Songs like Rainy Road by Pyrolysis
Based on a tempo of (+/- 10%) and a similar genre
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Damh The Bard
Raggle Taggle Gypsies
95 bpm • G Maj • 03:42 • -12db
23% Popularity • 66% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 66% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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Beltaine
Introduction to an Imperfect World
95 bpm • D min • 05:01 • -8.46db
8% Popularity • 51% Danceability • 46% Energy • 9% Liveness
82% Instrumentalness • 15% Positiveness
8% Popularity • 51% Danceability • 46% Energy • 9% Liveness
82% Instrumentalness • 15% Positiveness
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Skipinnish
MÃ ili Dhonn
95 bpm • D Maj • 03:21 • -9db
28% Popularity • 68% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 68% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Battlefield Band
The Yew Tree
95 bpm • E min • 04:04 • -11db
20% Popularity • 36% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 36% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Capt'n Tor and the Naer-Do-Well Cads Pirate Invasion
The Hangman's Jig
95 bpm • E min • 05:17 • -6.64db
15% Popularity • 46% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 46% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Pyrolysis
Rainy Road
95 bpm • G Maj • 06:04 • -12.42db
5% Popularity • 27% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
5% Popularity • 27% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Musical Blades
Byker Hill
95 bpm • F# min • 02:21 • -4.01db
10% Popularity • 82% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 82% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Finvarra
Kelpie / The Cliffs of Moher
96 bpm • A min • 03:33 • -7db
13% Popularity • 46% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 46% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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The Skullduggers
Bully In the Alley
95 bpm • G Maj • 02:33 • -5.82db
35% Popularity • 63% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
35% Popularity • 63% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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Battlefield Band
Whaur Will We Gang? / March Of The Ceili...
95 bpm • D Maj • 03:21 • -12db
26% Popularity • 48% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 48% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Stamp'n Go Shanty
Rising Mandoline
96 bpm • G Maj • 01:55 • -5.49db
39% Popularity • 51% Danceability • 78% Energy • 19% Liveness
86% Instrumentalness • 63% Positiveness
39% Popularity • 51% Danceability • 78% Energy • 19% Liveness
86% Instrumentalness • 63% Positiveness
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Silly Wizard
The Queen of Argyll
96 bpm • B Maj • 03:28 • -14db
26% Popularity • 44% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
26% Popularity • 44% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Captain Loot And His Sea Shanties
Sailor's Lament Sea Shanty
96 bpm • C Maj • 01:46 • -14.46db
24% Popularity • 75% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 75% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Pyrates!
Fire Marengo
94 bpm • B Maj • 01:40 • -7.55db
20% Popularity • 81% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
20% Popularity • 81% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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The Captain's Beard
The Shanty Set
94 bpm • A Maj • 05:09 • -5.55db
10% Popularity • 56% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 56% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Lily Honigberg
Lost on Land
96 bpm • G min • 04:02 • -8.23db
24% Popularity • 43% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 43% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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Rum Ragged
Thomas Trim
96 bpm • F Maj • 03:12 • -10.94db
19% Popularity • 63% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 63% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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The Merry Wives Of Windsor
Devil And The Knight
96 bpm • E Maj • 03:14 • -6db
11% Popularity • 67% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 67% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Young Dubliners
Abhainn Mor
96 bpm • D Maj • 03:58 • -5.23db
40% Popularity • 39% Danceability • 84% Energy • 12% Liveness
44% Instrumentalness • 41% Positiveness
40% Popularity • 39% Danceability • 84% Energy • 12% Liveness
44% Instrumentalness • 41% Positiveness
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Pyrolysis
Witch Hunt
94 bpm • G Maj • 03:51 • -11.05db
10% Popularity • 38% Danceability • 46% Energy • 16% Liveness
17% Instrumentalness • 27% Positiveness
10% Popularity • 38% Danceability • 46% Energy • 16% Liveness
17% Instrumentalness • 27% Positiveness
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Heather Dale
The Maiden and the Selkie
96 bpm • E Maj • 04:06 • -12db
46% Popularity • 63% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 63% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Silly Wizard
The Queen Of Argyll
94 bpm • F# Maj • 03:24 • -6.34db
36% Popularity • 48% Danceability • 78% Energy • 68% Liveness
0% Instrumentalness • 84% Positiveness
36% Popularity • 48% Danceability • 78% Energy • 68% Liveness
0% Instrumentalness • 84% Positiveness
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The Irish Rovers
The Ballad of Tom Archer
93 bpm • E min • 04:23 • -6.55db
13% Popularity • 44% Danceability • 80% Energy • 57% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 44% Danceability • 80% Energy • 57% Liveness
0% Instrumentalness • 50% Positiveness
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Stormfrun
Gallows Dance
97 bpm • C Maj • 04:26 • -8db
22% Popularity • 55% Danceability • 85% Energy • 47% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 55% Danceability • 85% Energy • 47% Liveness
0% Instrumentalness • 33% Positiveness
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Prima Nocta
Slavovitch
93 bpm • G Maj • 02:24 • -8.55db
29% Popularity • 43% Danceability • 92% Energy • 68% Liveness
83% Instrumentalness • 26% Positiveness
29% Popularity • 43% Danceability • 92% Energy • 68% Liveness
83% Instrumentalness • 26% Positiveness
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Lisa Theriot
Afterword: The Keys Of Canterbury
97 bpm • G# Maj • 02:57 • -11.98db
9% Popularity • 71% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 71% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Calum Stewart
Randolph's Leap -, Pt. 1
97 bpm • B min • 03:39 • -6.44db
26% Popularity • 41% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 41% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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Ganaim
Mairi's Wedding
97 bpm • G Maj • 04:08 • -8db
21% Popularity • 32% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 32% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Ken Theriot
William Tell
98 bpm • C min • 05:19 • -8.89db
22% Popularity • 70% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 70% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Stormfrun
Once A Sailor
97 bpm • D min • 05:07 • -6db
28% Popularity • 39% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 39% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Battlefield Band
The Devil's Courtship / An Dro
97 bpm • D min • 03:47 • -15.07db
29% Popularity • 41% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 41% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Salt Sea Pirates
Waitin' For The Day
92 bpm • C# min • 02:59 • -18.3db
10% Popularity • 74% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 74% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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The Pirates Charles
The Horn
98 bpm • C Maj • 04:25 • -9.56db
17% Popularity • 55% Danceability • 47% Energy • 12% Liveness
43% Instrumentalness • 27% Positiveness
17% Popularity • 55% Danceability • 47% Energy • 12% Liveness
43% Instrumentalness • 27% Positiveness
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The Captain's Beard
New York Girls
98 bpm • G Maj • 03:34 • -5db
19% Popularity • 67% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 67% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Adonis Augustus
My dream
98 bpm • B min • 02:34 • -6.74db
14% Popularity • 81% Danceability • 76% Energy • 40% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 81% Danceability • 76% Energy • 40% Liveness
0% Instrumentalness • 67% Positiveness
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Heather Dale
The Greyhound
98 bpm • F# min • 03:52 • -7.53db
27% Popularity • 67% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 67% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
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Three Weird Sisters
Least Of My Kind
98 bpm • B min • 04:01 • -13.85db
22% Popularity • 56% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 56% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Silgor
The Wickerman
98 bpm • E min • 03:58 • -10.04db
12% Popularity • 76% Danceability • 54% Energy • 76% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 76% Danceability • 54% Energy • 76% Liveness
0% Instrumentalness • 69% Positiveness
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The Irish Rovers
The Banshee's Cry
92 bpm • G# Maj • 05:40 • -6.74db
29% Popularity • 45% Danceability • 90% Energy • 43% Liveness
60% Instrumentalness • 71% Positiveness
29% Popularity • 45% Danceability • 90% Energy • 43% Liveness
60% Instrumentalness • 71% Positiveness
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The Captain's Beard
Star of the County Down
92 bpm • E min • 05:02 • -6.28db
12% Popularity • 43% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 43% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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The Paul McKenna Band
The Banks of Newfoundland
91 bpm • E min • 04:38 • -9.52db
25% Popularity • 27% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 27% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Old Blind Dogs
The Cruel Sister
100 bpm • B min • 05:45 • -17.37db
29% Popularity • 60% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 66% Positiveness
29% Popularity • 60% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 66% Positiveness
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Ye Banished Privateers
Capstan Shanty
91 bpm • B min • 06:03 • -13.83db
21% Popularity • 45% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 45% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
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Sliotar
The Sweet Little Girl from Barnagh
91 bpm • D min • 02:04 • -7db
29% Popularity • 64% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 64% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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The Irish Rovers
The Rake
100 bpm • D min • 04:10 • -6.76db
25% Popularity • 62% Danceability • 83% Energy • 32% Liveness
1% Instrumentalness • 72% Positiveness
25% Popularity • 62% Danceability • 83% Energy • 32% Liveness
1% Instrumentalness • 72% Positiveness
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The Captain's Beard
John Kanackanaka
99 bpm • D Maj • 03:15 • -5.75db
39% Popularity • 52% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
39% Popularity • 52% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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The Teacups
Agamemnon
100 bpm • B Maj • 03:03 • -8db
30% Popularity • 69% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 69% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Susan McKeown
A Mháire Bhruinneall
100 bpm • B min • 02:05 • -11.37db
29% Popularity • 65% Danceability • 56% Energy • 18% Liveness
8% Instrumentalness • 27% Positiveness
29% Popularity • 65% Danceability • 56% Energy • 18% Liveness
8% Instrumentalness • 27% Positiveness
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Heather Alexander
The Hunt Is On
100 bpm • A Maj • 03:39 • -10.55db
12% Popularity • 55% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 55% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
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Harmony Glen
You and Me and the Devil Makes Three
100 bpm • E min • 04:06 • -7.34db
17% Popularity • 56% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 56% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Pyrolysis
Daylight Is Fading
100 bpm • D min • 01:18 • -10.17db
18% Popularity • 48% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 48% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Trewa
La Danse De Finistère
100 bpm • E min • 03:29 • -7.56db
18% Popularity • 55% Danceability • 86% Energy • 75% Liveness
24% Instrumentalness • 70% Positiveness
18% Popularity • 55% Danceability • 86% Energy • 75% Liveness
24% Instrumentalness • 70% Positiveness
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Stormfrun
Prepare Yourself To Fight
100 bpm • A min • 04:16 • -3.6db
32% Popularity • 54% Danceability • 93% Energy • 40% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 54% Danceability • 93% Energy • 40% Liveness
0% Instrumentalness • 62% Positiveness
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Wicked Tinkers
The Hog
90 bpm • A# min • 03:38 • -9.89db
7% Popularity • 56% Danceability • 61% Energy • 12% Liveness
4% Instrumentalness • 54% Positiveness
7% Popularity • 56% Danceability • 61% Energy • 12% Liveness
4% Instrumentalness • 54% Positiveness
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Castlefest Collective
Hope Is The Thing With Feathers
90 bpm • E min • 05:25 • -15.03db
3% Popularity • 52% Danceability • 34% Energy • 18% Liveness
1% Instrumentalness • 30% Positiveness
3% Popularity • 52% Danceability • 34% Energy • 18% Liveness
1% Instrumentalness • 30% Positiveness
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Clann An Drumma
Declaration of Arbroath
90 bpm • F Maj • 02:43 • -17.92db
9% Popularity • 73% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 73% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Ken Theriot
Fifty Miles Into The Main
90 bpm • E min • 04:19 • -9.22db
12% Popularity • 62% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 62% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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The Irish Rovers
Haul Away Joe
90 bpm • F Maj • 01:57 • -3.25db
45% Popularity • 75% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 75% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Trolska Polska
Eufori
101 bpm • A Maj • 04:37 • -6.18db
13% Popularity • 54% Danceability • 54% Energy • 8% Liveness
6% Instrumentalness • 35% Positiveness
13% Popularity • 54% Danceability • 54% Energy • 8% Liveness
6% Instrumentalness • 35% Positiveness
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The Skullduggers
Maui
101 bpm • E min • 02:49 • -6.05db
30% Popularity • 49% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 89% Positiveness
30% Popularity • 49% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 89% Positiveness
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Musical Blades
Bully in the Alley
89 bpm • E Maj • 02:37 • -5.42db
8% Popularity • 66% Danceability • 44% Energy • 40% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 66% Danceability • 44% Energy • 40% Liveness
0% Instrumentalness • 90% Positiveness
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Stormfrun
Dividing The Plunder
101 bpm • D min • 03:09 • -5.91db
27% Popularity • 33% Danceability • 90% Energy • 95% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 33% Danceability • 90% Energy • 95% Liveness
0% Instrumentalness • 40% Positiveness
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Pat Razket
The Only One Alive
89 bpm • E min • 02:47 • -7.59db
11% Popularity • 58% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 58% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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Pyrolysis
Thank the Devil
101 bpm • D Maj • 04:13 • -10.97db
3% Popularity • 45% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 37% Positiveness
3% Popularity • 45% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 37% Positiveness
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Leslie Fish
The Sun Is Also a Warrior
102 bpm • D min • 06:25 • -9.03db
14% Popularity • 69% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 69% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Jimlapbap
Through the Fire and Flames Shanty
102 bpm • A# Maj • 03:13 • -12.88db
30% Popularity • 72% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 72% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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Charley Foskett
Rusty Blade
102 bpm • G Maj • 04:30 • -11.65db
13% Popularity • 76% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 76% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Trolska Polska
Tumult
102 bpm • E min • 02:56 • -7.07db
16% Popularity • 58% Danceability • 52% Energy • 13% Liveness
8% Instrumentalness • 83% Positiveness
16% Popularity • 58% Danceability • 52% Energy • 13% Liveness
8% Instrumentalness • 83% Positiveness
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The Merry Wives Of Windsor
Three Ravens / Twa Corbies
88 bpm • C Maj • 03:56 • -9.81db
9% Popularity • 57% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 57% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Pyrolysis
This Is How
102 bpm • A min • 05:16 • -12.28db
6% Popularity • 31% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
6% Popularity • 31% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Leslie Fish
Hymn to the Night-Mare
88 bpm • D min • 02:46 • -9.46db
20% Popularity • 76% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 76% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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The Irish Rovers
The Lady and the Roving Blade
103 bpm • D Maj • 04:35 • -7.99db
11% Popularity • 44% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 44% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Prima Nocta
Tyr
103 bpm • A Maj • 03:58 • -5.71db
14% Popularity • 47% Danceability • 98% Energy • 15% Liveness
93% Instrumentalness • 53% Positiveness
14% Popularity • 47% Danceability • 98% Energy • 15% Liveness
93% Instrumentalness • 53% Positiveness
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The Craic
Shee an Gannon
103 bpm • G Maj • 05:04 • -2.65db
17% Popularity • 55% Danceability • 98% Energy • 30% Liveness
2% Instrumentalness • 54% Positiveness
17% Popularity • 55% Danceability • 98% Energy • 30% Liveness
2% Instrumentalness • 54% Positiveness
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West Of Eden
Read All About It
104 bpm • G# Maj • 03:11 • -8.36db
16% Popularity • 55% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
16% Popularity • 55% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Pyrolysis
Drowsytail Apron
103 bpm • D Maj • 03:54 • -11.12db
4% Popularity • 44% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
4% Popularity • 44% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Leslie Fish
Mount Tam (Anima Urbis)
103 bpm • G min • 03:32 • -6.28db
17% Popularity • 67% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 67% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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The Scarlet Scallywags
Bloody Brawl with the Devil
104 bpm • A min • 03:25 • -5.98db
16% Popularity • 35% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 35% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Julie Fowlis
Hùg Air A' Bhonaid Mhòir
104 bpm • F min • 02:57 • -8.16db
43% Popularity • 71% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
43% Popularity • 71% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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The Pirates Charles
Raise the Whiskey High
105 bpm • C# min • 04:41 • -5.81db
23% Popularity • 54% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 54% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Perly I Lotry
Ronja's Lullaby a Cappella
86 bpm • G min • 02:30 • -10.89db
34% Popularity • 30% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 30% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Old Blind Dogs
The Trooper and the Maid or the Trumpet ...
104 bpm • C# min • 03:21 • -17db
15% Popularity • 68% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 68% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Leslie Fish
Wanderer
103 bpm • G min • 02:55 • -10.04db
28% Popularity • 77% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 77% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Ye Banished Privateers
Cooper's Rum
86 bpm • A min • 03:32 • -8.93db
29% Popularity • 63% Danceability • 73% Energy • 97% Liveness
0% Instrumentalness • 71% Positiveness
29% Popularity • 63% Danceability • 73% Energy • 97% Liveness
0% Instrumentalness • 71% Positiveness
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Musical Blades
Rowdy Soul
105 bpm • F Maj • 01:53 • -6.81db
19% Popularity • 76% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 97% Positiveness
19% Popularity • 76% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 97% Positiveness
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Ten Strings and a Goat Skin
The Night They Moved the House
105 bpm • G Maj • 03:38 • -9.35db
38% Popularity • 67% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 67% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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Salt Sea Pirates
Fifteen Men On Deadman's Chest
105 bpm • E min • 03:57 • -13db
34% Popularity • 73% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 73% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Varend Volk
This Night We Spend Ashore
105 bpm • D min • 03:27 • -5db
34% Popularity • 66% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
34% Popularity • 66% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Leslie Fish
Wanderer
103 bpm • G min • 03:07 • -7.47db
14% Popularity • 58% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
14% Popularity • 58% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Derek Warfield & The Young Wolfe Tones
The Call of Erin / September 1913 / The ...
105 bpm • D Maj • 05:37 • -5.45db
14% Popularity • 60% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 60% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
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Beltaine
Fripouille / The Wandering Pint
105 bpm • F Maj • 04:49 • -6.34db
17% Popularity • 32% Danceability • 89% Energy • 13% Liveness
84% Instrumentalness • 62% Positiveness
17% Popularity • 32% Danceability • 89% Energy • 13% Liveness
84% Instrumentalness • 62% Positiveness
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Stormfrun
Avast!
105 bpm • F Maj • 03:41 • -12.06db
22% Popularity • 64% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
22% Popularity • 64% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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The Scarlet Scallywags
Ordinary Man
105 bpm • A min • 03:54 • -5.05db
23% Popularity • 46% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 46% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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The Poxy Boggards
The Cock & Bulls Tavern
105 bpm • G Maj • 03:01 • -9.6db
11% Popularity • 80% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 80% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Lisa Theriot
The Pardoner's Tale: Seek The Reaper
105 bpm • D min • 03:26 • -9.46db
10% Popularity • 77% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 77% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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The Dread Crew of Oddwood
Seafarer's Medley: Rights of Man/the Rim...
105 bpm • E min • 03:54 • -9.67db
17% Popularity • 37% Danceability • 72% Energy • 29% Liveness
2% Instrumentalness • 85% Positiveness
17% Popularity • 37% Danceability • 72% Energy • 29% Liveness
2% Instrumentalness • 85% Positiveness
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Worldwide Adventurers
The Pirate Shanty
105 bpm • E min • 07:14 • -9.59db
28% Popularity • 46% Danceability • 63% Energy • 74% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 46% Danceability • 63% Energy • 74% Liveness
0% Instrumentalness • 36% Positiveness
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Kilmaine Saints
Swallowtail Jig
86 bpm • F# min • 02:05 • -4.6db
33% Popularity • 25% Danceability • 89% Energy • 39% Liveness
92% Instrumentalness • 94% Positiveness
33% Popularity • 25% Danceability • 89% Energy • 39% Liveness
92% Instrumentalness • 94% Positiveness
