Popularity • 49% Danceability • 32% Energy • 29% Liveness
93% Instrumentalness • 70% Positiveness
38% Popularity • 49% Danceability • 32% Energy • 29% Liveness
93% Instrumentalness • 70% Positiveness
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Arthur Fiedler
Carmen Votre toast, je peux vous le rend...
113 bpm • F Maj • 02:31 • -12.97db
14% Popularity • 42% Danceability • 28% Energy • 21% Liveness
36% Instrumentalness • 44% Positiveness
14% Popularity • 42% Danceability • 28% Energy • 21% Liveness
36% Instrumentalness • 44% Positiveness
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Johann Strauss I
Radetzky-Marsch, Op. 228
114 bpm • A Maj • 02:59 • -16.29db
12% Popularity • 72% Danceability • 41% Energy • 11% Liveness
40% Instrumentalness • 77% Positiveness
12% Popularity • 72% Danceability • 41% Energy • 11% Liveness
40% Instrumentalness • 77% Positiveness
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Giuseppe Verdi
La traviata / Act I: Libiamo ne'lieti ca...
113 bpm • A# Maj • 02:55 • -17.69db
59% Popularity • 42% Danceability • 21% Energy • 68% Liveness
0% Instrumentalness • 28% Positiveness
59% Popularity • 42% Danceability • 21% Energy • 68% Liveness
0% Instrumentalness • 28% Positiveness
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Anonymous
Radetzky March, Op. 228 (arr. for piano ...
113 bpm • A Maj • 02:55 • -20.01db
5% Popularity • 64% Danceability • 21% Energy • 14% Liveness
85% Instrumentalness • 85% Positiveness
5% Popularity • 64% Danceability • 21% Energy • 14% Liveness
85% Instrumentalness • 85% Positiveness
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Edward Elgar
Pomp and Circumstance Marches, Op. 39: M...
119 bpm • D Maj • 06:34 • -13db
15% Popularity • 30% Danceability • 36% Energy • 11% Liveness
78% Instrumentalness • 30% Positiveness
15% Popularity • 30% Danceability • 36% Energy • 11% Liveness
78% Instrumentalness • 30% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
113 bpm • E Maj • 03:07 • -14.42db
49% Popularity • 57% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
49% Popularity • 57% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
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Pyotr Ilyich Tchaikovsky
Swan Lake, Op. 20: Op. 20: Act IV No. 29...
113 bpm • B Maj • 05:16 • -11.8db
23% Popularity • 24% Danceability • 42% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
23% Popularity • 24% Danceability • 42% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Johann Strauss I
Radetzky-Marsch, Op. 228
113 bpm • A Maj • 02:48 • -16.13db
2% Popularity • 48% Danceability • 44% Energy • 28% Liveness
84% Instrumentalness • 80% Positiveness
2% Popularity • 48% Danceability • 44% Energy • 28% Liveness
84% Instrumentalness • 80% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 2: IV. Chanson d...
113 bpm • F Maj • 02:39 • -18db
35% Popularity • 56% Danceability • 11% Energy • 5% Liveness
85% Instrumentalness • 26% Positiveness
35% Popularity • 56% Danceability • 11% Energy • 5% Liveness
85% Instrumentalness • 26% Positiveness
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Manuel Rosenthal
Gaite Parisienne (after J. Offenbach): 1...
113 bpm • G Maj • 01:15 • -17db
27% Popularity • 61% Danceability • 33% Energy • 49% Liveness
1% Instrumentalness • 88% Positiveness
27% Popularity • 61% Danceability • 33% Energy • 49% Liveness
1% Instrumentalness • 88% Positiveness
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Edward Elgar
Elgar: Pomp and Circumstance March No. 1...
119 bpm • D Maj • 06:26 • -6db
23% Popularity • 32% Danceability • 53% Energy • 9% Liveness
63% Instrumentalness • 33% Positiveness
23% Popularity • 32% Danceability • 53% Energy • 9% Liveness
63% Instrumentalness • 33% Positiveness
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Karoly Botvay
Sinfonia in C major, RV 112: I. Allegro
119 bpm • G Maj • 01:56 • -22db
58% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
58% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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George Frideric Handel
Music for the Royal Fireworks (Excerpts)...
113 bpm • D Maj • 02:02 • -12.96db
29% Popularity • 58% Danceability • 53% Energy • 14% Liveness
78% Instrumentalness • 80% Positiveness
29% Popularity • 58% Danceability • 53% Energy • 14% Liveness
78% Instrumentalness • 80% Positiveness
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Johann Strauss I
Radetzky March, Op. 228 (arr. T. Baynov)...
113 bpm • A Maj • 02:53 • -18db
7% Popularity • 73% Danceability • 28% Energy • 10% Liveness
84% Instrumentalness • 93% Positiveness
7% Popularity • 73% Danceability • 28% Energy • 10% Liveness
84% Instrumentalness • 93% Positiveness
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김준영
JStraussl: Radetzky marsch 요한 슈트...
113 bpm • A Maj • 02:49 • -12.02db
13% Popularity • 70% Danceability • 51% Energy • 31% Liveness
64% Instrumentalness • 72% Positiveness
13% Popularity • 70% Danceability • 51% Energy • 31% Liveness
64% Instrumentalness • 72% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Horn Concerto No. 4 in E-Flat Ma...
120 bpm • D# Maj • 03:43 • -21.16db
30% Popularity • 37% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
30% Popularity • 37% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
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Henry Purcell
Trumpet Tune in C Major, Z. 697
112 bpm • F Maj • 01:17 • -18.5db
38% Popularity • 50% Danceability • 9% Energy • 14% Liveness
87% Instrumentalness • 45% Positiveness
38% Popularity • 50% Danceability • 9% Energy • 14% Liveness
87% Instrumentalness • 45% Positiveness
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Giuseppe Verdi
Aida: Act II: Marcia
112 bpm • G# Maj • 01:34 • -20.16db
47% Popularity • 31% Danceability • 11% Energy • 13% Liveness
96% Instrumentalness • 32% Positiveness
47% Popularity • 31% Danceability • 11% Energy • 13% Liveness
96% Instrumentalness • 32% Positiveness
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Julius Fučík
Einzug der Gladiatoren, Op. 68 "Triumph ...
120 bpm • C Maj • 02:44 • -12.58db
12% Popularity • 49% Danceability • 65% Energy • 8% Liveness
91% Instrumentalness • 19% Positiveness
12% Popularity • 49% Danceability • 65% Energy • 8% Liveness
91% Instrumentalness • 19% Positiveness
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Johann Strauss I
J. Strauss: Radetzky March
112 bpm • A Maj • 02:52 • -17.26db
31% Popularity • 57% Danceability • 41% Energy • 17% Liveness
7% Instrumentalness • 78% Positiveness
31% Popularity • 57% Danceability • 41% Energy • 17% Liveness
7% Instrumentalness • 78% Positiveness
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Antonio Vivaldi
The Four Seasons: Concerto No. 1 in E Ma...
112 bpm • E Maj • 03:22 • -17db
50% Popularity • 49% Danceability • 14% Energy • 25% Liveness
74% Instrumentalness • 23% Positiveness
50% Popularity • 49% Danceability • 14% Energy • 25% Liveness
74% Instrumentalness • 23% Positiveness
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Wolfgang Amadeus Mozart
The Magic Flute, K. 620, Act II: Pa-Pa-P...
112 bpm • G Maj • 02:30 • -19db
46% Popularity • 48% Danceability • 19% Energy • 13% Liveness
10% Instrumentalness • 50% Positiveness
46% Popularity • 48% Danceability • 19% Energy • 13% Liveness
10% Instrumentalness • 50% Positiveness
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Eduard Strauss
Alpine Rose - Polka Op. 127
112 bpm • C Maj • 03:41 • -24db
13% Popularity • 28% Danceability • 2% Energy • 8% Liveness
79% Instrumentalness • 16% Positiveness
13% Popularity • 28% Danceability • 2% Energy • 8% Liveness
79% Instrumentalness • 16% Positiveness
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Marc-Antoine Charpentier
Charpentier / Transcr. Lambert: Te Deum,...
120 bpm • D Maj • 02:01 • -15db
12% Popularity • 40% Danceability • 23% Energy • 17% Liveness
94% Instrumentalness • 55% Positiveness
12% Popularity • 40% Danceability • 23% Energy • 17% Liveness
94% Instrumentalness • 55% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 1: II. Les Drago...
120 bpm • G Maj • 01:37 • -32.29db
28% Popularity • 62% Danceability • 3% Energy • 16% Liveness
93% Instrumentalness • 44% Positiveness
28% Popularity • 62% Danceability • 3% Energy • 16% Liveness
93% Instrumentalness • 44% Positiveness
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Walter Hargreaves
Radetzky Marsch, Op. 228
120 bpm • D# Maj • 02:12 • -16.47db
5% Popularity • 56% Danceability • 31% Energy • 28% Liveness
96% Instrumentalness • 88% Positiveness
5% Popularity • 56% Danceability • 31% Energy • 28% Liveness
96% Instrumentalness • 88% Positiveness
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Carl Michael Ziehrer
Schönfeld-Marsch, Op. 422
120 bpm • D Maj • 02:54 • -12.32db
13% Popularity • 52% Danceability • 57% Energy • 24% Liveness
86% Instrumentalness • 70% Positiveness
13% Popularity • 52% Danceability • 57% Energy • 24% Liveness
86% Instrumentalness • 70% Positiveness
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Slovak Sinfonietta, Zilina
Es Ist Nur Ein Wein, Op. 22: Es Ist Nur ...
112 bpm • A Maj • 06:34 • -24db
4% Popularity • 40% Danceability • 4% Energy • 10% Liveness
20% Instrumentalness • 29% Positiveness
4% Popularity • 40% Danceability • 4% Energy • 10% Liveness
20% Instrumentalness • 29% Positiveness
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Johann Strauss I
Radetzky March, Op. 228
112 bpm • A Maj • 02:56 • -15.37db
15% Popularity • 74% Danceability • 45% Energy • 11% Liveness
69% Instrumentalness • 94% Positiveness
15% Popularity • 74% Danceability • 45% Energy • 11% Liveness
69% Instrumentalness • 94% Positiveness
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Giuseppe Verdi
Verdi: Aida, Act 2: Marcia trionfale
120 bpm • G# Maj • 01:26 • -18db
37% Popularity • 43% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 43% Positiveness
37% Popularity • 43% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 43% Positiveness
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Antonín Dvořák
Dvořák: Symphony No. 9 in E Minor, Op....
112 bpm • E min • 09:17 • -18.03db
13% Popularity • 28% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 10% Positiveness
13% Popularity • 28% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 10% Positiveness
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Luigi Boccherini
String Quintet in E Major, G. 275: III. ...
112 bpm • A Maj • 03:24 • -34db
30% Popularity • 47% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 49% Positiveness
30% Popularity • 47% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 49% Positiveness
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Edward Elgar
Coronation Ode, Op. 44: VI. Finale "Land...
121 bpm • D Maj • 02:37 • -9.01db
16% Popularity • 35% Danceability • 44% Energy • 19% Liveness
13% Instrumentalness • 41% Positiveness
16% Popularity • 35% Danceability • 44% Energy • 19% Liveness
13% Instrumentalness • 41% Positiveness
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London Philharmonic Orchestra
Carmen Suite No. 2: Habanera
121 bpm • D Maj • 02:12 • -25db
37% Popularity • 46% Danceability • 2% Energy • 7% Liveness
30% Instrumentalness • 40% Positiveness
37% Popularity • 46% Danceability • 2% Energy • 7% Liveness
30% Instrumentalness • 40% Positiveness
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Johann Strauss I
Radetzky-Marsch, Op. 228
111 bpm • A Maj • 02:17 • -12.73db
38% Popularity • 64% Danceability • 48% Energy • 32% Liveness
89% Instrumentalness • 88% Positiveness
38% Popularity • 64% Danceability • 48% Energy • 32% Liveness
89% Instrumentalness • 88% Positiveness
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Rundfunkorchester des Südwestfunks Baden-Baden
The Magic Flute, K. 620: Allegro: "Papag...
111 bpm • G Maj • 02:39 • -20.45db
29% Popularity • 44% Danceability • 18% Energy • 6% Liveness
34% Instrumentalness • 42% Positiveness
29% Popularity • 44% Danceability • 18% Energy • 6% Liveness
34% Instrumentalness • 42% Positiveness
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Franz von Suppé
Fatinitza: March
111 bpm • G Maj • 02:32 • -11.89db
33% Popularity • 64% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 78% Positiveness
33% Popularity • 64% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 78% Positiveness
► Preview
Antonín Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
121 bpm • C Maj • 07:50 • -21.45db
38% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
38% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
► Preview
Jacques Offenbach
Les Contes d'Hoffmann / Act 4: Entr'acte...
121 bpm • D Maj • 03:50 • -33db
39% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
39% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
► Preview
Johann Sebastian Bach
Bach, JS: Orchestral Suite No. 2 in B Mi...
121 bpm • B min • 01:26 • -20.76db
39% Popularity • 56% Danceability • 24% Energy • 9% Liveness
98% Instrumentalness • 86% Positiveness
39% Popularity • 56% Danceability • 24% Energy • 9% Liveness
98% Instrumentalness • 86% Positiveness
► Preview
Wolfgang Amadeus Mozart
Symphony No. 40 in G Minor, K. 550 - (2n...
121 bpm • G min • 07:07 • -19.67db
41% Popularity • 33% Danceability • 20% Energy • 9% Liveness
87% Instrumentalness • 20% Positiveness
41% Popularity • 33% Danceability • 20% Energy • 9% Liveness
87% Instrumentalness • 20% Positiveness
► Preview
Julius Fučík
Fucik : Entry of the Gladiators Op.68
121 bpm • C Maj • 02:44 • -12.53db
19% Popularity • 38% Danceability • 59% Energy • 9% Liveness
96% Instrumentalness • 40% Positiveness
19% Popularity • 38% Danceability • 59% Energy • 9% Liveness
96% Instrumentalness • 40% Positiveness
► Preview
Johann Strauss I
Strauss: Radetzky March, Op. 228
122 bpm • A Maj • 02:49 • -19db
31% Popularity • 62% Danceability • 36% Energy • 22% Liveness
70% Instrumentalness • 69% Positiveness
31% Popularity • 62% Danceability • 36% Energy • 22% Liveness
70% Instrumentalness • 69% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Tchaikovsky: 1812 Overture in E-Flat Maj...
110 bpm • D# Maj • 03:35 • -10.69db
28% Popularity • 30% Danceability • 59% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
28% Popularity • 30% Danceability • 59% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
► Preview
Edward Elgar
Military Marches, Op. 39 "Pomp and Circu...
122 bpm • D Maj • 06:14 • -15.17db
30% Popularity • 28% Danceability • 32% Energy • 17% Liveness
91% Instrumentalness • 27% Positiveness
30% Popularity • 28% Danceability • 32% Energy • 17% Liveness
91% Instrumentalness • 27% Positiveness
► Preview
Giuseppe Verdi
Aida, Act II: Grand March
110 bpm • D# Maj • 01:35 • -23.76db
39% Popularity • 54% Danceability • 4% Energy • 16% Liveness
97% Instrumentalness • 37% Positiveness
39% Popularity • 54% Danceability • 4% Energy • 16% Liveness
97% Instrumentalness • 37% Positiveness
► Preview
Orchestra of the Viennese Volksoper & Alfred Scholz
Radetzky-Marsch, Op. 228
110 bpm • A Maj • 02:55 • -19.77db
26% Popularity • 50% Danceability • 35% Energy • 19% Liveness
18% Instrumentalness • 72% Positiveness
26% Popularity • 50% Danceability • 35% Energy • 19% Liveness
18% Instrumentalness • 72% Positiveness
► Preview
Julius Fučík
Triglav, Op. 72
122 bpm • G Maj • 01:38 • -15.04db
27% Popularity • 48% Danceability • 45% Energy • 30% Liveness
88% Instrumentalness • 78% Positiveness
27% Popularity • 48% Danceability • 45% Energy • 30% Liveness
88% Instrumentalness • 78% Positiveness
► Preview
Hugo Alfvén
Swedish Rhapsody
110 bpm • D Maj • 03:02 • -16.12db
17% Popularity • 68% Danceability • 28% Energy • 20% Liveness
92% Instrumentalness • 51% Positiveness
17% Popularity • 68% Danceability • 28% Energy • 20% Liveness
92% Instrumentalness • 51% Positiveness
► Preview
Johann Schrammel
Wien bleibt Wien, Marsch
122 bpm • D Maj • 03:24 • -15.59db
19% Popularity • 65% Danceability • 40% Energy • 9% Liveness
96% Instrumentalness • 86% Positiveness
19% Popularity • 65% Danceability • 40% Energy • 9% Liveness
96% Instrumentalness • 86% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Slavonic March, Op. 31, TH 45
110 bpm • A# min • 09:15 • -19.16db
36% Popularity • 32% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
36% Popularity • 32% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
► Preview
Giuseppe Verdi
Aida Highlights (1998 Digital Remaster),...
122 bpm • D# Maj • 04:39 • -17.08db
14% Popularity • 34% Danceability • 20% Energy • 12% Liveness
63% Instrumentalness • 25% Positiveness
14% Popularity • 34% Danceability • 20% Energy • 12% Liveness
63% Instrumentalness • 25% Positiveness
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Camille Saint-Saëns
Samson et Dalila: Bacchanale
122 bpm • D min • 07:39 • -21.71db
22% Popularity • 28% Danceability • 13% Energy • 8% Liveness
33% Instrumentalness • 8% Positiveness
22% Popularity • 28% Danceability • 13% Energy • 8% Liveness
33% Instrumentalness • 8% Positiveness
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Franz von Suppé
Isabella
123 bpm • A Maj • 07:48 • -15db
7% Popularity • 40% Danceability • 37% Energy • 7% Liveness
79% Instrumentalness • 32% Positiveness
7% Popularity • 40% Danceability • 37% Energy • 7% Liveness
79% Instrumentalness • 32% Positiveness
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Johann Strauss I
Strauss I, J. / Transcr. Marshall: Radet...
110 bpm • A Maj • 03:08 • -22.39db
1% Popularity • 49% Danceability • 14% Energy • 7% Liveness
91% Instrumentalness • 56% Positiveness
1% Popularity • 49% Danceability • 14% Energy • 7% Liveness
91% Instrumentalness • 56% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 40 in G Minor, K. 550: I. A...
109 bpm • G min • 07:31 • -17db
54% Popularity • 42% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
54% Popularity • 42% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 2: II. Habanera ...
123 bpm • D Maj • 02:11 • -26.94db
49% Popularity • 61% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 61% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Ludwig van Beethoven
European Union: Ode an die Freude (Ode t...
123 bpm • D Maj • 01:03 • -13db
37% Popularity • 58% Danceability • 24% Energy • 15% Liveness
67% Instrumentalness • 54% Positiveness
37% Popularity • 58% Danceability • 24% Energy • 15% Liveness
67% Instrumentalness • 54% Positiveness
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Camille Saint-Saëns
Samson et Dalila: Bacchanale
109 bpm • A min • 08:02 • -23db
31% Popularity • 30% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 12% Positiveness
31% Popularity • 30% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 12% Positiveness
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Johann Strauss II
Die Fledermaus: Overture
109 bpm • D Maj • 07:40 • -14.49db
42% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
42% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
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Johann Strauss I
Radetzky March, Op. 228
109 bpm • A Maj • 02:30 • -17.74db
4% Popularity • 56% Danceability • 36% Energy • 17% Liveness
92% Instrumentalness • 56% Positiveness
4% Popularity • 56% Danceability • 36% Energy • 17% Liveness
92% Instrumentalness • 56% Positiveness
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Franz von Suppé
Overture "Light Cavalry" Ouverture "Die ...
123 bpm • A Maj • 07:05 • -13.79db
8% Popularity • 34% Danceability • 36% Energy • 5% Liveness
88% Instrumentalness • 16% Positiveness
8% Popularity • 34% Danceability • 36% Energy • 5% Liveness
88% Instrumentalness • 16% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 1: IV. Aragonais...
123 bpm • D min • 02:14 • -20db
35% Popularity • 42% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
35% Popularity • 42% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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Johann Sebastian Bach
Orchestral Suite No. 2 in B Minor, BWV 1...
109 bpm • B min • 01:33 • -22.89db
23% Popularity • 63% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 81% Positiveness
23% Popularity • 63% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 81% Positiveness
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Carl Michael Ziehrer
Die Landstreicher: Overture
124 bpm • D# Maj • 04:55 • -13db
13% Popularity • 40% Danceability • 26% Energy • 11% Liveness
61% Instrumentalness • 22% Positiveness
13% Popularity • 40% Danceability • 26% Energy • 11% Liveness
61% Instrumentalness • 22% Positiveness
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Antonio Vivaldi
The Four Seasons, Violin Concerto in E M...
109 bpm • E Maj • 03:12 • -15.65db
47% Popularity • 49% Danceability • 17% Energy • 12% Liveness
75% Instrumentalness • 22% Positiveness
47% Popularity • 49% Danceability • 17% Energy • 12% Liveness
75% Instrumentalness • 22% Positiveness
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Johann Strauss I
Radetzky March, Op. 228
109 bpm • A Maj • 02:20 • -14.08db
9% Popularity • 60% Danceability • 64% Energy • 23% Liveness
81% Instrumentalness • 85% Positiveness
9% Popularity • 60% Danceability • 64% Energy • 23% Liveness
81% Instrumentalness • 85% Positiveness
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Joseph Haydn
String Quartet in F Major, Op. 3, No. 5,...
109 bpm • C Maj • 02:51 • -29.13db
26% Popularity • 31% Danceability • 6% Energy • 14% Liveness
48% Instrumentalness • 34% Positiveness
26% Popularity • 31% Danceability • 6% Energy • 14% Liveness
48% Instrumentalness • 34% Positiveness
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Slovak Sinfonietta, Zilina
Ungarische Galoppe Oder Frischka, Op. 36...
124 bpm • A Maj • 01:40 • -15.9db
14% Popularity • 59% Danceability • 21% Energy • 9% Liveness
97% Instrumentalness • 61% Positiveness
14% Popularity • 59% Danceability • 21% Energy • 9% Liveness
97% Instrumentalness • 61% Positiveness
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Ludwig van Beethoven
Turkish March, Op. 113 No. 4
108 bpm • A# Maj • 02:05 • -15db
42% Popularity • 59% Danceability • 34% Energy • 9% Liveness
90% Instrumentalness • 39% Positiveness
42% Popularity • 59% Danceability • 34% Energy • 9% Liveness
90% Instrumentalness • 39% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Piano Sonata No. 11 in A Major, ...
124 bpm • A Maj • 03:28 • -17db
28% Popularity • 60% Danceability • 20% Energy • 8% Liveness
90% Instrumentalness • 84% Positiveness
28% Popularity • 60% Danceability • 20% Energy • 8% Liveness
90% Instrumentalness • 84% Positiveness
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Antonio Vivaldi
La Primavera (Spring) Op. 8 No. 1 in D m...
108 bpm • D Maj • 03:14 • -11db
30% Popularity • 42% Danceability • 28% Energy • 13% Liveness
6% Instrumentalness • 35% Positiveness
30% Popularity • 42% Danceability • 28% Energy • 13% Liveness
6% Instrumentalness • 35% Positiveness
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Julius Fučík
Fucik : Florentiner-Marsch Op.214
125 bpm • F Maj • 05:03 • -15.27db
8% Popularity • 41% Danceability • 41% Energy • 22% Liveness
96% Instrumentalness • 44% Positiveness
8% Popularity • 41% Danceability • 41% Energy • 22% Liveness
96% Instrumentalness • 44% Positiveness
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Giuseppe Verdi
La Traviata: Ouverture
125 bpm • B Maj • 03:31 • -28.96db
24% Popularity • 28% Danceability • 4% Energy • 30% Liveness
87% Instrumentalness • 4% Positiveness
24% Popularity • 28% Danceability • 4% Energy • 30% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
London Philharmonic Orchestra
Nabucco: Chorus of the Hebrew Slaves, "V...
124 bpm • C# Maj • 04:59 • -16.48db
34% Popularity • 22% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 6% Positiveness
34% Popularity • 22% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 6% Positiveness
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Albert Ketèlbey
In a Persian Market
108 bpm • D min • 06:46 • -23db
23% Popularity • 31% Danceability • 6% Energy • 10% Liveness
78% Instrumentalness • 9% Positiveness
23% Popularity • 31% Danceability • 6% Energy • 10% Liveness
78% Instrumentalness • 9% Positiveness
