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Raining on the Rock
Songs like
Raining on the Rock
by
John Williamson
Based on a tempo of (+/- 10%) and a similar genre
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Buddy Goode
Dickens Cider
102 bpm • G Maj • 02:17 • -5.72db
16% Popularity • 74% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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John Williamson
Raining on the Rock
102 bpm • D# Maj • 04:31 • -17db
41% Popularity • 51% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Chad Morgan
Truckloads of Starvin' Kangaroo
102 bpm • E Maj • 02:16 • -10.91db
20% Popularity • 75% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Hype Duo
I'm Australian Man
103 bpm • E Maj • 03:02 • -4.2db
29% Popularity • 80% Danceability • 96% Energy • 41% Liveness
0% Instrumentalness • 96% Positiveness
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Hunters & Collectors
Holy Grail
101 bpm • C# min • 03:47 • -3.98db
59% Popularity • 64% Danceability • 96% Energy • 32% Liveness
3% Instrumentalness • 71% Positiveness
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Roger Knox
Blue Gums Calling Me Back Home
101 bpm • D Maj • 03:14 • -14.23db
18% Popularity • 71% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
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McAlister Kemp
It Don't Buy You Love
103 bpm • F Maj • 04:06 • -7db
16% Popularity • 56% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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John Williamson
Please Don't Forget Me
102 bpm • G Maj • 02:22 • -9.6db
17% Popularity • 48% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Stan Coster
Three Rivers Hotel
101 bpm • D Maj • 03:23 • -9db
24% Popularity • 71% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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Redgum
Ted
101 bpm • E min • 04:12 • -9.99db
17% Popularity • 75% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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Archie Roach
Beautiful Child
104 bpm • D Maj • 04:01 • -13.64db
22% Popularity • 62% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Kevin Bloody Wilson
You Can't Say Cunt in Canada
101 bpm • C Maj • 02:58 • -8.8db
36% Popularity • 54% Danceability • 50% Energy • 57% Liveness
0% Instrumentalness • 68% Positiveness
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Catherine Britt
Red Dirt
104 bpm • B Maj • 02:20 • -5db
24% Popularity • 59% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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Sara Storer
I'll Be Home Soon
100 bpm • B Maj • 04:45 • -10db
22% Popularity • 55% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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The Black Sorrows
Harley & Rose
104 bpm • G Maj • 03:54 • -15.26db
46% Popularity • 64% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Luke O'Shea
How Well Have You Loved?
104 bpm • D Maj • 03:23 • -6.33db
21% Popularity • 37% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Errol Gray
Thank God I'm Unemployed
100 bpm • E Maj • 01:53 • -8.97db
20% Popularity • 74% Danceability • 58% Energy • 52% Liveness
0% Instrumentalness • 93% Positiveness
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Kevin Bloody Wilson
Dicken's Cider
100 bpm • A Maj • 03:31 • -6.16db
27% Popularity • 73% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Mark A Hunter
Barramundi
100 bpm • G Maj • 04:33 • -6db
24% Popularity • 76% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Bill & Boyd
Put Another Log On the Fire
104 bpm • G Maj • 02:26 • -13.65db
26% Popularity • 75% Danceability • 42% Energy • 32% Liveness
1% Instrumentalness • 94% Positiveness
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Reg Poole
Chainsaw
100 bpm • E Maj • 04:17 • -6db
27% Popularity • 70% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
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John Williamson
Amazing Day
105 bpm • G Maj • 03:12 • -15.13db
28% Popularity • 70% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Travis Sinclair
Glory Bound
100 bpm • A Maj • 04:54 • -10db
26% Popularity • 63% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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McAlister Kemp
All Kinds of Tough
99 bpm • C Maj • 04:03 • -5db
18% Popularity • 61% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Steve Forde
Summer's Little Angel
105 bpm • C Maj • 02:53 • -5db
32% Popularity • 55% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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Dean Perrett
Old Akubra
99 bpm • E Maj • 02:13 • -5.5db
15% Popularity • 77% Danceability • 64% Energy • 41% Liveness
0% Instrumentalness • 93% Positiveness
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Kevin Bloody Wilson
Nigel Fuckin' Legend
105 bpm • E Maj • 04:21 • -10.1db
30% Popularity • 77% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Norma O'Hara Murphy
The Campdrafter
98 bpm • B Maj • 03:22 • -9.73db
11% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Cold Chisel
Shipping Steel - 2011 Remastered
106 bpm • A Maj • 03:24 • -3db
40% Popularity • 59% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Busby Marou
Over Drinking Over You
106 bpm • C# Maj • 03:00 • -6.56db
37% Popularity • 73% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Sara Storer
Back in the Territory
106 bpm • D Maj • 02:38 • -10.14db
19% Popularity • 76% Danceability • 70% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Simply Bushed
The Great Australian Love Song
106 bpm • C Maj • 03:33 • -6.13db
15% Popularity • 72% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
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Johnny Diesel & The Injectors
Cry In Shame
98 bpm • E Maj • 04:44 • -6.44db
55% Popularity • 56% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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Diesel
Tip Of My Tongue
98 bpm • E Maj • 04:14 • -10.09db
54% Popularity • 66% Danceability • 67% Energy • 9% Liveness
2% Instrumentalness • 85% Positiveness
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Australian Crawl
The Boys Light Up - Remastered 2013
98 bpm • G Maj • 04:41 • -7db
61% Popularity • 62% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Kevin Bloody Wilson
The Local
98 bpm • A Maj • 02:52 • -6db
33% Popularity • 71% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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John Williamson
Wobbly Boot Hotel
98 bpm • A Maj • 02:38 • -16.1db
27% Popularity • 74% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Warren H. Williams
Raining On The Rock
98 bpm • G# Maj • 04:19 • -9.69db
19% Popularity • 66% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Travis Sinclair
El Dorado Saddle
106 bpm • D Maj • 03:35 • -10.2db
27% Popularity • 70% Danceability • 74% Energy • 37% Liveness
0% Instrumentalness • 92% Positiveness
► Preview
The Warratahs
Sailing to the Other Side (The InterIsla...
107 bpm • D Maj • 03:52 • -9.57db
17% Popularity • 61% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
► Preview
Archie Roach
Charcoal Lane
107 bpm • D Maj • 03:21 • -13.8db
26% Popularity • 62% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
► Preview
Cold Chisel
Choirgirl - 2011 Remastered
97 bpm • C Maj • 03:13 • -2.78db
50% Popularity • 66% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
► Preview
John Williamson
Back at the Isa
107 bpm • C Maj • 02:52 • -20.49db
22% Popularity • 51% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Tom Curtain
Get Around It
107 bpm • D Maj • 03:03 • -4.66db
18% Popularity • 78% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
► Preview
Dallas Steele
One Hell of a Past
97 bpm • G Maj • 03:16 • -7.71db
20% Popularity • 61% Danceability • 68% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
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Matt Scullion
We Invented That
107 bpm • A Maj • 02:52 • -5.79db
28% Popularity • 78% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Ted Egan
Two Little Boys
97 bpm • D Maj • 03:23 • -11.88db
13% Popularity • 85% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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Redgum
The Last Frontier - Live Version
97 bpm • D Maj • 04:50 • -14.48db
18% Popularity • 44% Danceability • 47% Energy • 97% Liveness
0% Instrumentalness • 54% Positiveness
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Bob Randall
Brown Skin Baby
108 bpm • D Maj • 03:14 • -13.12db
8% Popularity • 50% Danceability • 32% Energy • 14% Liveness
32% Instrumentalness • 39% Positiveness
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John Williamson
Goodbye Blinky Bill
96 bpm • A Maj • 03:30 • -16.41db
31% Popularity • 64% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Clay Tallstories
Fell off the Back of a Truck
108 bpm • C Maj • 03:13 • -10.23db
16% Popularity • 56% Danceability • 41% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Slim Dusty And His Bushlanders
A Word To Texas Jack - 1995 Remaster
108 bpm • A# Maj • 03:09 • -12.41db
27% Popularity • 76% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Ted Egan
Sayonara Nakamura
97 bpm • A Maj • 04:43 • -14.76db
23% Popularity • 61% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Redgum
Long Run
108 bpm • E Maj • 02:57 • -10.28db
27% Popularity • 65% Danceability • 49% Energy • 62% Liveness
0% Instrumentalness • 71% Positiveness
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Wolverines
I Had a Dream
96 bpm • A Maj • 03:37 • -7db
13% Popularity • 66% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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John Williamson
The Shed
96 bpm • A Maj • 02:39 • -20.87db
27% Popularity • 72% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Frankie Davidson
Duncan
96 bpm • A Maj • 02:30 • -10.6db
19% Popularity • 77% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Travis Collins
Thank God I'm a Country Boy
96 bpm • G Maj • 02:53 • -5.42db
48% Popularity • 70% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
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Ted Egan
The Goanna Drover
108 bpm • C Maj • 03:17 • -14.51db
21% Popularity • 74% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
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Chad Morgan
A Three Ply Coffin
109 bpm • D Maj • 01:53 • -19.96db
19% Popularity • 51% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Brad Cox
Lake House
109 bpm • A# Maj • 03:52 • -9.2db
41% Popularity • 61% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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John Williamson
Chandelier of Stars
96 bpm • C Maj • 03:15 • -7db
36% Popularity • 67% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
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Tom Curtain
In the West
109 bpm • D Maj • 03:24 • -5db
28% Popularity • 72% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Archie Roach
Wild Blue Gums
95 bpm • C Maj • 04:42 • -15.93db
15% Popularity • 45% Danceability • 28% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
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Ted Egan
The Man from Humpty-Doo
109 bpm • F Maj • 02:42 • -14.27db
25% Popularity • 79% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
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Jim Haynes
Since Cheryl Went Feral
95 bpm • C Maj • 03:02 • -12.14db
12% Popularity • 62% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
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Adam McClure
The Shearer
95 bpm • G Maj • 03:01 • -10.69db
29% Popularity • 92% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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John Williamson
True Blue
109 bpm • F Maj • 04:05 • -14.34db
48% Popularity • 53% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Bullamakanka
Cobaki Creek
110 bpm • D Maj • 02:59 • -9.39db
18% Popularity • 48% Danceability • 89% Energy • 30% Liveness
3% Instrumentalness • 94% Positiveness
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Chad Morgan
The Ballad of Bill and Eva
95 bpm • D Maj • 03:42 • -7.71db
14% Popularity • 71% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
► Preview
Travis Sinclair
Dream Machine
110 bpm • D Maj • 03:55 • -10.17db
20% Popularity • 54% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
► Preview
The Bushwackers
Kelly in Our Hearts
110 bpm • E Maj • 03:33 • -4.86db
10% Popularity • 59% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Tom Curtain
Billy Don't Like No Hip Hop
110 bpm • A Maj • 03:13 • -7.58db
25% Popularity • 82% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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John Williamson
Cootamundra Wattle
95 bpm • D# Maj • 03:52 • -19db
34% Popularity • 39% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Frankie Davidson
On The Road To Gundagai
110 bpm • C Maj • 02:04 • -11.83db
23% Popularity • 65% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Chad Morgan
Threshing Machine
110 bpm • C Maj • 01:49 • -22db
20% Popularity • 69% Danceability • 12% Energy • 11% Liveness
77% Instrumentalness • 86% Positiveness
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Matt Scullion
Ulladulla Sticker
95 bpm • D Maj • 03:39 • -10.08db
21% Popularity • 72% Danceability • 35% Energy • 47% Liveness
0% Instrumentalness • 40% Positiveness
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Mark A Hunter
The Mary River
110 bpm • C Maj • 04:40 • -7.02db
19% Popularity • 78% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Tom Curtain
Why We Live Out Here
110 bpm • A Maj • 03:53 • -5db
23% Popularity • 66% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 61% Positiveness
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Adam McClure
Hold My Can While I Get Another Can
110 bpm • D Maj • 03:04 • -11.02db
22% Popularity • 89% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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John Williamson
The Truckies Wife
109 bpm • D# Maj • 05:05 • -17.51db
27% Popularity • 55% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
► Preview
Archie Roach
Took the Children Away
110 bpm • G Maj • 05:24 • -12.88db
36% Popularity • 35% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Luke O'Shea
Three Brothers (The Great War)
110 bpm • G Maj • 04:52 • -9.05db
21% Popularity • 61% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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The Bushwackers
The Shores of Botany Bay
110 bpm • C# min • 03:32 • -9.29db
12% Popularity • 95% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Clay Tallstories
Flip 'em & Stick 'em
94 bpm • C Maj • 04:07 • -6.28db
21% Popularity • 67% Danceability • 60% Energy • 74% Liveness
0% Instrumentalness • 42% Positiveness
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Adam McClure
Smashing Tinnies
110 bpm • G Maj • 03:20 • -12db
26% Popularity • 82% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Chad Morgan
I'm My Own Grandpa
110 bpm • D Maj • 02:27 • -9db
24% Popularity • 69% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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John Williamson/Warren H. Williams
What a Place
94 bpm • D min • 02:49 • -13.04db
14% Popularity • 64% Danceability • 40% Energy • 79% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Kevin Bloody Wilson
It Was Over (Kev's Lament)
94 bpm • F Maj • 02:54 • -16.82db
26% Popularity • 67% Danceability • 25% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
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Felicity Urquhart
Chain of Joy
94 bpm • A Maj • 02:57 • -7.39db
27% Popularity • 68% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
► Preview
McAlister Kemp
Country Proud
94 bpm • F Maj • 03:02 • -3db
31% Popularity • 48% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Daryl Braithwaite
The Horses
94 bpm • E Maj • 04:16 • -14.82db
59% Popularity • 71% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
John Williamson
Campfire on the Road
94 bpm • B Maj • 03:35 • -9.5db
25% Popularity • 51% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Slim Dusty
When The Rain Tumbles Down In July - 197...
94 bpm • C# Maj • 02:42 • -12.71db
34% Popularity • 74% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Sara Storer
Man Trap
111 bpm • D Maj • 04:05 • -7.83db
16% Popularity • 76% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
► Preview
Jeff Brown
Kamikaze Kangaroo
93 bpm • E Maj • 03:21 • -5.2db
24% Popularity • 71% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
► Preview
Dean Perrett
Six Decks to Darwin
113 bpm • F Maj • 03:14 • -4db
23% Popularity • 74% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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Chad Morgan
Queer Darned Cattle / These Women
113 bpm • G Maj • 01:58 • -5.51db
30% Popularity • 56% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
► Preview
John Williamson
Keeper of the Stones
93 bpm • E Maj • 03:45 • -6.67db
24% Popularity • 63% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Stan Coster
Lawson's Loaded Dog
113 bpm • F min • 04:15 • -10.42db
16% Popularity • 80% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
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Raining on the Rock