Songs like Rave With You by Queensyze
Based on a tempo of (+/- 10%) and a similar genre
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Setaoc Mass
Search Lights
131 bpm • C# Maj • 06:22 • -10.2db
10% Popularity • 79% Danceability • 73% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
10% Popularity • 79% Danceability • 73% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Ramiro Lopez
Ben Ben
131 bpm • G Maj • 05:53 • -7db
21% Popularity • 78% Danceability • 82% Energy • 10% Liveness
13% Instrumentalness • 22% Positiveness
21% Popularity • 78% Danceability • 82% Energy • 10% Liveness
13% Instrumentalness • 22% Positiveness
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Marcal
Antidote - Radio Edit
131 bpm • G Maj • 05:10 • -7.96db
7% Popularity • 82% Danceability • 96% Energy • 9% Liveness
83% Instrumentalness • 9% Positiveness
7% Popularity • 82% Danceability • 96% Energy • 9% Liveness
83% Instrumentalness • 9% Positiveness
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Amelie Lens
Storm
131 bpm • C# Maj • 07:09 • -9.46db
24% Popularity • 73% Danceability • 87% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 73% Danceability • 87% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Kaiserdisco
Black Swan - Radio Edit
131 bpm • G# Maj • 04:14 • -5.95db
29% Popularity • 77% Danceability • 79% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
29% Popularity • 77% Danceability • 79% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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999999999
000000006
131 bpm • A# min • 05:07 • -9.81db
23% Popularity • 60% Danceability • 60% Energy • 13% Liveness
77% Instrumentalness • 13% Positiveness
23% Popularity • 60% Danceability • 60% Energy • 13% Liveness
77% Instrumentalness • 13% Positiveness
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Eskapist
Manifesto
131 bpm • C# Maj • 05:13 • -12.4db
12% Popularity • 65% Danceability • 62% Energy • 11% Liveness
83% Instrumentalness • 26% Positiveness
12% Popularity • 65% Danceability • 62% Energy • 11% Liveness
83% Instrumentalness • 26% Positiveness
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Robert Hood
The Majestic
131 bpm • A# min • 06:18 • -7.81db
10% Popularity • 61% Danceability • 84% Energy • 27% Liveness
83% Instrumentalness • 15% Positiveness
10% Popularity • 61% Danceability • 84% Energy • 27% Liveness
83% Instrumentalness • 15% Positiveness
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Setaoc Mass
True lies - Original
131 bpm • G Maj • 06:15 • -10.4db
25% Popularity • 66% Danceability • 93% Energy • 10% Liveness
58% Instrumentalness • 35% Positiveness
25% Popularity • 66% Danceability • 93% Energy • 10% Liveness
58% Instrumentalness • 35% Positiveness
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Harvey McKay
Forest
131 bpm • G Maj • 06:01 • -12.36db
12% Popularity • 70% Danceability • 58% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
12% Popularity • 70% Danceability • 58% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
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Alex Lentini
Natural Desire
131 bpm • G# Maj • 06:07 • -10.06db
20% Popularity • 79% Danceability • 58% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
20% Popularity • 79% Danceability • 58% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
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Regal
Acid Affair Pt. 2
131 bpm • A# min • 06:07 • -10.51db
12% Popularity • 43% Danceability • 82% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
12% Popularity • 43% Danceability • 82% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
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Queensyze
Rave With You
131 bpm • D Maj • 06:12 • -4.57db
1% Popularity • 79% Danceability • 96% Energy • 18% Liveness
91% Instrumentalness • 12% Positiveness
1% Popularity • 79% Danceability • 96% Energy • 18% Liveness
91% Instrumentalness • 12% Positiveness
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Introversion
Altered Perceptions
131 bpm • B min • 07:00 • -9.64db
9% Popularity • 79% Danceability • 87% Energy • 16% Liveness
90% Instrumentalness • 19% Positiveness
9% Popularity • 79% Danceability • 87% Energy • 16% Liveness
90% Instrumentalness • 19% Positiveness
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Robert Hood
Ignite A War
131 bpm • B min • 06:38 • -8.61db
9% Popularity • 77% Danceability • 61% Energy • 15% Liveness
94% Instrumentalness • 87% Positiveness
9% Popularity • 77% Danceability • 61% Energy • 15% Liveness
94% Instrumentalness • 87% Positiveness
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Milton Bradley
Tales from Space
131 bpm • G Maj • 07:33 • -8.35db
8% Popularity • 62% Danceability • 96% Energy • 49% Liveness
87% Instrumentalness • 20% Positiveness
8% Popularity • 62% Danceability • 96% Energy • 49% Liveness
87% Instrumentalness • 20% Positiveness
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Hanubis
Dish - Radio Edit
131 bpm • G Maj • 03:52 • -7db
14% Popularity • 72% Danceability • 93% Energy • 7% Liveness
88% Instrumentalness • 35% Positiveness
14% Popularity • 72% Danceability • 93% Energy • 7% Liveness
88% Instrumentalness • 35% Positiveness
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TAFKAMP
Please Make Love To Me
131 bpm • B min • 05:58 • -6.98db
21% Popularity • 85% Danceability • 86% Energy • 10% Liveness
89% Instrumentalness • 60% Positiveness
21% Popularity • 85% Danceability • 86% Energy • 10% Liveness
89% Instrumentalness • 60% Positiveness
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Queensyze
Rave With You - Mixed
131 bpm • D Maj • 05:48 • -8.35db
0% Popularity • 76% Danceability • 91% Energy • 16% Liveness
92% Instrumentalness • 19% Positiveness
0% Popularity • 76% Danceability • 91% Energy • 16% Liveness
92% Instrumentalness • 19% Positiveness
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Daniela Hensel
Energy Ride
132 bpm • A# min • 06:18 • -10.41db
8% Popularity • 67% Danceability • 88% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
8% Popularity • 67% Danceability • 88% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
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Ben Long
The Knight Rider - Mixed
131 bpm • C# Maj • 02:49 • -11.18db
22% Popularity • 74% Danceability • 92% Energy • 11% Liveness
79% Instrumentalness • 7% Positiveness
22% Popularity • 74% Danceability • 92% Energy • 11% Liveness
79% Instrumentalness • 7% Positiveness
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Al Ferox
John Lennon is Dead
132 bpm • F# min • 05:13 • -6.21db
14% Popularity • 74% Danceability • 94% Energy • 35% Liveness
5% Instrumentalness • 22% Positiveness
14% Popularity • 74% Danceability • 94% Energy • 35% Liveness
5% Instrumentalness • 22% Positiveness
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DJ Rush
Easy
130 bpm • B min • 06:42 • -7.1db
13% Popularity • 74% Danceability • 97% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
13% Popularity • 74% Danceability • 97% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
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Oscar L
Bass Power - Alan Fitzpatrick Edit
132 bpm • G Maj • 02:36 • -7.99db
8% Popularity • 55% Danceability • 97% Energy • 33% Liveness
87% Instrumentalness • 44% Positiveness
8% Popularity • 55% Danceability • 97% Energy • 33% Liveness
87% Instrumentalness • 44% Positiveness
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Anfisa Letyago
Technology (James Welsh Remix)
132 bpm • D Maj • 06:02 • -6.16db
14% Popularity • 66% Danceability • 95% Energy • 14% Liveness
81% Instrumentalness • 61% Positiveness
14% Popularity • 66% Danceability • 95% Energy • 14% Liveness
81% Instrumentalness • 61% Positiveness
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Emmanuel Top
Karnage 01
130 bpm • F# min • 04:55 • -9.29db
12% Popularity • 73% Danceability • 68% Energy • 4% Liveness
85% Instrumentalness • 4% Positiveness
12% Popularity • 73% Danceability • 68% Energy • 4% Liveness
85% Instrumentalness • 4% Positiveness
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Plastique01
Barcode Population
130 bpm • F# min • 07:06 • -13.45db
18% Popularity • 78% Danceability • 66% Energy • 8% Liveness
96% Instrumentalness • 5% Positiveness
18% Popularity • 78% Danceability • 66% Energy • 8% Liveness
96% Instrumentalness • 5% Positiveness
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Darc Marc
Dirty Rocking Bass - Dirty Rocking Bassl...
132 bpm • C# min • 07:48 • -8.96db
22% Popularity • 70% Danceability • 81% Energy • 10% Liveness
86% Instrumentalness • 26% Positiveness
22% Popularity • 70% Danceability • 81% Energy • 10% Liveness
86% Instrumentalness • 26% Positiveness
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DJ Rush
Talkers
132 bpm • F# min • 05:32 • -9.81db
17% Popularity • 58% Danceability • 78% Energy • 11% Liveness
34% Instrumentalness • 6% Positiveness
17% Popularity • 58% Danceability • 78% Energy • 11% Liveness
34% Instrumentalness • 6% Positiveness
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Frazi.er
Temptation - Original mix
132 bpm • C# Maj • 05:49 • -7.78db
13% Popularity • 79% Danceability • 88% Energy • 11% Liveness
61% Instrumentalness • 44% Positiveness
13% Popularity • 79% Danceability • 88% Energy • 11% Liveness
61% Instrumentalness • 44% Positiveness
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SRVD
Black On Black
130 bpm • C# Maj • 07:52 • -7.82db
27% Popularity • 76% Danceability • 73% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
27% Popularity • 76% Danceability • 73% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
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Frankyeffe
We Come
130 bpm • C Maj • 07:00 • -7.12db
7% Popularity • 68% Danceability • 77% Energy • 70% Liveness
75% Instrumentalness • 14% Positiveness
7% Popularity • 68% Danceability • 77% Energy • 70% Liveness
75% Instrumentalness • 14% Positiveness
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Klangkuenstler
Jenseits
132 bpm • B min • 06:15 • -7.67db
18% Popularity • 60% Danceability • 93% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
18% Popularity • 60% Danceability • 93% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
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FJAAK
Underdawg
132 bpm • A# min • 06:06 • -7.77db
12% Popularity • 71% Danceability • 86% Energy • 11% Liveness
91% Instrumentalness • 31% Positiveness
12% Popularity • 71% Danceability • 86% Energy • 11% Liveness
91% Instrumentalness • 31% Positiveness
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Queensyze
Give Up Your Love
130 bpm • F# Maj • 06:01 • -8.16db
0% Popularity • 91% Danceability • 68% Energy • 61% Liveness
91% Instrumentalness • 8% Positiveness
0% Popularity • 91% Danceability • 68% Energy • 61% Liveness
91% Instrumentalness • 8% Positiveness
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Boddika
Walk Talk
130 bpm • G# min • 06:00 • -13.56db
8% Popularity • 73% Danceability • 39% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 73% Danceability • 39% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Nastia Reigel
Natural Desires
130 bpm • B min • 05:48 • -12.3db
12% Popularity • 61% Danceability • 75% Energy • 37% Liveness
86% Instrumentalness • 11% Positiveness
12% Popularity • 61% Danceability • 75% Energy • 37% Liveness
86% Instrumentalness • 11% Positiveness
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A*S*Y*S
Macid - Original Mix
130 bpm • G# Maj • 06:35 • -7.32db
26% Popularity • 69% Danceability • 94% Energy • 11% Liveness
93% Instrumentalness • 43% Positiveness
26% Popularity • 69% Danceability • 94% Energy • 11% Liveness
93% Instrumentalness • 43% Positiveness
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Philipp Gorbachev
5th New Century - Len Faki Hardspace Mi...
130 bpm • A# min • 05:39 • -9.5db
9% Popularity • 75% Danceability • 97% Energy • 49% Liveness
92% Instrumentalness • 8% Positiveness
9% Popularity • 75% Danceability • 97% Energy • 49% Liveness
92% Instrumentalness • 8% Positiveness
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KHUBO
Berghain in My Basement
132 bpm • F Maj • 06:23 • -7.8db
16% Popularity • 64% Danceability • 86% Energy • 11% Liveness
93% Instrumentalness • 37% Positiveness
16% Popularity • 64% Danceability • 86% Energy • 11% Liveness
93% Instrumentalness • 37% Positiveness
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Queensyze
Give Up Your Love
130 bpm • F# Maj • 05:59 • -7.89db
0% Popularity • 92% Danceability • 78% Energy • 36% Liveness
76% Instrumentalness • 5% Positiveness
0% Popularity • 92% Danceability • 78% Energy • 36% Liveness
76% Instrumentalness • 5% Positiveness
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Klangkuenstler
Zorn Amons
132 bpm • G# Maj • 06:15 • -7.33db
21% Popularity • 70% Danceability • 97% Energy • 20% Liveness
93% Instrumentalness • 17% Positiveness
21% Popularity • 70% Danceability • 97% Energy • 20% Liveness
93% Instrumentalness • 17% Positiveness
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R.A.N
Bandit Queen - Original Mix
132 bpm • A Maj • 07:16 • -6.52db
9% Popularity • 70% Danceability • 82% Energy • 5% Liveness
88% Instrumentalness • 30% Positiveness
9% Popularity • 70% Danceability • 82% Energy • 5% Liveness
88% Instrumentalness • 30% Positiveness
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DJ Rush
Take Me Back - Harry Romero Remix
130 bpm • B Maj • 06:42 • -7.31db
13% Popularity • 80% Danceability • 91% Energy • 11% Liveness
72% Instrumentalness • 24% Positiveness
13% Popularity • 80% Danceability • 91% Energy • 11% Liveness
72% Instrumentalness • 24% Positiveness
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Marcal
Heartbeat
130 bpm • G Maj • 06:12 • -9.97db
11% Popularity • 80% Danceability • 92% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
11% Popularity • 80% Danceability • 92% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Mha Iri
Mission Control - Radio Edit
130 bpm • A Maj • 04:18 • -6.88db
7% Popularity • 57% Danceability • 94% Energy • 35% Liveness
82% Instrumentalness • 30% Positiveness
7% Popularity • 57% Danceability • 94% Energy • 35% Liveness
82% Instrumentalness • 30% Positiveness
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Queensyze
The Pretty Lights - Mixed
132 bpm • F# min • 06:47 • -7.37db
0% Popularity • 78% Danceability • 94% Energy • 4% Liveness
84% Instrumentalness • 37% Positiveness
0% Popularity • 78% Danceability • 94% Energy • 4% Liveness
84% Instrumentalness • 37% Positiveness
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Lilly Palmer
Amnesie
132 bpm • B min • 06:21 • -11db
24% Popularity • 65% Danceability • 80% Energy • 14% Liveness
88% Instrumentalness • 12% Positiveness
24% Popularity • 65% Danceability • 80% Energy • 14% Liveness
88% Instrumentalness • 12% Positiveness
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Kaiserdisco
White Crow - Radio Edit
130 bpm • A# min • 04:22 • -7.37db
11% Popularity • 72% Danceability • 96% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
11% Popularity • 72% Danceability • 96% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
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Truncate
Bassline
130 bpm • F# min • 05:12 • -10.63db
13% Popularity • 80% Danceability • 53% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
13% Popularity • 80% Danceability • 53% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Dusty Kid
Constant Rising - Indira Paganotto Remix
130 bpm • A# min • 05:22 • -11.34db
22% Popularity • 70% Danceability • 60% Energy • 9% Liveness
90% Instrumentalness • 19% Positiveness
22% Popularity • 70% Danceability • 60% Energy • 9% Liveness
90% Instrumentalness • 19% Positiveness
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7CIRCLE
Deconstruction
132 bpm • C# Maj • 05:20 • -15.19db
25% Popularity • 48% Danceability • 53% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
25% Popularity • 48% Danceability • 53% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Roman Poncet
Focal
132 bpm • A# min • 06:41 • -11db
16% Popularity • 76% Danceability • 75% Energy • 11% Liveness
84% Instrumentalness • 12% Positiveness
16% Popularity • 76% Danceability • 75% Energy • 11% Liveness
84% Instrumentalness • 12% Positiveness
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Michael Klein
Bite
130 bpm • C# Maj • 06:03 • -10.23db
24% Popularity • 85% Danceability • 64% Energy • 12% Liveness
55% Instrumentalness • 16% Positiveness
24% Popularity • 85% Danceability • 64% Energy • 12% Liveness
55% Instrumentalness • 16% Positiveness
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Regal
I Need You
132 bpm • C# Maj • 05:38 • -8.58db
15% Popularity • 71% Danceability • 83% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
15% Popularity • 71% Danceability • 83% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
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Belocca
Chemical Substance
132 bpm • C# Maj • 07:03 • -8db
29% Popularity • 65% Danceability • 92% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
29% Popularity • 65% Danceability • 92% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
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Truncate
Bassline - Mixed
132 bpm • F# min • 02:42 • -10.2db
18% Popularity • 60% Danceability • 69% Energy • 11% Liveness
92% Instrumentalness • 33% Positiveness
18% Popularity • 60% Danceability • 69% Energy • 11% Liveness
92% Instrumentalness • 33% Positiveness
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Anfisa Letyago
Rhythm Tension
130 bpm • C# Maj • 05:54 • -11.77db
17% Popularity • 74% Danceability • 82% Energy • 11% Liveness
86% Instrumentalness • 12% Positiveness
17% Popularity • 74% Danceability • 82% Energy • 11% Liveness
86% Instrumentalness • 12% Positiveness
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Dubfire
Metanoia
132 bpm • A# min • 06:50 • -8.53db
2% Popularity • 78% Danceability • 87% Energy • 11% Liveness
84% Instrumentalness • 5% Positiveness
2% Popularity • 78% Danceability • 87% Energy • 11% Liveness
84% Instrumentalness • 5% Positiveness
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Nastia Reigel
Letter XCII
130 bpm • D Maj • 05:42 • -10.92db
10% Popularity • 78% Danceability • 91% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
10% Popularity • 78% Danceability • 91% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Coyu
Technostalgia
132 bpm • B min • 07:18 • -8.09db
9% Popularity • 70% Danceability • 97% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
9% Popularity • 70% Danceability • 97% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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RSRRCT
Ghosts In My Radio
132 bpm • A Maj • 06:11 • -8.93db
10% Popularity • 71% Danceability • 77% Energy • 10% Liveness
90% Instrumentalness • 35% Positiveness
10% Popularity • 71% Danceability • 77% Energy • 10% Liveness
90% Instrumentalness • 35% Positiveness
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Dok & Martin
Destroy - Original Mix
132 bpm • B Maj • 03:51 • -7.26db
25% Popularity • 68% Danceability • 97% Energy • 13% Liveness
49% Instrumentalness • 39% Positiveness
25% Popularity • 68% Danceability • 97% Energy • 13% Liveness
49% Instrumentalness • 39% Positiveness
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Dbreathe
It's Grim Up North
130 bpm • G Maj • 03:52 • -8.5db
21% Popularity • 70% Danceability • 59% Energy • 10% Liveness
67% Instrumentalness • 32% Positiveness
21% Popularity • 70% Danceability • 59% Energy • 10% Liveness
67% Instrumentalness • 32% Positiveness
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KAS:ST
Nepal - Original Mix
130 bpm • G Maj • 07:41 • -12.16db
22% Popularity • 57% Danceability • 76% Energy • 37% Liveness
78% Instrumentalness • 4% Positiveness
22% Popularity • 57% Danceability • 76% Energy • 37% Liveness
78% Instrumentalness • 4% Positiveness
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Nastia Reigel
Melting Sand
130 bpm • F# min • 05:14 • -10.77db
8% Popularity • 71% Danceability • 89% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
8% Popularity • 71% Danceability • 89% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
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Monika Kruse
Solid State - Balthazar & JackRock Remix
130 bpm • D Maj • 07:32 • -5.65db
26% Popularity • 67% Danceability • 90% Energy • 10% Liveness
92% Instrumentalness • 59% Positiveness
26% Popularity • 67% Danceability • 90% Energy • 10% Liveness
92% Instrumentalness • 59% Positiveness
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BEC
Marimba
132 bpm • B min • 06:04 • -5.84db
10% Popularity • 72% Danceability • 94% Energy • 11% Liveness
82% Instrumentalness • 15% Positiveness
10% Popularity • 72% Danceability • 94% Energy • 11% Liveness
82% Instrumentalness • 15% Positiveness
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Michael Klein
Joker Smile
132 bpm • C# Maj • 06:25 • -9db
12% Popularity • 54% Danceability • 86% Energy • 11% Liveness
84% Instrumentalness • 18% Positiveness
12% Popularity • 54% Danceability • 86% Energy • 11% Liveness
84% Instrumentalness • 18% Positiveness
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Gary Beck
Bonkers Bus
132 bpm • A Maj • 05:22 • -10db
12% Popularity • 51% Danceability • 88% Energy • 14% Liveness
88% Instrumentalness • 53% Positiveness
12% Popularity • 51% Danceability • 88% Energy • 14% Liveness
88% Instrumentalness • 53% Positiveness
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ANNA
High Contrast
130 bpm • E min • 07:14 • -10.59db
17% Popularity • 69% Danceability • 90% Energy • 19% Liveness
89% Instrumentalness • 9% Positiveness
17% Popularity • 69% Danceability • 90% Energy • 19% Liveness
89% Instrumentalness • 9% Positiveness
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Tom Laws
Drop The Beat
130 bpm • G Maj • 03:14 • -8.02db
12% Popularity • 71% Danceability • 97% Energy • 10% Liveness
91% Instrumentalness • 25% Positiveness
12% Popularity • 71% Danceability • 97% Energy • 10% Liveness
91% Instrumentalness • 25% Positiveness
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Superstrobe
Vibration - Original Mix
130 bpm • G Maj • 03:41 • -6.75db
10% Popularity • 68% Danceability • 97% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
10% Popularity • 68% Danceability • 97% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Nastia Reigel
Trust, Intimacy
132 bpm • B Maj • 05:50 • -10.72db
13% Popularity • 64% Danceability • 80% Energy • 11% Liveness
74% Instrumentalness • 11% Positiveness
13% Popularity • 64% Danceability • 80% Energy • 11% Liveness
74% Instrumentalness • 11% Positiveness
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Andre Kronert
Terminus - Jonas Kopp Torture Mix
132 bpm • B min • 06:08 • -9.96db
17% Popularity • 78% Danceability • 71% Energy • 7% Liveness
51% Instrumentalness • 16% Positiveness
17% Popularity • 78% Danceability • 71% Energy • 7% Liveness
51% Instrumentalness • 16% Positiveness
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Deep Dimension
So 1992
130 bpm • A Maj • 05:47 • -8.19db
27% Popularity • 59% Danceability • 79% Energy • 8% Liveness
90% Instrumentalness • 51% Positiveness
27% Popularity • 59% Danceability • 79% Energy • 8% Liveness
90% Instrumentalness • 51% Positiveness
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Queensyze
Stay Up With You
130 bpm • B Maj • 07:06 • -7.8db
0% Popularity • 74% Danceability • 84% Energy • 67% Liveness
84% Instrumentalness • 4% Positiveness
0% Popularity • 74% Danceability • 84% Energy • 67% Liveness
84% Instrumentalness • 4% Positiveness
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Coyu
Wanna Do Right, Wanna Do Wrong
130 bpm • G Maj • 06:48 • -10.76db
8% Popularity • 78% Danceability • 67% Energy • 6% Liveness
78% Instrumentalness • 6% Positiveness
8% Popularity • 78% Danceability • 67% Energy • 6% Liveness
78% Instrumentalness • 6% Positiveness
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Florian Meindl
Colorful Cage
130 bpm • C# Maj • 05:56 • -10.55db
9% Popularity • 62% Danceability • 92% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
9% Popularity • 62% Danceability • 92% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Nastia Reigel
Acceptance
130 bpm • G Maj • 06:31 • -9.63db
20% Popularity • 66% Danceability • 79% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
20% Popularity • 66% Danceability • 79% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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PROCESS 404
Corrosive Mass
132 bpm • G Maj • 06:40 • -11.21db
7% Popularity • 56% Danceability • 83% Energy • 8% Liveness
85% Instrumentalness • 56% Positiveness
7% Popularity • 56% Danceability • 83% Energy • 8% Liveness
85% Instrumentalness • 56% Positiveness
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Introversion
Call To Adventure - Original Mix
132 bpm • A# min • 06:56 • -8db
16% Popularity • 66% Danceability • 96% Energy • 11% Liveness
85% Instrumentalness • 29% Positiveness
16% Popularity • 66% Danceability • 96% Energy • 11% Liveness
85% Instrumentalness • 29% Positiveness
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Marcel Dettmann
Bad Boy
130 bpm • C# Maj • 04:01 • -11.78db
31% Popularity • 80% Danceability • 76% Energy • 11% Liveness
93% Instrumentalness • 74% Positiveness
31% Popularity • 80% Danceability • 76% Energy • 11% Liveness
93% Instrumentalness • 74% Positiveness
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Truncate
Level Up
132 bpm • F# min • 03:49 • -11db
30% Popularity • 78% Danceability • 71% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
30% Popularity • 78% Danceability • 71% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Swarm Intelligence
Creature
130 bpm • C Maj • 05:10 • -9.59db
7% Popularity • 63% Danceability • 69% Energy • 11% Liveness
73% Instrumentalness • 19% Positiveness
7% Popularity • 63% Danceability • 69% Energy • 11% Liveness
73% Instrumentalness • 19% Positiveness
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Carl Cox
PURE (Brennen Grey Remix)
130 bpm • B min • 06:50 • -6.86db
12% Popularity • 67% Danceability • 84% Energy • 7% Liveness
53% Instrumentalness • 21% Positiveness
12% Popularity • 67% Danceability • 84% Energy • 7% Liveness
53% Instrumentalness • 21% Positiveness
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Regal
Pulzar
130 bpm • B Maj • 05:28 • -15.03db
9% Popularity • 74% Danceability • 39% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
9% Popularity • 74% Danceability • 39% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Reform
Quartet
130 bpm • A Maj • 05:57 • -6.75db
8% Popularity • 74% Danceability • 98% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
8% Popularity • 74% Danceability • 98% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Bad Boombox
Journey
132 bpm • F# min • 05:06 • -7.32db
27% Popularity • 80% Danceability • 83% Energy • 11% Liveness
83% Instrumentalness • 28% Positiveness
27% Popularity • 80% Danceability • 83% Energy • 11% Liveness
83% Instrumentalness • 28% Positiveness
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Queensyze
See With Eyes Shut
130 bpm • G# Maj • 07:29 • -6.87db
0% Popularity • 74% Danceability • 83% Energy • 49% Liveness
88% Instrumentalness • 18% Positiveness
0% Popularity • 74% Danceability • 83% Energy • 49% Liveness
88% Instrumentalness • 18% Positiveness
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Paula Temple
Oscillate
130 bpm • C# Maj • 05:25 • -12.22db
24% Popularity • 79% Danceability • 60% Energy • 12% Liveness
89% Instrumentalness • 15% Positiveness
24% Popularity • 79% Danceability • 60% Energy • 12% Liveness
89% Instrumentalness • 15% Positiveness
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Lilly Palmer
Vertigo
132 bpm • G Maj • 06:05 • -5.28db
26% Popularity • 77% Danceability • 86% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
26% Popularity • 77% Danceability • 86% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
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Robert Hood
Chroma Light
130 bpm • E min • 05:37 • -10.43db
19% Popularity • 73% Danceability • 68% Energy • 7% Liveness
88% Instrumentalness • 21% Positiveness
19% Popularity • 73% Danceability • 68% Energy • 7% Liveness
88% Instrumentalness • 21% Positiveness
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DJ Rush
I Like It Like This - Avision Remix 2
132 bpm • C# Maj • 05:40 • -8.93db
9% Popularity • 75% Danceability • 77% Energy • 13% Liveness
91% Instrumentalness • 24% Positiveness
9% Popularity • 75% Danceability • 77% Energy • 13% Liveness
91% Instrumentalness • 24% Positiveness
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Ramiro Lopez
Into The Code
132 bpm • C# Maj • 06:44 • -7.09db
9% Popularity • 63% Danceability • 96% Energy • 12% Liveness
84% Instrumentalness • 14% Positiveness
9% Popularity • 63% Danceability • 96% Energy • 12% Liveness
84% Instrumentalness • 14% Positiveness
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Harvey McKay
Glasgow Kiss
132 bpm • B min • 05:38 • -8.2db
11% Popularity • 73% Danceability • 91% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
11% Popularity • 73% Danceability • 91% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
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B4RBRA
Jupiter
130 bpm • C# Maj • 07:52 • -10.12db
8% Popularity • 75% Danceability • 92% Energy • 12% Liveness
82% Instrumentalness • 28% Positiveness
8% Popularity • 75% Danceability • 92% Energy • 12% Liveness
82% Instrumentalness • 28% Positiveness
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Lilly Palmer
Slaves to Technology
130 bpm • B min • 06:41 • -7.28db
21% Popularity • 79% Danceability • 84% Energy • 14% Liveness
88% Instrumentalness • 53% Positiveness
21% Popularity • 79% Danceability • 84% Energy • 14% Liveness
88% Instrumentalness • 53% Positiveness
