Songs like Razor Control by Shed
Based on a tempo of (+/- 10%) and a similar genre
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Marco Shuttle
4Dimensional Soundwaves
150 bpm • F# Maj • 06:44 • -13.82db
9% Popularity • 60% Danceability • 92% Energy • 9% Liveness
94% Instrumentalness • 43% Positiveness
9% Popularity • 60% Danceability • 92% Energy • 9% Liveness
94% Instrumentalness • 43% Positiveness
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Shed
Razor Control
151 bpm • A min • 03:50 • -12.56db
27% Popularity • 33% Danceability • 79% Energy • 12% Liveness
84% Instrumentalness • 33% Positiveness
27% Popularity • 33% Danceability • 79% Energy • 12% Liveness
84% Instrumentalness • 33% Positiveness
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The Detroit Escalator Co.
Mandela/Toronto
149 bpm • D Maj • 05:49 • -20.04db
11% Popularity • 35% Danceability • 27% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
11% Popularity • 35% Danceability • 27% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
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Bochum Welt
Avtomaticesk (Radio Edit)
152 bpm • G Maj • 02:23 • -6.9db
17% Popularity • 72% Danceability • 96% Energy • 11% Liveness
76% Instrumentalness • 68% Positiveness
17% Popularity • 72% Danceability • 96% Energy • 11% Liveness
76% Instrumentalness • 68% Positiveness
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Rod Modell
Reiki
148 bpm • B min • 05:17 • -17.02db
12% Popularity • 45% Danceability • 71% Energy • 12% Liveness
74% Instrumentalness • 15% Positiveness
12% Popularity • 45% Danceability • 71% Energy • 12% Liveness
74% Instrumentalness • 15% Positiveness
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Joy Orbison
98 Koln
147 bpm • A# min • 02:51 • -16.21db
14% Popularity • 86% Danceability • 52% Energy • 12% Liveness
91% Instrumentalness • 68% Positiveness
14% Popularity • 86% Danceability • 52% Energy • 12% Liveness
91% Instrumentalness • 68% Positiveness
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Andrea
Backdrops
154 bpm • E min • 04:11 • -8.48db
8% Popularity • 44% Danceability • 97% Energy • 16% Liveness
88% Instrumentalness • 44% Positiveness
8% Popularity • 44% Danceability • 97% Energy • 16% Liveness
88% Instrumentalness • 44% Positiveness
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Forest Drive West
Cut and Run
154 bpm • E min • 05:58 • -13.4db
10% Popularity • 61% Danceability • 88% Energy • 5% Liveness
93% Instrumentalness • 7% Positiveness
10% Popularity • 61% Danceability • 88% Energy • 5% Liveness
93% Instrumentalness • 7% Positiveness
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Radioactive Man
Goodnight Morton
155 bpm • F Maj • 03:50 • -21.12db
28% Popularity • 37% Danceability • 48% Energy • 9% Liveness
67% Instrumentalness • 8% Positiveness
28% Popularity • 37% Danceability • 48% Energy • 9% Liveness
67% Instrumentalness • 8% Positiveness
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Bochum Welt
Feelings on a Screen
153 bpm • A min • 02:51 • -14.19db
15% Popularity • 72% Danceability • 42% Energy • 10% Liveness
72% Instrumentalness • 68% Positiveness
15% Popularity • 72% Danceability • 42% Energy • 10% Liveness
72% Instrumentalness • 68% Positiveness
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Aleksi Perälä
FI3AC2267020
154 bpm • A# min • 00:56 • -28.1db
25% Popularity • 24% Danceability • 16% Energy • 16% Liveness
96% Instrumentalness • 4% Positiveness
25% Popularity • 24% Danceability • 16% Energy • 16% Liveness
96% Instrumentalness • 4% Positiveness
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Barker
Models Of Wellbeing
145 bpm • D min • 06:03 • -15.69db
25% Popularity • 47% Danceability • 66% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
25% Popularity • 47% Danceability • 66% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Kangding Ray
Nacht und Tag
156 bpm • A# min • 02:24 • -22.83db
33% Popularity • 79% Danceability • 32% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
33% Popularity • 79% Danceability • 32% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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JakoJako
Metal Goat
142 bpm • G Maj • 05:05 • -8.57db
18% Popularity • 78% Danceability • 74% Energy • 9% Liveness
74% Instrumentalness • 57% Positiveness
18% Popularity • 78% Danceability • 74% Energy • 9% Liveness
74% Instrumentalness • 57% Positiveness
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Ludwig A.F.
Octav
142 bpm • G Maj • 06:20 • -5.86db
8% Popularity • 72% Danceability • 94% Energy • 7% Liveness
85% Instrumentalness • 58% Positiveness
8% Popularity • 72% Danceability • 94% Energy • 7% Liveness
85% Instrumentalness • 58% Positiveness
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Youandewan
Have The Guts
157 bpm • F Maj • 04:34 • -9db
31% Popularity • 19% Danceability • 87% Energy • 19% Liveness
95% Instrumentalness • 4% Positiveness
31% Popularity • 19% Danceability • 87% Energy • 19% Liveness
95% Instrumentalness • 4% Positiveness
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Konduku
Parlama
142 bpm • B min • 08:35 • -12.83db
14% Popularity • 67% Danceability • 92% Energy • 7% Liveness
89% Instrumentalness • 6% Positiveness
14% Popularity • 67% Danceability • 92% Energy • 7% Liveness
89% Instrumentalness • 6% Positiveness
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Barker
When Prophecy Fails
145 bpm • F min • 03:43 • -12.22db
33% Popularity • 31% Danceability • 79% Energy • 8% Liveness
93% Instrumentalness • 50% Positiveness
33% Popularity • 31% Danceability • 79% Energy • 8% Liveness
93% Instrumentalness • 50% Positiveness
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Kangding Ray
Late Coral Glow
156 bpm • E Maj • 04:59 • -19.49db
13% Popularity • 55% Danceability • 50% Energy • 9% Liveness
91% Instrumentalness • 40% Positiveness
13% Popularity • 55% Danceability • 50% Energy • 9% Liveness
91% Instrumentalness • 40% Positiveness
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Appleblim
Unfound
159 bpm • F min • 05:37 • -14db
10% Popularity • 33% Danceability • 78% Energy • 10% Liveness
89% Instrumentalness • 19% Positiveness
10% Popularity • 33% Danceability • 78% Energy • 10% Liveness
89% Instrumentalness • 19% Positiveness
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Andrea
Attimo
142 bpm • A# min • 04:44 • -13.53db
8% Popularity • 35% Danceability • 64% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
8% Popularity • 35% Danceability • 64% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
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Octex
Intex
159 bpm • A# min • 02:50 • -26db
27% Popularity • 33% Danceability • 24% Energy • 14% Liveness
85% Instrumentalness • 17% Positiveness
27% Popularity • 33% Danceability • 24% Energy • 14% Liveness
85% Instrumentalness • 17% Positiveness
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Skee Mask
Excess Signal
141 bpm • D Maj • 05:19 • -9.86db
13% Popularity • 56% Danceability • 75% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
13% Popularity • 56% Danceability • 75% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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Perko
Sisu
141 bpm • E Maj • 04:27 • -16.99db
8% Popularity • 14% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Kangding Ray
Mauve Deepens
160 bpm • A# min • 06:30 • -11.14db
16% Popularity • 64% Danceability • 72% Energy • 8% Liveness
82% Instrumentalness • 3% Positiveness
16% Popularity • 64% Danceability • 72% Energy • 8% Liveness
82% Instrumentalness • 3% Positiveness
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Placid Angles
Breathe Her In
160 bpm • F# Maj • 06:14 • -13.68db
18% Popularity • 18% Danceability • 76% Energy • 9% Liveness
92% Instrumentalness • 21% Positiveness
18% Popularity • 18% Danceability • 76% Energy • 9% Liveness
92% Instrumentalness • 21% Positiveness
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Answer Code Request
Audax
160 bpm • F# min • 03:21 • -15.29db
18% Popularity • 64% Danceability • 88% Energy • 10% Liveness
92% Instrumentalness • 31% Positiveness
18% Popularity • 64% Danceability • 88% Energy • 10% Liveness
92% Instrumentalness • 31% Positiveness
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Konduku
Trail
160 bpm • C# Maj • 05:57 • -14db
9% Popularity • 48% Danceability • 62% Energy • 11% Liveness
92% Instrumentalness • 46% Positiveness
9% Popularity • 48% Danceability • 62% Energy • 11% Liveness
92% Instrumentalness • 46% Positiveness
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The Detroit Escalator Co.
Ghana
160 bpm • C Maj • 03:04 • -18.45db
16% Popularity • 45% Danceability • 30% Energy • 9% Liveness
89% Instrumentalness • 27% Positiveness
16% Popularity • 45% Danceability • 30% Energy • 9% Liveness
89% Instrumentalness • 27% Positiveness
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Hoavi
Tanto
160 bpm • B min • 03:36 • -14db
11% Popularity • 60% Danceability • 88% Energy • 8% Liveness
90% Instrumentalness • 34% Positiveness
11% Popularity • 60% Danceability • 88% Energy • 8% Liveness
90% Instrumentalness • 34% Positiveness
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Tensal
New Regime In Force - Shed Remix
140 bpm • B min • 05:52 • -7.79db
0% Popularity • 56% Danceability • 93% Energy • 9% Liveness
91% Instrumentalness • 18% Positiveness
0% Popularity • 56% Danceability • 93% Energy • 9% Liveness
91% Instrumentalness • 18% Positiveness
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Batu
Through The Glass
140 bpm • E min • 03:50 • -17.23db
22% Popularity • 52% Danceability • 39% Energy • 8% Liveness
96% Instrumentalness • 75% Positiveness
22% Popularity • 52% Danceability • 39% Energy • 8% Liveness
96% Instrumentalness • 75% Positiveness
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Answer Code Request
Sphera
140 bpm • A# min • 06:16 • -15.55db
16% Popularity • 74% Danceability • 53% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
16% Popularity • 74% Danceability • 53% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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SW.
Untitled D2
140 bpm • C# Maj • 04:00 • -13.4db
8% Popularity • 75% Danceability • 80% Energy • 11% Liveness
93% Instrumentalness • 35% Positiveness
8% Popularity • 75% Danceability • 80% Energy • 11% Liveness
93% Instrumentalness • 35% Positiveness
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Shed
Seelower Höhen
140 bpm • C# Maj • 04:10 • -14.61db
23% Popularity • 58% Danceability • 67% Energy • 11% Liveness
92% Instrumentalness • 61% Positiveness
23% Popularity • 58% Danceability • 67% Energy • 11% Liveness
92% Instrumentalness • 61% Positiveness
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Monolake
Infinite Snow
140 bpm • A# min • 06:01 • -19db
16% Popularity • 57% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 26% Positiveness
16% Popularity • 57% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 26% Positiveness
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VC-118A
Plonk
140 bpm • F# Maj • 06:24 • -7.2db
13% Popularity • 70% Danceability • 87% Energy • 12% Liveness
81% Instrumentalness • 90% Positiveness
13% Popularity • 70% Danceability • 87% Energy • 12% Liveness
81% Instrumentalness • 90% Positiveness
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Barker
Utility
140 bpm • G Maj • 04:30 • -12db
34% Popularity • 76% Danceability • 77% Energy • 9% Liveness
88% Instrumentalness • 20% Positiveness
34% Popularity • 76% Danceability • 77% Energy • 9% Liveness
88% Instrumentalness • 20% Positiveness
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Answer Code Request
Pasiris
140 bpm • C Maj • 05:05 • -14.13db
20% Popularity • 72% Danceability • 52% Energy • 9% Liveness
90% Instrumentalness • 44% Positiveness
20% Popularity • 72% Danceability • 52% Energy • 9% Liveness
90% Instrumentalness • 44% Positiveness
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SW.
Untitled A1
140 bpm • E Maj • 03:41 • -13db
33% Popularity • 49% Danceability • 58% Energy • 10% Liveness
90% Instrumentalness • 55% Positiveness
33% Popularity • 49% Danceability • 58% Energy • 10% Liveness
90% Instrumentalness • 55% Positiveness
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mu tate
Ish
140 bpm • A# Maj • 05:35 • -18.56db
12% Popularity • 43% Danceability • 59% Energy • 6% Liveness
93% Instrumentalness • 6% Positiveness
12% Popularity • 43% Danceability • 59% Energy • 6% Liveness
93% Instrumentalness • 6% Positiveness
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Rhythm & Sound
Outward
161 bpm • G Maj • 05:46 • -22.22db
22% Popularity • 44% Danceability • 29% Energy • 11% Liveness
95% Instrumentalness • 53% Positiveness
22% Popularity • 44% Danceability • 29% Energy • 11% Liveness
95% Instrumentalness • 53% Positiveness
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µ-Ziq
Belt & Carpet
140 bpm • C min • 03:58 • -14.12db
21% Popularity • 43% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 43% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Anthony Linell
The Norns of Fate
162 bpm • F Maj • 01:41 • -23.75db
27% Popularity • 28% Danceability • 2% Energy • 11% Liveness
98% Instrumentalness • 11% Positiveness
27% Popularity • 28% Danceability • 2% Energy • 11% Liveness
98% Instrumentalness • 11% Positiveness
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Acronym
In the Swamp
139 bpm • C# Maj • 04:25 • -14.29db
12% Popularity • 14% Danceability • 30% Energy • 16% Liveness
80% Instrumentalness • 3% Positiveness
12% Popularity • 14% Danceability • 30% Energy • 16% Liveness
80% Instrumentalness • 3% Positiveness
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SW.
Untitled D3
140 bpm • E Maj • 03:53 • -12.82db
18% Popularity • 64% Danceability • 71% Energy • 16% Liveness
90% Instrumentalness • 43% Positiveness
18% Popularity • 64% Danceability • 71% Energy • 16% Liveness
90% Instrumentalness • 43% Positiveness
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Monolake
Mass Transit Railway
139 bpm • D# min • 07:17 • -19db
23% Popularity • 18% Danceability • 54% Energy • 19% Liveness
90% Instrumentalness • 7% Positiveness
23% Popularity • 18% Danceability • 54% Energy • 19% Liveness
90% Instrumentalness • 7% Positiveness
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Basic Channel
Lyot Rmx
139 bpm • F# min • 11:57 • -25.68db
15% Popularity • 35% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 63% Positiveness
15% Popularity • 35% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 63% Positiveness
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VC-118A
Endless
139 bpm • E min • 07:41 • -12.47db
11% Popularity • 66% Danceability • 66% Energy • 31% Liveness
93% Instrumentalness • 32% Positiveness
11% Popularity • 66% Danceability • 66% Energy • 31% Liveness
93% Instrumentalness • 32% Positiveness
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Tom VR
Now the Branch Is Creaking
139 bpm • G min • 04:39 • -11.46db
28% Popularity • 38% Danceability • 81% Energy • 10% Liveness
82% Instrumentalness • 61% Positiveness
28% Popularity • 38% Danceability • 81% Energy • 10% Liveness
82% Instrumentalness • 61% Positiveness
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B12
DB5
139 bpm • E Maj • 01:42 • -16.46db
28% Popularity • 67% Danceability • 20% Energy • 11% Liveness
86% Instrumentalness • 25% Positiveness
28% Popularity • 67% Danceability • 20% Energy • 11% Liveness
86% Instrumentalness • 25% Positiveness
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Floating Points
Karakul
138 bpm • C Maj • 01:54 • -18.72db
39% Popularity • 43% Danceability • 13% Energy • 15% Liveness
74% Instrumentalness • 4% Positiveness
39% Popularity • 43% Danceability • 13% Energy • 15% Liveness
74% Instrumentalness • 4% Positiveness
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Monolake
Occam
139 bpm • E min • 07:40 • -16.03db
18% Popularity • 70% Danceability • 68% Energy • 10% Liveness
71% Instrumentalness • 46% Positiveness
18% Popularity • 70% Danceability • 68% Energy • 10% Liveness
71% Instrumentalness • 46% Positiveness
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Basic Channel
Lyot Remix - Edit
139 bpm • F# min • 06:28 • -28db
18% Popularity • 34% Danceability • 19% Energy • 18% Liveness
92% Instrumentalness • 71% Positiveness
18% Popularity • 34% Danceability • 19% Energy • 18% Liveness
92% Instrumentalness • 71% Positiveness
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Plaid
Tak 1
138 bpm • A min • 01:01 • -12.38db
36% Popularity • 78% Danceability • 56% Energy • 10% Liveness
92% Instrumentalness • 88% Positiveness
36% Popularity • 78% Danceability • 56% Energy • 10% Liveness
92% Instrumentalness • 88% Positiveness
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Tom VR
Colour Dance Behind the Eyelids
138 bpm • A# min • 02:47 • -17.28db
31% Popularity • 32% Danceability • 51% Energy • 15% Liveness
91% Instrumentalness • 7% Positiveness
31% Popularity • 32% Danceability • 51% Energy • 15% Liveness
91% Instrumentalness • 7% Positiveness
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Shed
The Bot
138 bpm • A Maj • 06:23 • -17db
8% Popularity • 61% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
8% Popularity • 61% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
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Barker
Posmean
138 bpm • A min • 03:54 • -13.12db
28% Popularity • 76% Danceability • 70% Energy • 13% Liveness
76% Instrumentalness • 56% Positiveness
28% Popularity • 76% Danceability • 70% Energy • 13% Liveness
76% Instrumentalness • 56% Positiveness
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Vladislav Delay
Nesso
137 bpm • D# Maj • 03:11 • -17.08db
10% Popularity • 29% Danceability • 65% Energy • 19% Liveness
49% Instrumentalness • 35% Positiveness
10% Popularity • 29% Danceability • 65% Energy • 19% Liveness
49% Instrumentalness • 35% Positiveness
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Basic Channel
Radiance II
138 bpm • D# Maj • 03:59 • -15.67db
27% Popularity • 41% Danceability • 52% Energy • 23% Liveness
98% Instrumentalness • 8% Positiveness
27% Popularity • 41% Danceability • 52% Energy • 23% Liveness
98% Instrumentalness • 8% Positiveness
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Datassette
Sentinel
164 bpm • F# min • 05:26 • -12.31db
12% Popularity • 54% Danceability • 69% Energy • 8% Liveness
88% Instrumentalness • 18% Positiveness
12% Popularity • 54% Danceability • 69% Energy • 8% Liveness
88% Instrumentalness • 18% Positiveness
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Juan Atkins
Afterlude
136 bpm • E min • 02:10 • -37.12db
31% Popularity • 28% Danceability • 6% Energy • 12% Liveness
94% Instrumentalness • 56% Positiveness
31% Popularity • 28% Danceability • 6% Energy • 12% Liveness
94% Instrumentalness • 56% Positiveness
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Porter Ricks
Redundance 1
137 bpm • D Maj • 06:06 • -14.84db
11% Popularity • 70% Danceability • 44% Energy • 10% Liveness
88% Instrumentalness • 32% Positiveness
11% Popularity • 70% Danceability • 44% Energy • 10% Liveness
88% Instrumentalness • 32% Positiveness
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Barker
Wireheading
137 bpm • G# min • 02:19 • -27.1db
34% Popularity • 28% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
34% Popularity • 28% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
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Rhythm & Sound
Carrier
165 bpm • A# min • 09:38 • -25.48db
15% Popularity • 38% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 38% Positiveness
15% Popularity • 38% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 38% Positiveness
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Basic Channel
Radiance III - Edit
138 bpm • D# Maj • 03:47 • -24db
16% Popularity • 39% Danceability • 20% Energy • 35% Liveness
96% Instrumentalness • 12% Positiveness
16% Popularity • 39% Danceability • 20% Energy • 35% Liveness
96% Instrumentalness • 12% Positiveness
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Toh Imago
Monde intérieur - Shed Remix
136 bpm • B min • 05:26 • -8.67db
2% Popularity • 68% Danceability • 80% Energy • 8% Liveness
87% Instrumentalness • 63% Positiveness
2% Popularity • 68% Danceability • 80% Energy • 8% Liveness
87% Instrumentalness • 63% Positiveness
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SEADRAKE
Asche - Shed Remix
136 bpm • C# Maj • 04:15 • -8.29db
0% Popularity • 63% Danceability • 92% Energy • 12% Liveness
77% Instrumentalness • 52% Positiveness
0% Popularity • 63% Danceability • 92% Energy • 12% Liveness
77% Instrumentalness • 52% Positiveness
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Leon Vynehall
Sugar Slip (The Lick) - Sheds SugarDUB R...
136 bpm • G# min • 05:32 • -10.42db
6% Popularity • 96% Danceability • 71% Energy • 14% Liveness
93% Instrumentalness • 44% Positiveness
6% Popularity • 96% Danceability • 71% Energy • 14% Liveness
93% Instrumentalness • 44% Positiveness
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Barker
Cascade Effect
136 bpm • C Maj • 06:57 • -11.42db
20% Popularity • 42% Danceability • 80% Energy • 8% Liveness
73% Instrumentalness • 21% Positiveness
20% Popularity • 42% Danceability • 80% Energy • 8% Liveness
73% Instrumentalness • 21% Positiveness
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Rhythm & Sound
Carrier
166 bpm • A# min • 06:27 • -19db
23% Popularity • 56% Danceability • 29% Energy • 12% Liveness
87% Instrumentalness • 36% Positiveness
23% Popularity • 56% Danceability • 29% Energy • 12% Liveness
87% Instrumentalness • 36% Positiveness
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DjRUM
Showreel, Pt. 1
135 bpm • D# Maj • 03:00 • -17.92db
40% Popularity • 26% Danceability • 27% Energy • 17% Liveness
91% Instrumentalness • 18% Positiveness
40% Popularity • 26% Danceability • 27% Energy • 17% Liveness
91% Instrumentalness • 18% Positiveness
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Monolake
Ping
166 bpm • C# Maj • 05:38 • -17.43db
15% Popularity • 71% Danceability • 42% Energy • 8% Liveness
85% Instrumentalness • 73% Positiveness
15% Popularity • 71% Danceability • 42% Energy • 8% Liveness
85% Instrumentalness • 73% Positiveness
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UMFANG
Weight
135 bpm • C# Maj • 04:31 • -16db
18% Popularity • 78% Danceability • 39% Energy • 9% Liveness
96% Instrumentalness • 26% Positiveness
18% Popularity • 78% Danceability • 39% Energy • 9% Liveness
96% Instrumentalness • 26% Positiveness
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Thomas Fehlmann
Schizophrenia
135 bpm • F min • 04:33 • -10db
25% Popularity • 45% Danceability • 95% Energy • 22% Liveness
94% Instrumentalness • 78% Positiveness
25% Popularity • 45% Danceability • 95% Energy • 22% Liveness
94% Instrumentalness • 78% Positiveness
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Barker
Wick and Wax
135 bpm • A Maj • 09:09 • -12.34db
18% Popularity • 76% Danceability • 73% Energy • 40% Liveness
86% Instrumentalness • 64% Positiveness
18% Popularity • 76% Danceability • 73% Energy • 40% Liveness
86% Instrumentalness • 64% Positiveness
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Bochum Welt
Radiopropulsive
135 bpm • G# Maj • 02:49 • -11db
25% Popularity • 78% Danceability • 99% Energy • 9% Liveness
94% Instrumentalness • 44% Positiveness
25% Popularity • 78% Danceability • 99% Energy • 9% Liveness
94% Instrumentalness • 44% Positiveness
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Drexciya
Cascading Celestial Giants
134 bpm • C# min • 08:41 • -20db
11% Popularity • 56% Danceability • 42% Energy • 22% Liveness
89% Instrumentalness • 46% Positiveness
11% Popularity • 56% Danceability • 42% Energy • 22% Liveness
89% Instrumentalness • 46% Positiveness
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Monolake
Arte
167 bpm • A# min • 10:05 • -15db
20% Popularity • 67% Danceability • 69% Energy • 38% Liveness
86% Instrumentalness • 11% Positiveness
20% Popularity • 67% Danceability • 69% Energy • 38% Liveness
86% Instrumentalness • 11% Positiveness
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Max Cooper
Phi - Barker Remix
134 bpm • C# Maj • 04:26 • -11db
21% Popularity • 64% Danceability • 65% Energy • 14% Liveness
87% Instrumentalness • 34% Positiveness
21% Popularity • 64% Danceability • 65% Energy • 14% Liveness
87% Instrumentalness • 34% Positiveness
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J.C.
Vertigo - Sheds 030-Dubmix
134 bpm • C Maj • 06:47 • -9.27db
4% Popularity • 83% Danceability • 63% Energy • 10% Liveness
94% Instrumentalness • 32% Positiveness
4% Popularity • 83% Danceability • 63% Energy • 10% Liveness
94% Instrumentalness • 32% Positiveness
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Barker
Hedonic Treadmill
135 bpm • C# Maj • 04:09 • -14.94db
32% Popularity • 43% Danceability • 56% Energy • 9% Liveness
86% Instrumentalness • 24% Positiveness
32% Popularity • 43% Danceability • 56% Energy • 9% Liveness
86% Instrumentalness • 24% Positiveness
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VC-118A
Soft Spot
134 bpm • F min • 04:20 • -12.29db
9% Popularity • 64% Danceability • 57% Energy • 11% Liveness
83% Instrumentalness • 38% Positiveness
9% Popularity • 64% Danceability • 57% Energy • 11% Liveness
83% Instrumentalness • 38% Positiveness
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Watching Airplanes
Saboter La Machine
168 bpm • E min • 05:37 • -11db
14% Popularity • 70% Danceability • 63% Energy • 18% Liveness
86% Instrumentalness • 76% Positiveness
14% Popularity • 70% Danceability • 63% Energy • 18% Liveness
86% Instrumentalness • 76% Positiveness
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Etapp Kyle
Nolove
168 bpm • F# Maj • 04:07 • -17db
23% Popularity • 38% Danceability • 30% Energy • 11% Liveness
86% Instrumentalness • 43% Positiveness
23% Popularity • 38% Danceability • 30% Energy • 11% Liveness
86% Instrumentalness • 43% Positiveness
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Pearson Sound
Raindrops, Pt. I
134 bpm • A min • 02:19 • -21db
27% Popularity • 51% Danceability • 8% Energy • 11% Liveness
9% Instrumentalness • 69% Positiveness
27% Popularity • 51% Danceability • 8% Energy • 11% Liveness
9% Instrumentalness • 69% Positiveness
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SHXCXCHCXSH
Entering the S-Cloud
168 bpm • G# min • 02:03 • -13.66db
22% Popularity • 15% Danceability • 58% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
22% Popularity • 15% Danceability • 58% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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Barker
Neuron Collider
134 bpm • C# Maj • 06:06 • -7.99db
14% Popularity • 64% Danceability • 95% Energy • 15% Liveness
92% Instrumentalness • 28% Positiveness
14% Popularity • 64% Danceability • 95% Energy • 15% Liveness
92% Instrumentalness • 28% Positiveness
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Aleksi Perälä
UK74R1512110
134 bpm • C# Maj • 05:01 • -20db
13% Popularity • 65% Danceability • 65% Energy • 9% Liveness
77% Instrumentalness • 40% Positiveness
13% Popularity • 65% Danceability • 65% Energy • 9% Liveness
77% Instrumentalness • 40% Positiveness
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Leon Vynehall
Julia (Footnote IV)
169 bpm • G min • 02:25 • -18.28db
34% Popularity • 24% Danceability • 20% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
34% Popularity • 24% Danceability • 20% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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STL
Loop 005
133 bpm • C Maj • 01:01 • -21.72db
27% Popularity • 78% Danceability • 53% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
27% Popularity • 78% Danceability • 53% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
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Steve Lawler
Kalimba - Shed Remix
133 bpm • F# min • 07:18 • -11.91db
4% Popularity • 58% Danceability • 76% Energy • 12% Liveness
92% Instrumentalness • 23% Positiveness
4% Popularity • 58% Danceability • 76% Energy • 12% Liveness
92% Instrumentalness • 23% Positiveness
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Monolake
Invisible
133 bpm • C# Maj • 07:55 • -8.94db
21% Popularity • 84% Danceability • 65% Energy • 12% Liveness
86% Instrumentalness • 25% Positiveness
21% Popularity • 84% Danceability • 65% Energy • 12% Liveness
86% Instrumentalness • 25% Positiveness
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Barker
Golden Hammer
133 bpm • F# min • 04:23 • -10.34db
14% Popularity • 78% Danceability • 86% Energy • 12% Liveness
88% Instrumentalness • 70% Positiveness
14% Popularity • 78% Danceability • 86% Energy • 12% Liveness
88% Instrumentalness • 70% Positiveness
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Aleksi Perälä
Kinetic Theory
134 bpm • A Maj • 06:38 • -19.49db
17% Popularity • 68% Danceability • 35% Energy • 16% Liveness
96% Instrumentalness • 41% Positiveness
17% Popularity • 68% Danceability • 35% Energy • 16% Liveness
96% Instrumentalness • 41% Positiveness
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Space Afrika
Gwabh
169 bpm • E min • 03:56 • -27.07db
12% Popularity • 30% Danceability • 35% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
12% Popularity • 30% Danceability • 35% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
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STL
Fast Fizzy
133 bpm • F# Maj • 01:17 • -14.07db
26% Popularity • 77% Danceability • 73% Energy • 11% Liveness
96% Instrumentalness • 36% Positiveness
26% Popularity • 77% Danceability • 73% Energy • 11% Liveness
96% Instrumentalness • 36% Positiveness
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Anthony Naples
Worldwide
170 bpm • C# Maj • 03:27 • -9.9db
17% Popularity • 14% Danceability • 62% Energy • 12% Liveness
83% Instrumentalness • 8% Positiveness
17% Popularity • 14% Danceability • 62% Energy • 12% Liveness
83% Instrumentalness • 8% Positiveness
