Songs like Rainbow Road by Dan Kye
Based on a tempo of (+/- 10%) and a similar genre
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Chaos In The CBD
816 To Nunhead
122 bpm • F# min • 06:19 • -11.05db
39% Popularity • 73% Danceability • 54% Energy • 12% Liveness
88% Instrumentalness • 61% Positiveness
39% Popularity • 73% Danceability • 54% Energy • 12% Liveness
88% Instrumentalness • 61% Positiveness
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Scruscru
Waka-no-ura Bay
122 bpm • C Maj • 06:10 • -10.51db
10% Popularity • 70% Danceability • 66% Energy • 7% Liveness
81% Instrumentalness • 25% Positiveness
10% Popularity • 70% Danceability • 66% Energy • 7% Liveness
81% Instrumentalness • 25% Positiveness
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Dan Kye
Moving
122 bpm • D Maj • 05:15 • -12db
42% Popularity • 90% Danceability • 76% Energy • 9% Liveness
63% Instrumentalness • 90% Positiveness
42% Popularity • 90% Danceability • 76% Energy • 9% Liveness
63% Instrumentalness • 90% Positiveness
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Moomin
Maybe Tomorrow
122 bpm • A# min • 05:15 • -11.05db
35% Popularity • 81% Danceability • 84% Energy • 3% Liveness
86% Instrumentalness • 79% Positiveness
35% Popularity • 81% Danceability • 84% Energy • 3% Liveness
86% Instrumentalness • 79% Positiveness
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Cody Currie
Night Visions
122 bpm • E Maj • 04:29 • -11db
36% Popularity • 80% Danceability • 78% Energy • 12% Liveness
92% Instrumentalness • 68% Positiveness
36% Popularity • 80% Danceability • 78% Energy • 12% Liveness
92% Instrumentalness • 68% Positiveness
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Jitwam
Back to My Place
122 bpm • G min • 04:05 • -9.7db
44% Popularity • 86% Danceability • 72% Energy • 4% Liveness
72% Instrumentalness • 87% Positiveness
44% Popularity • 86% Danceability • 72% Energy • 4% Liveness
72% Instrumentalness • 87% Positiveness
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Chaos In The CBD
Luxury Motivation
122 bpm • F# min • 05:48 • -14.18db
44% Popularity • 76% Danceability • 63% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
44% Popularity • 76% Danceability • 63% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
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Magou
Sample Dream
122 bpm • B min • 05:01 • -8.02db
34% Popularity • 77% Danceability • 73% Energy • 10% Liveness
74% Instrumentalness • 74% Positiveness
34% Popularity • 77% Danceability • 73% Energy • 10% Liveness
74% Instrumentalness • 74% Positiveness
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Dan Kye
Like You Wanna
122 bpm • A# min • 04:14 • -9db
26% Popularity • 80% Danceability • 92% Energy • 13% Liveness
13% Instrumentalness • 35% Positiveness
26% Popularity • 80% Danceability • 92% Energy • 13% Liveness
13% Instrumentalness • 35% Positiveness
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Space Ghost
Time to Dance
122 bpm • G min • 07:07 • -8.1db
16% Popularity • 70% Danceability • 80% Energy • 11% Liveness
63% Instrumentalness • 32% Positiveness
16% Popularity • 70% Danceability • 80% Energy • 11% Liveness
63% Instrumentalness • 32% Positiveness
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Beraber
Midnite - original
122 bpm • C# min • 06:21 • -14.53db
9% Popularity • 77% Danceability • 66% Energy • 8% Liveness
84% Instrumentalness • 58% Positiveness
9% Popularity • 77% Danceability • 66% Energy • 8% Liveness
84% Instrumentalness • 58% Positiveness
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Trus'me
Working Nights
122 bpm • F min • 06:34 • -10.19db
30% Popularity • 72% Danceability • 72% Energy • 26% Liveness
2% Instrumentalness • 75% Positiveness
30% Popularity • 72% Danceability • 72% Energy • 26% Liveness
2% Instrumentalness • 75% Positiveness
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Felipe Gordon
Away
122 bpm • C# min • 06:18 • -8.18db
7% Popularity • 80% Danceability • 68% Energy • 12% Liveness
80% Instrumentalness • 85% Positiveness
7% Popularity • 80% Danceability • 68% Energy • 12% Liveness
80% Instrumentalness • 85% Positiveness
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Chaos In The CBD
Phantom Melodies
122 bpm • D Maj • 05:20 • -10.18db
42% Popularity • 81% Danceability • 89% Energy • 13% Liveness
92% Instrumentalness • 74% Positiveness
42% Popularity • 81% Danceability • 89% Energy • 13% Liveness
92% Instrumentalness • 74% Positiveness
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Dan Kye
Tolle
122 bpm • F Maj • 05:06 • -13.44db
35% Popularity • 69% Danceability • 59% Energy • 16% Liveness
74% Instrumentalness • 71% Positiveness
35% Popularity • 69% Danceability • 59% Energy • 16% Liveness
74% Instrumentalness • 71% Positiveness
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Theo Parrish
Sky Walking
122 bpm • G min • 08:56 • -22.54db
23% Popularity • 70% Danceability • 28% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
23% Popularity • 70% Danceability • 28% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Patrick Holland
Closer
122 bpm • F min • 06:57 • -8.32db
45% Popularity • 72% Danceability • 94% Energy • 13% Liveness
88% Instrumentalness • 24% Positiveness
45% Popularity • 72% Danceability • 94% Energy • 13% Liveness
88% Instrumentalness • 24% Positiveness
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Seb Wildblood
Plants
122 bpm • G# min • 06:21 • -11.52db
25% Popularity • 70% Danceability • 66% Energy • 11% Liveness
89% Instrumentalness • 76% Positiveness
25% Popularity • 70% Danceability • 66% Energy • 11% Liveness
89% Instrumentalness • 76% Positiveness
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Kuna Maze
Again Again
122 bpm • C# Maj • 05:05 • -8.06db
22% Popularity • 75% Danceability • 85% Energy • 6% Liveness
87% Instrumentalness • 76% Positiveness
22% Popularity • 75% Danceability • 85% Energy • 6% Liveness
87% Instrumentalness • 76% Positiveness
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Jarren
Gina
122 bpm • G# min • 04:26 • -6.8db
8% Popularity • 87% Danceability • 73% Energy • 5% Liveness
79% Instrumentalness • 96% Positiveness
8% Popularity • 87% Danceability • 73% Energy • 5% Liveness
79% Instrumentalness • 96% Positiveness
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Dan Kye
Rainbow Road
122 bpm • C Maj • 05:27 • -11.28db
32% Popularity • 85% Danceability • 43% Energy • 11% Liveness
47% Instrumentalness • 70% Positiveness
32% Popularity • 85% Danceability • 43% Energy • 11% Liveness
47% Instrumentalness • 70% Positiveness
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Lord Echo
Things I Like to Do
122 bpm • D min • 03:20 • -8.4db
33% Popularity • 72% Danceability • 86% Energy • 3% Liveness
85% Instrumentalness • 98% Positiveness
33% Popularity • 72% Danceability • 86% Energy • 3% Liveness
85% Instrumentalness • 98% Positiveness
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Patrick Holland
Closer (Live)
122 bpm • F min • 04:59 • -7.8db
32% Popularity • 68% Danceability • 74% Energy • 10% Liveness
89% Instrumentalness • 66% Positiveness
32% Popularity • 68% Danceability • 74% Energy • 10% Liveness
89% Instrumentalness • 66% Positiveness
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Tell
Vamos A La Playa
122 bpm • G min • 06:34 • -7.59db
34% Popularity • 73% Danceability • 77% Energy • 12% Liveness
82% Instrumentalness • 70% Positiveness
34% Popularity • 73% Danceability • 77% Energy • 12% Liveness
82% Instrumentalness • 70% Positiveness
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Candido
Thousand Finger Man
122 bpm • G min • 09:06 • -10.65db
32% Popularity • 75% Danceability • 87% Energy • 7% Liveness
23% Instrumentalness • 60% Positiveness
32% Popularity • 75% Danceability • 87% Energy • 7% Liveness
23% Instrumentalness • 60% Positiveness
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STR4TA
Rhythm in Your Mind
122 bpm • F min • 03:45 • -9.47db
32% Popularity • 67% Danceability • 89% Energy • 52% Liveness
38% Instrumentalness • 88% Positiveness
32% Popularity • 67% Danceability • 89% Energy • 52% Liveness
38% Instrumentalness • 88% Positiveness
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Theo Parrish
Moonlight
122 bpm • A# min • 08:04 • -22.59db
17% Popularity • 76% Danceability • 29% Energy • 8% Liveness
92% Instrumentalness • 60% Positiveness
17% Popularity • 76% Danceability • 29% Energy • 8% Liveness
92% Instrumentalness • 60% Positiveness
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Close Counters
SOMETHING IN MY DRINK
122 bpm • C# Maj • 04:14 • -8.89db
31% Popularity • 64% Danceability • 68% Energy • 10% Liveness
25% Instrumentalness • 65% Positiveness
31% Popularity • 64% Danceability • 68% Energy • 10% Liveness
25% Instrumentalness • 65% Positiveness
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Patrick Holland
Royal Plus
122 bpm • F Maj • 05:17 • -9.3db
23% Popularity • 77% Danceability • 78% Energy • 7% Liveness
88% Instrumentalness • 42% Positiveness
23% Popularity • 77% Danceability • 78% Energy • 7% Liveness
88% Instrumentalness • 42% Positiveness
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Glenn Astro
One for Viktor
122 bpm • C Maj • 04:36 • -8.78db
16% Popularity • 83% Danceability • 66% Energy • 8% Liveness
23% Instrumentalness • 12% Positiveness
16% Popularity • 83% Danceability • 66% Energy • 8% Liveness
23% Instrumentalness • 12% Positiveness
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Pal Joey
Spend the Night
122 bpm • C Maj • 05:26 • -15.8db
25% Popularity • 71% Danceability • 59% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
25% Popularity • 71% Danceability • 59% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
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Daniela La Luz
Did You Ever - Mixed
122 bpm • C Maj • 02:35 • -14.27db
39% Popularity • 82% Danceability • 52% Energy • 12% Liveness
75% Instrumentalness • 87% Positiveness
39% Popularity • 82% Danceability • 52% Energy • 12% Liveness
75% Instrumentalness • 87% Positiveness
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Athlete Whippet
Fanfa
123 bpm • A# min • 04:50 • -9.6db
18% Popularity • 66% Danceability • 92% Energy • 6% Liveness
80% Instrumentalness • 86% Positiveness
18% Popularity • 66% Danceability • 92% Energy • 6% Liveness
80% Instrumentalness • 86% Positiveness
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Mike Huckaby
The Jazz Republic
123 bpm • C Maj • 07:02 • -3.22db
18% Popularity • 82% Danceability • 83% Energy • 12% Liveness
92% Instrumentalness • 60% Positiveness
18% Popularity • 82% Danceability • 83% Energy • 12% Liveness
92% Instrumentalness • 60% Positiveness
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Henry Wu
117 Careplan - Mixed
123 bpm • F# min • 02:00 • -10.55db
35% Popularity • 72% Danceability • 75% Energy • 22% Liveness
94% Instrumentalness • 50% Positiveness
35% Popularity • 72% Danceability • 75% Energy • 22% Liveness
94% Instrumentalness • 50% Positiveness
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Dan Kye
Sober
121 bpm • B min • 05:31 • -12.36db
30% Popularity • 63% Danceability • 72% Energy • 6% Liveness
51% Instrumentalness • 33% Positiveness
30% Popularity • 63% Danceability • 72% Energy • 6% Liveness
51% Instrumentalness • 33% Positiveness
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Tenderlonious
G Flex
121 bpm • F min • 05:10 • -12.17db
16% Popularity • 62% Danceability • 61% Energy • 3% Liveness
48% Instrumentalness • 87% Positiveness
16% Popularity • 62% Danceability • 61% Energy • 3% Liveness
48% Instrumentalness • 87% Positiveness
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Ratgrave
Ein Kola Bitte
123 bpm • C# Maj • 03:56 • -11.04db
14% Popularity • 81% Danceability • 69% Energy • 3% Liveness
85% Instrumentalness • 47% Positiveness
14% Popularity • 81% Danceability • 69% Energy • 3% Liveness
85% Instrumentalness • 47% Positiveness
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DJ Daddio
Hold Your Head Up - Mixed
123 bpm • D min • 03:21 • -7.53db
20% Popularity • 71% Danceability • 77% Energy • 4% Liveness
6% Instrumentalness • 60% Positiveness
20% Popularity • 71% Danceability • 77% Energy • 4% Liveness
6% Instrumentalness • 60% Positiveness
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Cody Currie
Moves
121 bpm • B min • 03:43 • -9.05db
42% Popularity • 75% Danceability • 76% Energy • 8% Liveness
7% Instrumentalness • 63% Positiveness
42% Popularity • 75% Danceability • 76% Energy • 8% Liveness
7% Instrumentalness • 63% Positiveness
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Henry Wu
Projections - Mixed
123 bpm • C# Maj • 02:20 • -7.64db
21% Popularity • 95% Danceability • 90% Energy • 9% Liveness
27% Instrumentalness • 84% Positiveness
21% Popularity • 95% Danceability • 90% Energy • 9% Liveness
27% Instrumentalness • 84% Positiveness
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Andres
Lisbon Love
121 bpm • A# min • 05:27 • -8.35db
20% Popularity • 93% Danceability • 48% Energy • 5% Liveness
94% Instrumentalness • 96% Positiveness
20% Popularity • 93% Danceability • 48% Energy • 5% Liveness
94% Instrumentalness • 96% Positiveness
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p-rallel
WestBorn
121 bpm • E min • 03:06 • -10.52db
42% Popularity • 79% Danceability • 42% Energy • 8% Liveness
94% Instrumentalness • 43% Positiveness
42% Popularity • 79% Danceability • 42% Energy • 8% Liveness
94% Instrumentalness • 43% Positiveness
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Chaos In The CBD
Accidental Meetings
121 bpm • C# min • 06:28 • -14db
35% Popularity • 44% Danceability • 64% Energy • 16% Liveness
87% Instrumentalness • 27% Positiveness
35% Popularity • 44% Danceability • 64% Energy • 16% Liveness
87% Instrumentalness • 27% Positiveness
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Soul Wun
Naima Blue
123 bpm • F min • 04:42 • -14.08db
40% Popularity • 80% Danceability • 52% Energy • 11% Liveness
80% Instrumentalness • 44% Positiveness
40% Popularity • 80% Danceability • 52% Energy • 11% Liveness
80% Instrumentalness • 44% Positiveness
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Laurence Guy
Anchor
121 bpm • B Maj • 04:47 • -12.58db
42% Popularity • 71% Danceability • 64% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
42% Popularity • 71% Danceability • 64% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
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Ratgrave
Ein Kola Bitte! - Mixed
123 bpm • C# Maj • 03:14 • -14.22db
18% Popularity • 78% Danceability • 46% Energy • 10% Liveness
91% Instrumentalness • 41% Positiveness
18% Popularity • 78% Danceability • 46% Energy • 10% Liveness
91% Instrumentalness • 41% Positiveness
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Byron the Aquarius
New Beginning
123 bpm • F# min • 05:18 • -12.24db
9% Popularity • 67% Danceability • 78% Energy • 7% Liveness
90% Instrumentalness • 47% Positiveness
9% Popularity • 67% Danceability • 78% Energy • 7% Liveness
90% Instrumentalness • 47% Positiveness
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Kousto
The Job
123 bpm • F# min • 06:36 • -9.69db
21% Popularity • 84% Danceability • 56% Energy • 12% Liveness
23% Instrumentalness • 14% Positiveness
21% Popularity • 84% Danceability • 56% Energy • 12% Liveness
23% Instrumentalness • 14% Positiveness
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Chaos In The CBD
Global Erosion
121 bpm • C# min • 07:41 • -13.23db
36% Popularity • 81% Danceability • 60% Energy • 9% Liveness
77% Instrumentalness • 94% Positiveness
36% Popularity • 81% Danceability • 60% Energy • 9% Liveness
77% Instrumentalness • 94% Positiveness
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Osunlade
Tom's Bar
123 bpm • C# min • 04:10 • -16db
31% Popularity • 71% Danceability • 48% Energy • 19% Liveness
34% Instrumentalness • 91% Positiveness
31% Popularity • 71% Danceability • 48% Energy • 19% Liveness
34% Instrumentalness • 91% Positiveness
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Cody Currie
Theme One
123 bpm • G Maj • 05:18 • -10.9db
18% Popularity • 82% Danceability • 66% Energy • 16% Liveness
69% Instrumentalness • 61% Positiveness
18% Popularity • 82% Danceability • 66% Energy • 16% Liveness
69% Instrumentalness • 61% Positiveness
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Awanto 3
Pregnant - Mixed
123 bpm • C# min • 03:46 • -12.37db
24% Popularity • 68% Danceability • 72% Energy • 14% Liveness
89% Instrumentalness • 5% Positiveness
24% Popularity • 68% Danceability • 72% Energy • 14% Liveness
89% Instrumentalness • 5% Positiveness
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Long Island Sound
I Still Love You - Mixed
123 bpm • C# Maj • 03:19 • -11.31db
23% Popularity • 60% Danceability • 75% Energy • 11% Liveness
42% Instrumentalness • 48% Positiveness
23% Popularity • 60% Danceability • 75% Energy • 11% Liveness
42% Instrumentalness • 48% Positiveness
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Retromigration
Kindness
121 bpm • D# min • 06:36 • -13db
41% Popularity • 81% Danceability • 45% Energy • 9% Liveness
82% Instrumentalness • 94% Positiveness
41% Popularity • 81% Danceability • 45% Energy • 9% Liveness
82% Instrumentalness • 94% Positiveness
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Felipe Gordon
The Colombian Excursions of House Music
121 bpm • C Maj • 09:06 • -7.72db
14% Popularity • 73% Danceability • 81% Energy • 9% Liveness
66% Instrumentalness • 77% Positiveness
14% Popularity • 73% Danceability • 81% Energy • 9% Liveness
66% Instrumentalness • 77% Positiveness
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Sampology
Running Around
121 bpm • A# min • 03:45 • -12.3db
39% Popularity • 77% Danceability • 52% Energy • 10% Liveness
10% Instrumentalness • 80% Positiveness
39% Popularity • 77% Danceability • 52% Energy • 10% Liveness
10% Instrumentalness • 80% Positiveness
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Cody Currie
LS Anthem
123 bpm • E min • 04:27 • -8db
30% Popularity • 73% Danceability • 78% Energy • 8% Liveness
56% Instrumentalness • 89% Positiveness
30% Popularity • 73% Danceability • 78% Energy • 8% Liveness
56% Instrumentalness • 89% Positiveness
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City People
It's All in the Groove - Mixed
123 bpm • C# Maj • 01:07 • -10.52db
21% Popularity • 91% Danceability • 86% Energy • 10% Liveness
15% Instrumentalness • 97% Positiveness
21% Popularity • 91% Danceability • 86% Energy • 10% Liveness
15% Instrumentalness • 97% Positiveness
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Laurence Guy
Kojak
121 bpm • D min • 05:01 • -12.99db
43% Popularity • 85% Danceability • 58% Energy • 8% Liveness
88% Instrumentalness • 85% Positiveness
43% Popularity • 85% Danceability • 58% Energy • 8% Liveness
88% Instrumentalness • 85% Positiveness
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Session Victim
Trying to Make it Home
123 bpm • C# min • 05:42 • -10.35db
34% Popularity • 65% Danceability • 81% Energy • 13% Liveness
87% Instrumentalness • 29% Positiveness
34% Popularity • 65% Danceability • 81% Energy • 13% Liveness
87% Instrumentalness • 29% Positiveness
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Rimbaudian
She Taught Me How to Love
123 bpm • C Maj • 05:29 • -7.08db
21% Popularity • 72% Danceability • 75% Energy • 9% Liveness
81% Instrumentalness • 59% Positiveness
21% Popularity • 72% Danceability • 75% Energy • 9% Liveness
81% Instrumentalness • 59% Positiveness
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Joel Holmes
It Feels Good
123 bpm • G# min • 04:26 • -8db
23% Popularity • 77% Danceability • 58% Energy • 10% Liveness
82% Instrumentalness • 25% Positiveness
23% Popularity • 77% Danceability • 58% Energy • 10% Liveness
82% Instrumentalness • 25% Positiveness
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Cody Currie
Ode To Eddy
121 bpm • F# min • 03:24 • -11db
30% Popularity • 92% Danceability • 42% Energy • 43% Liveness
62% Instrumentalness • 48% Positiveness
30% Popularity • 92% Danceability • 42% Energy • 43% Liveness
62% Instrumentalness • 48% Positiveness
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Peven Everett
Heat Up
121 bpm • F# min • 05:55 • -9db
36% Popularity • 91% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
36% Popularity • 91% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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TEE MANGO
Time Aint Nothing
123 bpm • F# min • 06:39 • -8.31db
8% Popularity • 98% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
8% Popularity • 98% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Harvey Sutherland
Clarity
121 bpm • E min • 05:48 • -9.91db
26% Popularity • 74% Danceability • 60% Energy • 7% Liveness
55% Instrumentalness • 93% Positiveness
26% Popularity • 74% Danceability • 60% Energy • 7% Liveness
55% Instrumentalness • 93% Positiveness
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Coeo
Coast to Coast
123 bpm • D Maj • 03:52 • -13.85db
47% Popularity • 87% Danceability • 43% Energy • 68% Liveness
73% Instrumentalness • 7% Positiveness
47% Popularity • 87% Danceability • 43% Energy • 68% Liveness
73% Instrumentalness • 7% Positiveness
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Joel Holmes
Pose
123 bpm • C# Maj • 04:26 • -9.69db
29% Popularity • 81% Danceability • 34% Energy • 9% Liveness
87% Instrumentalness • 69% Positiveness
29% Popularity • 81% Danceability • 34% Energy • 9% Liveness
87% Instrumentalness • 69% Positiveness
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Galcher Lustwerk
Life
123 bpm • A# min • 05:01 • -10.77db
27% Popularity • 81% Danceability • 69% Energy • 9% Liveness
91% Instrumentalness • 54% Positiveness
27% Popularity • 81% Danceability • 69% Energy • 9% Liveness
91% Instrumentalness • 54% Positiveness
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Cody Currie
Moves - House Mix
121 bpm • E min • 04:47 • -9db
36% Popularity • 78% Danceability • 76% Energy • 9% Liveness
37% Instrumentalness • 63% Positiveness
36% Popularity • 78% Danceability • 76% Energy • 9% Liveness
37% Instrumentalness • 63% Positiveness
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K15
Oceans
123 bpm • F min • 04:19 • -8.71db
10% Popularity • 75% Danceability • 77% Energy • 31% Liveness
60% Instrumentalness • 29% Positiveness
10% Popularity • 75% Danceability • 77% Energy • 31% Liveness
60% Instrumentalness • 29% Positiveness
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Session Victim
Hide and Seek
121 bpm • F min • 05:09 • -12db
45% Popularity • 71% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 50% Positiveness
45% Popularity • 71% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 50% Positiveness
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Al Dobson Jr.
Muscavado Sounds
121 bpm • A# min • 03:11 • -11.3db
30% Popularity • 97% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
30% Popularity • 97% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Chaos In The CBD
Emotional Intelligence
123 bpm • A# min • 06:20 • -9.58db
50% Popularity • 70% Danceability • 66% Energy • 10% Liveness
84% Instrumentalness • 45% Positiveness
50% Popularity • 70% Danceability • 66% Energy • 10% Liveness
84% Instrumentalness • 45% Positiveness
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Ben Hauke
The Way They Rep
123 bpm • C# Maj • 05:55 • -9.05db
22% Popularity • 84% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 84% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 50% Positiveness
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Cody Currie
Easy
123 bpm • G min • 04:12 • -10.69db
41% Popularity • 98% Danceability • 47% Energy • 8% Liveness
72% Instrumentalness • 93% Positiveness
41% Popularity • 98% Danceability • 47% Energy • 8% Liveness
72% Instrumentalness • 93% Positiveness
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Moodymann
Ulooklykicecreaminthesummertyme
123 bpm • G# Maj • 06:20 • -11.39db
25% Popularity • 61% Danceability • 41% Energy • 15% Liveness
2% Instrumentalness • 11% Positiveness
25% Popularity • 61% Danceability • 41% Energy • 15% Liveness
2% Instrumentalness • 11% Positiveness
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Pinty
Honey
121 bpm • F# min • 03:48 • -8.24db
24% Popularity • 84% Danceability • 57% Energy • 13% Liveness
73% Instrumentalness • 60% Positiveness
24% Popularity • 84% Danceability • 57% Energy • 13% Liveness
73% Instrumentalness • 60% Positiveness
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Kamaal Williams
Save Me
123 bpm • A# min • 05:58 • -8.54db
25% Popularity • 74% Danceability • 72% Energy • 11% Liveness
66% Instrumentalness • 81% Positiveness
25% Popularity • 74% Danceability • 72% Energy • 11% Liveness
66% Instrumentalness • 81% Positiveness
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Patrick Holland
Follow It Up
121 bpm • B Maj • 03:40 • -9.81db
36% Popularity • 90% Danceability • 63% Energy • 9% Liveness
88% Instrumentalness • 96% Positiveness
36% Popularity • 90% Danceability • 63% Energy • 9% Liveness
88% Instrumentalness • 96% Positiveness
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Les Sins
Grind (Moodymann Edit) - Mixed
121 bpm • A# min • 03:19 • -13.05db
36% Popularity • 70% Danceability • 54% Energy • 24% Liveness
84% Instrumentalness • 80% Positiveness
36% Popularity • 70% Danceability • 54% Energy • 24% Liveness
84% Instrumentalness • 80% Positiveness
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Cody Currie
When the Time Is Right
123 bpm • C# Maj • 04:42 • -10.19db
25% Popularity • 81% Danceability • 79% Energy • 8% Liveness
82% Instrumentalness • 73% Positiveness
25% Popularity • 81% Danceability • 79% Energy • 8% Liveness
82% Instrumentalness • 73% Positiveness
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Dan Kye
iigo
121 bpm • F# Maj • 04:32 • -10.11db
28% Popularity • 88% Danceability • 72% Energy • 7% Liveness
84% Instrumentalness • 88% Positiveness
28% Popularity • 88% Danceability • 72% Energy • 7% Liveness
84% Instrumentalness • 88% Positiveness
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Herbert
I Hadn't Known (I Only Heard)
123 bpm • B Maj • 07:22 • -12.58db
38% Popularity • 83% Danceability • 70% Energy • 10% Liveness
72% Instrumentalness • 68% Positiveness
38% Popularity • 83% Danceability • 70% Energy • 10% Liveness
72% Instrumentalness • 68% Positiveness
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Moodymann
Tribute
120 bpm • G Maj • 06:01 • -9.06db
34% Popularity • 76% Danceability • 75% Energy • 22% Liveness
59% Instrumentalness • 49% Positiveness
34% Popularity • 76% Danceability • 75% Energy • 22% Liveness
59% Instrumentalness • 49% Positiveness
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Werkha
Favourite Corner
124 bpm • G Maj • 06:01 • -7.9db
23% Popularity • 68% Danceability • 54% Energy • 46% Liveness
57% Instrumentalness • 34% Positiveness
23% Popularity • 68% Danceability • 54% Energy • 46% Liveness
57% Instrumentalness • 34% Positiveness
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RAS
Ha'mea Ha-21
120 bpm • D min • 07:17 • -14.65db
14% Popularity • 72% Danceability • 60% Energy • 36% Liveness
31% Instrumentalness • 46% Positiveness
14% Popularity • 72% Danceability • 60% Energy • 36% Liveness
31% Instrumentalness • 46% Positiveness
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Session Victim
Guidance
124 bpm • C# Maj • 06:03 • -7.07db
14% Popularity • 61% Danceability • 80% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
14% Popularity • 61% Danceability • 80% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
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Max Graef
Drums of Death
124 bpm • F# min • 06:07 • -8.99db
19% Popularity • 85% Danceability • 88% Energy • 7% Liveness
88% Instrumentalness • 96% Positiveness
19% Popularity • 85% Danceability • 88% Energy • 7% Liveness
88% Instrumentalness • 96% Positiveness
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Herbert
I Hadn't Known (I only heard) - Bonus Tr...
123 bpm • F# min • 07:14 • -10.71db
27% Popularity • 83% Danceability • 74% Energy • 13% Liveness
91% Instrumentalness • 67% Positiveness
27% Popularity • 83% Danceability • 74% Energy • 13% Liveness
91% Instrumentalness • 67% Positiveness
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Atmosfear
Invasion - Mixed
120 bpm • G Maj • 01:53 • -7.34db
34% Popularity • 82% Danceability • 61% Energy • 9% Liveness
95% Instrumentalness • 85% Positiveness
34% Popularity • 82% Danceability • 61% Energy • 9% Liveness
95% Instrumentalness • 85% Positiveness
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Rick Poppa Howard
Can Your Love Find It's Way (Club Vocal)...
120 bpm • G Maj • 03:59 • -11.81db
28% Popularity • 75% Danceability • 43% Energy • 10% Liveness
68% Instrumentalness • 59% Positiveness
28% Popularity • 75% Danceability • 43% Energy • 10% Liveness
68% Instrumentalness • 59% Positiveness
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RAS
Diskotek
120 bpm • F# min • 07:42 • -9.98db
14% Popularity • 83% Danceability • 69% Energy • 29% Liveness
58% Instrumentalness • 20% Positiveness
14% Popularity • 83% Danceability • 69% Energy • 29% Liveness
58% Instrumentalness • 20% Positiveness
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Moodymann
The Thief That Stole My Sad Days [Ya Ble...
120 bpm • C# min • 08:06 • -10.56db
33% Popularity • 62% Danceability • 63% Energy • 83% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 62% Danceability • 63% Energy • 83% Liveness
0% Instrumentalness • 72% Positiveness
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Andres
Tonight, We Rise
120 bpm • E min • 06:26 • -9.61db
13% Popularity • 67% Danceability • 40% Energy • 17% Liveness
91% Instrumentalness • 68% Positiveness
13% Popularity • 67% Danceability • 40% Energy • 17% Liveness
91% Instrumentalness • 68% Positiveness
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K15
Bordeaux - Kaidi Tatham Remix
124 bpm • C# Maj • 06:22 • -6.92db
9% Popularity • 59% Danceability • 96% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
9% Popularity • 59% Danceability • 96% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
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Kaidi Tatham
Joyous
120 bpm • G# min • 04:52 • -8.06db
14% Popularity • 52% Danceability • 92% Energy • 7% Liveness
94% Instrumentalness • 90% Positiveness
14% Popularity • 52% Danceability • 92% Energy • 7% Liveness
94% Instrumentalness • 90% Positiveness
