Songs like Raise 'Em Up by Keith Urban
Based on a tempo of (+/- 10%) and a similar genre
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Luke Bryan
Roller Coaster
108 bpm • G# Maj • 04:19 • -4.46db
59% Popularity • 60% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
59% Popularity • 60% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Jon Pardi
Head Over Boots
108 bpm • G Maj • 03:22 • -4.47db
74% Popularity • 56% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
74% Popularity • 56% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Love and Theft
Angel Eyes
108 bpm • G# Maj • 03:06 • -6db
57% Popularity • 66% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
57% Popularity • 66% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Frankie Ballard
You'll Accomp'ny Me
108 bpm • G Maj • 04:00 • -6db
37% Popularity • 60% Danceability • 75% Energy • 41% Liveness
0% Instrumentalness • 69% Positiveness
37% Popularity • 60% Danceability • 75% Energy • 41% Liveness
0% Instrumentalness • 69% Positiveness
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Keith Urban
Raise 'Em Up
108 bpm • E Maj • 03:04 • -7.86db
51% Popularity • 61% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
51% Popularity • 61% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Lauren Alaina
Georgia Peaches
107 bpm • F# min • 03:07 • -2.43db
39% Popularity • 59% Danceability • 89% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
39% Popularity • 59% Danceability • 89% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
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Luke Bryan
Rain Is A Good Thing
108 bpm • B min • 02:56 • -4.66db
69% Popularity • 62% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
69% Popularity • 62% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Little Big Town
Little White Church
107 bpm • A# Maj • 03:06 • -4.8db
52% Popularity • 67% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
52% Popularity • 67% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Brad Paisley
Crushin' It
109 bpm • D Maj • 03:40 • -5.86db
46% Popularity • 60% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
46% Popularity • 60% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Lee Brice
Drinking Class
109 bpm • C# Maj • 03:27 • -10db
59% Popularity • 66% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
59% Popularity • 66% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Josh Turner
Lay Low
109 bpm • B Maj • 04:20 • -5.92db
48% Popularity • 63% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
48% Popularity • 63% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Craig Campbell
Outta My Head
107 bpm • F# min • 03:32 • -5.73db
42% Popularity • 68% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
42% Popularity • 68% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Easton Corbin
Lovin' You Is Fun
110 bpm • G# Maj • 03:19 • -3.03db
55% Popularity • 70% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
55% Popularity • 70% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Brett Eldredge
Beat of the Music
110 bpm • A Maj • 02:59 • -4.13db
60% Popularity • 63% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
60% Popularity • 63% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Justin Moore
You Look Like I Need A Drink
106 bpm • B Maj • 03:07 • -3.63db
55% Popularity • 61% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
55% Popularity • 61% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Keith Urban
I Told You So
106 bpm • C# min • 04:02 • -5.85db
19% Popularity • 64% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
19% Popularity • 64% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Dallas Smith
Side Effects
110 bpm • E Maj • 02:57 • -4db
36% Popularity • 63% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
36% Popularity • 63% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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High Valley
She's with Me
111 bpm • B Maj • 03:00 • -4db
50% Popularity • 60% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
50% Popularity • 60% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Randy Houser
Goodnight Kiss
111 bpm • C# Maj • 03:26 • -4.29db
52% Popularity • 73% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
52% Popularity • 73% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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LANCO
Long Live Tonight
111 bpm • B Maj • 03:44 • -5.67db
35% Popularity • 60% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
35% Popularity • 60% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Zac Brown Band
Homegrown
105 bpm • F# Maj • 03:25 • -4db
69% Popularity • 71% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
69% Popularity • 71% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Keith Urban
Somebody Like You
111 bpm • E Maj • 05:23 • -5.77db
68% Popularity • 62% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
68% Popularity • 62% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Phil Vassar
That's When I Love You
111 bpm • A# Maj • 03:28 • -4.82db
31% Popularity • 55% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 55% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Chris Janson
Done
105 bpm • A Maj • 03:40 • -3.38db
54% Popularity • 56% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
54% Popularity • 56% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Easton Corbin
A Girl Like You
105 bpm • F Maj • 03:37 • -4db
52% Popularity • 74% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
52% Popularity • 74% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Randy Houser
How Country Feels
105 bpm • G Maj • 03:05 • -3.62db
68% Popularity • 68% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
68% Popularity • 68% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Montgomery Gentry
One In Every Crowd
111 bpm • B Maj • 03:31 • -4.45db
46% Popularity • 64% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
46% Popularity • 64% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
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Keith Urban
Red Camaro
105 bpm • C Maj • 03:59 • -4.83db
23% Popularity • 79% Danceability • 80% Energy • 2% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 79% Danceability • 80% Energy • 2% Liveness
0% Instrumentalness • 96% Positiveness
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Cole Swindell
Hey Y'all
112 bpm • B Maj • 02:49 • -2.71db
40% Popularity • 60% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
40% Popularity • 60% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Josh Turner
Time Is Love
112 bpm • D Maj • 03:20 • -4.99db
57% Popularity • 66% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
57% Popularity • 66% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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LOCASH
I Love This Life
112 bpm • D Maj • 03:28 • -3db
37% Popularity • 59% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 59% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Randy Houser
Boots On
112 bpm • G# Maj • 02:50 • -5db
60% Popularity • 71% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
60% Popularity • 71% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Brothers Osborne
21 Summer
112 bpm • D Maj • 03:34 • -6.99db
57% Popularity • 64% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
57% Popularity • 64% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Keith Urban
Better Life
105 bpm • D Maj • 04:43 • -3.54db
48% Popularity • 62% Danceability • 83% Energy • 3% Liveness
0% Instrumentalness • 80% Positiveness
48% Popularity • 62% Danceability • 83% Energy • 3% Liveness
0% Instrumentalness • 80% Positiveness
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Billy Currington
I Got A Feelin'
112 bpm • D Maj • 03:13 • -5.4db
59% Popularity • 65% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
59% Popularity • 65% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Jake Owen
American Country Love Song
104 bpm • G# Maj • 03:19 • -4db
58% Popularity • 53% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
58% Popularity • 53% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Brett Kissel
3, 2, 1
104 bpm • G# Maj • 03:35 • -6db
38% Popularity • 58% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 58% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Chris Cagle
Chicks Dig It - Single Edit
104 bpm • G Maj • 03:30 • -5db
55% Popularity • 60% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
55% Popularity • 60% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Zac Brown Band
Jump Right In
104 bpm • C# Maj • 03:00 • -5db
56% Popularity • 70% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
56% Popularity • 70% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Scotty McCreery
You Time
104 bpm • A Maj • 03:12 • -6db
50% Popularity • 55% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
50% Popularity • 55% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Ronnie Dunn
Damn Drunk
104 bpm • C Maj • 04:24 • -5db
44% Popularity • 63% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
44% Popularity • 63% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Jerrod Niemann
Lover, Lover
112 bpm • G Maj • 03:13 • -6.51db
58% Popularity • 88% Danceability • 57% Energy • 62% Liveness
0% Instrumentalness • 95% Positiveness
58% Popularity • 88% Danceability • 57% Energy • 62% Liveness
0% Instrumentalness • 95% Positiveness
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Keith Urban
But For The Grace Of God
104 bpm • C Maj • 03:42 • -6db
27% Popularity • 67% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 67% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Old Dominion
Some People Do
113 bpm • A Maj • 03:16 • -9.46db
51% Popularity • 63% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
51% Popularity • 63% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Canaan Smith
Hole In A Bottle
113 bpm • G# min • 02:36 • -5.53db
36% Popularity • 69% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
36% Popularity • 69% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Rascal Flatts
Yours If You Want It
113 bpm • G# Maj • 03:26 • -3db
53% Popularity • 55% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
53% Popularity • 55% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Jon Pardi
When I've Been Drinkin'
113 bpm • B Maj • 03:17 • -6.08db
56% Popularity • 86% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
56% Popularity • 86% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Luke Combs
Does To Me
113 bpm • C Maj • 03:43 • -4.9db
67% Popularity • 62% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
67% Popularity • 62% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Brett Eldredge
Somethin' I'm Good At
103 bpm • F Maj • 03:37 • -4db
50% Popularity • 57% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
50% Popularity • 57% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
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Lee Brice
Hard To Love
103 bpm • A Maj • 03:44 • -6.18db
68% Popularity • 64% Danceability • 72% Energy • 19% Liveness
1% Instrumentalness • 47% Positiveness
68% Popularity • 64% Danceability • 72% Energy • 19% Liveness
1% Instrumentalness • 47% Positiveness
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Keith Urban
Sweet Thing
103 bpm • G# Maj • 03:48 • -6.2db
45% Popularity • 62% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
45% Popularity • 62% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Cole Swindell
Love You Too Late
114 bpm • A min • 03:24 • -4.45db
55% Popularity • 54% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
55% Popularity • 54% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Easton Corbin
Dance Real Slow
103 bpm • D# Maj • 03:43 • -5db
40% Popularity • 61% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 61% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Old Dominion
Stars in the City
114 bpm • G# Maj • 03:19 • -5.39db
48% Popularity • 66% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
48% Popularity • 66% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Josh Abbott Band
Wasn't That Drunk
114 bpm • C min • 03:43 • -5.38db
49% Popularity • 56% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
49% Popularity • 56% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Jerrod Niemann
One More Drinkin' Song
114 bpm • A Maj • 02:47 • -6db
41% Popularity • 73% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
41% Popularity • 73% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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Keith Urban
We Were Us
103 bpm • D Maj • 03:11 • -5.69db
50% Popularity • 58% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
50% Popularity • 58% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Sugarland
Something More
102 bpm • E Maj • 03:36 • -4db
52% Popularity • 61% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
52% Popularity • 61% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Craig Morgan
This Ole Boy
114 bpm • B Maj • 04:23 • -4.4db
37% Popularity • 59% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 59% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
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Colt Ford
Country Thang
102 bpm • D Maj • 02:52 • -6.92db
32% Popularity • 64% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 64% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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Rascal Flatts
Summer Nights
102 bpm • D Maj • 04:02 • -4.88db
58% Popularity • 54% Danceability • 90% Energy • 57% Liveness
0% Instrumentalness • 66% Positiveness
58% Popularity • 54% Danceability • 90% Energy • 57% Liveness
0% Instrumentalness • 66% Positiveness
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Old Dominion
Hotel Key
102 bpm • B Maj • 02:46 • -5.09db
65% Popularity • 76% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
65% Popularity • 76% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Dallas Smith
Nothing But Summer
102 bpm • D# Maj • 03:06 • -2.67db
30% Popularity • 56% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 56% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Randy Houser
We Went
102 bpm • E min • 02:59 • -3.77db
57% Popularity • 65% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
57% Popularity • 65% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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Keith Urban
Good Thing
102 bpm • A Maj • 03:52 • -4.25db
33% Popularity • 65% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
33% Popularity • 65% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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Tyler Hubbard
Dancin' In The Country (Demo - Keith Urb...
115 bpm • G Maj • 02:46 • -6db
41% Popularity • 64% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
41% Popularity • 64% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Frankie Ballard
Young & Crazy
115 bpm • C Maj • 03:00 • -4db
49% Popularity • 61% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
49% Popularity • 61% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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Old Dominion
Nowhere Fast
102 bpm • G Maj • 03:08 • -7.31db
52% Popularity • 79% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
52% Popularity • 79% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Brett Eldredge
Lose My Mind
101 bpm • F# min • 02:35 • -5.51db
53% Popularity • 68% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
53% Popularity • 68% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Hank Williams, Jr.
Are You Ready For The Country
115 bpm • A min • 03:29 • -4.25db
29% Popularity • 57% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 57% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 51% Positiveness
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Brad Paisley
Old Alabama
116 bpm • G Maj • 05:01 • -5db
51% Popularity • 38% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
51% Popularity • 38% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Craig Campbell
Outskirts of Heaven
116 bpm • C Maj • 04:04 • -5.73db
54% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
54% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Jerrod Niemann
Drink to That All Night
116 bpm • A min • 03:44 • -6.18db
57% Popularity • 64% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
57% Popularity • 64% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Old Dominion
Snapback
101 bpm • F Maj • 03:26 • -3.58db
63% Popularity • 69% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
63% Popularity • 69% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Rodney Atkins
If You're Going Through Hell (Before The...
116 bpm • A Maj • 03:36 • -3.66db
62% Popularity • 57% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
62% Popularity • 57% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Thompson Square
Everything I Shouldn't Be Thinking About
116 bpm • G# Maj • 02:58 • -3.7db
37% Popularity • 68% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
37% Popularity • 68% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Big & Rich
California
116 bpm • A Maj • 03:21 • -4.84db
43% Popularity • 63% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
43% Popularity • 63% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
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Jon Pardi
Heartache On The Dance Floor
116 bpm • A Maj • 03:25 • -4.31db
74% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
74% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Lonestar
No News
116 bpm • F min • 02:53 • -6db
53% Popularity • 74% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
53% Popularity • 74% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Carrie Underwood
Southbound
101 bpm • C Maj • 03:22 • -4.02db
54% Popularity • 61% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
54% Popularity • 61% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Sara Evans
Born to Fly
100 bpm • C# Maj • 05:36 • -9.31db
54% Popularity • 61% Danceability • 66% Energy • 6% Liveness
2% Instrumentalness • 56% Positiveness
54% Popularity • 61% Danceability • 66% Energy • 6% Liveness
2% Instrumentalness • 56% Positiveness
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Keith Urban
Wasted Time
100 bpm • G Maj • 03:53 • -5.76db
35% Popularity • 62% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 62% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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LOCASH
Ring On Every Finger
100 bpm • G Maj • 03:31 • -4db
26% Popularity • 59% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 59% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Dallas Smith
Sky Stays This Blue
117 bpm • D Maj • 02:52 • -4db
33% Popularity • 59% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 59% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Brad Paisley
River Bank
117 bpm • G Maj • 02:59 • -5.79db
47% Popularity • 64% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
47% Popularity • 64% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
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Jimmie Allen
Boy Gets A Truck
117 bpm • C# Maj • 03:41 • -4.78db
23% Popularity • 56% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 56% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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David Nail
Kiss You Tonight
99 bpm • B Maj • 03:50 • -6db
40% Popularity • 57% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
40% Popularity • 57% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Keith Urban
You Look Good In My Shirt
117 bpm • G Maj • 03:47 • -6db
51% Popularity • 65% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
51% Popularity • 65% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Zac Brown Band
Loving You Easy
99 bpm • C# Maj • 02:35 • -4.18db
61% Popularity • 72% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
61% Popularity • 72% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Clay Walker
What's It to You
118 bpm • D Maj • 02:46 • -13.22db
57% Popularity • 72% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
57% Popularity • 72% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Rascal Flatts
Fast Cars And Freedom
118 bpm • D# min • 04:22 • -4.84db
60% Popularity • 62% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
60% Popularity • 62% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Dierks Bentley
I Hold On
118 bpm • C Maj • 04:39 • -6.45db
59% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
59% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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James Barker Band
It's Working
118 bpm • G Maj • 03:13 • -5db
38% Popularity • 67% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 67% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Keith Urban
Your Body
99 bpm • D Maj • 02:45 • -6.05db
17% Popularity • 61% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 61% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Casey Donahew
Kiss Me
118 bpm • E Maj • 03:28 • -4.59db
46% Popularity • 58% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
46% Popularity • 58% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Drake White
Livin' The Dream
98 bpm • G# Maj • 03:07 • -4.46db
46% Popularity • 60% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 60% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Montgomery Gentry
Gone
119 bpm • G Maj • 04:10 • -5db
50% Popularity • 65% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
50% Popularity • 65% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Old Dominion
Memory Lane
119 bpm • F# Maj • 02:52 • -5.14db
71% Popularity • 65% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
71% Popularity • 65% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness