Songs like Rajaat Laayoun / رجعت العيون by Abdou El Omari
Based on a tempo of (+/- 10%) and a similar genre
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Abdou El Omari / عبده العماري
Rajaat Laayoun / رجعت العيون
112 bpm • A Maj • 05:28 • -16.95db
6% Popularity • 49% Danceability • 55% Energy • 11% Liveness
92% Instrumentalness • 70% Positiveness
6% Popularity • 49% Danceability • 55% Energy • 11% Liveness
92% Instrumentalness • 70% Positiveness
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Ahmed Fakroun
Sahranin
112 bpm • F# min • 05:09 • -11.98db
17% Popularity • 82% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 82% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Abd El Fattah Mansi / عبد الفتاح منسي
Leyla / ليلى
112 bpm • F# min • 03:34 • -8.18db
9% Popularity • 60% Danceability • 66% Energy • 6% Liveness
23% Instrumentalness • 69% Positiveness
9% Popularity • 60% Danceability • 66% Energy • 6% Liveness
23% Instrumentalness • 69% Positiveness
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Black Truth Rhythm Band
Ifetayo
112 bpm • D Maj • 05:48 • -12.57db
11% Popularity • 59% Danceability • 51% Energy • 15% Liveness
76% Instrumentalness • 64% Positiveness
11% Popularity • 59% Danceability • 51% Energy • 15% Liveness
76% Instrumentalness • 64% Positiveness
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Baligh Hamdi
Gada - U.S. Mix
112 bpm • C min • 02:06 • -7.4db
10% Popularity • 66% Danceability • 58% Energy • 22% Liveness
79% Instrumentalness • 91% Positiveness
10% Popularity • 66% Danceability • 58% Energy • 22% Liveness
79% Instrumentalness • 91% Positiveness
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Mor Thiam
Sindiely
112 bpm • D# Maj • 05:55 • -12.26db
7% Popularity • 57% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
7% Popularity • 57% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Kamal Keila
Ya Shaifni
111 bpm • C min • 06:44 • -6.99db
7% Popularity • 64% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 96% Positiveness
7% Popularity • 64% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 96% Positiveness
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Joseph Saker
Raksat Al Ors
113 bpm • F Maj • 01:58 • -11db
22% Popularity • 70% Danceability • 40% Energy • 15% Liveness
44% Instrumentalness • 85% Positiveness
22% Popularity • 70% Danceability • 40% Energy • 15% Liveness
44% Instrumentalness • 85% Positiveness
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Iftin Band
II Ooy Aniga - Cry For Me
113 bpm • A Maj • 03:37 • -10.45db
8% Popularity • 48% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 48% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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Charif Megarbane
Chez Mounir
113 bpm • A min • 02:50 • -7.41db
30% Popularity • 55% Danceability • 65% Energy • 8% Liveness
4% Instrumentalness • 86% Positiveness
30% Popularity • 55% Danceability • 65% Energy • 8% Liveness
4% Instrumentalness • 86% Positiveness
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Baligh Hamdi
Gazairia
113 bpm • G min • 05:38 • -16.7db
7% Popularity • 56% Danceability • 68% Energy • 10% Liveness
19% Instrumentalness • 65% Positiveness
7% Popularity • 56% Danceability • 68% Energy • 10% Liveness
19% Instrumentalness • 65% Positiveness
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Mahmoud Guinia
Shaba Kouria
113 bpm • A# Maj • 08:50 • -11.47db
28% Popularity • 54% Danceability • 86% Energy • 10% Liveness
15% Instrumentalness • 96% Positiveness
28% Popularity • 54% Danceability • 86% Energy • 10% Liveness
15% Instrumentalness • 96% Positiveness
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Hamid Al Shaeri
Oyoun Houriyat
113 bpm • C Maj • 05:15 • -7.49db
35% Popularity • 75% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
35% Popularity • 75% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Salah Ragab
Neveen
111 bpm • B min • 07:54 • -8db
21% Popularity • 57% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 57% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Ndikho Xaba
Nomusa
111 bpm • B min • 08:47 • -13.05db
11% Popularity • 68% Danceability • 40% Energy • 15% Liveness
43% Instrumentalness • 52% Positiveness
11% Popularity • 68% Danceability • 40% Energy • 15% Liveness
43% Instrumentalness • 52% Positiveness
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Abdel Aziz El Mubarak
Tahrimni Minnak
111 bpm • C Maj • 06:47 • -9.23db
10% Popularity • 56% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 88% Positiveness
10% Popularity • 56% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 88% Positiveness
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Ihsan Al Munzer
Girls of Iskandariah
113 bpm • D min • 02:36 • -5.28db
10% Popularity • 35% Danceability • 96% Energy • 65% Liveness
80% Instrumentalness • 91% Positiveness
10% Popularity • 35% Danceability • 96% Energy • 65% Liveness
80% Instrumentalness • 91% Positiveness
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The Petch Phin Thong Band
Bump Lam Plearn
113 bpm • C# Maj • 03:03 • -7.91db
25% Popularity • 51% Danceability • 76% Energy • 7% Liveness
86% Instrumentalness • 97% Positiveness
25% Popularity • 51% Danceability • 76% Energy • 7% Liveness
86% Instrumentalness • 97% Positiveness
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Ziad Rahbani
Introduction, Pt. 1
114 bpm • C Maj • 02:15 • -12.73db
17% Popularity • 54% Danceability • 44% Energy • 35% Liveness
95% Instrumentalness • 56% Positiveness
17% Popularity • 54% Danceability • 44% Energy • 35% Liveness
95% Instrumentalness • 56% Positiveness
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Ahmed Malek
Les vacances de l'inspecteur tahar
110 bpm • F Maj • 02:12 • -8.84db
32% Popularity • 41% Danceability • 82% Energy • 9% Liveness
94% Instrumentalness • 80% Positiveness
32% Popularity • 41% Danceability • 82% Energy • 9% Liveness
94% Instrumentalness • 80% Positiveness
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Ezzat Abou Ouf
Gonon El Desco
114 bpm • C# Maj • 04:01 • -14.59db
18% Popularity • 72% Danceability • 44% Energy • 8% Liveness
2% Instrumentalness • 96% Positiveness
18% Popularity • 72% Danceability • 44% Energy • 8% Liveness
2% Instrumentalness • 96% Positiveness
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Dur-Dur Band
Shaleedayaa - By Myself
114 bpm • C# Maj • 03:44 • -10.31db
13% Popularity • 85% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 85% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Giuliano Sorgini
Ultima caccia
114 bpm • C Maj • 03:55 • -14.56db
14% Popularity • 75% Danceability • 80% Energy • 9% Liveness
81% Instrumentalness • 51% Positiveness
14% Popularity • 75% Danceability • 80% Energy • 9% Liveness
81% Instrumentalness • 51% Positiveness
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Soad Mohamed / سعاد محمد
Ahallefak Washkeek Lellah / احلفك �...
110 bpm • D Maj • 06:02 • -10.19db
8% Popularity • 54% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 54% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Elias Rahbani
La Danse De Nadia
114 bpm • F min • 03:23 • -10.5db
30% Popularity • 62% Danceability • 55% Energy • 12% Liveness
93% Instrumentalness • 78% Positiveness
30% Popularity • 62% Danceability • 55% Energy • 12% Liveness
93% Instrumentalness • 78% Positiveness
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Ahmed Malek
Casbah
114 bpm • G min • 03:25 • -7.24db
32% Popularity • 63% Danceability • 65% Energy • 7% Liveness
13% Instrumentalness • 87% Positiveness
32% Popularity • 63% Danceability • 65% Energy • 7% Liveness
13% Instrumentalness • 87% Positiveness
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Mohammed Wardi
Al Sourah (The Photo)
114 bpm • C Maj • 09:03 • -6.02db
18% Popularity • 44% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 44% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Ahmad Al Kosem
Love Is Not A Joke
110 bpm • C# Maj • 06:37 • -6.71db
14% Popularity • 62% Danceability • 96% Energy • 13% Liveness
18% Instrumentalness • 79% Positiveness
14% Popularity • 62% Danceability • 96% Energy • 13% Liveness
18% Instrumentalness • 79% Positiveness
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Koudede
Golf
110 bpm • A Maj • 03:48 • -11.16db
23% Popularity • 66% Danceability • 56% Energy • 10% Liveness
84% Instrumentalness • 75% Positiveness
23% Popularity • 66% Danceability • 56% Energy • 10% Liveness
84% Instrumentalness • 75% Positiveness
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Xasan Diiriye
Qaraami (Love)
114 bpm • C# min • 06:42 • -8.89db
15% Popularity • 69% Danceability • 71% Energy • 7% Liveness
6% Instrumentalness • 92% Positiveness
15% Popularity • 69% Danceability • 71% Energy • 7% Liveness
6% Instrumentalness • 92% Positiveness
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Sayed Salamah / سيد سلامة
Mambo Ard El Marrah / أرض المرح
114 bpm • G Maj • 02:49 • -8db
9% Popularity • 47% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 47% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Kamal Keila
Al Asafir
110 bpm • F# min • 05:20 • -5.28db
32% Popularity • 68% Danceability • 75% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
32% Popularity • 68% Danceability • 75% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
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Elias Rahbani
Nadia's Dance
114 bpm • F min • 03:21 • -8.15db
14% Popularity • 54% Danceability • 72% Energy • 14% Liveness
90% Instrumentalness • 67% Positiveness
14% Popularity • 54% Danceability • 72% Energy • 14% Liveness
90% Instrumentalness • 67% Positiveness
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Mohamed Al Ali
Mili Alay (Sway To Me)
110 bpm • F# Maj • 06:30 • -7.75db
15% Popularity • 66% Danceability • 86% Energy • 6% Liveness
3% Instrumentalness • 92% Positiveness
15% Popularity • 66% Danceability • 86% Energy • 6% Liveness
3% Instrumentalness • 92% Positiveness
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Majid Bekkas
Ali ya ali
110 bpm • A min • 07:54 • -10.69db
16% Popularity • 48% Danceability • 56% Energy • 7% Liveness
8% Instrumentalness • 71% Positiveness
16% Popularity • 48% Danceability • 56% Energy • 7% Liveness
8% Instrumentalness • 71% Positiveness
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Sebastiao Tapajós
Cantico d'Agua
109 bpm • F min • 01:49 • -14.71db
9% Popularity • 85% Danceability • 96% Energy • 36% Liveness
22% Instrumentalness • 97% Positiveness
9% Popularity • 85% Danceability • 96% Energy • 36% Liveness
22% Instrumentalness • 97% Positiveness
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Arsivplak
Seker Oglan
109 bpm • C# min • 03:06 • -9.81db
9% Popularity • 75% Danceability • 89% Energy • 12% Liveness
90% Instrumentalness • 98% Positiveness
9% Popularity • 75% Danceability • 89% Energy • 12% Liveness
90% Instrumentalness • 98% Positiveness
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Kamal Keila
Al Asafir
110 bpm • B min • 05:19 • -6.02db
18% Popularity • 65% Danceability • 71% Energy • 13% Liveness
6% Instrumentalness • 94% Positiveness
18% Popularity • 65% Danceability • 71% Energy • 13% Liveness
6% Instrumentalness • 94% Positiveness
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Ethio Stars
Aderech Arada, Bekifir/Menged Lay Wodike
115 bpm • A min • 04:30 • -8.48db
16% Popularity • 64% Danceability • 83% Energy • 10% Liveness
83% Instrumentalness • 72% Positiveness
16% Popularity • 64% Danceability • 83% Energy • 10% Liveness
83% Instrumentalness • 72% Positiveness
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Mahmoud Guinia
Assamaoui / السماوي
109 bpm • D Maj • 07:22 • -12.08db
28% Popularity • 65% Danceability • 45% Energy • 13% Liveness
12% Instrumentalness • 69% Positiveness
28% Popularity • 65% Danceability • 45% Energy • 13% Liveness
12% Instrumentalness • 69% Positiveness
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Ganawa
Yamna
109 bpm • A min • 03:53 • -9.59db
9% Popularity • 80% Danceability • 84% Energy • 9% Liveness
6% Instrumentalness • 97% Positiveness
9% Popularity • 80% Danceability • 84% Energy • 9% Liveness
6% Instrumentalness • 97% Positiveness
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Omar Khorshid
Casatschok
115 bpm • A min • 04:01 • -10.92db
14% Popularity • 51% Danceability • 65% Energy • 8% Liveness
26% Instrumentalness • 92% Positiveness
14% Popularity • 51% Danceability • 65% Energy • 8% Liveness
26% Instrumentalness • 92% Positiveness
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Douaa
Haditouni (Habibi Funk 015)
109 bpm • F# min • 03:25 • -6.13db
43% Popularity • 58% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 58% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Charif Megarbane
Ma Ward
109 bpm • F min • 01:41 • -11.34db
31% Popularity • 54% Danceability • 74% Energy • 12% Liveness
88% Instrumentalness • 92% Positiveness
31% Popularity • 54% Danceability • 74% Energy • 12% Liveness
88% Instrumentalness • 92% Positiveness
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Hamid Al Shaeri
Shantet Safar
109 bpm • G Maj • 03:06 • -7.66db
25% Popularity • 70% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 70% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Mona Abd El Ghany
Asshab
109 bpm • G Maj • 03:35 • -13.9db
13% Popularity • 83% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
13% Popularity • 83% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
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Mariem Hassan
Aulad Sahara
115 bpm • D Maj • 04:15 • -5.76db
12% Popularity • 49% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
12% Popularity • 49% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Abdel Aziz El Mubarak
Ma Kunta Aarif Yarait (I Wish I Had Know...
115 bpm • F# min • 07:55 • -8.2db
9% Popularity • 50% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 50% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Elias Rahbani and His Orchestra
I Want to Be
109 bpm • E min • 03:24 • -11.59db
28% Popularity • 63% Danceability • 67% Energy • 32% Liveness
82% Instrumentalness • 81% Positiveness
28% Popularity • 63% Danceability • 67% Energy • 32% Liveness
82% Instrumentalness • 81% Positiveness
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Fadoul
Maktoub Lah
109 bpm • D Maj • 06:42 • -5.85db
13% Popularity • 67% Danceability • 50% Energy • 14% Liveness
1% Instrumentalness • 38% Positiveness
13% Popularity • 67% Danceability • 50% Energy • 14% Liveness
1% Instrumentalness • 38% Positiveness
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Charif Megarbane
Tarator
109 bpm • C# min • 02:28 • -7.14db
25% Popularity • 47% Danceability • 76% Energy • 32% Liveness
93% Instrumentalness • 66% Positiveness
25% Popularity • 47% Danceability • 76% Energy • 32% Liveness
93% Instrumentalness • 66% Positiveness
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Cybe
Om Swastiastu
115 bpm • C# Maj • 04:01 • -8.29db
17% Popularity • 67% Danceability • 33% Energy • 9% Liveness
91% Instrumentalness • 66% Positiveness
17% Popularity • 67% Danceability • 33% Energy • 9% Liveness
91% Instrumentalness • 66% Positiveness
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The Scorpios
Mashena: We Went
109 bpm • C Maj • 03:10 • -11.39db
20% Popularity • 61% Danceability • 54% Energy • 3% Liveness
6% Instrumentalness • 97% Positiveness
20% Popularity • 61% Danceability • 54% Energy • 3% Liveness
6% Instrumentalness • 97% Positiveness
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Ihsan Al Munzer
Jamileh
116 bpm • D min • 04:12 • -6.96db
24% Popularity • 50% Danceability • 83% Energy • 8% Liveness
48% Instrumentalness • 71% Positiveness
24% Popularity • 50% Danceability • 83% Energy • 8% Liveness
48% Instrumentalness • 71% Positiveness
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Munir Bachir
Hourmane
108 bpm • B min • 01:55 • -12.61db
30% Popularity • 51% Danceability • 42% Energy • 20% Liveness
91% Instrumentalness • 28% Positiveness
30% Popularity • 51% Danceability • 42% Energy • 20% Liveness
91% Instrumentalness • 28% Positiveness
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Hamid Al Shaeri
Hobak
116 bpm • A min • 04:03 • -17.77db
17% Popularity • 76% Danceability • 31% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 76% Danceability • 31% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Mahmoud Guinia
Soltani
116 bpm • D# Maj • 06:12 • -9.05db
13% Popularity • 62% Danceability • 96% Energy • 11% Liveness
24% Instrumentalness • 86% Positiveness
13% Popularity • 62% Danceability • 96% Energy • 11% Liveness
24% Instrumentalness • 86% Positiveness
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Ahmed Malek
Tape 3 Track 4
116 bpm • G# min • 01:30 • -9.6db
24% Popularity • 55% Danceability • 94% Energy • 31% Liveness
83% Instrumentalness • 28% Positiveness
24% Popularity • 55% Danceability • 94% Energy • 31% Liveness
83% Instrumentalness • 28% Positiveness
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Salah Ragab
Egypt Strut
116 bpm • C Maj • 04:55 • -6.68db
31% Popularity • 66% Danceability • 59% Energy • 7% Liveness
1% Instrumentalness • 68% Positiveness
31% Popularity • 66% Danceability • 59% Energy • 7% Liveness
1% Instrumentalness • 68% Positiveness
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Ghalia Benali
Rubaiyat
116 bpm • C min • 10:04 • -14.19db
13% Popularity • 54% Danceability • 26% Energy • 18% Liveness
4% Instrumentalness • 31% Positiveness
13% Popularity • 54% Danceability • 26% Energy • 18% Liveness
4% Instrumentalness • 31% Positiveness
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Giuliano Sorgini
Oasi Nella Giungla
116 bpm • G# Maj • 02:58 • -18.5db
10% Popularity • 79% Danceability • 55% Energy • 11% Liveness
96% Instrumentalness • 96% Positiveness
10% Popularity • 79% Danceability • 55% Energy • 11% Liveness
96% Instrumentalness • 96% Positiveness
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Adib Abou Antoun
Addayer
108 bpm • A min • 03:11 • -9.03db
30% Popularity • 63% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 63% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Al Massrieen
Men Awel Deqiqa
116 bpm • C Maj • 05:18 • -10.53db
28% Popularity • 72% Danceability • 71% Energy • 9% Liveness
1% Instrumentalness • 70% Positiveness
28% Popularity • 72% Danceability • 71% Energy • 9% Liveness
1% Instrumentalness • 70% Positiveness
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Fadoul
Taarida
108 bpm • D Maj • 04:43 • -4.69db
11% Popularity • 70% Danceability • 82% Energy • 3% Liveness
87% Instrumentalness • 63% Positiveness
11% Popularity • 70% Danceability • 82% Energy • 3% Liveness
87% Instrumentalness • 63% Positiveness
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Ahmed Fakroun
Yumma
108 bpm • E min • 03:40 • -13.69db
17% Popularity • 72% Danceability • 55% Energy • 3% Liveness
67% Instrumentalness • 96% Positiveness
17% Popularity • 72% Danceability • 55% Energy • 3% Liveness
67% Instrumentalness • 96% Positiveness
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The Scorpios
Yaelhajarok
108 bpm • A Maj • 04:25 • -10.35db
10% Popularity • 80% Danceability • 43% Energy • 9% Liveness
8% Instrumentalness • 86% Positiveness
10% Popularity • 80% Danceability • 43% Energy • 9% Liveness
8% Instrumentalness • 86% Positiveness
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Rabii Harnoune
Baniya
108 bpm • D Maj • 06:19 • -6.2db
5% Popularity • 76% Danceability • 86% Energy • 6% Liveness
1% Instrumentalness • 92% Positiveness
5% Popularity • 76% Danceability • 86% Energy • 6% Liveness
1% Instrumentalness • 92% Positiveness
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Mahmoud Guinia
Al boudali / البودالي
108 bpm • B min • 08:50 • -11.5db
8% Popularity • 61% Danceability • 68% Energy • 11% Liveness
15% Instrumentalness • 81% Positiveness
8% Popularity • 61% Danceability • 68% Energy • 11% Liveness
15% Instrumentalness • 81% Positiveness
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Charif Megarbane
Abou Boutros
108 bpm • F# min • 03:01 • -6.4db
20% Popularity • 44% Danceability • 84% Energy • 5% Liveness
72% Instrumentalness • 90% Positiveness
20% Popularity • 44% Danceability • 84% Energy • 5% Liveness
72% Instrumentalness • 90% Positiveness
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Kamal Keila
Ajmal Alyam
116 bpm • A min • 06:30 • -7.14db
11% Popularity • 54% Danceability • 70% Energy • 18% Liveness
5% Instrumentalness • 43% Positiveness
11% Popularity • 54% Danceability • 70% Energy • 18% Liveness
5% Instrumentalness • 43% Positiveness
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Omar Khorshid
Solenzara
108 bpm • A min • 05:52 • -12.39db
21% Popularity • 59% Danceability • 57% Energy • 13% Liveness
73% Instrumentalness • 49% Positiveness
21% Popularity • 59% Danceability • 57% Energy • 13% Liveness
73% Instrumentalness • 49% Positiveness
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Attarazat Addahabia
Chama'a
108 bpm • C# Maj • 05:52 • -8.8db
9% Popularity • 58% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 58% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Gharbi Sadok
Lala Tibki
108 bpm • D Maj • 03:03 • -5.98db
21% Popularity • 74% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 74% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Elias Rahbani
Lover's Lane
107 bpm • D min • 03:04 • -11.63db
15% Popularity • 48% Danceability • 41% Energy • 9% Liveness
70% Instrumentalness • 43% Positiveness
15% Popularity • 48% Danceability • 41% Energy • 9% Liveness
70% Instrumentalness • 43% Positiveness
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Ahmed Malek
La ville, Pt. 2
107 bpm • C Maj • 05:12 • -8.59db
31% Popularity • 54% Danceability • 69% Energy • 12% Liveness
86% Instrumentalness • 45% Positiveness
31% Popularity • 54% Danceability • 69% Energy • 12% Liveness
86% Instrumentalness • 45% Positiveness
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Fadoul
Sid Redad
117 bpm • B Maj • 03:02 • -4.52db
32% Popularity • 74% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
32% Popularity • 74% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Mahmoud Guinia
lalla aicha / لالة عيشة
117 bpm • C min • 07:20 • -9.32db
9% Popularity • 60% Danceability • 65% Energy • 12% Liveness
1% Instrumentalness • 73% Positiveness
9% Popularity • 60% Danceability • 65% Energy • 12% Liveness
1% Instrumentalness • 73% Positiveness
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Tafo Brothers
Bijli Bhari Hai
107 bpm • A Maj • 04:26 • -12.21db
8% Popularity • 55% Danceability • 53% Energy • 8% Liveness
64% Instrumentalness • 87% Positiveness
8% Popularity • 55% Danceability • 53% Energy • 8% Liveness
64% Instrumentalness • 87% Positiveness
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Getatchew Mekurya
Ainotche Terabu
117 bpm • A# min • 04:36 • -11.92db
10% Popularity • 37% Danceability • 34% Energy • 10% Liveness
88% Instrumentalness • 48% Positiveness
10% Popularity • 37% Danceability • 34% Energy • 10% Liveness
88% Instrumentalness • 48% Positiveness
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Lloyd Clifton Miller
Gol-e Gandom
117 bpm • D min • 04:12 • -12.6db
12% Popularity • 27% Danceability • 59% Energy • 35% Liveness
5% Instrumentalness • 45% Positiveness
12% Popularity • 27% Danceability • 59% Energy • 35% Liveness
5% Instrumentalness • 45% Positiveness
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The Scorpions
Forssa Saeeda
117 bpm • D Maj • 06:55 • -6.94db
23% Popularity • 60% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 60% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Niagara
Rhythm Go
107 bpm • A# min • 02:46 • -10db
11% Popularity • 82% Danceability • 84% Energy • 6% Liveness
90% Instrumentalness • 41% Positiveness
11% Popularity • 82% Danceability • 84% Energy • 6% Liveness
90% Instrumentalness • 41% Positiveness
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Mahmoud Guinia
Foulani
117 bpm • A# Maj • 09:42 • -9.96db
10% Popularity • 47% Danceability • 91% Energy • 43% Liveness
22% Instrumentalness • 95% Positiveness
10% Popularity • 47% Danceability • 91% Energy • 43% Liveness
22% Instrumentalness • 95% Positiveness
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Ahmed Fakroun
Soleil Soleil
107 bpm • A Maj • 03:59 • -9.04db
29% Popularity • 78% Danceability • 82% Energy • 27% Liveness
1% Instrumentalness • 97% Positiveness
29% Popularity • 78% Danceability • 82% Energy • 27% Liveness
1% Instrumentalness • 97% Positiveness
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Sofiane Saidi
Bourkan
107 bpm • F min • 04:42 • -8.33db
9% Popularity • 74% Danceability • 57% Energy • 18% Liveness
4% Instrumentalness • 89% Positiveness
9% Popularity • 74% Danceability • 57% Energy • 18% Liveness
4% Instrumentalness • 89% Positiveness
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Mohamed Mounir
كرشندو
107 bpm • F min • 06:33 • -8.61db
19% Popularity • 51% Danceability • 70% Energy • 10% Liveness
3% Instrumentalness • 74% Positiveness
19% Popularity • 51% Danceability • 70% Energy • 10% Liveness
3% Instrumentalness • 74% Positiveness
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Noura Mint Seymali
Mohammedoun
107 bpm • G# Maj • 04:48 • -8.05db
11% Popularity • 62% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 62% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Najib Alhoush
Ya Aen Daly (Habibi Funk 015)
107 bpm • C# min • 03:34 • -10db
37% Popularity • 78% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 78% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Mahmoud Guinia
Amara Mousseye
117 bpm • F Maj • 08:15 • -10.32db
14% Popularity • 60% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 60% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Charif Megarbane
Ya Salam
107 bpm • F Maj • 03:02 • -9.07db
21% Popularity • 41% Danceability • 59% Energy • 30% Liveness
80% Instrumentalness • 89% Positiveness
21% Popularity • 41% Danceability • 59% Energy • 30% Liveness
80% Instrumentalness • 89% Positiveness
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Elias Rahbani
I Want to Sing
118 bpm • F Maj • 02:37 • -11.89db
14% Popularity • 52% Danceability • 42% Energy • 21% Liveness
86% Instrumentalness • 84% Positiveness
14% Popularity • 52% Danceability • 42% Energy • 21% Liveness
86% Instrumentalness • 84% Positiveness
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Burhan Tonguç Ritim Grubu
Fundacık Du Bi Ba
118 bpm • C min • 03:32 • -9.71db
9% Popularity • 46% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 46% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Hamid Al Shaeri
Reet
107 bpm • A min • 04:24 • -8.48db
39% Popularity • 63% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
39% Popularity • 63% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Hany Mehanna
Haya Ha'ira
106 bpm • A# Maj • 01:36 • -10.09db
12% Popularity • 45% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 45% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Guess What
Zero Is the Magic Number
106 bpm • C Maj • 03:31 • -4.43db
11% Popularity • 45% Danceability • 83% Energy • 6% Liveness
75% Instrumentalness • 40% Positiveness
11% Popularity • 45% Danceability • 83% Energy • 6% Liveness
75% Instrumentalness • 40% Positiveness
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4 Mars
Na Daadihi (Guide Us)
106 bpm • C min • 04:33 • -9.59db
15% Popularity • 64% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 64% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Dur-Dur Band
Daraadaa Muxibo - Because Of You Muxibo
118 bpm • A min • 05:20 • -10.28db
16% Popularity • 63% Danceability • 77% Energy • 24% Liveness
3% Instrumentalness • 66% Positiveness
16% Popularity • 63% Danceability • 77% Energy • 24% Liveness
3% Instrumentalness • 66% Positiveness
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Ahmed Fakroun
Adeat Ibhoora
106 bpm • G Maj • 05:23 • -8.63db
14% Popularity • 64% Danceability • 88% Energy • 9% Liveness
1% Instrumentalness • 78% Positiveness
14% Popularity • 64% Danceability • 88% Energy • 9% Liveness
1% Instrumentalness • 78% Positiveness
