Songs like Ram Meditation Chant - Shri Ram Jai Ram Jai Jai Ram by Ketan Patwardhan
Based on a tempo of (+/- 10%) and a similar genre
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Ketan Patwardhan
Ram Meditation Chant - Shri Ram Jai Ram ...
117 bpm • F Maj • 03:55 • -13.43db
40% Popularity • 27% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
40% Popularity • 27% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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shradey shri mridul krishna shashtri ji maharaj
Radha ki kirpa
117 bpm • F# min • 08:10 • -9.96db
1% Popularity • 61% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
1% Popularity • 61% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Mayapuris
Jai Sri Radhe
118 bpm • F min • 04:04 • -10.53db
32% Popularity • 35% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 35% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Pandavaas
Kedarnath
116 bpm • C Maj • 01:00 • -7.72db
58% Popularity • 65% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
58% Popularity • 65% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
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Ketaki Bhave
Mohabbat Beats Love & Dance
118 bpm • D min • 01:58 • -12.33db
0% Popularity • 81% Danceability • 86% Energy • 16% Liveness
87% Instrumentalness • 96% Positiveness
0% Popularity • 81% Danceability • 86% Energy • 16% Liveness
87% Instrumentalness • 96% Positiveness
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Bangalore Sisters
Hanuman Chalisa
118 bpm • G# Maj • 08:49 • -16db
29% Popularity • 64% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 64% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Ketan Patwardhan
Moko Kahaan Dhoonde Re Bande
117 bpm • G# min • 04:42 • -10.3db
7% Popularity • 74% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
7% Popularity • 74% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Arohi Anil Agarkar
Mahavirashtak
115 bpm • F# Maj • 06:53 • -9db
24% Popularity • 40% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 40% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Shobha Gurtu
Najaria Lagey Nahin Kahin Aur - Raag Bih...
119 bpm • A Maj • 05:16 • -11db
20% Popularity • 44% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 44% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Vighnesh Ghanapaathi
Swasti Vachanam
115 bpm • A Maj • 01:49 • -6.36db
51% Popularity • 56% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
51% Popularity • 56% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Ved Vrind
Devi Sukta
115 bpm • D Maj • 02:13 • -6db
36% Popularity • 61% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 61% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Chitra Singh
Mere To Girdhar Gopal
115 bpm • D Maj • 04:53 • -11.43db
17% Popularity • 56% Danceability • 32% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
17% Popularity • 56% Danceability • 32% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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Ketan Patwardhan
Ekekicha Hasra Chehra
116 bpm • G# min • 06:08 • -8.4db
0% Popularity • 73% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 73% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Seema Mishra
Shri Ramchandra Kripalu Bhajman
115 bpm • F# Maj • 04:58 • -7.9db
32% Popularity • 64% Danceability • 64% Energy • 50% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 64% Danceability • 64% Energy • 50% Liveness
0% Instrumentalness • 70% Positiveness
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Supriya Pathak
Maa Laxmi
115 bpm • G# min • 03:57 • -9db
25% Popularity • 66% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 66% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Hansraj Raghuwanshi
Devon Ke Dev
115 bpm • F Maj • 03:43 • -9.62db
49% Popularity • 47% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
49% Popularity • 47% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
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Rajan & Sajan Mishra & Veena Sahasrabuddhe
Shri Ramachandra Kripalu Bhajman
119 bpm • F min • 08:28 • -15db
13% Popularity • 39% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 39% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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![Parameshwaraya cover art]()
Rishi Nityapragya
Parameshwaraya
119 bpm • F Maj • 06:44 • -5.45db
21% Popularity • 40% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 40% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Shreya Ghoshal
Somnatham Sharanam
119 bpm • G min • 04:02 • -18db
29% Popularity • 35% Danceability • 7% Energy • 7% Liveness
1% Instrumentalness • 15% Positiveness
29% Popularity • 35% Danceability • 7% Energy • 7% Liveness
1% Instrumentalness • 15% Positiveness
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Babla Mehta
Aa Maa Aa Tujhe Dil Ne Pukara
119 bpm • A min • 07:27 • -11db
48% Popularity • 56% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 88% Positiveness
48% Popularity • 56% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 88% Positiveness
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Sachin Limaye
Damodar Stuti
119 bpm • D# Maj • 07:37 • -12db
38% Popularity • 65% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 65% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Govind Krsna Das
Radhe Govinda
120 bpm • F# min • 05:08 • -5.77db
18% Popularity • 41% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 41% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Ketan Dedhia
Tu Mane Bhagwan
120 bpm • F# min • 08:09 • -9.86db
29% Popularity • 62% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 62% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Anjali Jain
Tumse Laagi Lagan
115 bpm • D# min • 08:06 • -10db
34% Popularity • 66% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 66% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Susmirata Dawalkar
Ganapati Stotra
114 bpm • A# Maj • 03:19 • -13db
48% Popularity • 54% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 54% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Brijesh Shandilya
Bajrang Baan Superfast
120 bpm • D# min • 03:51 • -3.88db
38% Popularity • 70% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
38% Popularity • 70% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Prem Bhushan Maharaj
Jo Karte Rahoge Bhajan Dheere Dheere
114 bpm • D Maj • 06:59 • -11.33db
33% Popularity • 46% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 46% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
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Ketan Patwardhan
Brahmacharini Jaap Mantra - Navadurga Ma...
120 bpm • B Maj • 03:35 • -15.96db
6% Popularity • 72% Danceability • 22% Energy • 10% Liveness
83% Instrumentalness • 8% Positiveness
6% Popularity • 72% Danceability • 22% Energy • 10% Liveness
83% Instrumentalness • 8% Positiveness
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Vandana Bhardwaj
Koi Kahe Govind
120 bpm • F Maj • 04:41 • -5.4db
34% Popularity • 73% Danceability • 85% Energy • 51% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 73% Danceability • 85% Energy • 51% Liveness
0% Instrumentalness • 68% Positiveness
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Veena Sahasrabuddhe
Mahakal Mahadeva
120 bpm • F min • 06:06 • -20.17db
17% Popularity • 32% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
17% Popularity • 32% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Vighnesh Ghanapaathi
Om Gan Ganpataye Namah
120 bpm • D Maj • 01:24 • -15db
40% Popularity • 63% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 63% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Ravindra Jain
Kanha Re Thoda Sa Pyaar De - 1
120 bpm • G Maj • 05:03 • -11.5db
35% Popularity • 49% Danceability • 69% Energy • 29% Liveness
2% Instrumentalness • 79% Positiveness
35% Popularity • 49% Danceability • 69% Energy • 29% Liveness
2% Instrumentalness • 79% Positiveness
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Vaiyasaki Das
Radha - Raman Kirtan
120 bpm • E min • 09:24 • -7.36db
31% Popularity • 40% Danceability • 84% Energy • 52% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 40% Danceability • 84% Energy • 52% Liveness
0% Instrumentalness • 56% Positiveness
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Ketan Patwardhan
रामा तुज कल्या�...
114 bpm • E Maj • 04:14 • -17.1db
2% Popularity • 33% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
2% Popularity • 33% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Poonam Sharma
Shri Durga Kawach
120 bpm • G Maj • 07:08 • -4db
35% Popularity • 62% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
35% Popularity • 62% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Srila Prabhupada
Hare krishna kirtan (ISKCON)
114 bpm • G Maj • 02:35 • -1.16db
33% Popularity • 28% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 28% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Baal Gopal
Raghupati Raghav
113 bpm • A Maj • 07:03 • -14.29db
32% Popularity • 40% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 40% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Jitender Singh
Durga Chalisa
113 bpm • B Maj • 04:31 • -7db
38% Popularity • 92% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
38% Popularity • 92% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Ketaki Bhave
Dil Ki Baat Love in Dance
121 bpm • C Maj • 01:58 • -13.05db
0% Popularity • 80% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
0% Popularity • 80% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Ketan Patwardhan
Pranamya Shirsa Devam - Ganpati Stotra
121 bpm • D Maj • 03:22 • -12.09db
27% Popularity • 62% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 62% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Satish Dehra
Shiv Rudrashtakam
121 bpm • B Maj • 05:19 • -6db
55% Popularity • 68% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
55% Popularity • 68% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Maanya Arora
Shree Krishna Govind Hare Murari
113 bpm • C# Maj • 05:28 • -5.21db
58% Popularity • 48% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
58% Popularity • 48% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Morari Bapu
Tum Hi Mere Devta Ho
121 bpm • C# min • 02:07 • -15db
40% Popularity • 41% Danceability • 35% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 41% Danceability • 35% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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Poonam Sharma
Chandika Strot
121 bpm • G Maj • 03:25 • -4db
24% Popularity • 60% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 60% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Brahma Kumaris
Sneh pyar ki tujhse Baba
122 bpm • C# Maj • 07:23 • -10.55db
23% Popularity • 58% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 58% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Ketan Patwardhan
Ghalin Lotangan
122 bpm • F Maj • 01:01 • -9.57db
48% Popularity • 59% Danceability • 72% Energy • 53% Liveness
0% Instrumentalness • 68% Positiveness
48% Popularity • 59% Danceability • 72% Energy • 53% Liveness
0% Instrumentalness • 68% Positiveness
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Sainik Dey
Jagannath Sloka
122 bpm • G Maj • 04:31 • -8.81db
34% Popularity • 73% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
34% Popularity • 73% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Rishi Nityapragya
Shivaya Namah Shiva Lingaya Namah Om
112 bpm • C Maj • 07:12 • -10.31db
18% Popularity • 37% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 37% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
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Mridul Krishan Shastri
Chhoti Chhoti Gaiya Chhote Chhote Gwal
112 bpm • C# Maj • 10:05 • -8db
42% Popularity • 57% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
42% Popularity • 57% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Sachin Limaye
Krishna Kanha
123 bpm • E Maj • 05:24 • -15db
29% Popularity • 56% Danceability • 36% Energy • 23% Liveness
1% Instrumentalness • 38% Positiveness
29% Popularity • 56% Danceability • 36% Energy • 23% Liveness
1% Instrumentalness • 38% Positiveness
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Pujya Bhaishree Rameshbhai Ojha
Dwadash Jyotirlinga
111 bpm • A Maj • 01:52 • -7.24db
21% Popularity • 50% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
21% Popularity • 50% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
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Ketan Patwardhan
Sai Kakad Aarti
123 bpm • D Maj • 01:42 • -13.52db
24% Popularity • 52% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 52% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Ketaki Bhave
Crimson Rhythms Desi House Vibes ला�...
124 bpm • G Maj • 01:14 • -13.09db
0% Popularity • 81% Danceability • 56% Energy • 7% Liveness
3% Instrumentalness • 91% Positiveness
0% Popularity • 81% Danceability • 56% Energy • 7% Liveness
3% Instrumentalness • 91% Positiveness
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Pujya Prembhushanji Maharaj
Kailash Ke Nivasi Namo Bar Bar Hu
124 bpm • G Maj • 05:27 • -7.7db
35% Popularity • 43% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 43% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
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Shailendra Bharti
Samaro Mantra Navkar
110 bpm • F Maj • 05:53 • -11.33db
26% Popularity • 57% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
26% Popularity • 57% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Shankar Sahney
Om Tryambakam Yajamahe
124 bpm • D# Maj • 08:12 • -14.7db
30% Popularity • 72% Danceability • 33% Energy • 54% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 72% Danceability • 33% Energy • 54% Liveness
0% Instrumentalness • 59% Positiveness
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Ketaki Bhave Joshi
Durga Aarti Durge Durgat Bhari
110 bpm • D# Maj • 01:41 • -11db
35% Popularity • 70% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 70% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Pandit Chhannulal Mishra
Maha Saraswati shloka, Durga Saptashati
124 bpm • A# Maj • 01:04 • -11.33db
39% Popularity • 48% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 48% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Narendra Chanchal
Nange Nange Paon Chal Aa Gaya Ri
110 bpm • D Maj • 07:45 • -4.14db
51% Popularity • 59% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
51% Popularity • 59% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Sreekant Krishnamurthy
Shankara Mahadeva Deva
110 bpm • D Maj • 04:19 • -6.83db
29% Popularity • 74% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 74% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Sachet Tandon
Raghupati Raghav Raja Ram
110 bpm • C Maj • 03:16 • -6.26db
53% Popularity • 64% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
53% Popularity • 64% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Pujya Bhaishree Rameshbhai Ojha
Shiv Tandav Stotram
110 bpm • G# Maj • 07:47 • -7db
21% Popularity • 59% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
21% Popularity • 59% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Govind Krsna Das
Krishna Hey
110 bpm • D# Maj • 06:03 • -8.43db
23% Popularity • 50% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 50% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Ketan Patwardhan
Yuge Atthavis
110 bpm • F Maj • 02:37 • -11db
42% Popularity • 69% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
42% Popularity • 69% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Vighnesh Ghanapaathi
Purusha Suktam
125 bpm • A Maj • 09:41 • -6db
40% Popularity • 58% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 58% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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Master Saleem
Mera Aapki Kripa Se
110 bpm • F Maj • 03:36 • -8db
25% Popularity • 66% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 66% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Priya
Aatmaa Raamaa
110 bpm • C min • 01:37 • -11db
42% Popularity • 70% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
42% Popularity • 70% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Jaydeep Bagwadkar
Satrane Uddane
110 bpm • D min • 01:14 • -10.46db
8% Popularity • 75% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
8% Popularity • 75% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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Pujya Bhaishree Rameshbhai Ojha
Shree Shiv Panchakshram Stotram
125 bpm • D# Maj • 03:57 • -7.62db
19% Popularity • 47% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 47% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Ketan Patwardhan
Samarth Ramdas Aarti
110 bpm • F Maj • 02:21 • -7.14db
14% Popularity • 75% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 75% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Pujya Prembhushanji Maharaj
Pata Nahi Kis Roop Main Aakar
125 bpm • D min • 03:24 • -9.41db
37% Popularity • 66% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
37% Popularity • 66% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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Arohi Anil Agarkar
Parshvanath Stotra
125 bpm • C Maj • 04:42 • -11db
34% Popularity • 59% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 59% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Pandit Jasraj, Zarin Daruwala, Kala Ramnath, Appa Jalgaonkar, Iqbal Khan, Kedar
Nath Pavansut
125 bpm • G# Maj • 09:12 • -17db
12% Popularity • 50% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 50% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 51% Positiveness
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Narendra Chanchal
Maiya More Angna Daras Dikha
125 bpm • C Maj • 07:02 • -2.98db
39% Popularity • 50% Danceability • 89% Energy • 64% Liveness
0% Instrumentalness • 78% Positiveness
39% Popularity • 50% Danceability • 89% Energy • 64% Liveness
0% Instrumentalness • 78% Positiveness
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ISKCON Bangalore
Hare Krishna Kirtan
109 bpm • G min • 03:07 • -6.18db
29% Popularity • 40% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 40% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
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Ketan Patwardhan
Sant Tukaram Aarti
110 bpm • F Maj • 01:54 • -7.4db
7% Popularity • 71% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
7% Popularity • 71% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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Vighnesh Ghanapaathi
Narayana Suktam
125 bpm • A Maj • 05:11 • -6db
45% Popularity • 58% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
45% Popularity • 58% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Ved Vrind
Saudnyaan Sukta - a Hymn on Global Harmo...
109 bpm • D# min • 01:00 • -10db
47% Popularity • 56% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
47% Popularity • 56% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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T.Sivaprasad
Neela Suktam
109 bpm • A Maj • 00:55 • -8.16db
45% Popularity • 70% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 70% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Narendra Chanchal
Sankat Mochan
126 bpm • G# Maj • 05:09 • -1.74db
31% Popularity • 65% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 65% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Prem Prakash Dubey
Panchmukhi Hanuman Kavach
126 bpm • F Maj • 07:31 • -4.19db
46% Popularity • 52% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
46% Popularity • 52% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Ketan Patwardhan
रामा हो जय रामा ...
109 bpm • E Maj • 03:04 • -14.75db
0% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
0% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Brahma Kumaris
Prem se bas do ghadi
109 bpm • C Maj • 03:28 • -12db
28% Popularity • 66% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
28% Popularity • 66% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
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Gaytri Upadhyay
Jevo Gano Tevo Tamaro Putra Jani (Stuti)
108 bpm • F Maj • 06:57 • -8.33db
11% Popularity • 62% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
11% Popularity • 62% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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Poonam Sharma
Saptam Adhaya
127 bpm • F Maj • 02:12 • -3.35db
32% Popularity • 75% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
32% Popularity • 75% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Jubin Nautiyal
Govind Bolo
127 bpm • D Maj • 02:30 • -11db
59% Popularity • 50% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
59% Popularity • 50% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Hari Bharwad
Bhakti Re Karvi Tene
108 bpm • C# Maj • 08:38 • -6.33db
26% Popularity • 41% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 41% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Sundeep Gosswami
Ekadasha Rudra Shiva Mantra - Trance Mix
127 bpm • D Maj • 08:22 • -6.34db
26% Popularity • 69% Danceability • 82% Energy • 72% Liveness
38% Instrumentalness • 28% Positiveness
26% Popularity • 69% Danceability • 82% Energy • 72% Liveness
38% Instrumentalness • 28% Positiveness
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Sachin Limaye
Tvameva Mata Cha Pita Tvameva
108 bpm • F# Maj • 01:02 • -11db
42% Popularity • 58% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
42% Popularity • 58% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Veena Sahasrabuddhe
Shiva, Shiva, Shiva
127 bpm • C# Maj • 07:11 • -17.01db
33% Popularity • 45% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 45% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Swarup Damodar Prabhu
Narasimha Aarti
107 bpm • C# Maj • 05:32 • -6.05db
33% Popularity • 30% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 30% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
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Pujya Bhaishree Rameshbhai Ojha
Shree Rudraashtakam
107 bpm • D# Maj • 08:52 • -5.87db
24% Popularity • 47% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 47% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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ISKCON Bangalore
Sri Damodarashtakam
128 bpm • F# min • 04:52 • -6.67db
24% Popularity • 64% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 64% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Sundeep Gosswami
Shiva Moksha Hai - The Divine Light
127 bpm • D Maj • 04:44 • -6.92db
35% Popularity • 45% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 45% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Ketaki Bhave
उत्सव की रातें -...
107 bpm • G min • 01:58 • -12.73db
0% Popularity • 74% Danceability • 71% Energy • 76% Liveness
0% Instrumentalness • 91% Positiveness
0% Popularity • 74% Danceability • 71% Energy • 76% Liveness
0% Instrumentalness • 91% Positiveness
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G. Gayathri Devi
Shree Hari Stotram
128 bpm • D min • 04:38 • -10.42db
48% Popularity • 81% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
48% Popularity • 81% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Shankar Sahney
Baija Maa
106 bpm • D# Maj • 01:59 • -7.32db
41% Popularity • 81% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
41% Popularity • 81% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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Surabhi Dhomne
Mata Sherawali
106 bpm • D Maj • 04:28 • -1db
39% Popularity • 68% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 68% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
