Songs like Ramon Ayala by Giovannie and the Hired Guns
Based on a tempo of (+/- 10%) and a similar genre
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Giovannie and the Hired Guns
Ramon Ayala
182 bpm • E Maj • 02:48 • -4.11db
58% Popularity • 49% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
58% Popularity • 49% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Gavin Adcock
Four Leaf Clover
182 bpm • F min • 03:11 • -6.8db
68% Popularity • 50% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
68% Popularity • 50% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Dylan Wheeler
Times Are Changing
180 bpm • C Maj • 03:04 • -4.68db
28% Popularity • 34% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 34% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
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Colby Acuff
Dying Breed
182 bpm • A Maj • 03:41 • -7.39db
56% Popularity • 47% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
56% Popularity • 47% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Treaty Oak Revival
Postcard
180 bpm • F# Maj • 03:34 • -2.44db
62% Popularity • 33% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
62% Popularity • 33% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
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Logan Ryan Band
Cigarettes and Alcohol
184 bpm • F# Maj • 04:37 • -7.91db
41% Popularity • 34% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
41% Popularity • 34% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
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Giovannie and the Hired Guns
Ramon Ayala
182 bpm • E Maj • 02:47 • -4.66db
33% Popularity • 50% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 50% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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The Panhandlers
The Panhandler
179 bpm • F min • 05:14 • -8.31db
43% Popularity • 45% Danceability • 63% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
43% Popularity • 45% Danceability • 63% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
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Koe Wetzel
Kuntry & Wistern
185 bpm • E Maj • 04:01 • -5.03db
60% Popularity • 50% Danceability • 82% Energy • 86% Liveness
0% Instrumentalness • 51% Positiveness
60% Popularity • 50% Danceability • 82% Energy • 86% Liveness
0% Instrumentalness • 51% Positiveness
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Logan Michael
Whiskey Serenade
180 bpm • C# Maj • 03:05 • -7.18db
55% Popularity • 20% Danceability • 47% Energy • 12% Liveness
2% Instrumentalness • 25% Positiveness
55% Popularity • 20% Danceability • 47% Energy • 12% Liveness
2% Instrumentalness • 25% Positiveness
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Josh Meloy
The Road
186 bpm • F# Maj • 02:33 • -5.37db
45% Popularity • 34% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
45% Popularity • 34% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Parker Ryan
Beaumont
178 bpm • D# Maj • 03:59 • -6.51db
35% Popularity • 40% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 40% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Casey Donahew
Go to Hell
188 bpm • G Maj • 03:09 • -4.36db
41% Popularity • 50% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 50% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
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Jackson Dean
Trailer Park
176 bpm • C Maj • 03:38 • -4.93db
53% Popularity • 43% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
53% Popularity • 43% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
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49 Winchester
All I Need
188 bpm • D Maj • 03:02 • -7.5db
48% Popularity • 54% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
48% Popularity • 54% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Koe Wetzel
9 Lives (Black Cat)
176 bpm • G# Maj • 03:24 • -4.89db
60% Popularity • 48% Danceability • 92% Energy • 46% Liveness
0% Instrumentalness • 48% Positiveness
60% Popularity • 48% Danceability • 92% Energy • 46% Liveness
0% Instrumentalness • 48% Positiveness
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Turnpike Troubadours
Every Girl
175 bpm • G Maj • 03:45 • -4.49db
56% Popularity • 48% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
56% Popularity • 48% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Ian Munsick
Me Against the Mountain
190 bpm • G Maj • 03:24 • -7.61db
56% Popularity • 52% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
56% Popularity • 52% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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Giovannie and the Hired Guns
Calling You Tonight
174 bpm • D Maj • 04:23 • -8.8db
22% Popularity • 30% Danceability • 70% Energy • 9% Liveness
4% Instrumentalness • 44% Positiveness
22% Popularity • 30% Danceability • 70% Energy • 9% Liveness
4% Instrumentalness • 44% Positiveness
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Kolby Cooper
Leave Me My Heart
174 bpm • A# Maj • 03:17 • -4.05db
48% Popularity • 40% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
48% Popularity • 40% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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Bart Crow
Wear My Ring
191 bpm • G# Maj • 03:51 • -5.92db
55% Popularity • 39% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
55% Popularity • 39% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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The Lowdown Drifters
Rock N Roll
173 bpm • D Maj • 03:18 • -6db
39% Popularity • 40% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
39% Popularity • 40% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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Turnpike Troubadours
Gin, Smoke, Lies
174 bpm • C Maj • 04:37 • -7.25db
56% Popularity • 50% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
56% Popularity • 50% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Sam Grow
Kiss My Ass
172 bpm • B Maj • 02:41 • -4.66db
60% Popularity • 54% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
60% Popularity • 54% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Giovannie and the Hired Guns
Calling You Tonight
174 bpm • D Maj • 04:02 • -5.75db
31% Popularity • 41% Danceability • 83% Energy • 10% Liveness
12% Instrumentalness • 25% Positiveness
31% Popularity • 41% Danceability • 83% Energy • 10% Liveness
12% Instrumentalness • 25% Positiveness
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Treaty Oak Revival
Tattooed Roses
172 bpm • A Maj • 04:24 • -2.29db
58% Popularity • 36% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
58% Popularity • 36% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
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Colby Acuff
If I Were the Devil
172 bpm • C# min • 04:02 • -9.93db
69% Popularity • 50% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
69% Popularity • 50% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Muscadine Bloodline
Dyin' For a Livin'
171 bpm • A Maj • 02:14 • -7.5db
56% Popularity • 44% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
56% Popularity • 44% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
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Turnpike Troubadours
7 & 7
191 bpm • A Maj • 04:49 • -5.28db
61% Popularity • 40% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
61% Popularity • 40% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
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Frank Foster
Blue Collar Boys
171 bpm • D# Maj • 03:52 • -6.26db
47% Popularity • 56% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
47% Popularity • 56% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Giovannie and the Hired Guns
Bad Habits - Live
172 bpm • A Maj • 05:38 • -5.81db
18% Popularity • 29% Danceability • 95% Energy • 53% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 29% Danceability • 95% Energy • 53% Liveness
0% Instrumentalness • 28% Positiveness
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The Lowdown Drifters
Crazy Pretty Hell
170 bpm • C Maj • 03:40 • -6.55db
31% Popularity • 45% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 45% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Kolby Cooper
Kill Me
170 bpm • D# Maj • 02:43 • -4.46db
59% Popularity • 47% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
59% Popularity • 47% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
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Bryan Andrews
Homewrecker
170 bpm • F# min • 03:58 • -9.79db
39% Popularity • 35% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 35% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Turnpike Troubadours
Diamonds & Gasoline
170 bpm • C Maj • 03:54 • -9.07db
63% Popularity • 47% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
63% Popularity • 47% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Casey Donahew
Built Different
170 bpm • A Maj • 03:00 • -5.65db
42% Popularity • 52% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 52% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Giovannie and the Hired Guns
Bad Habits
170 bpm • A Maj • 04:01 • -6.05db
41% Popularity • 41% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
41% Popularity • 41% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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The Lowdown Drifters
Red Rock
170 bpm • C Maj • 04:59 • -6.2db
29% Popularity • 46% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
29% Popularity • 46% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Zach Bryan
Traveling Man
168 bpm • G Maj • 03:17 • -6.38db
69% Popularity • 39% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
69% Popularity • 39% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Wyatt Flores
West Of Tulsa
168 bpm • G Maj • 03:23 • -5.12db
58% Popularity • 56% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
58% Popularity • 56% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Shawn David
Raised On Shotgun
168 bpm • B Maj • 03:36 • -5.91db
27% Popularity • 42% Danceability • 59% Energy • 11% Liveness
3% Instrumentalness • 17% Positiveness
27% Popularity • 42% Danceability • 59% Energy • 11% Liveness
3% Instrumentalness • 17% Positiveness
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Tyler Halverson
Mac Miller
168 bpm • A# Maj • 02:54 • -8.64db
48% Popularity • 56% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
48% Popularity • 56% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Giovannie and the Hired Guns
Overrated
169 bpm • F# Maj • 03:38 • -6db
42% Popularity • 21% Danceability • 84% Energy • 90% Liveness
0% Instrumentalness • 45% Positiveness
42% Popularity • 21% Danceability • 84% Energy • 90% Liveness
0% Instrumentalness • 45% Positiveness
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Kolby Cooper
One Night Stand
168 bpm • G# Maj • 03:48 • -5db
47% Popularity • 44% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
47% Popularity • 44% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Cody Johnson
Never Go Home Again
168 bpm • E min • 04:12 • -5.3db
64% Popularity • 43% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
64% Popularity • 43% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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Bryan Martin
Everyone's An Outlaw
166 bpm • C# Maj • 03:20 • -3.83db
71% Popularity • 51% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
71% Popularity • 51% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Them Dirty Roses
Sunday Drunk
166 bpm • E Maj • 04:31 • -5.29db
40% Popularity • 47% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 61% Positiveness
40% Popularity • 47% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 61% Positiveness
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Flatland Cavalry
Sleeping Alone
166 bpm • A# Maj • 03:50 • -13.1db
67% Popularity • 36% Danceability • 17% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
67% Popularity • 36% Danceability • 17% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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William Clark Green
Creek Don't Rise
165 bpm • B Maj • 02:30 • -2.63db
41% Popularity • 43% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
41% Popularity • 43% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
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Austin Meade
Happier Alone
200 bpm • F min • 03:44 • -6.76db
60% Popularity • 32% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
60% Popularity • 32% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Corey Kent
Ain't My Day
202 bpm • A# Maj • 03:21 • -3.77db
56% Popularity • 38% Danceability • 84% Energy • 46% Liveness
0% Instrumentalness • 48% Positiveness
56% Popularity • 38% Danceability • 84% Energy • 46% Liveness
0% Instrumentalness • 48% Positiveness
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Bleu Edmondson
Finger On the Trigger
164 bpm • C Maj • 05:47 • -6.68db
43% Popularity • 40% Danceability • 72% Energy • 13% Liveness
1% Instrumentalness • 24% Positiveness
43% Popularity • 40% Danceability • 72% Energy • 13% Liveness
1% Instrumentalness • 24% Positiveness
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Wade Forster
Fighting Tears
164 bpm • B Maj • 05:38 • -6.85db
57% Popularity • 64% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
57% Popularity • 64% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Cody Hibbard
Armed & Dangerous
164 bpm • F# Maj • 03:27 • -5.86db
40% Popularity • 40% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
40% Popularity • 40% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Gannon Fremin & CCREV
Always Around
164 bpm • D Maj • 03:05 • -7.47db
36% Popularity • 46% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 46% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Bo Bundy
Cocaine Cowboy
163 bpm • G Maj • 02:24 • -6.26db
26% Popularity • 56% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
26% Popularity • 56% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Mike Ryan
Other Side of the Radio
204 bpm • F Maj • 03:20 • -5.73db
51% Popularity • 42% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
51% Popularity • 42% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
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Upchurch
Real Country
160 bpm • F Maj • 03:36 • -5.61db
55% Popularity • 52% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
55% Popularity • 52% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Ella Langley
That's Why We Fight
206 bpm • F min • 02:43 • -3.27db
57% Popularity • 36% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
57% Popularity • 36% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Cody Hibbard
Half Whiskey, Half Lonely
162 bpm • A# Maj • 03:30 • -4.98db
45% Popularity • 56% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 56% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Gavin Adcock
Goin' Gone
160 bpm • G Maj • 02:54 • -6.38db
55% Popularity • 53% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
55% Popularity • 53% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Pecos & the Rooftops
Hurt No More
160 bpm • A# min • 03:34 • -5.77db
50% Popularity • 48% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 48% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Bryan Martin
Divided States
160 bpm • F# Maj • 03:12 • -5.54db
52% Popularity • 49% Danceability • 83% Energy • 14% Liveness
2% Instrumentalness • 55% Positiveness
52% Popularity • 49% Danceability • 83% Energy • 14% Liveness
2% Instrumentalness • 55% Positiveness
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Dylan Wheeler
My Head
160 bpm • E Maj • 05:15 • -5db
30% Popularity • 39% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 11% Positiveness
30% Popularity • 39% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 11% Positiveness
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Giovannie and the Hired Guns
10-56A
160 bpm • D Maj • 03:27 • -4.94db
30% Popularity • 41% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 41% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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HARDY
THE REDNECK SONG
160 bpm • D Maj • 03:55 • -3.97db
51% Popularity • 45% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
51% Popularity • 45% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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Treaty Oak Revival
One Time Thing
160 bpm • A Maj • 03:53 • -2db
64% Popularity • 45% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
64% Popularity • 45% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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William Clark Green
Anymore
159 bpm • C Maj • 04:36 • -11db
39% Popularity • 45% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
39% Popularity • 45% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Bryan Martin
More Than The Shine
160 bpm • C# Maj • 02:56 • -4.24db
68% Popularity • 55% Danceability • 91% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
68% Popularity • 55% Danceability • 91% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
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Tanner Usrey
Make It Out Alive
158 bpm • A# Maj • 04:07 • -5.77db
48% Popularity • 48% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
48% Popularity • 48% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Randy Houser
Whistlin' Dixie
159 bpm • F# Maj • 03:08 • -4.42db
54% Popularity • 63% Danceability • 79% Energy • 10% Liveness
6% Instrumentalness • 81% Positiveness
54% Popularity • 63% Danceability • 79% Energy • 10% Liveness
6% Instrumentalness • 81% Positiveness
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Jackson Dean
Don’t Take Much
158 bpm • C min • 03:20 • -7.17db
51% Popularity • 62% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
51% Popularity • 62% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Kolton Moore & the Clever Few
Wherever I Am
158 bpm • C Maj • 04:13 • -8db
38% Popularity • 35% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
38% Popularity • 35% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Giovannie and the Hired Guns
Rooster Tattoo
157 bpm • G Maj • 04:00 • -6.18db
51% Popularity • 26% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
51% Popularity • 26% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
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Cole Barnhill
Cocaine and Caffeine
157 bpm • G# Maj • 04:04 • -10db
29% Popularity • 48% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 48% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Sterling Elza
Throw Away
156 bpm • G Maj • 04:05 • -10.02db
55% Popularity • 46% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
55% Popularity • 46% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
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Carson Jeffrey
Only Star in My Sky
156 bpm • F# Maj • 03:02 • -4.62db
36% Popularity • 52% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 52% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Jackson Dean
Don't Come Lookin'
156 bpm • A Maj • 03:07 • -6.02db
63% Popularity • 53% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
63% Popularity • 53% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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Kolby Cooper
Excuses
156 bpm • G Maj • 03:26 • -5.41db
55% Popularity • 50% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
55% Popularity • 50% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Kolton Moore & the Clever Few
Love Me Instead
157 bpm • F# min • 04:21 • -10db
37% Popularity • 56% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 56% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Colby Acuff
Boy and a Bird Dog
155 bpm • F Maj • 03:04 • -6.24db
44% Popularity • 66% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 66% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
