Songs like Raise You Up / Just Be by Full Company
Based on a tempo of (+/- 10%) and a similar genre
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Full Company
Raise You Up / Just Be
122 bpm • C Maj • 06:09 • -6.83db
40% Popularity • 74% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
40% Popularity • 74% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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![I Want a Lock-Up (Reprise) - Finale [Portobello Road] cover art](https://i.scdn.co/image/ab67616d00001e02d31efa223074b69952ad20d8)
Diana Coupland
I Want a Lock-Up (Reprise) - Finale [Por...
122 bpm • F min • 02:23 • -18.09db
0% Popularity • 70% Danceability • 25% Energy • 79% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 70% Danceability • 25% Energy • 79% Liveness
0% Instrumentalness • 28% Positiveness
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Richard Gere
Razzle Dazzle
122 bpm • D Maj • 03:45 • -12db
31% Popularity • 51% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 51% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Paul Ayres
Take What You Got
122 bpm • B Maj • 03:14 • -10.89db
24% Popularity • 55% Danceability • 64% Energy • 41% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 55% Danceability • 64% Energy • 41% Liveness
0% Instrumentalness • 68% Positiveness
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Brian D'Arcy James
Overture/Big Bright Beautiful World
122 bpm • D Maj • 05:43 • -6.97db
42% Popularity • 57% Danceability • 57% Energy • 83% Liveness
0% Instrumentalness • 59% Positiveness
42% Popularity • 57% Danceability • 57% Energy • 83% Liveness
0% Instrumentalness • 59% Positiveness
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Gavin Lee as Bert
Step In Time - London Cast Recording
122 bpm • B min • 05:34 • -13db
28% Popularity • 50% Danceability • 35% Energy • 58% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 50% Danceability • 35% Energy • 58% Liveness
0% Instrumentalness • 47% Positiveness
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Andy Kelso
Take What You Got
122 bpm • B Maj • 03:18 • -6db
31% Popularity • 61% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 61% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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John Bolton
A Rumor in St. Petersburg
123 bpm • C Maj • 05:39 • -10db
46% Popularity • 70% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 70% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Shanice Williams
A Brand New Day
123 bpm • F Maj • 03:37 • -4.33db
29% Popularity • 57% Danceability • 87% Energy • 82% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 57% Danceability • 87% Energy • 82% Liveness
0% Instrumentalness • 42% Positiveness
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Rose
Rose's Turn
121 bpm • F min • 04:19 • -5db
31% Popularity • 63% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 63% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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John Tartaglia
Story Of My Life
122 bpm • A Maj • 03:10 • -6db
44% Popularity • 68% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 68% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Adam Jacobs
One Jump Ahead
121 bpm • G Maj • 02:09 • -6.35db
41% Popularity • 76% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
41% Popularity • 76% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Glenn Close
One Brick at a Time
123 bpm • D Maj • 03:24 • -8.41db
17% Popularity • 75% Danceability • 72% Energy • 63% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 75% Danceability • 72% Energy • 63% Liveness
0% Instrumentalness • 79% Positiveness
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Renée Elise Goldsberry
Satisfied
124 bpm • F min • 05:29 • -8.58db
70% Popularity • 71% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
70% Popularity • 71% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Patti LuPone
The Ladies Who Lunch
120 bpm • D Maj • 04:09 • -13.75db
33% Popularity • 55% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 55% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Laura Bell Bundy
Cooties
120 bpm • D Maj • 01:31 • -6.23db
29% Popularity • 86% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 86% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
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Daniel Breaker
Donkey Pot Pie
120 bpm • G Maj • 02:42 • -6.68db
38% Popularity • 66% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
38% Popularity • 66% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Stark Sands
Larger Than Life
120 bpm • G# Maj • 02:10 • -4.84db
42% Popularity • 65% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
42% Popularity • 65% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
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Oliver Tompsett
Larger Than Life
120 bpm • A# min • 02:10 • -7.28db
42% Popularity • 66% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
42% Popularity • 66% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Billy Porter
What a Woman Wants
120 bpm • A min • 03:54 • -6.95db
29% Popularity • 66% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 66% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Mary J. Blige
Don't Nobody Bring Me No Bad News
120 bpm • F Maj • 03:10 • -1.54db
25% Popularity • 57% Danceability • 97% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 57% Danceability • 97% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
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Catherine Zeta-Jones
Overture/And All That Jazz
120 bpm • C# min • 06:04 • -6.54db
38% Popularity • 58% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 58% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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Sutton Foster
I Think I Got You Beat
120 bpm • E Maj • 04:37 • -8db
42% Popularity • 79% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 79% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Matt Henry
What a Woman Wants
120 bpm • A min • 04:27 • -10.85db
23% Popularity • 69% Danceability • 72% Energy • 82% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 69% Danceability • 72% Energy • 82% Liveness
0% Instrumentalness • 49% Positiveness
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Keala Settle
I Didn't Plan It
120 bpm • F# Maj • 02:39 • -3.94db
46% Popularity • 62% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
46% Popularity • 62% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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Ben Fankhauser
Seize The Day
120 bpm • D# Maj • 05:22 • -9.49db
51% Popularity • 47% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 47% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Full Company
Finale Act One
124 bpm • G# Maj • 03:46 • -16.01db
0% Popularity • 38% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 38% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Original West End Cast of Everybody's Talking About Jamie
Spotlight
124 bpm • E Maj • 02:56 • -6db
38% Popularity • 63% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
38% Popularity • 63% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
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SIX
No Way
119 bpm • F min • 04:01 • -6.5db
61% Popularity • 63% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
61% Popularity • 63% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Krysta Rodriguez
Pulled
125 bpm • C Maj • 02:59 • -7.96db
50% Popularity • 51% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
50% Popularity • 51% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
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Patina Miller
Magic to Do
125 bpm • A Maj • 04:35 • -7.36db
40% Popularity • 35% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
40% Popularity • 35% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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'Legally Blonde' Ensemble
Whipped into Shape
119 bpm • F# Maj • 04:20 • -9.88db
48% Popularity • 72% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
48% Popularity • 72% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Christina Applegate
If My Friends Could See Me Now
119 bpm • A# min • 02:45 • -10.69db
22% Popularity • 84% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 84% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Andrew Keenan-Bolger
Santa Fe (Prologue)
125 bpm • C Maj • 03:05 • -14.05db
45% Popularity • 46% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
45% Popularity • 46% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Andrew Rannells
Love Thy Neighbor
119 bpm • G Maj • 04:31 • -5.88db
46% Popularity • 48% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
46% Popularity • 48% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Christopher Sieber
Love Thy Neighbor
119 bpm • G Maj • 04:19 • -5.24db
36% Popularity • 56% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 56% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Jordan Luke Gage
It's My Life
125 bpm • B min • 04:00 • -7db
39% Popularity • 62% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
39% Popularity • 62% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Annaleigh Ashford
Bend and Snap
125 bpm • A Maj • 03:20 • -8.93db
49% Popularity • 81% Danceability • 62% Energy • 63% Liveness
0% Instrumentalness • 68% Positiveness
49% Popularity • 81% Danceability • 62% Energy • 63% Liveness
0% Instrumentalness • 68% Positiveness
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Sierra Boggess
Live out Loud
119 bpm • A Maj • 02:54 • -9.15db
28% Popularity • 50% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
28% Popularity • 50% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
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Jessie Mueller
She Used to Be Mine
125 bpm • F# Maj • 04:20 • -8.57db
53% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
53% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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John Gallagher, Jr.
The Bitch Of Living - Original Broadway ...
119 bpm • F Maj • 02:52 • -6.12db
45% Popularity • 63% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
45% Popularity • 63% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Nicole Kidman
Zazz
119 bpm • G# Maj • 03:08 • -6db
29% Popularity • 77% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 77% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Bring It On: The Musical - Original Broadway Cast
What I Was Born To Do
125 bpm • B min • 04:53 • -4.48db
45% Popularity • 68% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
45% Popularity • 68% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Ruthie Henshall
I Got Rhythm
125 bpm • F Maj • 07:46 • -14.3db
26% Popularity • 58% Danceability • 48% Energy • 61% Liveness
0% Instrumentalness • 72% Positiveness
26% Popularity • 58% Danceability • 48% Energy • 61% Liveness
0% Instrumentalness • 72% Positiveness
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Matt Henry
Land of Lola
118 bpm • E Maj • 03:48 • -10db
29% Popularity • 54% Danceability • 73% Energy • 88% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 54% Danceability • 73% Energy • 88% Liveness
0% Instrumentalness • 53% Positiveness
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Full Company
The Pajama Game
118 bpm • C# Maj • 02:59 • -9.57db
2% Popularity • 74% Danceability • 29% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
2% Popularity • 74% Danceability • 29% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Lea Michele
My Junk - Original Broadway Cast Recordi...
118 bpm • D Maj • 02:25 • -6.64db
40% Popularity • 73% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 73% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Billy Porter
Land of Lola
118 bpm • G Maj • 03:07 • -6.85db
40% Popularity • 72% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
40% Popularity • 72% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Christopher Fitzgerald
I Love You Like a Table
126 bpm • G# Maj • 01:56 • -5.46db
46% Popularity • 74% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
46% Popularity • 74% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Shanice Williams
Ease on Down the Road
118 bpm • F min • 01:58 • -1.76db
33% Popularity • 70% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
33% Popularity • 70% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Lauren Worsham
I've Decided to Marry You
118 bpm • E Maj • 04:03 • -9.02db
34% Popularity • 77% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 77% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Christian Borle
The Candy Man
118 bpm • G# Maj • 03:11 • -8.1db
35% Popularity • 68% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 68% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Patina Miller
Glory
118 bpm • G# Maj • 05:54 • -8db
34% Popularity • 52% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 52% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
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Daniel Breaker
Don't Let Me Go
127 bpm • D Maj • 02:49 • -6.14db
45% Popularity • 67% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
45% Popularity • 67% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Original Broadway Cast of On Your Feet
Mega Mix
127 bpm • C# Maj • 04:34 • -6db
23% Popularity • 67% Danceability • 82% Energy • 97% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 67% Danceability • 82% Energy • 97% Liveness
0% Instrumentalness • 53% Positiveness
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Matt Henry
Sex Is In The Heel
127 bpm • D Maj • 05:48 • -11db
27% Popularity • 71% Danceability • 64% Energy • 68% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 71% Danceability • 64% Energy • 68% Liveness
0% Instrumentalness • 67% Positiveness
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Billy Porter
Sex Is in the Heel
127 bpm • D Maj • 04:34 • -6.53db
36% Popularity • 81% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
36% Popularity • 81% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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Christopher Walken
(You're) Timeless To Me
117 bpm • E min • 04:47 • -8.26db
41% Popularity • 49% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
41% Popularity • 49% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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![Who's That Boy? (Live) [feat. Full Company] cover art](https://i.scdn.co/image/ab67616d00001e02c3322040f632c78022cd5e9e)
George Stiles
Who's That Boy? (Live)
127 bpm • A Maj • 04:08 • -6.89db
5% Popularity • 52% Danceability • 54% Energy • 70% Liveness
0% Instrumentalness • 36% Positiveness
5% Popularity • 52% Danceability • 54% Energy • 70% Liveness
0% Instrumentalness • 36% Positiveness
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Company - Into the Woods (Motion Picture Cast)
Finale/Children Will Listen (Pt. 2)
127 bpm • C# Maj • 01:44 • -14.59db
35% Popularity • 61% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
35% Popularity • 61% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Christian Borle
Legally Blonde
127 bpm • G Maj • 03:30 • -14.45db
48% Popularity • 45% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
48% Popularity • 45% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Adam Jacobs
A Whole New World
127 bpm • C# Maj • 04:07 • -10.42db
37% Popularity • 38% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 38% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Ricky Rojas
Backstage Romance
128 bpm • C min • 05:22 • -7.23db
50% Popularity • 40% Danceability • 60% Energy • 39% Liveness
0% Instrumentalness • 33% Positiveness
50% Popularity • 40% Danceability • 60% Energy • 39% Liveness
0% Instrumentalness • 33% Positiveness
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Zac Efron
Ladies' Choice
117 bpm • D Maj • 02:28 • -4.88db
51% Popularity • 68% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
51% Popularity • 68% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Jessie Mueller
What Baking Can Do
128 bpm • F# Maj • 03:30 • -5.96db
52% Popularity • 70% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
52% Popularity • 70% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Daniel Huttlestone
Giants in the Sky
128 bpm • D Maj • 02:26 • -13.14db
45% Popularity • 64% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 64% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Julia Murney
A Wild, Wild Party
128 bpm • G min • 04:02 • -5db
25% Popularity • 61% Danceability • 65% Energy • 50% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 61% Danceability • 65% Energy • 50% Liveness
0% Instrumentalness • 58% Positiveness
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Ethan Slater
Hero is My Middle Name
128 bpm • F# Maj • 03:15 • -5.53db
37% Popularity • 75% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 75% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Alex Newell
Independently Owned
116 bpm • G Maj • 02:43 • -4.58db
44% Popularity • 68% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 68% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Tracie Thoms
Tango: Maureen
128 bpm • G Maj • 03:55 • -4.99db
46% Popularity • 80% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
46% Popularity • 80% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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E. Clayton Cornelious
On Broadway
128 bpm • G Maj • 02:11 • -4.36db
28% Popularity • 74% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 74% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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George Stiles
The Collage
128 bpm • G Maj • 03:51 • -25.28db
5% Popularity • 46% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
5% Popularity • 46% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Andrew Rannells
All-American Prophet
116 bpm • C# Maj • 06:14 • -9.89db
46% Popularity • 67% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
46% Popularity • 67% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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John Bolton
Learn to Do It
129 bpm • G Maj • 04:07 • -10.74db
47% Popularity • 66% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
47% Popularity • 66% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Karen Mason
Off with Their Heads
116 bpm • F# Maj • 03:00 • -14db
23% Popularity • 55% Danceability • 29% Energy • 44% Liveness
0% Instrumentalness • 67% Positiveness
23% Popularity • 55% Danceability • 29% Energy • 44% Liveness
0% Instrumentalness • 67% Positiveness
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Krysta Rodriguez
Crazier Than You
115 bpm • E min • 02:51 • -7.45db
45% Popularity • 58% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
45% Popularity • 58% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Matthew Morrison
Believe - Original Broadway Cast Recordi...
129 bpm • C Maj • 03:50 • -7.27db
28% Popularity • 73% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 73% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Jonathan Groff
Totally Fucked - Original Broadway Cast ...
129 bpm • A# Maj • 03:18 • -7.23db
41% Popularity • 69% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
41% Popularity • 69% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Walter Bobbie
Sit Down, You're Rockin' the Boat
129 bpm • A# Maj • 02:57 • -15.74db
38% Popularity • 58% Danceability • 30% Energy • 77% Liveness
0% Instrumentalness • 52% Positiveness
38% Popularity • 58% Danceability • 30% Energy • 77% Liveness
0% Instrumentalness • 52% Positiveness
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Brian D'Arcy James
When Words Fail
115 bpm • G Maj • 03:09 • -10.66db
40% Popularity • 48% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
40% Popularity • 48% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Stephen Schwartz
March Of The Witch Hunters
115 bpm • G# Maj • 01:31 • -8db
35% Popularity • 56% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
35% Popularity • 56% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Bebe Neuwirth
Just Around The Corner
129 bpm • F# Maj • 03:58 • -10db
39% Popularity • 57% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 57% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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SIX
Heart of Stone
115 bpm • F Maj • 05:11 • -8.14db
59% Popularity • 51% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
59% Popularity • 51% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Brad Oscar
A Musical
129 bpm • A# Maj • 07:47 • -8db
43% Popularity • 58% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 58% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Stephanie D'Abruzzo
There's a Fine, Fine Line
129 bpm • G Maj • 02:39 • -9.98db
28% Popularity • 52% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 52% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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The Original Broadway Cast Of School Of Rock
Stick It to the Man
115 bpm • C Maj • 03:12 • -3.81db
46% Popularity • 63% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 63% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Bring It On: The Musical - Original Broadway Cast
It's All Happening
130 bpm • F# Maj • 05:45 • -4.34db
38% Popularity • 59% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
38% Popularity • 59% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Hedwig And The Angry Inch - Original Broadway Cast
Wig In A Box
130 bpm • A Maj • 05:07 • -7.64db
27% Popularity • 47% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 47% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Brittany Snow
The New Girl In Town
130 bpm • C# Maj • 02:15 • -6.45db
50% Popularity • 77% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
50% Popularity • 77% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Patina Miller
Sunday Morning Fever
130 bpm • A# Maj • 05:54 • -7db
31% Popularity • 55% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 55% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Jo Ellen Pellman
You Happened
130 bpm • C Maj • 03:11 • -6.79db
35% Popularity • 73% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
35% Popularity • 73% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Caitlin Kinnunen
You Happened
130 bpm • C Maj • 03:14 • -5.7db
31% Popularity • 79% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
31% Popularity • 79% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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The Original Broadway Cast Of School Of Rock
If Only You Would Listen
130 bpm • F Maj • 03:12 • -5.51db
28% Popularity • 49% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 49% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Laura Bell Bundy
Serious
114 bpm • C# Maj • 03:13 • -11.98db
47% Popularity • 59% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
47% Popularity • 59% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Annaleigh Ashford
The History of Wrong Guys
130 bpm • A# Maj • 03:48 • -6.34db
43% Popularity • 81% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
43% Popularity • 81% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Lea Michele
Don't Rain on My Parade
130 bpm • A Maj • 02:38 • -8.59db
43% Popularity • 58% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
43% Popularity • 58% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Andrew Rannells
Hello!
130 bpm • C Maj • 02:52 • -9.93db
54% Popularity • 66% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
54% Popularity • 66% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Lynn Ahrens
Notice Me, Horton - Original Broadway Ca...
114 bpm • F Maj • 03:07 • -14.52db
35% Popularity • 46% Danceability • 21% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 46% Danceability • 21% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
