Songs like Rat Trap by The Boomtown Rats
Based on a tempo of (+/- 10%) and a similar genre
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The Selecter
On My Radio - '96 EP Version
141 bpm • G Maj • 03:06 • -4.91db
35% Popularity • 77% Danceability • 81% Energy • 20% Liveness
8% Instrumentalness • 96% Positiveness
35% Popularity • 77% Danceability • 81% Energy • 20% Liveness
8% Instrumentalness • 96% Positiveness
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The Tourists
Don't Say I Told You So
141 bpm • D Maj • 03:46 • -13.37db
9% Popularity • 62% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
9% Popularity • 62% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Something Happens
Hello Hello Hello Hello Hello (Petrol)
141 bpm • A Maj • 03:27 • -10.36db
29% Popularity • 44% Danceability • 91% Energy • 58% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 44% Danceability • 91% Energy • 58% Liveness
0% Instrumentalness • 55% Positiveness
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Blondie
(I'm Always Touched By Your) Presence, D...
141 bpm • A Maj • 02:43 • -6.7db
33% Popularity • 32% Danceability • 90% Energy • 34% Liveness
4% Instrumentalness • 71% Positiveness
33% Popularity • 32% Danceability • 90% Energy • 34% Liveness
4% Instrumentalness • 71% Positiveness
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XTC
Generals And Majors - 2001 Remaster
141 bpm • A# Maj • 04:04 • -7db
45% Popularity • 61% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
45% Popularity • 61% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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The Boomtown Rats
Rat Trap
141 bpm • E min • 05:10 • -5db
45% Popularity • 50% Danceability • 87% Energy • 65% Liveness
0% Instrumentalness • 63% Positiveness
45% Popularity • 50% Danceability • 87% Energy • 65% Liveness
0% Instrumentalness • 63% Positiveness
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Steve Harley
Make Me Smile (Come up and See Me) - 201...
141 bpm • C Maj • 03:59 • -8db
63% Popularity • 57% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
63% Popularity • 57% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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The Alarm
68 Guns - 2007 Mike Peters Remix
141 bpm • D# min • 04:40 • -5db
21% Popularity • 39% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 39% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
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The Tourists
So Good to Be Back Home Again
142 bpm • G Maj • 02:38 • -13db
27% Popularity • 55% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 55% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
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Tom Robinson Band
Winter of '79
142 bpm • A Maj • 04:31 • -7.74db
17% Popularity • 40% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 40% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Adam & The Ants
Stand and Deliver
142 bpm • A Maj • 03:35 • -10db
45% Popularity • 55% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 63% Positiveness
45% Popularity • 55% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 63% Positiveness
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The Boomtown Rats
Drag Me Down
142 bpm • B Maj • 04:06 • -3.13db
14% Popularity • 40% Danceability • 84% Energy • 9% Liveness
1% Instrumentalness • 58% Positiveness
14% Popularity • 40% Danceability • 84% Energy • 9% Liveness
1% Instrumentalness • 58% Positiveness
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Kirsty MacColl
You Just Haven't Earned It yet, Baby
140 bpm • D Maj • 02:49 • -6db
23% Popularity • 41% Danceability • 96% Energy • 69% Liveness
0% Instrumentalness • 69% Positiveness
23% Popularity • 41% Danceability • 96% Energy • 69% Liveness
0% Instrumentalness • 69% Positiveness
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Elvis Costello & The Attractions
I Can't Stand Up For Falling Down
142 bpm • F Maj • 02:06 • -7.7db
42% Popularity • 60% Danceability • 72% Energy • 9% Liveness
72% Instrumentalness • 98% Positiveness
42% Popularity • 60% Danceability • 72% Energy • 9% Liveness
72% Instrumentalness • 98% Positiveness
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The Alarm
Sixty Eight Guns
140 bpm • B Maj • 05:52 • -4db
34% Popularity • 24% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 24% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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![(Get A) Grip [on Yourself] - 1996 Remaster cover art](https://i.scdn.co/image/ab67616d00001e0271bc09bffecbaa3ce3c8f8bd)
The Stranglers
(Get A) Grip [on Yourself] - 1996 Remast...
142 bpm • G Maj • 03:59 • -9db
39% Popularity • 52% Danceability • 85% Energy • 11% Liveness
11% Instrumentalness • 78% Positiveness
39% Popularity • 52% Danceability • 85% Energy • 11% Liveness
11% Instrumentalness • 78% Positiveness
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Cast
Alright
140 bpm • C# Maj • 03:37 • -8db
47% Popularity • 40% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
47% Popularity • 40% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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The Boomtown Rats
D.U.N. L.O.A.G.H.A.I.R.E
142 bpm • D# Maj • 02:15 • -6.88db
8% Popularity • 70% Danceability • 77% Energy • 59% Liveness
10% Instrumentalness • 97% Positiveness
8% Popularity • 70% Danceability • 77% Energy • 59% Liveness
10% Instrumentalness • 97% Positiveness
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Squeeze
Pulling Mussels
142 bpm • C Maj • 03:58 • -12.67db
52% Popularity • 59% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
52% Popularity • 59% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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Spandau Ballet
To Cut a Long Story Short - 2010 Remaste...
142 bpm • D Maj • 03:19 • -5.11db
49% Popularity • 58% Danceability • 89% Energy • 9% Liveness
80% Instrumentalness • 86% Positiveness
49% Popularity • 58% Danceability • 89% Energy • 9% Liveness
80% Instrumentalness • 86% Positiveness
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The Alarm
Sixty Eight Guns - Single Version
142 bpm • F# Maj • 03:15 • -6.99db
20% Popularity • 40% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 40% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 45% Positiveness
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The Stranglers
Go Buddy Go - 1996 Remaster
142 bpm • B min • 03:56 • -7.49db
26% Popularity • 36% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
26% Popularity • 36% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
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The Damned
Eloise
143 bpm • B Maj • 05:08 • -10.18db
40% Popularity • 27% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 27% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
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The Boomtown Rats
Keep It Up
140 bpm • C Maj • 03:39 • -5db
18% Popularity • 52% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 52% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Kirsty MacColl
Free World
143 bpm • B min • 02:36 • -5db
25% Popularity • 56% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
25% Popularity • 56% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Slade
Skweeze Me, Pleeze Me
139 bpm • A Maj • 04:29 • -3.24db
32% Popularity • 29% Danceability • 97% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 29% Danceability • 97% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Elvis Costello & The Attractions
Pump It Up - 2021 Remaster
139 bpm • B Maj • 03:16 • -6.12db
60% Popularity • 64% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
60% Popularity • 64% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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The Teardrop Explodes
Treason
143 bpm • D Maj • 02:57 • -7.27db
40% Popularity • 41% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
40% Popularity • 41% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Blondie
Denis - Remastered
139 bpm • C Maj • 02:19 • -5.88db
46% Popularity • 56% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
46% Popularity • 56% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
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The Boomtown Rats
Wind Chill Factor (Minus Zero)
143 bpm • A min • 04:38 • -5db
19% Popularity • 58% Danceability • 94% Energy • 36% Liveness
1% Instrumentalness • 58% Positiveness
19% Popularity • 58% Danceability • 94% Energy • 36% Liveness
1% Instrumentalness • 58% Positiveness
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The Beautiful South
Good As Gold (Stupid As Mud)
143 bpm • A# Maj • 03:47 • -12db
40% Popularity • 64% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
40% Popularity • 64% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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XTC
Statue Of Liberty - 2001 Remaster
139 bpm • C Maj • 02:55 • -4db
35% Popularity • 70% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
35% Popularity • 70% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
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Elvis Costello & The Attractions
Oliver's Army
143 bpm • E Maj • 03:00 • -9.41db
49% Popularity • 53% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
49% Popularity • 53% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
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John Otway
Really Free - Single Free
143 bpm • E Maj • 02:37 • -9.22db
11% Popularity • 65% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 65% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Skids
Masquerade
139 bpm • C Maj • 02:46 • -7db
29% Popularity • 53% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 53% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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The Boomtown Rats
Joey's On The Streets Again
143 bpm • A Maj • 05:30 • -2.26db
19% Popularity • 28% Danceability • 86% Energy • 11% Liveness
3% Instrumentalness • 74% Positiveness
19% Popularity • 28% Danceability • 86% Energy • 11% Liveness
3% Instrumentalness • 74% Positiveness
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Haircut 100
Favourite Shirts (Boy Meets Girl)
144 bpm • G# min • 03:05 • -14.65db
41% Popularity • 64% Danceability • 62% Energy • 20% Liveness
4% Instrumentalness • 91% Positiveness
41% Popularity • 64% Danceability • 62% Energy • 20% Liveness
4% Instrumentalness • 91% Positiveness
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Kirsty MacColl
Terry
138 bpm • E Maj • 03:56 • -9.1db
17% Popularity • 53% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
17% Popularity • 53% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Slade
Cum on Feel the Noize
138 bpm • G Maj • 04:24 • -4.58db
55% Popularity • 40% Danceability • 87% Energy • 21% Liveness
81% Instrumentalness • 57% Positiveness
55% Popularity • 40% Danceability • 87% Energy • 21% Liveness
81% Instrumentalness • 57% Positiveness
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Lloyd Cole and the Commotions
Lost Weekend
138 bpm • A Maj • 03:15 • -10.17db
50% Popularity • 59% Danceability • 73% Energy • 9% Liveness
2% Instrumentalness • 78% Positiveness
50% Popularity • 59% Danceability • 73% Energy • 9% Liveness
2% Instrumentalness • 78% Positiveness
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Squeeze
Cool For Cats
144 bpm • C Maj • 03:39 • -15.37db
52% Popularity • 79% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
52% Popularity • 79% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
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The Boomtown Rats
I Don't Like Mondays
144 bpm • B Maj • 04:19 • -6.87db
62% Popularity • 46% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
62% Popularity • 46% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Skids
A Woman In Winter
138 bpm • C Maj • 04:04 • -13.74db
15% Popularity • 52% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 52% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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The Teardrop Explodes
Passionate Friend
138 bpm • D Maj • 03:29 • -7db
31% Popularity • 54% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 54% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Mott The Hoople
All the Way from Memphis
138 bpm • C# Maj • 03:25 • -10.47db
21% Popularity • 58% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 58% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Elvis Costello & The Attractions
High Fidelity
144 bpm • G Maj • 02:27 • -8.32db
37% Popularity • 57% Danceability • 80% Energy • 32% Liveness
2% Instrumentalness • 89% Positiveness
37% Popularity • 57% Danceability • 80% Energy • 32% Liveness
2% Instrumentalness • 89% Positiveness
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Squeeze
Cool For Cats
144 bpm • C Maj • 03:14 • -10db
43% Popularity • 78% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
43% Popularity • 78% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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The Beautiful South
Song For Whoever - Single Version
137 bpm • F# min • 04:04 • -14db
53% Popularity • 52% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
53% Popularity • 52% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Skids
Into The Valley
145 bpm • G Maj • 03:19 • -12.7db
44% Popularity • 33% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
44% Popularity • 33% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
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Wizzard
See My Baby Jive - 2006 Remaster
137 bpm • A Maj • 05:02 • -5db
40% Popularity • 36% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 36% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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The Boomtown Rats
Like Clockwork
145 bpm • A min • 03:43 • -4.53db
30% Popularity • 61% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
30% Popularity • 61% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Phil Lynott
Yellow Pearl - First 7" Remix
137 bpm • C Maj • 02:56 • -12.34db
30% Popularity • 52% Danceability • 86% Energy • 37% Liveness
51% Instrumentalness • 75% Positiveness
30% Popularity • 52% Danceability • 86% Energy • 37% Liveness
51% Instrumentalness • 75% Positiveness
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Squeeze
Cool For Cats - Live at The Fillmore
145 bpm • C Maj • 03:10 • -8.26db
35% Popularity • 69% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 69% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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Mott The Hoople
All the Way from Memphis
137 bpm • C# Maj • 05:02 • -8.69db
40% Popularity • 52% Danceability • 83% Energy • 60% Liveness
0% Instrumentalness • 56% Positiveness
40% Popularity • 52% Danceability • 83% Energy • 60% Liveness
0% Instrumentalness • 56% Positiveness
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The Lambrettas
Poison Ivy
137 bpm • G# Maj • 02:43 • -8db
19% Popularity • 70% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
19% Popularity • 70% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
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Secret Affair
Going To A Go-Go
145 bpm • C Maj • 03:02 • -5.96db
16% Popularity • 55% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 55% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Thin Lizzy
Dancing In The Moonlight (It's Caught Me...
145 bpm • E min • 03:24 • -13.87db
62% Popularity • 67% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
62% Popularity • 67% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Haircut 100
Love Plus One
137 bpm • C Maj • 03:32 • -14.51db
52% Popularity • 79% Danceability • 52% Energy • 10% Liveness
55% Instrumentalness • 96% Positiveness
52% Popularity • 79% Danceability • 52% Energy • 10% Liveness
55% Instrumentalness • 96% Positiveness
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Adam & The Ants
Picasso Visita El Planeta De Los Simios
145 bpm • C Maj • 03:28 • -12db
27% Popularity • 60% Danceability • 75% Energy • 36% Liveness
1% Instrumentalness • 82% Positiveness
27% Popularity • 60% Danceability • 75% Energy • 36% Liveness
1% Instrumentalness • 82% Positiveness
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The Style Council
A Solid Bond In Your Heart
137 bpm • A Maj • 03:17 • -5.98db
33% Popularity • 55% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
33% Popularity • 55% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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The Motors
Airport
137 bpm • B min • 04:38 • -11.83db
46% Popularity • 52% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
46% Popularity • 52% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Bad Manners
Lip up Fatty
146 bpm • A Maj • 02:48 • -9.83db
49% Popularity • 72% Danceability • 87% Energy • 5% Liveness
1% Instrumentalness • 97% Positiveness
49% Popularity • 72% Danceability • 87% Energy • 5% Liveness
1% Instrumentalness • 97% Positiveness
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The Icicle Works
Evangeline
136 bpm • E Maj • 04:05 • -11.4db
23% Popularity • 54% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 54% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Chas & Dave
Ain't No Pleasing You
146 bpm • A# Maj • 04:12 • -9.13db
40% Popularity • 47% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
40% Popularity • 47% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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The Stranglers
Something Better Change - 1996 Remaster
136 bpm • B Maj • 03:34 • -7db
37% Popularity • 53% Danceability • 85% Energy • 28% Liveness
57% Instrumentalness • 75% Positiveness
37% Popularity • 53% Danceability • 85% Energy • 28% Liveness
57% Instrumentalness • 75% Positiveness
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The Proclaimers
Make My Heart Fly
136 bpm • A Maj • 02:28 • -11.39db
31% Popularity • 34% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
31% Popularity • 34% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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The Saw Doctors
N17
136 bpm • G Maj • 04:36 • -4.45db
53% Popularity • 46% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
53% Popularity • 46% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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The Frank And Walters
After All
136 bpm • E Maj • 03:09 • -12.13db
42% Popularity • 32% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 32% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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The Vapors
Jimmie Jones
146 bpm • D Maj • 03:24 • -7.57db
21% Popularity • 49% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
21% Popularity • 49% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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The Who
Substitute
136 bpm • D Maj • 03:47 • -9.76db
48% Popularity • 37% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
48% Popularity • 37% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Blondie
Sunday Girl - Remastered 2001
146 bpm • A Maj • 03:05 • -7db
49% Popularity • 62% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
49% Popularity • 62% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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The Proclaimers
Then I Met You
136 bpm • G# Maj • 03:50 • -11.98db
42% Popularity • 69% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 69% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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The 4 Of Us
Mary
146 bpm • A Maj • 03:33 • -14.96db
40% Popularity • 50% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
40% Popularity • 50% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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Dexys Midnight Runners
Listen To This
147 bpm • D Maj • 03:18 • -16db
29% Popularity • 45% Danceability • 48% Energy • 18% Liveness
9% Instrumentalness • 74% Positiveness
29% Popularity • 45% Danceability • 48% Energy • 18% Liveness
9% Instrumentalness • 74% Positiveness
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Suzi Quatro
Devil Gate Drive
136 bpm • D Maj • 03:47 • -6.09db
50% Popularity • 57% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
50% Popularity • 57% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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The Boomtown Rats
(Watch Out For) The Normal People
147 bpm • D Maj • 02:52 • -3.92db
12% Popularity • 34% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 34% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
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Electric Light Orchestra
Rockaria!
147 bpm • D Maj • 03:12 • -7db
47% Popularity • 45% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
47% Popularity • 45% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Elvis Costello & The Attractions
Radio, Radio - 2021 Remaster
147 bpm • E Maj • 03:06 • -5db
47% Popularity • 60% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
47% Popularity • 60% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
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The Icicle Works
Love Is a Wonderful Colour
135 bpm • E Maj • 04:10 • -9.76db
34% Popularity • 48% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 48% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Dexys Midnight Runners
Jackie Wilson Said (I'm In Heaven When Y...
147 bpm • D Maj • 03:04 • -5db
45% Popularity • 37% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
45% Popularity • 37% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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Darts
The Boy from New York City
147 bpm • C Maj • 03:03 • -7.81db
33% Popularity • 63% Danceability • 58% Energy • 56% Liveness
48% Instrumentalness • 81% Positiveness
33% Popularity • 63% Danceability • 58% Energy • 56% Liveness
48% Instrumentalness • 81% Positiveness
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New Musik
Living by Numbers
135 bpm • G Maj • 03:28 • -11.92db
33% Popularity • 66% Danceability • 74% Energy • 10% Liveness
22% Instrumentalness • 91% Positiveness
33% Popularity • 66% Danceability • 74% Energy • 10% Liveness
22% Instrumentalness • 91% Positiveness
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Chas & Dave
Rabbit
135 bpm • A# Maj • 02:22 • -8.71db
39% Popularity • 80% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
39% Popularity • 80% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
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Ian Dury
Blockheads
147 bpm • A Maj • 03:31 • -9.59db
28% Popularity • 59% Danceability • 91% Energy • 70% Liveness
0% Instrumentalness • 85% Positiveness
28% Popularity • 59% Danceability • 91% Energy • 70% Liveness
0% Instrumentalness • 85% Positiveness
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Billy Bragg
Sexuality
135 bpm • G Maj • 03:48 • -4db
36% Popularity • 59% Danceability • 93% Energy • 13% Liveness
9% Instrumentalness • 93% Positiveness
36% Popularity • 59% Danceability • 93% Energy • 13% Liveness
9% Instrumentalness • 93% Positiveness
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The Motors
Love And Loneliness
147 bpm • C Maj • 04:50 • -8db
15% Popularity • 40% Danceability • 94% Energy • 28% Liveness
4% Instrumentalness • 57% Positiveness
15% Popularity • 40% Danceability • 94% Energy • 28% Liveness
4% Instrumentalness • 57% Positiveness
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Generation X
Valley of the Dolls - 2002 Remaster
135 bpm • C Maj • 03:33 • -7.6db
23% Popularity • 54% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
23% Popularity • 54% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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The Beautiful South
You Keep It All In
147 bpm • F Maj • 02:53 • -15db
51% Popularity • 79% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 86% Positiveness
51% Popularity • 79% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 86% Positiveness
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Chas & Dave
Margate
147 bpm • G Maj • 02:20 • -8.26db
28% Popularity • 64% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
28% Popularity • 64% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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The Bluebells
Cath
148 bpm • G Maj • 03:49 • -8db
21% Popularity • 48% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 48% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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The Beat
Too Nice to Talk to - 2012 Remaster
135 bpm • B min • 03:07 • -9.42db
36% Popularity • 61% Danceability • 73% Energy • 15% Liveness
1% Instrumentalness • 83% Positiveness
36% Popularity • 61% Danceability • 73% Energy • 15% Liveness
1% Instrumentalness • 83% Positiveness
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Small Faces
Sha La La La Lee - Mono Version
135 bpm • E Maj • 02:54 • -4.25db
31% Popularity • 47% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 47% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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The Proclaimers
Cap in Hand
148 bpm • D Maj • 03:24 • -11db
38% Popularity • 57% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 57% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
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The Beautiful South
Old Red Eyes Is Back - Bonus Track
148 bpm • G Maj • 03:35 • -10db
46% Popularity • 44% Danceability • 54% Energy • 40% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 44% Danceability • 54% Energy • 40% Liveness
0% Instrumentalness • 52% Positiveness
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The Pogues
Tuesday Morning
134 bpm • G Maj • 03:30 • -11.74db
44% Popularity • 59% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
44% Popularity • 59% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Bananarama
Really Sayin' Something
134 bpm • F min • 02:42 • -6db
33% Popularity • 70% Danceability • 94% Energy • 40% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 70% Danceability • 94% Energy • 40% Liveness
0% Instrumentalness • 36% Positiveness
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Dexys Midnight Runners
There There My Dear - 2000 Remaster
148 bpm • D Maj • 03:32 • -9db
31% Popularity • 62% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 62% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Toyah
It's A Mystery
148 bpm • F min • 04:08 • -4.71db
36% Popularity • 48% Danceability • 91% Energy • 30% Liveness
1% Instrumentalness • 40% Positiveness
36% Popularity • 48% Danceability • 91% Energy • 30% Liveness
1% Instrumentalness • 40% Positiveness
