Songs like Ragged But Right by Riley Puckett
Based on a tempo of (+/- 10%) and a similar genre
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Wilf Carter
A Little Old Log Shack I Always Call My ...
113 bpm • G Maj • 03:10 • -13.75db
12% Popularity • 79% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 79% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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The Delmore Brothers
Sweet Sweet Thing
113 bpm • D# Maj • 02:52 • -13.21db
15% Popularity • 59% Danceability • 37% Energy • 18% Liveness
78% Instrumentalness • 70% Positiveness
15% Popularity • 59% Danceability • 37% Energy • 18% Liveness
78% Instrumentalness • 70% Positiveness
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Jim Croce
Things 'Bout Goin' My Way
113 bpm • A Maj • 02:04 • -15.06db
14% Popularity • 73% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 73% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Riley Puckett
Ragged But Right
113 bpm • C# Maj • 02:57 • -14.28db
8% Popularity • 67% Danceability • 29% Energy • 45% Liveness
1% Instrumentalness • 93% Positiveness
8% Popularity • 67% Danceability • 29% Energy • 45% Liveness
1% Instrumentalness • 93% Positiveness
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Blind Willie McTell
Mr. McTell Got the Blues - 2003 Remaster...
114 bpm • A# Maj • 02:17 • -14.1db
24% Popularity • 61% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 61% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Bob Wills
Stay All Night (Stay A Little Longer)
114 bpm • G Maj • 03:06 • -11.16db
35% Popularity • 83% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 93% Positiveness
35% Popularity • 83% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 93% Positiveness
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Wilf Carter
A Little Log Shack I Can Always Call My ...
113 bpm • G Maj • 03:06 • -11.06db
5% Popularity • 81% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
5% Popularity • 81% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Red Foley
Yodeling Radio Joe
112 bpm • G# Maj • 03:08 • -12.21db
13% Popularity • 66% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
13% Popularity • 66% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Cannon's Jug Stompers
Minglewood Blues
114 bpm • G Maj • 03:40 • -11db
12% Popularity • 53% Danceability • 33% Energy • 17% Liveness
18% Instrumentalness • 50% Positiveness
12% Popularity • 53% Danceability • 33% Energy • 17% Liveness
18% Instrumentalness • 50% Positiveness
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Riley Puckett
Nobody's Business
113 bpm • F# Maj • 02:47 • -11.34db
0% Popularity • 65% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
0% Popularity • 65% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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The Delmore Brothers
Freight Train Boogie
112 bpm • E Maj • 02:45 • -6db
9% Popularity • 65% Danceability • 63% Energy • 25% Liveness
17% Instrumentalness • 64% Positiveness
9% Popularity • 65% Danceability • 63% Energy • 25% Liveness
17% Instrumentalness • 64% Positiveness
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Weems String Band
Greenback Dollar
114 bpm • G Maj • 03:10 • -16.55db
8% Popularity • 68% Danceability • 32% Energy • 35% Liveness
89% Instrumentalness • 43% Positiveness
8% Popularity • 68% Danceability • 32% Energy • 35% Liveness
89% Instrumentalness • 43% Positiveness
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Henry Thomas
When the Train Comes Along
114 bpm • F# Maj • 02:56 • -10db
12% Popularity • 69% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 69% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Red Foley
Sugarfoot Rag
114 bpm • D# Maj • 02:27 • -12db
34% Popularity • 76% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
34% Popularity • 76% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Roscoe Holcomb
Trouble in Mind
111 bpm • G min • 02:18 • -12.21db
14% Popularity • 67% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 67% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Riley Puckett
Nobody's Business
113 bpm • F# Maj • 02:48 • -11.93db
0% Popularity • 64% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
0% Popularity • 64% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Dick Curless
End Of The Road
115 bpm • D Maj • 01:31 • -13.71db
33% Popularity • 62% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
33% Popularity • 62% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Wilf Carter
Calgary Roundup
115 bpm • F# Maj • 03:09 • -9.84db
3% Popularity • 80% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
3% Popularity • 80% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Patsy Montana
Old Nevada Moon
115 bpm • D Maj • 02:56 • -11.95db
24% Popularity • 71% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 71% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Mike Seeger
Worried Blues
111 bpm • G Maj • 03:29 • -12.31db
7% Popularity • 52% Danceability • 33% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
7% Popularity • 52% Danceability • 33% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Roscoe Holcomb
Across the Rocky Mountain
111 bpm • F# Maj • 05:22 • -14.05db
13% Popularity • 58% Danceability • 32% Energy • 73% Liveness
1% Instrumentalness • 22% Positiveness
13% Popularity • 58% Danceability • 32% Energy • 73% Liveness
1% Instrumentalness • 22% Positiveness
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Riley Puckett
Ragged But Right (Recorded 1934)
115 bpm • C# Maj • 02:59 • -12.17db
2% Popularity • 64% Danceability • 30% Energy • 15% Liveness
84% Instrumentalness • 92% Positiveness
2% Popularity • 64% Danceability • 30% Energy • 15% Liveness
84% Instrumentalness • 92% Positiveness
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Red Foley
Smoke on the Water
111 bpm • F Maj • 02:43 • -10.09db
14% Popularity • 76% Danceability • 35% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
14% Popularity • 76% Danceability • 35% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
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Roger Miller
I've Been A Long Time Leavin' (But I'll ...
111 bpm • D# Maj • 02:13 • -8.61db
34% Popularity • 50% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
34% Popularity • 50% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Cisco Houston
Chisholm Trail
111 bpm • C# Maj • 01:59 • -18.26db
24% Popularity • 63% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 63% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Frank Proffitt
Beaver Dam Road
115 bpm • B Maj • 01:26 • -12.91db
22% Popularity • 64% Danceability • 46% Energy • 8% Liveness
83% Instrumentalness • 24% Positiveness
22% Popularity • 64% Danceability • 46% Energy • 8% Liveness
83% Instrumentalness • 24% Positiveness
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Roscoe Holcomb
I Ain't Got No Sugar Baby Now
115 bpm • F min • 02:50 • -14.42db
17% Popularity • 59% Danceability • 53% Energy • 5% Liveness
31% Instrumentalness • 60% Positiveness
17% Popularity • 59% Danceability • 53% Energy • 5% Liveness
31% Instrumentalness • 60% Positiveness
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Buster Carter & Preston Young
A Lazy Farmer Boy
111 bpm • C# Maj • 03:01 • -10.74db
9% Popularity • 61% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 61% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Grant Brothers & Their Music
Tell It To Me
111 bpm • D Maj • 02:56 • -10.49db
8% Popularity • 58% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 58% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Charlie Poole
Hungry Hash House
115 bpm • G Maj • 03:25 • -10.32db
8% Popularity • 53% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 53% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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Red Foley
Old Shep
110 bpm • G Maj • 03:16 • -14db
30% Popularity • 41% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 41% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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B.F. Shelton
Oh Molly Dear
116 bpm • G# Maj • 03:00 • -16.07db
9% Popularity • 46% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 46% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Riley Puckett
Paddy Won't You Drink Some Cider
116 bpm • C# Maj • 03:20 • -13.68db
0% Popularity • 64% Danceability • 39% Energy • 6% Liveness
5% Instrumentalness • 96% Positiveness
0% Popularity • 64% Danceability • 39% Energy • 6% Liveness
5% Instrumentalness • 96% Positiveness
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Stringbean
Barnyard Banjo Pickin'
116 bpm • G# Maj • 02:18 • -13.76db
21% Popularity • 72% Danceability • 62% Energy • 34% Liveness
4% Instrumentalness • 90% Positiveness
21% Popularity • 72% Danceability • 62% Energy • 34% Liveness
4% Instrumentalness • 90% Positiveness
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Jim & Jesse
I Like Trains
116 bpm • G Maj • 02:12 • -10.31db
9% Popularity • 69% Danceability • 53% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 69% Danceability • 53% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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The Kentucky Colonels
In The Pines
110 bpm • E Maj • 02:24 • -12.8db
29% Popularity • 53% Danceability • 46% Energy • 73% Liveness
0% Instrumentalness • 71% Positiveness
29% Popularity • 53% Danceability • 46% Energy • 73% Liveness
0% Instrumentalness • 71% Positiveness
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John Hartford
Turn Your Radio On (I)
110 bpm • F Maj • 01:22 • -16.07db
31% Popularity • 68% Danceability • 27% Energy • 37% Liveness
0% Instrumentalness • 77% Positiveness
31% Popularity • 68% Danceability • 27% Energy • 37% Liveness
0% Instrumentalness • 77% Positiveness
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Dick Curless
A Tombstone Every Mile
110 bpm • C Maj • 03:03 • -10db
37% Popularity • 70% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 70% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Frank Stokes
'Tain't Nobody's Business If I Do, Pt. 1
110 bpm • D Maj • 03:16 • -16.85db
11% Popularity • 56% Danceability • 15% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 56% Danceability • 15% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
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The Country Gentlemen
Roving Gambler
117 bpm • B Maj • 03:10 • -10.55db
28% Popularity • 66% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 89% Positiveness
28% Popularity • 66% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 89% Positiveness
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Bob Wills
That's What I Like 'Bout The South
110 bpm • F Maj • 02:45 • -13.32db
15% Popularity • 86% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 86% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Henry Thomas
Bob McKinney
109 bpm • F# Maj • 02:53 • -14.32db
13% Popularity • 59% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
13% Popularity • 59% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
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Emmett Miller
Lovesick Blues
109 bpm • F Maj • 02:53 • -16db
14% Popularity • 77% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 77% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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The New Lost City Ramblers
Cotton Eyed Joe
117 bpm • F Maj • 01:15 • -15.68db
31% Popularity • 51% Danceability • 32% Energy • 28% Liveness
75% Instrumentalness • 96% Positiveness
31% Popularity • 51% Danceability • 32% Energy • 28% Liveness
75% Instrumentalness • 96% Positiveness
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Whistler's Jug Band
Foldin' Bed
110 bpm • C Maj • 02:57 • -12.58db
7% Popularity • 77% Danceability • 36% Energy • 57% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 77% Danceability • 36% Energy • 57% Liveness
0% Instrumentalness • 96% Positiveness
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Sons of the Pioneers
The Devil's Great Grandson
117 bpm • F Maj • 02:55 • -9.69db
16% Popularity • 66% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 66% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Alan Lomax
I'm Bound to Follow the Longhorn Cows
109 bpm • D Maj • 03:43 • -6.6db
7% Popularity • 57% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
7% Popularity • 57% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Cisco Houston
Little Joe, The Wrangler
117 bpm • A# Maj • 02:41 • -19.68db
13% Popularity • 67% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 75% Positiveness
13% Popularity • 67% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 75% Positiveness
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Frank Proffitt
Satan, Your Kingdom Must Come Down
117 bpm • D Maj • 01:51 • -11db
28% Popularity • 56% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 56% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Tex Williams
Caravan Ride
117 bpm • D Maj • 01:27 • -12.22db
25% Popularity • 78% Danceability • 37% Energy • 5% Liveness
12% Instrumentalness • 88% Positiveness
25% Popularity • 78% Danceability • 37% Energy • 5% Liveness
12% Instrumentalness • 88% Positiveness
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Jesse Fuller
Move on Down the Line
109 bpm • B min • 04:25 • -10db
7% Popularity • 56% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
7% Popularity • 56% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
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Cannon's Jug Stompers
Walk Right In
118 bpm • C Maj • 02:55 • -14db
13% Popularity • 66% Danceability • 27% Energy • 23% Liveness
5% Instrumentalness • 70% Positiveness
13% Popularity • 66% Danceability • 27% Energy • 23% Liveness
5% Instrumentalness • 70% Positiveness
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The Dillards
Polly Vaughn
118 bpm • G# Maj • 02:50 • -17db
28% Popularity • 56% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
28% Popularity • 56% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Tom Rush
Windy Bill
108 bpm • F Maj • 02:16 • -16db
9% Popularity • 71% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 71% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Ernest Stoneman
The Wreck of the '97
118 bpm • D Maj • 02:50 • -13.01db
10% Popularity • 64% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 64% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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Riley Puckett
Don't Let Your Deal Go Down
118 bpm • C# Maj • 02:52 • -12.56db
0% Popularity • 55% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
0% Popularity • 55% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Bascom Lamar Lunsford
Swannanoa Tunnel
118 bpm • E min • 03:00 • -18db
10% Popularity • 68% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 68% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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The Kossoy Sisters
I Never Will Marry
108 bpm • C Maj • 02:48 • -12db
26% Popularity • 61% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
26% Popularity • 61% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Gid Tanner
On Tanner's Farm
118 bpm • C min • 02:55 • -12db
0% Popularity • 60% Danceability • 30% Energy • 15% Liveness
22% Instrumentalness • 82% Positiveness
0% Popularity • 60% Danceability • 30% Energy • 15% Liveness
22% Instrumentalness • 82% Positiveness
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Blind Roosevelt Graves
I'll Be Rested (When The Roll Is Called)
118 bpm • B Maj • 02:33 • -12db
11% Popularity • 79% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 79% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Louis Armstrong
Blue Yodel No. 9 - 1996 Remastered
108 bpm • D# Maj • 02:40 • -12.91db
32% Popularity • 78% Danceability • 18% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 78% Danceability • 18% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
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Riley Puckett
Don't Let Your Deal Go Down
118 bpm • C# Maj • 02:53 • -8.78db
0% Popularity • 52% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
0% Popularity • 52% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Uncle Dave Macon
Rock About My Sara Jane
108 bpm • G# Maj • 03:23 • -12.65db
18% Popularity • 59% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 59% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Cannon's Jug Stompers
Viola Lee Blues
118 bpm • G Maj • 03:10 • -10db
9% Popularity • 54% Danceability • 26% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
9% Popularity • 54% Danceability • 26% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
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Frank Proffitt
Going Across the Mountain
108 bpm • E Maj • 02:16 • -22db
24% Popularity • 58% Danceability • 21% Energy • 14% Liveness
33% Instrumentalness • 77% Positiveness
24% Popularity • 58% Danceability • 21% Energy • 14% Liveness
33% Instrumentalness • 77% Positiveness
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Stringbean
Suicide Blues
108 bpm • C Maj • 02:26 • -12.7db
22% Popularity • 72% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 72% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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The New Lost City Ramblers
Kentucky Bootlegger
108 bpm • G Maj • 02:09 • -13db
16% Popularity • 80% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 80% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Riley Puckett
Down In Arkansas
118 bpm • D Maj • 03:29 • -12.32db
0% Popularity • 66% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 66% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Gid Tanner
On Tanner's Farm
119 bpm • G# Maj • 02:54 • -9db
0% Popularity • 60% Danceability • 39% Energy • 16% Liveness
1% Instrumentalness • 80% Positiveness
0% Popularity • 60% Danceability • 39% Energy • 16% Liveness
1% Instrumentalness • 80% Positiveness
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Blaze Foley
Let Me Ride in Your Big Cadillac
108 bpm • F Maj • 02:31 • -15db
29% Popularity • 55% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
29% Popularity • 55% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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Cannon's Jug Stompers
Going to Germany
107 bpm • G Maj • 02:31 • -13db
19% Popularity • 51% Danceability • 15% Energy • 14% Liveness
7% Instrumentalness • 64% Positiveness
19% Popularity • 51% Danceability • 15% Energy • 14% Liveness
7% Instrumentalness • 64% Positiveness
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Memphis Jug Band
He's In The Jail House Now
107 bpm • C Maj • 03:12 • -12.13db
11% Popularity • 77% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 77% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
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Tex Williams
That's What I Like About The West
107 bpm • G# Maj • 02:33 • -9.51db
27% Popularity • 69% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 69% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
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Riley Puckett
My Carolina Home [Recorded 1926]
108 bpm • F# Maj • 03:11 • -13.94db
1% Popularity • 49% Danceability • 15% Energy • 34% Liveness
23% Instrumentalness • 38% Positiveness
1% Popularity • 49% Danceability • 15% Energy • 34% Liveness
23% Instrumentalness • 38% Positiveness
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Bob Wills
Miss Molly
119 bpm • G Maj • 02:20 • -15.09db
30% Popularity • 79% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 79% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Jimmy Wakely
Oklahoma Hills - Mono
107 bpm • D# Maj • 02:49 • -11.91db
14% Popularity • 85% Danceability • 33% Energy • 18% Liveness
11% Instrumentalness • 96% Positiveness
14% Popularity • 85% Danceability • 33% Energy • 18% Liveness
11% Instrumentalness • 96% Positiveness
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Eddie Noack
Sleeping Like a Baby (With a Bottle in M...
119 bpm • E Maj • 02:45 • -10.06db
21% Popularity • 63% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 63% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Sons of the Pioneers
Destiny
107 bpm • C Maj • 02:24 • -10.27db
15% Popularity • 69% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 69% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Bukka White
High Fever Blues
107 bpm • A Maj • 02:50 • -12db
21% Popularity • 76% Danceability • 25% Energy • 11% Liveness
29% Instrumentalness • 72% Positiveness
21% Popularity • 76% Danceability • 25% Energy • 11% Liveness
29% Instrumentalness • 72% Positiveness
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Riley Puckett
New 'Givin' Everything Away'
108 bpm • C Maj • 02:46 • -13.83db
0% Popularity • 64% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 61% Positiveness
0% Popularity • 64% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 61% Positiveness
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Cisco Houston
Tying a Knot in the Devil's Tail
119 bpm • C# Maj • 02:16 • -18.04db
12% Popularity • 66% Danceability • 19% Energy • 13% Liveness
1% Instrumentalness • 87% Positiveness
12% Popularity • 66% Danceability • 19% Energy • 13% Liveness
1% Instrumentalness • 87% Positiveness
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Roscoe Holcomb
Graveyard Blues
119 bpm • G Maj • 03:01 • -11db
14% Popularity • 52% Danceability • 25% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 52% Danceability • 25% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Wade Ward
Lone Prairie
107 bpm • D# Maj • 00:56 • -12.99db
26% Popularity • 59% Danceability • 21% Energy • 7% Liveness
98% Instrumentalness • 96% Positiveness
26% Popularity • 59% Danceability • 21% Energy • 7% Liveness
98% Instrumentalness • 96% Positiveness
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Hazel Dickens
West Virginia My Home
119 bpm • D# Maj • 04:32 • -6db
17% Popularity • 58% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 58% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Charlie Poole
Milwaukee Blues
107 bpm • C# Maj • 03:18 • -8.95db
12% Popularity • 74% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 74% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Bob Wills
San Antonio Rose
107 bpm • D# Maj • 03:10 • -12.75db
29% Popularity • 65% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 91% Positiveness
29% Popularity • 65% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 91% Positiveness
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Bill & Belle Reed
The Old lady & the devil
107 bpm • C Maj • 03:06 • -10.35db
6% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
6% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Hank Penny
Taxes, Taxes
120 bpm • D# Maj • 02:49 • -12.21db
23% Popularity • 82% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 82% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Hank Snow
The Golden Rocket
120 bpm • E Maj • 02:45 • -8.15db
31% Popularity • 71% Danceability • 76% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 71% Danceability • 76% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
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The Doc Watson Family
Ground Hog
120 bpm • G Maj • 02:21 • -8.2db
14% Popularity • 61% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 61% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Patsy Montana
I Want to Be a Cowboy's Sweetheart
120 bpm • D Maj • 03:10 • -8.83db
28% Popularity • 69% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 69% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Rev. Gary Davis
I Am The Light
106 bpm • E Maj • 03:02 • -12.38db
15% Popularity • 60% Danceability • 34% Energy • 22% Liveness
84% Instrumentalness • 74% Positiveness
15% Popularity • 60% Danceability • 34% Energy • 22% Liveness
84% Instrumentalness • 74% Positiveness
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Grandpa Jones
Eight More Miles to Louisville
120 bpm • G Maj • 02:18 • -13.86db
15% Popularity • 72% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 72% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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The Delmore Brothers
Blues Stay Away from Me
106 bpm • E Maj • 02:49 • -9.24db
31% Popularity • 72% Danceability • 31% Energy • 10% Liveness
65% Instrumentalness • 67% Positiveness
31% Popularity • 72% Danceability • 31% Energy • 10% Liveness
65% Instrumentalness • 67% Positiveness
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Riley Puckett
Wal I Swan (Recorded 1926)
106 bpm • D Maj • 03:00 • -13.3db
2% Popularity • 82% Danceability • 18% Energy • 27% Liveness
45% Instrumentalness • 44% Positiveness
2% Popularity • 82% Danceability • 18% Energy • 27% Liveness
45% Instrumentalness • 44% Positiveness
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The New Lost City Ramblers
Bill Morgan and His Gal (My Name is Morg...
120 bpm • F Maj • 02:58 • -15.16db
7% Popularity • 61% Danceability • 30% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
7% Popularity • 61% Danceability • 30% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
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Blind Willie McTell
Baby, It Must Be Love
106 bpm • A min • 01:44 • -11.53db
26% Popularity • 68% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 68% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Roger Miller
In The Summertime
121 bpm • E Maj • 01:44 • -12.63db
28% Popularity • 73% Danceability • 46% Energy • 55% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 73% Danceability • 46% Energy • 55% Liveness
0% Instrumentalness • 92% Positiveness
