Songs like Rain, Rain, Rain by Lisa Miskovsky
Based on a tempo of (+/- 10%) and a similar genre
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Brolle
Playing With Fire
122 bpm • F Maj • 03:35 • -6db
36% Popularity • 64% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 64% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Katie Melua
The Flood - Radio Edit
122 bpm • F# Maj • 03:40 • -6.25db
10% Popularity • 36% Danceability • 57% Energy • 16% Liveness
3% Instrumentalness • 19% Positiveness
10% Popularity • 36% Danceability • 57% Energy • 16% Liveness
3% Instrumentalness • 19% Positiveness
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Moto Boy
Beat Heart
122 bpm • C# min • 04:19 • -10.52db
31% Popularity • 55% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 55% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Deportees
Medicate It Right
122 bpm • A Maj • 04:29 • -6.2db
17% Popularity • 54% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 54% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Kristian Anttila
Säg nej till mig
122 bpm • G# Maj • 03:59 • -6.75db
9% Popularity • 43% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 43% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Lisa Miskovsky
Rain, Rain, Rain
122 bpm • D Maj • 04:14 • -5.75db
11% Popularity • 50% Danceability • 85% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
11% Popularity • 50% Danceability • 85% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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The Ark
Disease
122 bpm • E min • 03:16 • -7db
27% Popularity • 63% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 63% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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Sasha
Wide Awake
123 bpm • C# Maj • 03:31 • -8.84db
8% Popularity • 56% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 56% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Eskobar
Love Strikes
123 bpm • C# Maj • 04:03 • -7.7db
23% Popularity • 57% Danceability • 67% Energy • 15% Liveness
16% Instrumentalness • 57% Positiveness
23% Popularity • 57% Danceability • 67% Energy • 15% Liveness
16% Instrumentalness • 57% Positiveness
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Deportees
A Heart Like Yours In a Time Like This
122 bpm • A# Maj • 06:18 • -7.93db
25% Popularity • 50% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 50% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Johan Örjansson
Lock and Load
123 bpm • F# Maj • 03:03 • -6.67db
10% Popularity • 76% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
10% Popularity • 76% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Amanda Fondell
Hey Ya
121 bpm • A min • 02:48 • -12db
13% Popularity • 75% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 75% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Tove Styrke
High and Low - 2011 Remake
121 bpm • B min • 03:30 • -5.25db
16% Popularity • 76% Danceability • 70% Energy • 13% Liveness
1% Instrumentalness • 74% Positiveness
16% Popularity • 76% Danceability • 70% Energy • 13% Liveness
1% Instrumentalness • 74% Positiveness
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Miss Li
Under isen (Ligger himlen)
123 bpm • B min • 05:10 • -8.1db
18% Popularity • 68% Danceability • 56% Energy • 21% Liveness
4% Instrumentalness • 86% Positiveness
18% Popularity • 68% Danceability • 56% Energy • 21% Liveness
4% Instrumentalness • 86% Positiveness
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Vamp
Sommernatt ved fjorden
123 bpm • A# Maj • 03:18 • -11.24db
7% Popularity • 73% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
7% Popularity • 73% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Elin Ruth Sigvardsson
Kom ihåg mig
121 bpm • D Maj • 05:58 • -8db
9% Popularity • 40% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 40% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Anna Ternheim
Make It On My Own
120 bpm • C# min • 03:24 • -6db
12% Popularity • 66% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 66% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 69% Positiveness
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Amanda Fondell
Bastard
123 bpm • F min • 03:38 • -3.32db
8% Popularity • 63% Danceability • 82% Energy • 41% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 63% Danceability • 82% Energy • 41% Liveness
0% Instrumentalness • 55% Positiveness
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Joakim Berg
Nåt för dem som väntar
120 bpm • A Maj • 04:24 • -7.77db
37% Popularity • 37% Danceability • 62% Energy • 11% Liveness
59% Instrumentalness • 27% Positiveness
37% Popularity • 37% Danceability • 62% Energy • 11% Liveness
59% Instrumentalness • 27% Positiveness
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Johnossi
Seventeen - Bonus Track / Alternative Ve...
120 bpm • B min • 04:22 • -10db
25% Popularity • 61% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 17% Positiveness
25% Popularity • 61% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 17% Positiveness
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Margaret Berger
Will You Remember Me ?
124 bpm • C# min • 03:43 • -4.21db
12% Popularity • 58% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 58% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Kristian Anttila
Hisingen – Manhattan
120 bpm • B Maj • 04:01 • -5.36db
20% Popularity • 30% Danceability • 77% Energy • 29% Liveness
21% Instrumentalness • 46% Positiveness
20% Popularity • 30% Danceability • 77% Energy • 29% Liveness
21% Instrumentalness • 46% Positiveness
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Janet Leon
Hollow
120 bpm • F# min • 03:02 • -4.01db
18% Popularity • 56% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 56% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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NONONO
Hungry Eyes
120 bpm • F Maj • 03:50 • -4.22db
18% Popularity • 60% Danceability • 78% Energy • 33% Liveness
22% Instrumentalness • 15% Positiveness
18% Popularity • 60% Danceability • 78% Energy • 33% Liveness
22% Instrumentalness • 15% Positiveness
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Lisa Miskovsky
Back To Stoneberry Road
120 bpm • C Maj • 03:05 • -16db
9% Popularity • 53% Danceability • 13% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 53% Danceability • 13% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
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Linnea Olsson
Dinosaur
120 bpm • C Maj • 03:25 • -8.06db
17% Popularity • 65% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 65% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
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Brolle
Sound of a Drum
124 bpm • F# min • 03:44 • -6db
16% Popularity • 58% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 58% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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The Soundtrack Of Our Lives
You Are the Beginning
120 bpm • F Maj • 05:03 • -8db
29% Popularity • 49% Danceability • 73% Energy • 16% Liveness
2% Instrumentalness • 16% Positiveness
29% Popularity • 49% Danceability • 73% Energy • 16% Liveness
2% Instrumentalness • 16% Positiveness
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Linnea Dale
High Hopes
120 bpm • F min • 03:03 • -6db
10% Popularity • 74% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 74% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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kent
Mirage
120 bpm • A min • 05:35 • -7.74db
39% Popularity • 70% Danceability • 74% Energy • 9% Liveness
49% Instrumentalness • 59% Positiveness
39% Popularity • 70% Danceability • 74% Energy • 9% Liveness
49% Instrumentalness • 59% Positiveness
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Lisa Miskovsky
I Am I
124 bpm • C Maj • 04:00 • -5.59db
4% Popularity • 60% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
4% Popularity • 60% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
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Oh Laura
Release Me - UK Version
120 bpm • G# Maj • 03:02 • -8db
14% Popularity • 63% Danceability • 49% Energy • 22% Liveness
1% Instrumentalness • 37% Positiveness
14% Popularity • 63% Danceability • 49% Energy • 22% Liveness
1% Instrumentalness • 37% Positiveness
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Ingrid Olava
Jackie Kennedy
120 bpm • C min • 02:59 • -6.6db
15% Popularity • 49% Danceability • 73% Energy • 21% Liveness
1% Instrumentalness • 30% Positiveness
15% Popularity • 49% Danceability • 73% Energy • 21% Liveness
1% Instrumentalness • 30% Positiveness
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Lissie
I Bet on You
120 bpm • G# Maj • 04:33 • -6.38db
21% Popularity • 64% Danceability • 63% Energy • 3% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 64% Danceability • 63% Energy • 3% Liveness
0% Instrumentalness • 28% Positiveness
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Britta Persson
Baby No Name
120 bpm • E min • 03:17 • -3.6db
17% Popularity • 62% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 62% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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The Ark
Tell Me This Night Is Over
120 bpm • G Maj • 05:15 • -5.39db
27% Popularity • 64% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 64% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Beatrice Eli
The Conqueror
120 bpm • B min • 02:51 • -6.84db
7% Popularity • 62% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
7% Popularity • 62% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Ebba Forsberg
Boy You Owe Me
124 bpm • A min • 04:14 • -11db
17% Popularity • 60% Danceability • 34% Energy • 12% Liveness
2% Instrumentalness • 19% Positiveness
17% Popularity • 60% Danceability • 34% Energy • 12% Liveness
2% Instrumentalness • 19% Positiveness
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Deportees
Future Shocks
124 bpm • C Maj • 04:09 • -8.12db
12% Popularity • 66% Danceability • 79% Energy • 15% Liveness
32% Instrumentalness • 48% Positiveness
12% Popularity • 66% Danceability • 79% Energy • 15% Liveness
32% Instrumentalness • 48% Positiveness
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Moa Lignell
Sunday Night
120 bpm • A Maj • 03:04 • -7.19db
37% Popularity • 54% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
37% Popularity • 54% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Lisa Miskovsky
Tougher Than Most
124 bpm • D# Maj • 04:29 • -6.45db
5% Popularity • 56% Danceability • 78% Energy • 13% Liveness
42% Instrumentalness • 42% Positiveness
5% Popularity • 56% Danceability • 78% Energy • 13% Liveness
42% Instrumentalness • 42% Positiveness
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The Ark
The Apocalypse is Over
124 bpm • A Maj • 04:18 • -4.72db
16% Popularity • 51% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 51% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Jennie Abrahamson
Åträsk
120 bpm • G Maj • 03:41 • -9.33db
12% Popularity • 76% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 76% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Anna Ternheim
Ghost Of A Man
120 bpm • E Maj • 03:44 • -12.13db
14% Popularity • 51% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 51% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Maria Mena
All The Love
125 bpm • A# min • 03:41 • -5.78db
16% Popularity • 47% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 47% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Elin Ruth Sigvardsson
Paper Cup Words
119 bpm • A# Maj • 04:10 • -11.15db
14% Popularity • 42% Danceability • 31% Energy • 11% Liveness
9% Instrumentalness • 21% Positiveness
14% Popularity • 42% Danceability • 31% Energy • 11% Liveness
9% Instrumentalness • 21% Positiveness
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Yvonne Nordvik Sivertsen
Stille Vann
125 bpm • C# min • 02:30 • -7.39db
17% Popularity • 40% Danceability • 39% Energy • 71% Liveness
0% Instrumentalness • 5% Positiveness
17% Popularity • 40% Danceability • 39% Energy • 71% Liveness
0% Instrumentalness • 5% Positiveness
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The Ark
Tell Me This Night Is Over - Radio Edit
120 bpm • G Maj • 04:09 • -7.14db
15% Popularity • 67% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 67% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
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Moto Boy
Too Young to Know
125 bpm • E min • 04:40 • -6db
14% Popularity • 50% Danceability • 74% Energy • 16% Liveness
3% Instrumentalness • 41% Positiveness
14% Popularity • 50% Danceability • 74% Energy • 16% Liveness
3% Instrumentalness • 41% Positiveness
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Lune
Leave The World Behind
119 bpm • A# min • 03:02 • -7.81db
26% Popularity • 27% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
26% Popularity • 27% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Amanda Fondell
All This Way
119 bpm • A# min • 03:18 • -3.99db
33% Popularity • 63% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 63% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Stefan Andersson
Emperors' Day
119 bpm • C Maj • 03:55 • -10.46db
9% Popularity • 64% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 64% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
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Selma & Gustaf
Stay Alive
125 bpm • B min • 03:40 • -8.66db
11% Popularity • 52% Danceability • 40% Energy • 12% Liveness
2% Instrumentalness • 30% Positiveness
11% Popularity • 52% Danceability • 40% Energy • 12% Liveness
2% Instrumentalness • 30% Positiveness
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Briskeby
Joe Dallesandro
126 bpm • G Maj • 05:08 • -4.18db
24% Popularity • 53% Danceability • 82% Energy • 60% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 53% Danceability • 82% Energy • 60% Liveness
0% Instrumentalness • 50% Positiveness
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Christel Alsos
I need you here tomorrow - Erato
126 bpm • G Maj • 04:35 • -10.06db
9% Popularity • 43% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 43% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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The Moniker
Holy
126 bpm • G Maj • 04:25 • -10db
19% Popularity • 46% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
19% Popularity • 46% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Anna Bergendahl
Vice
126 bpm • D Maj • 03:13 • -6.79db
29% Popularity • 74% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 74% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Morten Harket
Whispering Heart
126 bpm • D Maj • 03:56 • -6.14db
20% Popularity • 57% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 57% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Lisa Miskovsky
Driving One Of Your Cars
126 bpm • G Maj • 03:45 • -3.98db
36% Popularity • 58% Danceability • 85% Energy • 28% Liveness
1% Instrumentalness • 38% Positiveness
36% Popularity • 58% Danceability • 85% Energy • 28% Liveness
1% Instrumentalness • 38% Positiveness
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The Sounds
Hurt the Ones I Love
126 bpm • C# min • 03:52 • -3.96db
19% Popularity • 50% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 50% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Eva & The Heartmaker
Dominoes
118 bpm • D Maj • 03:39 • -3.67db
9% Popularity • 56% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 56% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Anna Ternheim
My Heart Still Beats For You
118 bpm • F# min • 04:27 • -12.9db
20% Popularity • 53% Danceability • 19% Energy • 9% Liveness
63% Instrumentalness • 11% Positiveness
20% Popularity • 53% Danceability • 19% Energy • 9% Liveness
63% Instrumentalness • 11% Positiveness
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Lill Lindfors
Pass Through Fear
118 bpm • G min • 03:40 • -9.75db
14% Popularity • 61% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 61% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Pernilla Andersson
Judy
127 bpm • C Maj • 03:45 • -8db
11% Popularity • 65% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 65% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Lisa Miskovsky
Sing To Me
126 bpm • C min • 04:37 • -5.98db
20% Popularity • 56% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 56% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Deportees
Carry No Blow
127 bpm • C Maj • 04:18 • -7.63db
15% Popularity • 50% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 50% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Stiko Per Larsson
Törneros
127 bpm • D# Maj • 03:20 • -10.06db
22% Popularity • 56% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
22% Popularity • 56% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Anna Ternheim
Shoreline - Radio Version
118 bpm • G Maj • 03:32 • -15db
45% Popularity • 36% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
45% Popularity • 36% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Christel Alsos
Conquer
117 bpm • B min • 03:54 • -6.5db
12% Popularity • 56% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
12% Popularity • 56% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Eskobar
Hallelujah New World
117 bpm • C# Maj • 02:39 • -5.34db
11% Popularity • 51% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 51% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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Lisa Miskovsky
Dallas Friends
126 bpm • E Maj • 04:10 • -4.1db
7% Popularity • 55% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
7% Popularity • 55% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Eva & The Heartmaker
Joanna
128 bpm • C# min • 03:32 • -4.53db
18% Popularity • 58% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 58% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
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Miss Li
No One Sleeps When I'm Awake
128 bpm • F Maj • 03:53 • -5db
21% Popularity • 55% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 55% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Thomas Dybdahl
From Grace
116 bpm • A min • 04:10 • -11db
16% Popularity • 39% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 39% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Briskeby
Miss You Like Crazy
116 bpm • F Maj • 03:18 • -5.17db
19% Popularity • 59% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 59% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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David Urwitz
Ta Mig Över Dom Ängar
128 bpm • B min • 04:35 • -11.02db
21% Popularity • 69% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 66% Positiveness
21% Popularity • 69% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 66% Positiveness
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Lisa Miskovsky
20th Of December Madison Avenue
126 bpm • C Maj • 05:35 • -9.08db
6% Popularity • 59% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
6% Popularity • 59% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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John ME
Love Is My Drug
116 bpm • C Maj • 04:22 • -7.02db
14% Popularity • 63% Danceability • 71% Energy • 40% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 63% Danceability • 71% Energy • 40% Liveness
0% Instrumentalness • 43% Positiveness
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Jennie Abrahamson
I Lost My Heart
116 bpm • D# Maj • 04:14 • -5.68db
8% Popularity • 75% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 75% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Johnossi
For A Little While
129 bpm • C Maj • 05:03 • -6.45db
29% Popularity • 32% Danceability • 64% Energy • 12% Liveness
4% Instrumentalness • 6% Positiveness
29% Popularity • 32% Danceability • 64% Energy • 12% Liveness
4% Instrumentalness • 6% Positiveness
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Maria Mena
Interesting
116 bpm • C min • 03:02 • -5.41db
12% Popularity • 58% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 16% Positiveness
12% Popularity • 58% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 16% Positiveness
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Unni Wilhelmsen
Anything 'Bout June
129 bpm • A# Maj • 03:54 • -12db
28% Popularity • 62% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 62% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Lisa Miskovsky
Sweet Misery
127 bpm • C# min • 04:15 • -4.74db
11% Popularity • 58% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 58% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Hello Saferide
Dad Told Me
115 bpm • C# min • 03:38 • -10.69db
23% Popularity • 76% Danceability • 38% Energy • 11% Liveness
19% Instrumentalness • 20% Positiveness
23% Popularity • 76% Danceability • 38% Energy • 11% Liveness
19% Instrumentalness • 20% Positiveness
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Me And My Army
The Only One
115 bpm • F Maj • 03:22 • -5db
29% Popularity • 76% Danceability • 64% Energy • 13% Liveness
4% Instrumentalness • 45% Positiveness
29% Popularity • 76% Danceability • 64% Energy • 13% Liveness
4% Instrumentalness • 45% Positiveness
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Raymond & Maria
The Fish Are Swimming Slower Every Year
115 bpm • A# Maj • 03:08 • -6.84db
10% Popularity • 71% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
10% Popularity • 71% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Susanne Sundfør
The Brothel
115 bpm • A# min • 06:15 • -13db
33% Popularity • 29% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
33% Popularity • 29% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Anine Bing
Everybody Else
129 bpm • G# Maj • 04:11 • -9.47db
13% Popularity • 54% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
13% Popularity • 54% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
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Lisa Miskovsky
Sad Lullaby
117 bpm • F# min • 04:20 • -4.92db
6% Popularity • 59% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
6% Popularity • 59% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Nora Foss Al-Jabri
Somewhere Beautiful
115 bpm • D# Maj • 03:11 • -9.69db
11% Popularity • 36% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 36% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Miss Li
Nåt för dom som väntar
130 bpm • C min • 04:31 • -6.91db
33% Popularity • 62% Danceability • 84% Energy • 19% Liveness
5% Instrumentalness • 83% Positiveness
33% Popularity • 62% Danceability • 84% Energy • 19% Liveness
5% Instrumentalness • 83% Positiveness
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Lissie
Further Away (Romance Police)
130 bpm • E min • 04:21 • -5.59db
32% Popularity • 61% Danceability • 65% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
32% Popularity • 61% Danceability • 65% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
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David Urwitz
Allt Jag Sa
130 bpm • C# min • 03:37 • -6.44db
15% Popularity • 58% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 58% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Siri Nilsen
Huset
130 bpm • G min • 03:28 • -15.56db
9% Popularity • 50% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 50% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Lisa Miskovsky
A Brand New Day
127 bpm • D min • 03:44 • -8db
31% Popularity • 65% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 65% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Anna Ternheim
Lorelie-Marie
130 bpm • D# Maj • 04:25 • -9.01db
17% Popularity • 48% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 48% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Miss Li
Sugar Coma
130 bpm • B min • 03:31 • -5.49db
16% Popularity • 62% Danceability • 83% Energy • 11% Liveness
25% Instrumentalness • 36% Positiveness
16% Popularity • 62% Danceability • 83% Energy • 11% Liveness
25% Instrumentalness • 36% Positiveness
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Deportees
Who Is Gonna Meet Me
130 bpm • A Maj • 04:10 • -5.73db
16% Popularity • 52% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 52% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
