Songs like Ramblin' On My Mind - Stereo by Robert Johnson
Based on a tempo of (+/- 10%) and a similar genre
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Robert Johnson
I'm a Steady Rollin' Man
102 bpm • D Maj • 02:34 • -13.18db
23% Popularity • 70% Danceability • 17% Energy • 11% Liveness
3% Instrumentalness • 61% Positiveness
23% Popularity • 70% Danceability • 17% Energy • 11% Liveness
3% Instrumentalness • 61% Positiveness
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Casey Bill Weldon
The Twelves (The Dirty Dozens)
102 bpm • F# Maj • 03:11 • -11db
25% Popularity • 57% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
25% Popularity • 57% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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The Paul Butterfield Blues Band
Walkin' Blues
102 bpm • A Maj • 03:19 • -7db
38% Popularity • 58% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
38% Popularity • 58% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Jimmy Rogers
Goin' Away Baby - Single Version
102 bpm • G Maj • 02:46 • -14.97db
28% Popularity • 64% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 64% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Mance Lipscomb
Sugar Babe
102 bpm • D# Maj • 02:06 • -18db
25% Popularity • 54% Danceability • 25% Energy • 11% Liveness
34% Instrumentalness • 52% Positiveness
25% Popularity • 54% Danceability • 25% Energy • 11% Liveness
34% Instrumentalness • 52% Positiveness
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Skip James
Cypress Grove Blues
103 bpm • G Maj • 03:09 • -18.5db
26% Popularity • 60% Danceability • 12% Energy • 9% Liveness
4% Instrumentalness • 57% Positiveness
26% Popularity • 60% Danceability • 12% Energy • 9% Liveness
4% Instrumentalness • 57% Positiveness
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Robert Johnson
Ramblin' On My Mind - Take 1
102 bpm • E Maj • 02:52 • -14.11db
24% Popularity • 70% Danceability • 15% Energy • 33% Liveness
1% Instrumentalness • 56% Positiveness
24% Popularity • 70% Danceability • 15% Energy • 33% Liveness
1% Instrumentalness • 56% Positiveness
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Big Joe Williams
Can't Listen No More
103 bpm • C Maj • 03:16 • -15db
10% Popularity • 58% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 58% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Juke Boy Bonner
I'm A Bluesman
103 bpm • C Maj • 03:07 • -9db
15% Popularity • 57% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 57% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Dock Boggs
Down South Blues
103 bpm • D min • 02:11 • -12.08db
19% Popularity • 80% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 80% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Sonny Terry and Brownie McGhee
Key To The Highway
103 bpm • G Maj • 02:19 • -11.86db
18% Popularity • 43% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 43% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
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Bo Carter
Cigarette Blues
101 bpm • B Maj • 03:18 • -13db
16% Popularity • 58% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
16% Popularity • 58% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Robert Johnson
Ramblin' On My Mind
102 bpm • A# Maj • 02:52 • -11.78db
28% Popularity • 69% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 69% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Big Joe Williams
Levee Break Blues
101 bpm • A Maj • 01:53 • -13.32db
28% Popularity • 60% Danceability • 42% Energy • 9% Liveness
2% Instrumentalness • 65% Positiveness
28% Popularity • 60% Danceability • 42% Energy • 9% Liveness
2% Instrumentalness • 65% Positiveness
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Blind Boy Fuller
Get Your Yas Yas Out
103 bpm • D Maj • 02:28 • -9.09db
16% Popularity • 68% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 68% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Champion Jack Dupree
Junker's Blues
103 bpm • F Maj • 03:12 • -22db
49% Popularity • 78% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
49% Popularity • 78% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Otis Rush
Working Man
103 bpm • C Maj • 02:27 • -10.95db
52% Popularity • 63% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
52% Popularity • 63% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Pink Anderson
Baby Please Don't Go
101 bpm • F# min • 02:45 • -18db
17% Popularity • 68% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 68% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Robert Johnson
I Believe I'll Dust My Broom
102 bpm • E Maj • 03:00 • -12.19db
10% Popularity • 69% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 69% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Mississippi Fred McDowell
Good Morning Little Schoolgirl
103 bpm • G# min • 03:21 • -15db
32% Popularity • 50% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 50% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Memphis Minnie
Moaning the Blues
101 bpm • A Maj • 03:06 • -14.59db
13% Popularity • 62% Danceability • 5% Energy • 14% Liveness
2% Instrumentalness • 65% Positiveness
13% Popularity • 62% Danceability • 5% Energy • 14% Liveness
2% Instrumentalness • 65% Positiveness
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Earl Hooker
Blue Guitar
104 bpm • A min • 02:39 • -7db
40% Popularity • 44% Danceability • 42% Energy • 14% Liveness
90% Instrumentalness • 55% Positiveness
40% Popularity • 44% Danceability • 42% Energy • 14% Liveness
90% Instrumentalness • 55% Positiveness
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Bukka White
Parchman Farm Blues
100 bpm • D Maj • 02:39 • -13db
19% Popularity • 58% Danceability • 24% Energy • 10% Liveness
51% Instrumentalness • 74% Positiveness
19% Popularity • 58% Danceability • 24% Energy • 10% Liveness
51% Instrumentalness • 74% Positiveness
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Slim Harpo
Wonderin' And Worryin'
100 bpm • G# Maj • 02:08 • -13.36db
18% Popularity • 74% Danceability • 62% Energy • 6% Liveness
1% Instrumentalness • 63% Positiveness
18% Popularity • 74% Danceability • 62% Energy • 6% Liveness
1% Instrumentalness • 63% Positiveness
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Robert Johnson
I Believe I'll Dust My Broom - SA.2581-1
102 bpm • A Maj • 02:59 • -13.76db
19% Popularity • 71% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
19% Popularity • 71% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Muddy Waters
I Can't Be Satisfied
104 bpm • D Maj • 02:42 • -14.88db
44% Popularity • 66% Danceability • 27% Energy • 8% Liveness
1% Instrumentalness • 69% Positiveness
44% Popularity • 66% Danceability • 27% Energy • 8% Liveness
1% Instrumentalness • 69% Positiveness
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Blind Boy Fuller
Step It up and Go
100 bpm • F Maj • 02:59 • -12db
20% Popularity • 66% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 66% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Arthur "Big Boy" Crudup
Mean Old 'Frisco Blues
100 bpm • A# Maj • 02:35 • -15.94db
28% Popularity • 68% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
28% Popularity • 68% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Lead Belly
Black Betty
104 bpm • B Maj • 01:52 • -15db
37% Popularity • 72% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 72% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Big Joe Williams
Nobody Knows When You're Down
100 bpm • A Maj • 03:26 • -20db
18% Popularity • 60% Danceability • 29% Energy • 12% Liveness
6% Instrumentalness • 41% Positiveness
18% Popularity • 60% Danceability • 29% Energy • 12% Liveness
6% Instrumentalness • 41% Positiveness
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Robert Johnson
Cross Road Blues - Take 2
102 bpm • E Maj • 02:27 • -15.4db
36% Popularity • 69% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 69% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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Freddie Spruell
Mr Freddie's Kokomo Blues
100 bpm • A Maj • 03:06 • -13.12db
20% Popularity • 75% Danceability • 29% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 75% Danceability • 29% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
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Victoria Spivey
Garter Snake Blues
100 bpm • C Maj • 03:17 • -11.26db
18% Popularity • 79% Danceability • 21% Energy • 25% Liveness
68% Instrumentalness • 72% Positiveness
18% Popularity • 79% Danceability • 21% Energy • 25% Liveness
68% Instrumentalness • 72% Positiveness
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Jimmy Rogers
You're The One - Single Version
104 bpm • A# Maj • 02:32 • -13db
35% Popularity • 74% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
35% Popularity • 74% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Chuck Berry
Blue Feeling
104 bpm • C Maj • 02:59 • -8.73db
18% Popularity • 58% Danceability • 46% Energy • 15% Liveness
3% Instrumentalness • 36% Positiveness
18% Popularity • 58% Danceability • 46% Energy • 15% Liveness
3% Instrumentalness • 36% Positiveness
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Robert Pete Williams
I've Grown So Ugly
100 bpm • A# min • 02:47 • -16.62db
18% Popularity • 69% Danceability • 34% Energy • 8% Liveness
3% Instrumentalness • 92% Positiveness
18% Popularity • 69% Danceability • 34% Energy • 8% Liveness
3% Instrumentalness • 92% Positiveness
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Robert Johnson
Dead Shrimp Blues
103 bpm • E Maj • 02:29 • -15.5db
17% Popularity • 71% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
17% Popularity • 71% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Peg Leg Sam
Navaho Trail
105 bpm • E Maj • 04:41 • -17.86db
9% Popularity • 41% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 41% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Johnnie Temple
Lead Pencil Blues
105 bpm • B Maj • 03:07 • -11db
32% Popularity • 90% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
32% Popularity • 90% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Casey Bill Weldon
Go Ahead, Buddy
105 bpm • C Maj • 02:44 • -14db
18% Popularity • 72% Danceability • 29% Energy • 18% Liveness
1% Instrumentalness • 97% Positiveness
18% Popularity • 72% Danceability • 29% Energy • 18% Liveness
1% Instrumentalness • 97% Positiveness
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Blind Boy Fuller
Baby You Gotta Change Your Mind
105 bpm • F min • 03:12 • -11db
19% Popularity • 68% Danceability • 36% Energy • 8% Liveness
7% Instrumentalness • 70% Positiveness
19% Popularity • 68% Danceability • 36% Energy • 8% Liveness
7% Instrumentalness • 70% Positiveness
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Kid Bailey
Rowdy Blues
99 bpm • C Maj • 03:00 • -17.62db
13% Popularity • 61% Danceability • 11% Energy • 11% Liveness
2% Instrumentalness • 56% Positiveness
13% Popularity • 61% Danceability • 11% Energy • 11% Liveness
2% Instrumentalness • 56% Positiveness
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Robert Johnson
I Believe I'll Dust My Broom
103 bpm • A Maj • 02:57 • -13.85db
30% Popularity • 70% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
30% Popularity • 70% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Bukka White
Aberdeen Mississippi Blues
105 bpm • G# Maj • 02:35 • -14db
27% Popularity • 60% Danceability • 18% Energy • 10% Liveness
16% Instrumentalness • 60% Positiveness
27% Popularity • 60% Danceability • 18% Energy • 10% Liveness
16% Instrumentalness • 60% Positiveness
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Geeshie Wiley
Skinny Leg Blues
106 bpm • C Maj • 03:13 • -13.39db
8% Popularity • 49% Danceability • 25% Energy • 40% Liveness
30% Instrumentalness • 57% Positiveness
8% Popularity • 49% Danceability • 25% Energy • 40% Liveness
30% Instrumentalness • 57% Positiveness
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Blind Blake
He's in the Jailhouse Now
98 bpm • F Maj • 02:41 • -9.52db
10% Popularity • 65% Danceability • 40% Energy • 10% Liveness
7% Instrumentalness • 68% Positiveness
10% Popularity • 65% Danceability • 40% Energy • 10% Liveness
7% Instrumentalness • 68% Positiveness
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Lonnie Johnson
Blue Ghost Blues
98 bpm • A# Maj • 03:09 • -10.23db
13% Popularity • 62% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 62% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Furry Lewis
Judge Harsh Blues
105 bpm • D Maj • 03:05 • -11db
23% Popularity • 49% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 49% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Robert Johnson
When You Got a Good Friend
101 bpm • F# Maj • 02:38 • -11.38db
29% Popularity • 78% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 78% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Tampa Red
Anna Lou Blues
106 bpm • A# Maj • 02:54 • -8db
22% Popularity • 57% Danceability • 50% Energy • 16% Liveness
2% Instrumentalness • 80% Positiveness
22% Popularity • 57% Danceability • 50% Energy • 16% Liveness
2% Instrumentalness • 80% Positiveness
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Guitar Slim
The Things That I Used To Do
98 bpm • F Maj • 03:00 • -14db
41% Popularity • 48% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
41% Popularity • 48% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Mance Lipscomb
Cocaine Done Kill My Baby
98 bpm • A# min • 02:33 • -17.04db
22% Popularity • 52% Danceability • 17% Energy • 10% Liveness
35% Instrumentalness • 58% Positiveness
22% Popularity • 52% Danceability • 17% Energy • 10% Liveness
35% Instrumentalness • 58% Positiveness
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Memphis Minnie
When the Levee Breaks - Alternate Take
98 bpm • G min • 03:09 • -14.35db
18% Popularity • 65% Danceability • 27% Energy • 12% Liveness
8% Instrumentalness • 61% Positiveness
18% Popularity • 65% Danceability • 27% Energy • 12% Liveness
8% Instrumentalness • 61% Positiveness
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J.B. Lenoir
Eisenhower Blues
98 bpm • A# min • 02:52 • -11.59db
31% Popularity • 78% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 78% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Robert Johnson
When You Got a Good Friend - Take 2
101 bpm • E Maj • 02:36 • -13.77db
18% Popularity • 81% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
18% Popularity • 81% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Albert King
Oh, Pretty Woman - Mono Mix
106 bpm • G min • 02:48 • -12.42db
42% Popularity • 79% Danceability • 39% Energy • 9% Liveness
78% Instrumentalness • 74% Positiveness
42% Popularity • 79% Danceability • 39% Energy • 9% Liveness
78% Instrumentalness • 74% Positiveness
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Big Walter Horton
Can't Hold Out Much Longer
106 bpm • D Maj • 02:52 • -15db
41% Popularity • 61% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
41% Popularity • 61% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Robert Wilkins
That's No Way to Get Along
98 bpm • G# Maj • 02:52 • -14db
24% Popularity • 45% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 45% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
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Memphis Minnie
When the Levee Breaks
98 bpm • F min • 03:11 • -10.81db
26% Popularity • 64% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 64% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Bukka White
Parchman Farm Blues
98 bpm • C Maj • 02:42 • -11db
28% Popularity • 56% Danceability • 30% Energy • 18% Liveness
55% Instrumentalness • 66% Positiveness
28% Popularity • 56% Danceability • 30% Energy • 18% Liveness
55% Instrumentalness • 66% Positiveness
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Robert Johnson
Stones In My Passway
99 bpm • D Maj • 02:26 • -16.29db
16% Popularity • 69% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 69% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Lonnie Johnson
Best Jockey in Town
106 bpm • A Maj • 02:57 • -16.11db
11% Popularity • 72% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 72% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Jimmy Reed
Found Love
106 bpm • D Maj • 02:17 • -11db
28% Popularity • 73% Danceability • 38% Energy • 10% Liveness
90% Instrumentalness • 88% Positiveness
28% Popularity • 73% Danceability • 38% Energy • 10% Liveness
90% Instrumentalness • 88% Positiveness
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Jimmy Rogers
Money, Marbles And Chalk - Single Versio...
98 bpm • B min • 03:20 • -14db
26% Popularity • 57% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 57% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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J.B. Lenoir
Slow Down
107 bpm • A Maj • 01:34 • -11db
46% Popularity • 85% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
46% Popularity • 85% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Arthur "Big Boy" Crudup
That's All Right
107 bpm • F min • 02:56 • -13.86db
36% Popularity • 59% Danceability • 42% Energy • 15% Liveness
2% Instrumentalness • 82% Positiveness
36% Popularity • 59% Danceability • 42% Energy • 15% Liveness
2% Instrumentalness • 82% Positiveness
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Robert Johnson
Stones In My Passway
98 bpm • E min • 02:28 • -14db
25% Popularity • 67% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 67% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Big Walter Horton
Temptation Blues
107 bpm • B min • 03:43 • -15.82db
33% Popularity • 67% Danceability • 32% Energy • 16% Liveness
61% Instrumentalness • 60% Positiveness
33% Popularity • 67% Danceability • 32% Energy • 16% Liveness
61% Instrumentalness • 60% Positiveness
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Albert King
Down Don't Bother Me - Mono Mix
97 bpm • F Maj • 02:14 • -11.07db
32% Popularity • 72% Danceability • 49% Energy • 9% Liveness
14% Instrumentalness • 71% Positiveness
32% Popularity • 72% Danceability • 49% Energy • 9% Liveness
14% Instrumentalness • 71% Positiveness
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Memphis Minnie
When The Levee Breaks
97 bpm • D Maj • 03:12 • -12.21db
10% Popularity • 66% Danceability • 30% Energy • 9% Liveness
1% Instrumentalness • 52% Positiveness
10% Popularity • 66% Danceability • 30% Energy • 9% Liveness
1% Instrumentalness • 52% Positiveness
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J.B. Lenoir
Alabama Blues
97 bpm • F# Maj • 03:14 • -8db
41% Popularity • 68% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
41% Popularity • 68% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Blind Boy Fuller
Trucking My Blues Away No 2
97 bpm • C# Maj • 02:55 • -9.35db
16% Popularity • 80% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 80% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Robert Johnson
Phonograph Blues - SA.2587-1
98 bpm • F# min • 02:40 • -15.79db
17% Popularity • 71% Danceability • 13% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 71% Danceability • 13% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
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Bukka White
High Fever Blues
107 bpm • A Maj • 02:50 • -12db
22% Popularity • 76% Danceability • 25% Energy • 11% Liveness
29% Instrumentalness • 72% Positiveness
22% Popularity • 76% Danceability • 25% Energy • 11% Liveness
29% Instrumentalness • 72% Positiveness
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Tampa Red
It Hurts Me Too
97 bpm • A# Maj • 02:33 • -8db
23% Popularity • 63% Danceability • 46% Energy • 13% Liveness
1% Instrumentalness • 71% Positiveness
23% Popularity • 63% Danceability • 46% Energy • 13% Liveness
1% Instrumentalness • 71% Positiveness
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Memphis Minnie
Blues Everywhere
107 bpm • A# Maj • 02:49 • -10.83db
12% Popularity • 77% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 77% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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Robert Wilkins
That's No Way to Get Along (Alternate Ta...
97 bpm • G# Maj • 02:53 • -13db
15% Popularity • 43% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 43% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Big Walter Horton
Tell Me Baby
97 bpm • B min • 03:15 • -15.23db
39% Popularity • 56% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 56% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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Robert Johnson
Sweet Home Chicago
98 bpm • F# Maj • 02:59 • -12.14db
43% Popularity • 66% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 66% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Robert Petway
Ride Em on Down
108 bpm • F# Maj • 02:56 • -8.43db
10% Popularity • 71% Danceability • 60% Energy • 18% Liveness
26% Instrumentalness • 79% Positiveness
10% Popularity • 71% Danceability • 60% Energy • 18% Liveness
26% Instrumentalness • 79% Positiveness
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John Mayall & The Bluesbreakers
All Your Love
108 bpm • D min • 03:36 • -9.22db
50% Popularity • 35% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
50% Popularity • 35% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
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Memphis Minnie & Kansas Joe
When The Levee Breaks
97 bpm • G min • 03:08 • -10.62db
37% Popularity • 70% Danceability • 28% Energy • 10% Liveness
16% Instrumentalness • 48% Positiveness
37% Popularity • 70% Danceability • 28% Energy • 10% Liveness
16% Instrumentalness • 48% Positiveness
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Big Joe Williams
Back Home Blues
97 bpm • C Maj • 04:22 • -16db
15% Popularity • 59% Danceability • 21% Energy • 9% Liveness
2% Instrumentalness • 49% Positiveness
15% Popularity • 59% Danceability • 21% Energy • 9% Liveness
2% Instrumentalness • 49% Positiveness
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Bo Carter
Pussy Cat Blues
108 bpm • E Maj • 02:54 • -11.64db
11% Popularity • 58% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 58% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Robert Johnson
Cross Road Blues - Take 1
107 bpm • E Maj • 02:37 • -16.12db
41% Popularity • 70% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
41% Popularity • 70% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Slim Harpo
Blues Hangover
96 bpm • G Maj • 03:06 • -7db
33% Popularity • 53% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 53% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Tampa Red
Boogie Woogie Dance
108 bpm • D# Maj • 03:14 • -9db
11% Popularity • 67% Danceability • 44% Energy • 20% Liveness
33% Instrumentalness • 96% Positiveness
11% Popularity • 67% Danceability • 44% Energy • 20% Liveness
33% Instrumentalness • 96% Positiveness
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Woody Guthrie
Dust Bowl Blues
96 bpm • A Maj • 03:25 • -14.48db
6% Popularity • 66% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
6% Popularity • 66% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Bowling Green John Cephas
Black Rat Swing
108 bpm • D Maj • 05:02 • -9.94db
12% Popularity • 59% Danceability • 38% Energy • 22% Liveness
46% Instrumentalness • 77% Positiveness
12% Popularity • 59% Danceability • 38% Energy • 22% Liveness
46% Instrumentalness • 77% Positiveness
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Pink Anderson
My Baby Left Me This Morning
108 bpm • G Maj • 03:38 • -16.54db
9% Popularity • 69% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 69% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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Robert Johnson
Kind Hearted Woman Blues - Take 2
97 bpm • F min • 02:27 • -16.79db
20% Popularity • 63% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 63% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Arthur "Big Boy" Crudup
My Mama Don’t Allow Me - Fire & Fury V...
96 bpm • F min • 02:23 • -20.48db
43% Popularity • 63% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
43% Popularity • 63% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Champion Jack Dupree
Stack-O-Lee
108 bpm • G# Maj • 03:56 • -17db
33% Popularity • 56% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 56% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Hound Dog Taylor & The HouseRockers
Give Me Back My Wig
108 bpm • A Maj • 03:35 • -13.4db
44% Popularity • 64% Danceability • 71% Energy • 8% Liveness
1% Instrumentalness • 78% Positiveness
44% Popularity • 64% Danceability • 71% Energy • 8% Liveness
1% Instrumentalness • 78% Positiveness
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Bukka White
Fixin' to Die Blues
109 bpm • B Maj • 02:51 • -10db
18% Popularity • 59% Danceability • 29% Energy • 18% Liveness
44% Instrumentalness • 62% Positiveness
18% Popularity • 59% Danceability • 29% Energy • 18% Liveness
44% Instrumentalness • 62% Positiveness
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Blind Willie Johnson
Bye and Bye I'm Goin' to See the King
109 bpm • G Maj • 02:51 • -16.12db
17% Popularity • 60% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
17% Popularity • 60% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Robert Johnson
Phonograph Blues
97 bpm • F# Maj • 02:40 • -13.16db
8% Popularity • 69% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 69% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Arthur "Big Boy" Crudup
My Baby Left Me - Remastered 2003
108 bpm • D Maj • 02:21 • -11.89db
30% Popularity • 79% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 79% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
