Songs like Raglan by Grace Cummings
Based on a tempo of (+/- 10%) and a similar genre
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Nadine Shah
See My Girl
112 bpm • F# min • 04:39 • -7.39db
29% Popularity • 49% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 49% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Grace Cummings
Storm Queen
112 bpm • D min • 04:53 • -10.91db
13% Popularity • 31% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
13% Popularity • 31% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Jane Weaver
Is Metal
112 bpm • C Maj • 04:03 • -9.5db
35% Popularity • 87% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
35% Popularity • 87% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Jerry David DeCicca
Forty Years in the Wilderness
112 bpm • B Maj • 04:04 • -15.23db
22% Popularity • 62% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 62% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Sam Lee
Leaves of Life
112 bpm • G# Maj • 05:33 • -15.1db
26% Popularity • 25% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
26% Popularity • 25% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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The Bevis Frond
Focus on Nature
112 bpm • A min • 03:53 • -12.07db
29% Popularity • 41% Danceability • 49% Energy • 9% Liveness
55% Instrumentalness • 19% Positiveness
29% Popularity • 41% Danceability • 49% Energy • 9% Liveness
55% Instrumentalness • 19% Positiveness
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The Hanging Stars
Golden Shore
112 bpm • G Maj • 03:32 • -9.97db
21% Popularity • 48% Danceability • 71% Energy • 8% Liveness
7% Instrumentalness • 47% Positiveness
21% Popularity • 48% Danceability • 71% Energy • 8% Liveness
7% Instrumentalness • 47% Positiveness
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Grace Cummings
Raglan
112 bpm • E min • 03:18 • -10db
21% Popularity • 52% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 52% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Clarissa Connelly
Life of the Forbidden
113 bpm • G min • 03:56 • -11.87db
28% Popularity • 57% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
28% Popularity • 57% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Chastity Belt
Laugh
113 bpm • G Maj • 05:15 • -6.68db
38% Popularity • 50% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 50% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Bill Ryder-Jones
How Beautiful I Am
113 bpm • A# Maj • 04:18 • -10.74db
33% Popularity • 36% Danceability • 30% Energy • 10% Liveness
7% Instrumentalness • 20% Positiveness
33% Popularity • 36% Danceability • 30% Energy • 10% Liveness
7% Instrumentalness • 20% Positiveness
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Jane Weaver
Univers
113 bpm • G Maj • 05:11 • -8.55db
31% Popularity • 56% Danceability • 47% Energy • 9% Liveness
29% Instrumentalness • 4% Positiveness
31% Popularity • 56% Danceability • 47% Energy • 9% Liveness
29% Instrumentalness • 4% Positiveness
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Smoke Fairies
Come To My Mind
111 bpm • G Maj • 04:13 • -10.26db
9% Popularity • 50% Danceability • 27% Energy • 9% Liveness
1% Instrumentalness • 15% Positiveness
9% Popularity • 50% Danceability • 27% Energy • 9% Liveness
1% Instrumentalness • 15% Positiveness
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Pillow Queens
Like A Lesson
113 bpm • A Maj • 03:19 • -6.85db
35% Popularity • 58% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 58% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Bnny
Nothing Lasts
111 bpm • C Maj • 02:36 • -13.14db
40% Popularity • 80% Danceability • 27% Energy • 11% Liveness
92% Instrumentalness • 41% Positiveness
40% Popularity • 80% Danceability • 27% Energy • 11% Liveness
92% Instrumentalness • 41% Positiveness
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David Nance
Tumbleweed
113 bpm • G Maj • 03:34 • -13.28db
19% Popularity • 56% Danceability • 38% Energy • 11% Liveness
2% Instrumentalness • 49% Positiveness
19% Popularity • 56% Danceability • 38% Energy • 11% Liveness
2% Instrumentalness • 49% Positiveness
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Aoife O'Donovan
America, Come
113 bpm • A min • 03:11 • -11.5db
29% Popularity • 62% Danceability • 33% Energy • 10% Liveness
3% Instrumentalness • 37% Positiveness
29% Popularity • 62% Danceability • 33% Energy • 10% Liveness
3% Instrumentalness • 37% Positiveness
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The Hanging Stars
Sweet Light
111 bpm • G Maj • 03:39 • -8.06db
24% Popularity • 48% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 48% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Strange Boy
November Skies
113 bpm • F Maj • 04:59 • -18.21db
15% Popularity • 38% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 38% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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LYR
A Brief Chronicle of Birds in the Autumn...
113 bpm • A# min • 02:45 • -11.4db
14% Popularity • 65% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 65% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Finn Ronsdorf
Turn To Stone
111 bpm • G Maj • 04:16 • -10.9db
21% Popularity • 39% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 39% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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The Secret Sisters
I’ve Got Your Back
111 bpm • D Maj • 03:21 • -9.73db
32% Popularity • 56% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
32% Popularity • 56% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Leyla McCalla
Sun Without the Heat
113 bpm • C Maj • 02:46 • -10.58db
30% Popularity • 60% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 60% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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English Teacher
Not Everybody Gets to Go to Space
110 bpm • F Maj • 04:01 • -5.67db
44% Popularity • 55% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 17% Positiveness
44% Popularity • 55% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 17% Positiveness
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Ed Harcourt
Seraphina
110 bpm • C Maj • 05:30 • -12.46db
25% Popularity • 24% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 24% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Porcelain Id
You are the heaven
110 bpm • C Maj • 03:02 • -9.44db
20% Popularity • 50% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 50% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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T Bone Burnett
The Race Is Won
114 bpm • E min • 03:17 • -14.5db
28% Popularity • 57% Danceability • 25% Energy • 12% Liveness
5% Instrumentalness • 55% Positiveness
28% Popularity • 57% Danceability • 25% Energy • 12% Liveness
5% Instrumentalness • 55% Positiveness
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The Night Parrots
Down From Paradise
110 bpm • A Maj • 04:10 • -9.27db
24% Popularity • 78% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 78% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Hannah Frances
Keeper of the Shepherd
110 bpm • B min • 06:26 • -7.28db
37% Popularity • 58% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 58% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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J Mascis
Hangin Out
110 bpm • G Maj • 04:53 • -7.75db
27% Popularity • 55% Danceability • 73% Energy • 36% Liveness
1% Instrumentalness • 23% Positiveness
27% Popularity • 55% Danceability • 73% Energy • 36% Liveness
1% Instrumentalness • 23% Positiveness
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Ed Harcourt
My Heart Can't Keep Up With My Mind
110 bpm • C# Maj • 04:11 • -9.59db
28% Popularity • 28% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 28% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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John Bramwell
The Light Fantastic
110 bpm • A min • 02:26 • -7.99db
21% Popularity • 61% Danceability • 43% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 61% Danceability • 43% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Wild Pink
Air Drumming Fix You
114 bpm • D Maj • 05:29 • -3.69db
40% Popularity • 64% Danceability • 76% Energy • 10% Liveness
13% Instrumentalness • 21% Positiveness
40% Popularity • 64% Danceability • 76% Energy • 10% Liveness
13% Instrumentalness • 21% Positiveness
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Thee Conductor
Love To Lockhart
110 bpm • E Maj • 02:16 • -12.3db
14% Popularity • 55% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
14% Popularity • 55% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
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Hurray For The Riff Raff
Alibi
114 bpm • A Maj • 02:48 • -8.51db
48% Popularity • 64% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
48% Popularity • 64% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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David Nance
In Orlando
114 bpm • F Maj • 04:46 • -17.29db
14% Popularity • 57% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
14% Popularity • 57% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Woods
Day Before Your Night
110 bpm • A min • 04:15 • -12.85db
34% Popularity • 63% Danceability • 46% Energy • 30% Liveness
4% Instrumentalness • 31% Positiveness
34% Popularity • 63% Danceability • 46% Energy • 30% Liveness
4% Instrumentalness • 31% Positiveness
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Stef Kamil Carlens
Alone & Attracted
110 bpm • G Maj • 06:31 • -10.06db
23% Popularity • 72% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
23% Popularity • 72% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
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English Teacher
Albert Road
110 bpm • C Maj • 04:40 • -6.63db
42% Popularity • 57% Danceability • 30% Energy • 32% Liveness
1% Instrumentalness • 8% Positiveness
42% Popularity • 57% Danceability • 30% Energy • 32% Liveness
1% Instrumentalness • 8% Positiveness
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We/Or/Me
Move with the Moon
114 bpm • E Maj • 02:54 • -15.68db
23% Popularity • 61% Danceability • 16% Energy • 9% Liveness
3% Instrumentalness • 12% Positiveness
23% Popularity • 61% Danceability • 16% Energy • 9% Liveness
3% Instrumentalness • 12% Positiveness
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BIG SPECIAL
BLACK DOG / WHITE HORSE
110 bpm • C min • 03:08 • -7.6db
37% Popularity • 77% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 77% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Alejandro Escovedo
Wave
110 bpm • A Maj • 04:56 • -13.79db
18% Popularity • 72% Danceability • 29% Energy • 9% Liveness
29% Instrumentalness • 47% Positiveness
18% Popularity • 72% Danceability • 29% Energy • 9% Liveness
29% Instrumentalness • 47% Positiveness
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Pedro The Lion
Modesto
110 bpm • B Maj • 03:53 • -5.12db
37% Popularity • 40% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 40% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 22% Positiveness
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Trummors
I Can Still Make Cheyenne
110 bpm • D# Maj • 03:59 • -6.62db
11% Popularity • 58% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 58% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Olivia Chaney
Why
110 bpm • B min • 04:00 • -14.87db
21% Popularity • 49% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
21% Popularity • 49% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Nadine Shah
Food For Fuel
109 bpm • C# min • 05:06 • -4.83db
32% Popularity • 56% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 56% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
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Michael Head & The Red Elastic Band
Tout Suite!
109 bpm • D Maj • 04:01 • -10.43db
23% Popularity • 45% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 45% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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Waxahatchee
Bored
115 bpm • A Maj • 02:55 • -3.57db
58% Popularity • 61% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
58% Popularity • 61% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Coco
Precious Things
115 bpm • C# Maj • 04:02 • -10.56db
26% Popularity • 50% Danceability • 33% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
26% Popularity • 50% Danceability • 33% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
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Dana Gavanski
How To Feel Uncomfortable
115 bpm • G Maj • 02:47 • -7db
23% Popularity • 64% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 64% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
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Bill Ryder-Jones
Christinha
115 bpm • C Maj • 04:04 • -9.45db
33% Popularity • 39% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 39% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Arab Strap
Strawberry Moon
115 bpm • G Maj • 03:42 • -12.31db
35% Popularity • 25% Danceability • 75% Energy • 7% Liveness
4% Instrumentalness • 64% Positiveness
35% Popularity • 25% Danceability • 75% Energy • 7% Liveness
4% Instrumentalness • 64% Positiveness
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Grace Cummings
Sweet Matilda
109 bpm • F Maj • 04:13 • -8.77db
8% Popularity • 44% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
8% Popularity • 44% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Waxahatchee
Evil Spawn
115 bpm • C min • 03:12 • -4.83db
57% Popularity • 66% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
57% Popularity • 66% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Sunburned Hand Of The Man
Ishkabibble Magoo
115 bpm • A min • 02:45 • -8.44db
14% Popularity • 70% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 70% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Dana Gavanski
Singular Coincidence
115 bpm • A Maj • 04:56 • -10.01db
22% Popularity • 73% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 73% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 51% Positiveness
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A. Savage
It Won't Be Long and I'll Be Hating You
115 bpm • G Maj • 02:22 • -5.55db
33% Popularity • 58% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
33% Popularity • 58% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Marika Hackman
Slime - Acoustic
116 bpm • A min • 03:32 • -10.68db
39% Popularity • 61% Danceability • 34% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 61% Danceability • 34% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
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Grace Cummings
In The Wind
109 bpm • C Maj • 03:53 • -11.31db
6% Popularity • 33% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
6% Popularity • 33% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Villagers
You Lucky One
108 bpm • F# min • 04:54 • -8.55db
52% Popularity • 68% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
52% Popularity • 68% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Waxahatchee
Ice Cold
116 bpm • A Maj • 03:30 • -2.54db
56% Popularity • 52% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 31% Positiveness
56% Popularity • 52% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 31% Positiveness
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Dana Gavanski
Let Them Row
108 bpm • A Maj • 04:52 • -9.71db
21% Popularity • 85% Danceability • 61% Energy • 11% Liveness
56% Instrumentalness • 67% Positiveness
21% Popularity • 85% Danceability • 61% Energy • 11% Liveness
56% Instrumentalness • 67% Positiveness
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Mary Timony
Summer
108 bpm • C Maj • 02:47 • -4.89db
30% Popularity • 73% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
30% Popularity • 73% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Hannah Everingham
Giving Up The Dog
108 bpm • D Maj • 04:03 • -10.84db
16% Popularity • 60% Danceability • 38% Energy • 9% Liveness
3% Instrumentalness • 38% Positiveness
16% Popularity • 60% Danceability • 38% Energy • 9% Liveness
3% Instrumentalness • 38% Positiveness
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Nadine Shah
You Drive, I Shoot
108 bpm • C Maj • 02:53 • -6.32db
34% Popularity • 77% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
34% Popularity • 77% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Grace Cummings
Here Is The Rose
116 bpm • A# Maj • 02:45 • -12.55db
12% Popularity • 50% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 50% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Ed Harcourt
At the Dead End of the World
116 bpm • G# Maj • 04:10 • -14.34db
25% Popularity • 33% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 33% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Dana Gavanski
Reiteration
115 bpm • C Maj • 04:35 • -12.03db
17% Popularity • 44% Danceability • 39% Energy • 14% Liveness
36% Instrumentalness • 44% Positiveness
17% Popularity • 44% Danceability • 39% Energy • 14% Liveness
36% Instrumentalness • 44% Positiveness
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Hannah Frances
Floodplain
108 bpm • F Maj • 04:21 • -9.58db
31% Popularity • 51% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 51% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Itasca
Tears on Sky Mountain
116 bpm • B Maj • 04:28 • -15.49db
19% Popularity • 48% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
19% Popularity • 48% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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Anastasia Coope
Woke Up and No Feet
107 bpm • G Maj • 03:40 • -12.47db
28% Popularity • 54% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
28% Popularity • 54% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Hurray For The Riff Raff
Dynamo
117 bpm • D Maj • 03:07 • -9.93db
34% Popularity • 68% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 68% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Grace Cummings
Everybody's Somebody
117 bpm • C# Maj • 03:32 • -5.06db
24% Popularity • 49% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 49% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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Dana Gavanski
Ears Were Growing
117 bpm • B min • 03:11 • -8.39db
20% Popularity • 68% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 68% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
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The Hanging Stars
Raindrop in a Hurricane
117 bpm • G Maj • 02:40 • -9.52db
20% Popularity • 49% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 49% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Aoife O'Donovan
Someone to Follow
117 bpm • D# Maj • 04:46 • -12.18db
34% Popularity • 36% Danceability • 38% Energy • 7% Liveness
5% Instrumentalness • 58% Positiveness
34% Popularity • 36% Danceability • 38% Energy • 7% Liveness
5% Instrumentalness • 58% Positiveness
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English Teacher
Albatross
107 bpm • A Maj • 03:14 • -7.97db
47% Popularity • 58% Danceability • 57% Energy • 36% Liveness
8% Instrumentalness • 10% Positiveness
47% Popularity • 58% Danceability • 57% Energy • 36% Liveness
8% Instrumentalness • 10% Positiveness
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Hurray For The Riff Raff
The World Is Dangerous
107 bpm • C Maj • 03:45 • -12.22db
35% Popularity • 62% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 62% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Grace Cummings
Sleep
107 bpm • D# Maj • 04:15 • -9.02db
8% Popularity • 59% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
8% Popularity • 59% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Dana Gavanski
Ribbon
107 bpm • F Maj • 03:58 • -10.48db
18% Popularity • 84% Danceability • 41% Energy • 10% Liveness
16% Instrumentalness • 62% Positiveness
18% Popularity • 84% Danceability • 41% Energy • 10% Liveness
16% Instrumentalness • 62% Positiveness
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Drahla
Second Rhythm
118 bpm • G# Maj • 03:22 • -6.18db
29% Popularity • 45% Danceability • 76% Energy • 7% Liveness
2% Instrumentalness • 62% Positiveness
29% Popularity • 45% Danceability • 76% Energy • 7% Liveness
2% Instrumentalness • 62% Positiveness
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h. pruz
Dawn
118 bpm • F# Maj • 04:13 • -15.17db
16% Popularity • 70% Danceability • 26% Energy • 14% Liveness
1% Instrumentalness • 36% Positiveness
16% Popularity • 70% Danceability • 26% Energy • 14% Liveness
1% Instrumentalness • 36% Positiveness
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Chastity Belt
Chemtrails
118 bpm • E min • 03:58 • -7.51db
35% Popularity • 48% Danceability • 80% Energy • 6% Liveness
22% Instrumentalness • 45% Positiveness
35% Popularity • 48% Danceability • 80% Energy • 6% Liveness
22% Instrumentalness • 45% Positiveness
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Bnny
Missing
118 bpm • F Maj • 01:54 • -11.01db
33% Popularity • 55% Danceability • 26% Energy • 12% Liveness
12% Instrumentalness • 12% Positiveness
33% Popularity • 55% Danceability • 26% Energy • 12% Liveness
12% Instrumentalness • 12% Positiveness
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Nits
The Wind has no Clothes
106 bpm • D# Maj • 02:32 • -16.51db
22% Popularity • 53% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
22% Popularity • 53% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Saint Saviour
Better Than
118 bpm • C Maj • 02:56 • -7.63db
28% Popularity • 78% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 78% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Bill Ryder-Jones
Thankfully For Anthony
106 bpm • C min • 04:54 • -10.25db
32% Popularity • 24% Danceability • 33% Energy • 10% Liveness
47% Instrumentalness • 9% Positiveness
32% Popularity • 24% Danceability • 33% Energy • 10% Liveness
47% Instrumentalness • 9% Positiveness
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David Nance
Credit Line
106 bpm • A min • 04:15 • -8.56db
19% Popularity • 73% Danceability • 56% Energy • 10% Liveness
2% Instrumentalness • 83% Positiveness
19% Popularity • 73% Danceability • 56% Energy • 10% Liveness
2% Instrumentalness • 83% Positiveness
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James
Folks
106 bpm • D Maj • 03:52 • -10.04db
41% Popularity • 54% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
41% Popularity • 54% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
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Elbow
Her to the Earth
106 bpm • G min • 05:00 • -8.71db
47% Popularity • 66% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
47% Popularity • 66% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Yannis & The Yaw
Walk Through Fire
118 bpm • G Maj • 03:23 • -7.4db
51% Popularity • 68% Danceability • 86% Energy • 14% Liveness
73% Instrumentalness • 85% Positiveness
51% Popularity • 68% Danceability • 86% Energy • 14% Liveness
73% Instrumentalness • 85% Positiveness
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Rosali
Is It Too Late
106 bpm • F# Maj • 03:46 • -15.1db
32% Popularity • 47% Danceability • 25% Energy • 11% Liveness
4% Instrumentalness • 21% Positiveness
32% Popularity • 47% Danceability • 25% Energy • 11% Liveness
4% Instrumentalness • 21% Positiveness
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Yard Act
Blackpool Illuminations
106 bpm • A Maj • 07:28 • -9.91db
41% Popularity • 46% Danceability • 66% Energy • 57% Liveness
0% Instrumentalness • 64% Positiveness
41% Popularity • 46% Danceability • 66% Energy • 57% Liveness
0% Instrumentalness • 64% Positiveness
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Daisy Rickman
Signpost to the Stars
105 bpm • E Maj • 06:18 • -21.73db
26% Popularity • 36% Danceability • 11% Energy • 11% Liveness
48% Instrumentalness • 12% Positiveness
26% Popularity • 36% Danceability • 11% Energy • 11% Liveness
48% Instrumentalness • 12% Positiveness
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Amen Dunes
Round the World
119 bpm • C Maj • 09:15 • -8.3db
40% Popularity • 37% Danceability • 58% Energy • 18% Liveness
1% Instrumentalness • 23% Positiveness
40% Popularity • 37% Danceability • 58% Energy • 18% Liveness
1% Instrumentalness • 23% Positiveness
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Pete Astor
She Comes from the Rain
119 bpm • B Maj • 03:40 • -9.97db
16% Popularity • 57% Danceability • 47% Energy • 13% Liveness
53% Instrumentalness • 64% Positiveness
16% Popularity • 57% Danceability • 47% Energy • 13% Liveness
53% Instrumentalness • 64% Positiveness
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Dana Gavanski
Late Slap
119 bpm • A Maj • 04:45 • -11.29db
23% Popularity • 72% Danceability • 33% Energy • 22% Liveness
6% Instrumentalness • 16% Positiveness
23% Popularity • 72% Danceability • 33% Energy • 22% Liveness
6% Instrumentalness • 16% Positiveness
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J Mascis
You Don’t Understand Me
119 bpm • E Maj • 03:50 • -8.75db
31% Popularity • 54% Danceability • 69% Energy • 12% Liveness
1% Instrumentalness • 26% Positiveness
31% Popularity • 54% Danceability • 69% Energy • 12% Liveness
1% Instrumentalness • 26% Positiveness
