Songs like Rank Strangers to Me by The Osborne Brothers
Based on a tempo of (+/- 10%) and a similar genre
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Mac Wiseman
In The Pines
80 bpm • A Maj • 04:33 • -9.24db
5% Popularity • 30% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
5% Popularity • 30% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Stringbean
String's Mountain Dew
81 bpm • A Maj • 01:51 • -9.42db
19% Popularity • 56% Danceability • 45% Energy • 36% Liveness
12% Instrumentalness • 89% Positiveness
19% Popularity • 56% Danceability • 45% Energy • 36% Liveness
12% Instrumentalness • 89% Positiveness
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Balsam Range
From A Georgia Battlefield
79 bpm • F Maj • 04:57 • -7.76db
19% Popularity • 50% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
19% Popularity • 50% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Stonewall Jackson
I Washed My Hands in Muddy Water
82 bpm • G Maj • 02:42 • -11db
45% Popularity • 62% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
45% Popularity • 62% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Buzz Busby
Talking Banjo
82 bpm • G Maj • 01:39 • -10.11db
29% Popularity • 50% Danceability • 59% Energy • 24% Liveness
93% Instrumentalness • 89% Positiveness
29% Popularity • 50% Danceability • 59% Energy • 24% Liveness
93% Instrumentalness • 89% Positiveness
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Reno & Smiley
I Know You're Married
78 bpm • A Maj • 02:37 • -8.09db
24% Popularity • 50% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 50% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Tommy Cash
Six White Horses
83 bpm • D Maj • 02:50 • -12db
38% Popularity • 58% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 58% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Stringbean
Good Old Mountain Dew
81 bpm • A Maj • 01:53 • -10.03db
28% Popularity • 55% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
28% Popularity • 55% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
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The Dillards
Banjo in the Hollow
77 bpm • A Maj • 01:54 • -11.49db
34% Popularity • 24% Danceability • 91% Energy • 41% Liveness
99% Instrumentalness • 82% Positiveness
34% Popularity • 24% Danceability • 91% Energy • 41% Liveness
99% Instrumentalness • 82% Positiveness
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The Osborne Brothers
Ruby - Are You Mad at Your Man
84 bpm • G Maj • 03:01 • -9.11db
32% Popularity • 33% Danceability • 61% Energy • 6% Liveness
60% Instrumentalness • 57% Positiveness
32% Popularity • 33% Danceability • 61% Energy • 6% Liveness
60% Instrumentalness • 57% Positiveness
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Mac Wiseman
Pins and Needles (In My Heart)
84 bpm • G Maj • 02:52 • -11.75db
19% Popularity • 58% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 58% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Loretta Lynn
You're The Reason Our Kids Are Ugly
85 bpm • A Maj • 02:34 • -10db
50% Popularity • 75% Danceability • 54% Energy • 68% Liveness
2% Instrumentalness • 75% Positiveness
50% Popularity • 75% Danceability • 54% Energy • 68% Liveness
2% Instrumentalness • 75% Positiveness
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Johnny Horton
When It's Springtime in Alaska (It's For...
85 bpm • E Maj • 02:35 • -14.86db
38% Popularity • 68% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
38% Popularity • 68% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Stringbean
There'll Be Moonshining
76 bpm • G Maj • 02:09 • -10db
19% Popularity • 58% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 58% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Bobby Bare
Dropkick Me, Jesus
85 bpm • C Maj • 02:42 • -13db
35% Popularity • 59% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 59% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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The Osborne Brothers
The Kind Of Woman I Got
85 bpm • E Maj • 02:27 • -13.65db
15% Popularity • 68% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 68% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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George Jones
White Lightning
74 bpm • A# Maj • 02:46 • -8.7db
43% Popularity • 63% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
43% Popularity • 63% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Mel McDaniel
If I Keep On Going Crazy
86 bpm • F Maj • 02:38 • -7.35db
48% Popularity • 74% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
48% Popularity • 74% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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The Bluegrass Cardinals
Jubilee Road
87 bpm • A Maj • 03:27 • -10.73db
13% Popularity • 60% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
13% Popularity • 60% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Stringbean
Rye Whiskey
84 bpm • G Maj • 02:39 • -13.57db
26% Popularity • 67% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 67% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Merle Haggard
Rainbow Stew
88 bpm • A# Maj • 02:46 • -9.06db
47% Popularity • 59% Danceability • 83% Energy • 97% Liveness
14% Instrumentalness • 87% Positiveness
47% Popularity • 59% Danceability • 83% Energy • 97% Liveness
14% Instrumentalness • 87% Positiveness
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John Hartford
Goin Back to Dixie
90 bpm • D Maj • 03:38 • -11.64db
11% Popularity • 65% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 65% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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David Allan Coe
Cocaine Carolina
90 bpm • G Maj • 02:46 • -10.47db
48% Popularity • 60% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
48% Popularity • 60% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Buck Owens & The Buckaroos
Love's Gonna Live Here - Mono Single Ver...
92 bpm • G# Maj • 02:01 • -6.17db
46% Popularity • 59% Danceability • 65% Energy • 7% Liveness
4% Instrumentalness • 94% Positiveness
46% Popularity • 59% Danceability • 65% Energy • 7% Liveness
4% Instrumentalness • 94% Positiveness
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The Bluegrass Cardinals
Sweet Hour of Prayer
88 bpm • F# Maj • 04:00 • -9.53db
15% Popularity • 43% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 43% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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The Osborne Brothers
Take Me Home Country Roads
92 bpm • B Maj • 02:53 • -7.14db
8% Popularity • 65% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 65% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Blue Moon Rising
Barely Hangin' On
92 bpm • G Maj • 03:10 • -9.32db
31% Popularity • 62% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 62% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Mac Wiseman
Don't Let Your Sweet Love Die
93 bpm • A Maj • 03:41 • -11db
25% Popularity • 56% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
25% Popularity • 56% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
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The Oak Ridge Boys
Leaving Louisiana In The Broad Daylight
96 bpm • F Maj • 02:59 • -14.41db
55% Popularity • 62% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
55% Popularity • 62% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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The Charlie Daniels Band
Uneasy Rider
96 bpm • C Maj • 05:18 • -10.73db
46% Popularity • 66% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
46% Popularity • 66% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
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J.D. Crowe & The New South
Tennessee Blues
96 bpm • A# Maj • 04:04 • -10.45db
16% Popularity • 58% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 58% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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The Osborne Brothers
Kentucky Waltz
95 bpm • F Maj • 02:40 • -10db
26% Popularity • 55% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 55% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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Mel McDaniel
Big Ole Brew
96 bpm • E Maj • 02:47 • -12.91db
54% Popularity • 64% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
54% Popularity • 64% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Joe Maphis
Memories of Maybelle
97 bpm • G Maj • 03:07 • -13.16db
15% Popularity • 54% Danceability • 44% Energy • 32% Liveness
82% Instrumentalness • 80% Positiveness
15% Popularity • 54% Danceability • 44% Energy • 32% Liveness
82% Instrumentalness • 80% Positiveness
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Sons Of The San Joaquin
Great American Cowboy
98 bpm • C# min • 04:05 • -11.18db
27% Popularity • 54% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 54% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Darin and Brooke Aldridge
Tennessee Flat Top Box
98 bpm • B Maj • 03:18 • -6.75db
15% Popularity • 66% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 66% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Conway Twitty
Louisiana Woman, Mississippi Man
98 bpm • C# Maj • 02:31 • -6.94db
61% Popularity • 62% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
61% Popularity • 62% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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The Osborne Brothers
My Rose Of Old Kentucky
97 bpm • C Maj • 02:54 • -9.09db
7% Popularity • 62% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
7% Popularity • 62% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Marty Robbins
Faleena
98 bpm • E Maj • 08:16 • -12.08db
35% Popularity • 65% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
35% Popularity • 65% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Don Reno
I'm Using My Bible For A Roadmap
99 bpm • A Maj • 02:13 • -9db
21% Popularity • 59% Danceability • 50% Energy • 16% Liveness
30% Instrumentalness • 84% Positiveness
21% Popularity • 59% Danceability • 50% Energy • 16% Liveness
30% Instrumentalness • 84% Positiveness
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Merle Haggard
The Silver Ghost
99 bpm • B Maj • 03:25 • -14.64db
26% Popularity • 59% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 59% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Roy Acuff
Wabash Cannonball
99 bpm • A Maj • 02:36 • -10db
39% Popularity • 72% Danceability • 37% Energy • 42% Liveness
0% Instrumentalness • 88% Positiveness
39% Popularity • 72% Danceability • 37% Energy • 42% Liveness
0% Instrumentalness • 88% Positiveness
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Dwight McCall
West Virginia Ground
100 bpm • A# Maj • 03:08 • -5db
22% Popularity • 67% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
22% Popularity • 67% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
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The Osborne Brothers
Up This Hill And Down
99 bpm • C Maj • 02:23 • -9.72db
17% Popularity • 74% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
17% Popularity • 74% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Russell Moore & IIIrd Tyme Out
Little John, I Am
100 bpm • E Maj • 03:07 • -7db
23% Popularity • 64% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 64% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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The Grascals
Life Finds A Way
100 bpm • A Maj • 02:26 • -9.84db
25% Popularity • 65% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 65% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Billy Joe Shaver
I'm Just an Old Chunk of Coal (But I'm G...
101 bpm • A Maj • 02:01 • -11db
44% Popularity • 69% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
44% Popularity • 69% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Merle Haggard
I'm A White Boy
101 bpm • A Maj • 02:04 • -10.87db
51% Popularity • 62% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
51% Popularity • 62% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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Raymond Fairchild
When You And I Were Young, Maggie
101 bpm • G Maj • 03:16 • -10.35db
17% Popularity • 48% Danceability • 58% Energy • 19% Liveness
94% Instrumentalness • 97% Positiveness
17% Popularity • 48% Danceability • 58% Energy • 19% Liveness
94% Instrumentalness • 97% Positiveness
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J.D. Crowe & The New South
Ten Degrees
101 bpm • C Maj • 02:20 • -12.1db
29% Popularity • 73% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
29% Popularity • 73% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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The Nashville Bluegrass Band
Tear My Stillhouse Down
103 bpm • G Maj • 02:32 • -10.9db
35% Popularity • 69% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 69% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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The Bluegrass Album Band
We Can't Be Darlings Anymore
103 bpm • G Maj • 03:03 • -15.73db
26% Popularity • 55% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
26% Popularity • 55% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
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The Osborne Brothers
Don't Let Smokey Mountain Smoke Get In Y...
104 bpm • F Maj • 02:14 • -13.1db
20% Popularity • 73% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
20% Popularity • 73% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
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Larry Cordle and Lonesome Standard Time
Murder On Music Row
104 bpm • A Maj • 04:19 • -11.67db
9% Popularity • 61% Danceability • 27% Energy • 72% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 61% Danceability • 27% Energy • 72% Liveness
0% Instrumentalness • 54% Positiveness
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Doyle Lawson & Quicksilver
Dixie Road
104 bpm • F Maj • 02:23 • -5.42db
28% Popularity • 74% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
28% Popularity • 74% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Alison Krauss & Union Station
Bright Sunny South
104 bpm • B min • 03:00 • -7.99db
34% Popularity • 53% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
34% Popularity • 53% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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Blue Moon Rising
Blue Moon Rising
104 bpm • E min • 02:57 • -7.91db
17% Popularity • 61% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 61% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Merle Haggard
Working Man Blues
104 bpm • C# Maj • 02:36 • -14.24db
35% Popularity • 66% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
35% Popularity • 66% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Special Consensus
Rounder's Spirit
104 bpm • A# min • 03:00 • -6.11db
27% Popularity • 64% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 64% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Junior Sisk
The Mountains Are Calling Me Home
105 bpm • G Maj • 03:07 • -5.19db
24% Popularity • 63% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
24% Popularity • 63% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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The Nashville Bluegrass Band
Backtrackin'
105 bpm • F Maj • 03:01 • -10.77db
18% Popularity • 68% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 68% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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New Grass Revival
Callin' Baton Rouge
105 bpm • E Maj • 02:40 • -6.25db
40% Popularity • 65% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
40% Popularity • 65% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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The Osborne Brothers
Little Cabin Hom On The Hill
105 bpm • B Maj • 02:55 • -10db
10% Popularity • 60% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 60% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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David Allan Coe
Tennessee Whiskey
105 bpm • D Maj • 02:58 • -11.12db
46% Popularity • 67% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
46% Popularity • 67% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Special Consensus
Sea Of Heartbreak
105 bpm • B Maj • 03:08 • -8.06db
27% Popularity • 59% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 59% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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George Jones
Tennessee Whiskey
105 bpm • F# Maj • 02:51 • -15.5db
50% Popularity • 59% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
50% Popularity • 59% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Merle Haggard & The Strangers
Silver Wings
105 bpm • E Maj • 02:45 • -14.57db
51% Popularity • 54% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
51% Popularity • 54% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Joe Maphis
Nine Pound Hammer
105 bpm • G Maj • 03:24 • -13db
20% Popularity • 62% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 62% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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The Moron Brothers (Bluegrass)
If My Nose Was Running Money
106 bpm • C Maj • 03:31 • -10.98db
13% Popularity • 66% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 66% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Flatt Lonesome
Mixed Up Mess of a Heart
106 bpm • A# Maj • 02:46 • -7.18db
19% Popularity • 78% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
19% Popularity • 78% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Blue Highway
I Can't Think of One
106 bpm • D Maj • 03:13 • -7.2db
17% Popularity • 63% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 63% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Red Foley
Too Old To Cut The Mustard
106 bpm • D Maj • 02:52 • -11.19db
37% Popularity • 82% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
37% Popularity • 82% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Dale Ann Bradley
Run Rufus Run
106 bpm • B min • 03:28 • -6.76db
21% Popularity • 59% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 59% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Hot Rize
Radio Boogie
107 bpm • C Maj • 02:44 • -15db
26% Popularity • 68% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
26% Popularity • 68% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Bob Wills
San Antonio Rose
107 bpm • D# Maj • 03:10 • -12.75db
29% Popularity • 65% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 91% Positiveness
29% Popularity • 65% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 91% Positiveness
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Larry Cordle and Lonesome Standard Time
Black Diamond Strings
107 bpm • B Maj • 03:53 • -9db
14% Popularity • 63% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 63% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Stringbean
Chewin' Chewing Gum
107 bpm • D Maj • 01:44 • -17.14db
20% Popularity • 64% Danceability • 26% Energy • 11% Liveness
68% Instrumentalness • 73% Positiveness
20% Popularity • 64% Danceability • 26% Energy • 11% Liveness
68% Instrumentalness • 73% Positiveness
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Del McCoury
Take Me To The Mountains
107 bpm • G Maj • 03:19 • -15.04db
14% Popularity • 71% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 71% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Blue Highway
I'd Rather Be A Lonesome Pine
107 bpm • B min • 02:41 • -8.96db
22% Popularity • 74% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
22% Popularity • 74% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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The Osborne Brothers
I Wonder How the Old Folks Are at Home
107 bpm • B Maj • 02:50 • -6db
13% Popularity • 61% Danceability • 57% Energy • 23% Liveness
4% Instrumentalness • 77% Positiveness
13% Popularity • 61% Danceability • 57% Energy • 23% Liveness
4% Instrumentalness • 77% Positiveness
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The Charlie Daniels Band
Uneasy Rider '88
107 bpm • C Maj • 04:24 • -14db
48% Popularity • 77% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
48% Popularity • 77% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Ronnie Bowman
Cold Virginia Night
108 bpm • A Maj • 02:32 • -12.55db
27% Popularity • 74% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 74% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Marty Robbins
El Paso City
108 bpm • C Maj • 04:11 • -11.72db
44% Popularity • 60% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
44% Popularity • 60% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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The Earls Of Leicester
All I Want Is You
108 bpm • C Maj • 03:04 • -8.78db
13% Popularity • 60% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 60% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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The Grascals
Sleepin' with the Reaper
108 bpm • A min • 03:07 • -5.17db
24% Popularity • 64% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 64% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Michael Cleveland
Dark As The Night, Blue As The Day
109 bpm • A Maj • 03:51 • -7.95db
15% Popularity • 63% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 63% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Sturgill Simpson
Life Ain’t Fair and the World Is Mean
108 bpm • E Maj • 02:00 • -7db
52% Popularity • 76% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
52% Popularity • 76% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Blue Highway
It's A Long, Long Road
109 bpm • A Maj • 03:20 • -10.68db
14% Popularity • 74% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 74% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
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Bill Emerson
Fox On The Run
109 bpm • C Maj • 02:33 • -8.12db
17% Popularity • 63% Danceability • 43% Energy • 68% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 63% Danceability • 43% Energy • 68% Liveness
0% Instrumentalness • 61% Positiveness
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Newfound Road
Try To Be
109 bpm • C Maj • 02:29 • -5.29db
31% Popularity • 60% Danceability • 86% Energy • 33% Liveness
1% Instrumentalness • 86% Positiveness
31% Popularity • 60% Danceability • 86% Energy • 33% Liveness
1% Instrumentalness • 86% Positiveness
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Eric Weissberg & Marshall Brickman
Hard, Ain't It Hard
110 bpm • G# Maj • 01:42 • -16.54db
20% Popularity • 24% Danceability • 63% Energy • 31% Liveness
97% Instrumentalness • 97% Positiveness
20% Popularity • 24% Danceability • 63% Energy • 31% Liveness
97% Instrumentalness • 97% Positiveness
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Flatt & Scruggs
Foggy Mountain Special
110 bpm • G# Maj • 02:01 • -9.87db
30% Popularity • 62% Danceability • 49% Energy • 10% Liveness
94% Instrumentalness • 97% Positiveness
30% Popularity • 62% Danceability • 49% Energy • 10% Liveness
94% Instrumentalness • 97% Positiveness
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The Osborne Brothers
Sunny Side Of The Mountain
110 bpm • B Maj • 02:24 • -10.5db
25% Popularity • 67% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
25% Popularity • 67% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
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Authentic Unlimited
Long Gone
110 bpm • B Maj • 03:00 • -7.37db
25% Popularity • 77% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 77% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Blue Moon Rising
Angeline
110 bpm • F Maj • 02:47 • -9.92db
23% Popularity • 57% Danceability • 64% Energy • 20% Liveness
5% Instrumentalness • 92% Positiveness
23% Popularity • 57% Danceability • 64% Energy • 20% Liveness
5% Instrumentalness • 92% Positiveness
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Dick Curless
A Tombstone Every Mile
110 bpm • C Maj • 03:03 • -10db
38% Popularity • 70% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 70% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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The Kentucky Colonels
In The Pines
110 bpm • E Maj • 02:24 • -12.8db
29% Popularity • 53% Danceability • 46% Energy • 73% Liveness
0% Instrumentalness • 71% Positiveness
29% Popularity • 53% Danceability • 46% Energy • 73% Liveness
0% Instrumentalness • 71% Positiveness
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Don Reno
Hot Corn - Cold Corn
110 bpm • D Maj • 01:55 • -11.51db
22% Popularity • 61% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
22% Popularity • 61% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
