Songs like Rain Dance - Edit by Whilk & Misky
Based on a tempo of (+/- 10%) and a similar genre
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Desert Sound Colony
I Get Fixed - Original Mix
110 bpm • F min • 05:32 • -9.78db
20% Popularity • 79% Danceability • 68% Energy • 8% Liveness
29% Instrumentalness • 51% Positiveness
20% Popularity • 79% Danceability • 68% Energy • 8% Liveness
29% Instrumentalness • 51% Positiveness
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Whilk & Misky
Darklands
110 bpm • C# Maj • 07:16 • -12.39db
34% Popularity • 82% Danceability • 52% Energy • 10% Liveness
16% Instrumentalness • 54% Positiveness
34% Popularity • 82% Danceability • 52% Energy • 10% Liveness
16% Instrumentalness • 54% Positiveness
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Martin Mey
Running Child
110 bpm • F Maj • 04:35 • -8.14db
16% Popularity • 67% Danceability • 65% Energy • 12% Liveness
73% Instrumentalness • 6% Positiveness
16% Popularity • 67% Danceability • 65% Energy • 12% Liveness
73% Instrumentalness • 6% Positiveness
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Oscar and the Wolf
Runaway
110 bpm • F# min • 04:17 • -10db
38% Popularity • 62% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
38% Popularity • 62% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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Utrecht
Next Time
110 bpm • G# Maj • 05:15 • -8db
12% Popularity • 70% Danceability • 64% Energy • 37% Liveness
1% Instrumentalness • 19% Positiveness
12% Popularity • 70% Danceability • 64% Energy • 37% Liveness
1% Instrumentalness • 19% Positiveness
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Jan Blomqvist
Ghosttrack
110 bpm • F Maj • 05:38 • -12.3db
28% Popularity • 77% Danceability • 32% Energy • 13% Liveness
19% Instrumentalness • 39% Positiveness
28% Popularity • 77% Danceability • 32% Energy • 13% Liveness
19% Instrumentalness • 39% Positiveness
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SOHN
Nil
110 bpm • A min • 03:37 • -10.96db
26% Popularity • 66% Danceability • 47% Energy • 11% Liveness
24% Instrumentalness • 27% Positiveness
26% Popularity • 66% Danceability • 47% Energy • 11% Liveness
24% Instrumentalness • 27% Positiveness
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Whilk & Misky
Babe I'm Yours
110 bpm • E min • 05:18 • -8.67db
35% Popularity • 84% Danceability • 74% Energy • 12% Liveness
9% Instrumentalness • 56% Positiveness
35% Popularity • 84% Danceability • 74% Energy • 12% Liveness
9% Instrumentalness • 56% Positiveness
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Elvett
Mama
110 bpm • C# min • 03:39 • -7.16db
12% Popularity • 86% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 86% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Camel Power Club
Fisher
110 bpm • E Maj • 05:24 • -8.37db
52% Popularity • 84% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
52% Popularity • 84% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Alvan
Bodhyanga
110 bpm • B min • 03:48 • -10db
25% Popularity • 70% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 70% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Kan Wakan
Molasses
110 bpm • A min • 05:00 • -8.21db
21% Popularity • 63% Danceability • 64% Energy • 18% Liveness
55% Instrumentalness • 13% Positiveness
21% Popularity • 63% Danceability • 64% Energy • 18% Liveness
55% Instrumentalness • 13% Positiveness
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Vijay & Sofia Zlatko
Falling Down - Extended Mix
110 bpm • F# min • 04:18 • -7db
14% Popularity • 86% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 42% Positiveness
14% Popularity • 86% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 42% Positiveness
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Whilk & Misky
Rain Dance - Edit
110 bpm • C# Maj • 03:33 • -8db
31% Popularity • 78% Danceability • 62% Energy • 10% Liveness
2% Instrumentalness • 27% Positiveness
31% Popularity • 78% Danceability • 62% Energy • 10% Liveness
2% Instrumentalness • 27% Positiveness
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CUT_
Electrify
110 bpm • D# min • 03:36 • -6.1db
17% Popularity • 64% Danceability • 77% Energy • 10% Liveness
35% Instrumentalness • 20% Positiveness
17% Popularity • 64% Danceability • 77% Energy • 10% Liveness
35% Instrumentalness • 20% Positiveness
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Mooryc
Jupiter
111 bpm • E min • 03:19 • -9.06db
29% Popularity • 98% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 98% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Seth XVI
All About You
111 bpm • C min • 04:28 • -7.33db
26% Popularity • 75% Danceability • 55% Energy • 11% Liveness
5% Instrumentalness • 33% Positiveness
26% Popularity • 75% Danceability • 55% Energy • 11% Liveness
5% Instrumentalness • 33% Positiveness
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Kazy Lambist
Doing Yoga
109 bpm • E min • 04:51 • -6.82db
56% Popularity • 73% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 32% Positiveness
56% Popularity • 73% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 32% Positiveness
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Vijay & Sofia Zlatko
Falling Down - Radio Edit
110 bpm • F# min • 03:12 • -6db
25% Popularity • 84% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 84% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Whilk & Misky
Rain Dance - Marian Hill Remix
110 bpm • C Maj • 02:41 • -8.48db
34% Popularity • 69% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 69% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Freedom Fry
Brave (Remix)
109 bpm • B min • 04:35 • -5db
32% Popularity • 74% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
32% Popularity • 74% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Sepalot
Hard Rain
109 bpm • A min • 04:11 • -5.45db
11% Popularity • 66% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 66% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Seth XVI
Give It All
109 bpm • C Maj • 04:11 • -7db
44% Popularity • 78% Danceability • 82% Energy • 8% Liveness
53% Instrumentalness • 47% Positiveness
44% Popularity • 78% Danceability • 82% Energy • 8% Liveness
53% Instrumentalness • 47% Positiveness
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Zola Blood
Infinite Games
111 bpm • G Maj • 04:40 • -9.82db
31% Popularity • 51% Danceability • 50% Energy • 13% Liveness
83% Instrumentalness • 15% Positiveness
31% Popularity • 51% Danceability • 50% Energy • 13% Liveness
83% Instrumentalness • 15% Positiveness
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Sofi Tukker
Moon Tattoo
112 bpm • C# Maj • 05:47 • -11.86db
38% Popularity • 78% Danceability • 62% Energy • 9% Liveness
56% Instrumentalness • 42% Positiveness
38% Popularity • 78% Danceability • 62% Energy • 9% Liveness
56% Instrumentalness • 42% Positiveness
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Whilk & Misky
The Meeting
111 bpm • D Maj • 08:39 • -7.86db
18% Popularity • 72% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 72% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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Kalabrese
Fresh and Foolish
112 bpm • C# Maj • 04:57 • -10.62db
41% Popularity • 89% Danceability • 38% Energy • 27% Liveness
19% Instrumentalness • 70% Positiveness
41% Popularity • 89% Danceability • 38% Energy • 27% Liveness
19% Instrumentalness • 70% Positiveness
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Napkey
Last Thoughts
108 bpm • C# min • 03:20 • -8db
36% Popularity • 72% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 72% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Seth XVI
Amazones
112 bpm • G min • 03:50 • -10db
39% Popularity • 57% Danceability • 50% Energy • 9% Liveness
15% Instrumentalness • 46% Positiveness
39% Popularity • 57% Danceability • 50% Energy • 9% Liveness
15% Instrumentalness • 46% Positiveness
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Ãœm
Take My Way
112 bpm • F# min • 04:04 • -9.77db
45% Popularity • 80% Danceability • 59% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 80% Danceability • 59% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
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Les Gordon
Hype
108 bpm • G# min • 03:35 • -7.42db
17% Popularity • 74% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 74% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Whilk & Misky
My Love - Whilk Re-Work
111 bpm • G# Maj • 04:21 • -7.75db
10% Popularity • 75% Danceability • 83% Energy • 12% Liveness
71% Instrumentalness • 15% Positiveness
10% Popularity • 75% Danceability • 83% Energy • 12% Liveness
71% Instrumentalness • 15% Positiveness
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Otzeki
Hope in Hell
108 bpm • G min • 03:49 • -13.42db
15% Popularity • 76% Danceability • 44% Energy • 13% Liveness
12% Instrumentalness • 4% Positiveness
15% Popularity • 76% Danceability • 44% Energy • 13% Liveness
12% Instrumentalness • 4% Positiveness
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HVOB
Torrid Soul
108 bpm • A min • 07:03 • -15.57db
29% Popularity • 54% Danceability • 30% Energy • 9% Liveness
60% Instrumentalness • 4% Positiveness
29% Popularity • 54% Danceability • 30% Energy • 9% Liveness
60% Instrumentalness • 4% Positiveness
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Dissident
Brothers
112 bpm • B Maj • 03:04 • -7.24db
12% Popularity • 76% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 76% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Sofi Tukker
The Dare
113 bpm • E min • 03:11 • -8.93db
41% Popularity • 60% Danceability • 74% Energy • 33% Liveness
60% Instrumentalness • 28% Positiveness
41% Popularity • 60% Danceability • 74% Energy • 33% Liveness
60% Instrumentalness • 28% Positiveness
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Bob Moses
Talk
113 bpm • C# Maj • 06:49 • -9.25db
30% Popularity • 68% Danceability • 51% Energy • 11% Liveness
8% Instrumentalness • 32% Positiveness
30% Popularity • 68% Danceability • 51% Energy • 11% Liveness
8% Instrumentalness • 32% Positiveness
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Whilk & Misky
The Meeting - Edit
111 bpm • D Maj • 03:53 • -8.27db
13% Popularity • 74% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 74% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 45% Positiveness
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Stereofysh
Igor - Radio Edit
113 bpm • D# Maj • 04:00 • -5.35db
17% Popularity • 89% Danceability • 66% Energy • 9% Liveness
33% Instrumentalness • 61% Positiveness
17% Popularity • 89% Danceability • 66% Energy • 9% Liveness
33% Instrumentalness • 61% Positiveness
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Nu
Man O To
107 bpm • G min • 03:42 • -6.92db
45% Popularity • 76% Danceability • 52% Energy • 10% Liveness
5% Instrumentalness • 26% Positiveness
45% Popularity • 76% Danceability • 52% Energy • 10% Liveness
5% Instrumentalness • 26% Positiveness
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Otzeki
All This Time
113 bpm • C# Maj • 05:02 • -8.95db
14% Popularity • 58% Danceability • 44% Energy • 40% Liveness
79% Instrumentalness • 10% Positiveness
14% Popularity • 58% Danceability • 44% Energy • 40% Liveness
79% Instrumentalness • 10% Positiveness
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Napkey
Orange
114 bpm • G Maj • 05:37 • -5.94db
33% Popularity • 81% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 81% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Freedom Fry
The Words
114 bpm • B min • 04:10 • -5.14db
20% Popularity • 60% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
20% Popularity • 60% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Whilk & Misky
Everyday I Dream of You - FYI Chris Remi...
112 bpm • G# Maj • 06:51 • -9.35db
6% Popularity • 69% Danceability • 69% Energy • 12% Liveness
21% Instrumentalness • 55% Positiveness
6% Popularity • 69% Danceability • 69% Energy • 12% Liveness
21% Instrumentalness • 55% Positiveness
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Zola Blood
Eyes Open
114 bpm • G min • 03:39 • -10.02db
26% Popularity • 59% Danceability • 48% Energy • 12% Liveness
22% Instrumentalness • 14% Positiveness
26% Popularity • 59% Danceability • 48% Energy • 12% Liveness
22% Instrumentalness • 14% Positiveness
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Barbarossa
Imager
114 bpm • C Maj • 03:18 • -8.5db
25% Popularity • 72% Danceability • 38% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
25% Popularity • 72% Danceability • 38% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Elliot Moss
Best Light
114 bpm • C# Maj • 05:24 • -11.21db
8% Popularity • 61% Danceability • 78% Energy • 12% Liveness
55% Instrumentalness • 65% Positiveness
8% Popularity • 61% Danceability • 78% Energy • 12% Liveness
55% Instrumentalness • 65% Positiveness
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Thyladomid
The Real Thing
114 bpm • C# Maj • 06:46 • -12.74db
17% Popularity • 67% Danceability • 40% Energy • 33% Liveness
44% Instrumentalness • 26% Positiveness
17% Popularity • 67% Danceability • 40% Energy • 33% Liveness
44% Instrumentalness • 26% Positiveness
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Bob Moses
Too Much Is Never Enough
114 bpm • A# Maj • 05:25 • -9.38db
36% Popularity • 62% Danceability • 60% Energy • 11% Liveness
8% Instrumentalness • 28% Positiveness
36% Popularity • 62% Danceability • 60% Energy • 11% Liveness
8% Instrumentalness • 28% Positiveness
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Whilk & Misky
Fare Thee Well
107 bpm • C Maj • 05:00 • -11.24db
7% Popularity • 71% Danceability • 52% Energy • 22% Liveness
5% Instrumentalness • 44% Positiveness
7% Popularity • 71% Danceability • 52% Energy • 22% Liveness
5% Instrumentalness • 44% Positiveness
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Kalabrese
Kafi Lied
114 bpm • A min • 07:44 • -13db
49% Popularity • 87% Danceability • 46% Energy • 5% Liveness
28% Instrumentalness • 32% Positiveness
49% Popularity • 87% Danceability • 46% Energy • 5% Liveness
28% Instrumentalness • 32% Positiveness
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Felix Pallas
Rakata
114 bpm • D Maj • 03:52 • -9.25db
24% Popularity • 62% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
24% Popularity • 62% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
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Charlie Winston
The Weekend - Radio Edit
114 bpm • A# min • 03:13 • -8.07db
12% Popularity • 86% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 86% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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FM LAETI
Sanctuary
106 bpm • C# Maj • 03:43 • -11db
32% Popularity • 71% Danceability • 59% Energy • 14% Liveness
9% Instrumentalness • 30% Positiveness
32% Popularity • 71% Danceability • 59% Energy • 14% Liveness
9% Instrumentalness • 30% Positiveness
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Kafka Tamura
No Hope
106 bpm • E min • 02:57 • -7db
13% Popularity • 82% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 82% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Whilk & Misky
Everyday I Dream of You
106 bpm • C min • 04:02 • -7.97db
36% Popularity • 84% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
36% Popularity • 84% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Dillon
Contact Us
115 bpm • G min • 04:10 • -13db
26% Popularity • 50% Danceability • 41% Energy • 12% Liveness
21% Instrumentalness • 4% Positiveness
26% Popularity • 50% Danceability • 41% Energy • 12% Liveness
21% Instrumentalness • 4% Positiveness
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SOULS
Another Man Done Gone
114 bpm • D min • 02:45 • -8.13db
23% Popularity • 36% Danceability • 33% Energy • 19% Liveness
32% Instrumentalness • 20% Positiveness
23% Popularity • 36% Danceability • 33% Energy • 19% Liveness
32% Instrumentalness • 20% Positiveness
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Elder Island
The Big Unknown
115 bpm • C# Maj • 05:03 • -11.59db
50% Popularity • 92% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
50% Popularity • 92% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Kidswaste
Fade
115 bpm • G Maj • 03:29 • -9.15db
20% Popularity • 55% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 55% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Kazy Lambist
Annecy
115 bpm • A Maj • 04:24 • -8.6db
52% Popularity • 60% Danceability • 71% Energy • 12% Liveness
51% Instrumentalness • 12% Positiveness
52% Popularity • 60% Danceability • 71% Energy • 12% Liveness
51% Instrumentalness • 12% Positiveness
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Joris Delacroix
Young And Brave - Rework / Ana Zimmer Ed...
115 bpm • F Maj • 03:33 • -6.74db
22% Popularity • 68% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 68% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Camel Power Club
Oboe
115 bpm • C Maj • 05:25 • -8.34db
53% Popularity • 75% Danceability • 67% Energy • 10% Liveness
70% Instrumentalness • 39% Positiveness
53% Popularity • 75% Danceability • 67% Energy • 10% Liveness
70% Instrumentalness • 39% Positiveness
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Bob Moses
Tearing Me Up
115 bpm • C Maj • 07:50 • -9.7db
55% Popularity • 70% Danceability • 40% Energy • 62% Liveness
0% Instrumentalness • 16% Positiveness
55% Popularity • 70% Danceability • 40% Energy • 62% Liveness
0% Instrumentalness • 16% Positiveness
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Elder Island
Bamboo
115 bpm • C# min • 04:22 • -8.27db
47% Popularity • 63% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
47% Popularity • 63% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Erolflynn
Viajero
115 bpm • D min • 05:24 • -5.94db
35% Popularity • 82% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 82% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Kazy Lambist
Headson
115 bpm • C Maj • 03:07 • -11db
59% Popularity • 82% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
59% Popularity • 82% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Ana Zimmer
Young & Brave
115 bpm • A min • 03:37 • -9.7db
18% Popularity • 71% Danceability • 50% Energy • 7% Liveness
8% Instrumentalness • 11% Positiveness
18% Popularity • 71% Danceability • 50% Energy • 7% Liveness
8% Instrumentalness • 11% Positiveness
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Les Gordon
Morning
115 bpm • E min • 03:01 • -10.04db
34% Popularity • 72% Danceability • 55% Energy • 16% Liveness
34% Instrumentalness • 8% Positiveness
34% Popularity • 72% Danceability • 55% Energy • 16% Liveness
34% Instrumentalness • 8% Positiveness
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Bob Moses
Tearing Me Up - Edit
115 bpm • G Maj • 03:43 • -7.46db
36% Popularity • 68% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
36% Popularity • 68% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Fellini Félin
Turn Me on the Other Side
115 bpm • E min • 04:56 • -5.97db
22% Popularity • 68% Danceability • 76% Energy • 23% Liveness
1% Instrumentalness • 43% Positiveness
22% Popularity • 68% Danceability • 76% Energy • 23% Liveness
1% Instrumentalness • 43% Positiveness
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Erolflynn
Viajero - Radio Edit
115 bpm • D min • 03:24 • -8.77db
22% Popularity • 78% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
22% Popularity • 78% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Folded Like Fabric
Luxuries
115 bpm • B min • 03:16 • -10.04db
32% Popularity • 48% Danceability • 36% Energy • 48% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 48% Danceability • 36% Energy • 48% Liveness
0% Instrumentalness • 20% Positiveness
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Seth XVI
Your Taste
105 bpm • B Maj • 03:22 • -12db
52% Popularity • 87% Danceability • 41% Energy • 6% Liveness
70% Instrumentalness • 7% Positiveness
52% Popularity • 87% Danceability • 41% Energy • 6% Liveness
70% Instrumentalness • 7% Positiveness
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Tender Games
Lost
105 bpm • F min • 04:18 • -10db
30% Popularity • 78% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
30% Popularity • 78% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
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Bob Moses
Like It Or Not
115 bpm • E Maj • 06:20 • -10.71db
37% Popularity • 69% Danceability • 68% Energy • 10% Liveness
59% Instrumentalness • 4% Positiveness
37% Popularity • 69% Danceability • 68% Energy • 10% Liveness
59% Instrumentalness • 4% Positiveness
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Shelter Point
Velvet
105 bpm • A min • 03:25 • -11db
14% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Amongster
Trust Yourself to the Water
105 bpm • F# min • 03:49 • -8.13db
11% Popularity • 63% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 63% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
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Camel Power Club
Crocodile
105 bpm • E min • 03:47 • -12.75db
23% Popularity • 73% Danceability • 54% Energy • 11% Liveness
65% Instrumentalness • 24% Positiveness
23% Popularity • 73% Danceability • 54% Energy • 11% Liveness
65% Instrumentalness • 24% Positiveness
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Vimala
Sailing Soul
105 bpm • D min • 04:21 • -8db
17% Popularity • 56% Danceability • 52% Energy • 11% Liveness
19% Instrumentalness • 15% Positiveness
17% Popularity • 56% Danceability • 52% Energy • 11% Liveness
19% Instrumentalness • 15% Positiveness
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Kid Francescoli
Blow Up
105 bpm • A Maj • 05:15 • -8.15db
53% Popularity • 69% Danceability • 41% Energy • 12% Liveness
78% Instrumentalness • 57% Positiveness
53% Popularity • 69% Danceability • 41% Energy • 12% Liveness
78% Instrumentalness • 57% Positiveness
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Kazy Lambist
On Fire
116 bpm • F min • 03:29 • -9db
46% Popularity • 82% Danceability • 56% Energy • 8% Liveness
60% Instrumentalness • 55% Positiveness
46% Popularity • 82% Danceability • 56% Energy • 8% Liveness
60% Instrumentalness • 55% Positiveness
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Hijacked
Seewhat
104 bpm • D min • 04:37 • -9.3db
15% Popularity • 42% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
15% Popularity • 42% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Whilk & Misky
All By Myself
116 bpm • E min • 03:47 • -5.74db
33% Popularity • 88% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
33% Popularity • 88% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
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The Avener
You Belong
116 bpm • B min • 03:21 • -5.46db
47% Popularity • 78% Danceability • 72% Energy • 13% Liveness
6% Instrumentalness • 79% Positiveness
47% Popularity • 78% Danceability • 72% Energy • 13% Liveness
6% Instrumentalness • 79% Positiveness
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Bob Moses
Grace
116 bpm • A# min • 06:59 • -11db
39% Popularity • 84% Danceability • 42% Energy • 10% Liveness
34% Instrumentalness • 13% Positiveness
39% Popularity • 84% Danceability • 42% Energy • 10% Liveness
34% Instrumentalness • 13% Positiveness
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SOHN
Harbour
116 bpm • G min • 04:10 • -10.23db
21% Popularity • 44% Danceability • 52% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
21% Popularity • 44% Danceability • 52% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
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Zola Blood
Play Out
116 bpm • G# Maj • 04:37 • -13.4db
39% Popularity • 63% Danceability • 52% Energy • 9% Liveness
85% Instrumentalness • 9% Positiveness
39% Popularity • 63% Danceability • 52% Energy • 9% Liveness
85% Instrumentalness • 9% Positiveness
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LÃ¥psley
Cliff
116 bpm • D Maj • 04:28 • -9db
30% Popularity • 74% Danceability • 43% Energy • 10% Liveness
3% Instrumentalness • 15% Positiveness
30% Popularity • 74% Danceability • 43% Energy • 10% Liveness
3% Instrumentalness • 15% Positiveness
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Whilk & Misky
All By Myself - Mall Grab Remix
116 bpm • E min • 05:36 • -7db
39% Popularity • 82% Danceability • 86% Energy • 6% Liveness
3% Instrumentalness • 29% Positiveness
39% Popularity • 82% Danceability • 86% Energy • 6% Liveness
3% Instrumentalness • 29% Positiveness
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Pitto
Let's Do it Again
116 bpm • A min • 05:37 • -8db
16% Popularity • 73% Danceability • 50% Energy • 12% Liveness
19% Instrumentalness • 54% Positiveness
16% Popularity • 73% Danceability • 50% Energy • 12% Liveness
19% Instrumentalness • 54% Positiveness
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ULYSSE
Cashmere Guns
116 bpm • G Maj • 04:36 • -8.52db
21% Popularity • 69% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 69% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 17% Positiveness
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Xinobi
Mom and Dad
116 bpm • A min • 04:24 • -6.12db
28% Popularity • 81% Danceability • 74% Energy • 9% Liveness
25% Instrumentalness • 40% Positiveness
28% Popularity • 81% Danceability • 74% Energy • 9% Liveness
25% Instrumentalness • 40% Positiveness
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Rhye
Taste
104 bpm • C# Maj • 03:45 • -9.4db
54% Popularity • 77% Danceability • 43% Energy • 12% Liveness
42% Instrumentalness • 42% Positiveness
54% Popularity • 77% Danceability • 43% Energy • 12% Liveness
42% Instrumentalness • 42% Positiveness
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Elder Island
Hotel Beds
104 bpm • F# min • 03:53 • -12.93db
33% Popularity • 72% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
33% Popularity • 72% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Whilk & Misky
So Good To Me - Re-work
116 bpm • B min • 03:41 • -13.54db
27% Popularity • 81% Danceability • 36% Energy • 11% Liveness
24% Instrumentalness • 23% Positiveness
27% Popularity • 81% Danceability • 36% Energy • 11% Liveness
24% Instrumentalness • 23% Positiveness
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Kalabrese
Purple Rose
104 bpm • D# min • 06:37 • -8.32db
44% Popularity • 85% Danceability • 54% Energy • 5% Liveness
57% Instrumentalness • 58% Positiveness
44% Popularity • 85% Danceability • 54% Energy • 5% Liveness
57% Instrumentalness • 58% Positiveness
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Kid Simius
Don Juan Enterprise
104 bpm • E min • 03:53 • -11.48db
21% Popularity • 67% Danceability • 43% Energy • 16% Liveness
19% Instrumentalness • 12% Positiveness
21% Popularity • 67% Danceability • 43% Energy • 16% Liveness
19% Instrumentalness • 12% Positiveness
