Songs like Really Nice To Think About by JESSIA
Based on a tempo of (+/- 10%) and a similar genre
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BLÜ EYES
Just Life
172 bpm • A# Maj • 03:07 • -8db
22% Popularity • 73% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 73% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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EMELINE
6 foot deep
172 bpm • F# min • 02:51 • -7.39db
44% Popularity • 60% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
44% Popularity • 60% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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JESSIA
Really Nice To Think About
172 bpm • D Maj • 02:58 • -7.21db
37% Popularity • 66% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 66% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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Kylie Muse
Wreck A Homewrecker
172 bpm • G min • 02:16 • -7.73db
37% Popularity • 63% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 63% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Alexa Cappelli
Whiplash
170 bpm • F Maj • 03:07 • -4.29db
37% Popularity • 66% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
37% Popularity • 66% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Lily Kincade
sweet n low
173 bpm • E min • 03:16 • -7db
26% Popularity • 48% Danceability • 49% Energy • 38% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 48% Danceability • 49% Energy • 38% Liveness
0% Instrumentalness • 15% Positiveness
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Lauren Weintraub
Like A Boy
170 bpm • D# Maj • 02:44 • -5.02db
37% Popularity • 60% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
37% Popularity • 60% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Victoria Anthony
Dirty Lipstick
174 bpm • B Maj • 03:11 • -6.12db
20% Popularity • 58% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 58% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Deacon
Love For The Summer
170 bpm • A Maj • 03:08 • -7.28db
30% Popularity • 57% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 57% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 33% Positiveness
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HAVEN
Asking For A Friend
170 bpm • A Maj • 03:14 • -7.07db
10% Popularity • 78% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 78% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Austin Giorgio
After Rock Bottom
170 bpm • G Maj • 02:52 • -6.2db
26% Popularity • 66% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 66% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Frawley
Losers
170 bpm • F Maj • 03:21 • -5db
22% Popularity • 67% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 67% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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EQRIC
Mirror
170 bpm • F# min • 03:12 • -6.04db
19% Popularity • 53% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 53% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Andi
Dude
170 bpm • A Maj • 02:55 • -6.09db
24% Popularity • 62% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 62% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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RØGUENETHVN
Take You Away
174 bpm • C Maj • 03:14 • -2.51db
19% Popularity • 57% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 57% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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EMELINE
Animal
174 bpm • G min • 02:51 • -7db
41% Popularity • 56% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 56% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Olivia O'Brien
Josslyn - Radio Edit
170 bpm • D Maj • 03:08 • -4db
23% Popularity • 46% Danceability • 70% Energy • 43% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 46% Danceability • 70% Energy • 43% Liveness
0% Instrumentalness • 34% Positiveness
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JESSIA
Serotonin - Acoustic
175 bpm • G min • 03:05 • -8.56db
32% Popularity • 42% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 42% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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KINGS
thank me later
176 bpm • A min • 03:14 • -8.26db
48% Popularity • 51% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 51% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Marielle Kraft
We Were Never Friends
168 bpm • F Maj • 02:42 • -7.07db
34% Popularity • 47% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 47% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Geena Fontanella
Circles
168 bpm • G Maj • 02:37 • -6.53db
15% Popularity • 68% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 68% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Zach Hood
Main Character
176 bpm • B Maj • 03:02 • -5db
42% Popularity • 40% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 40% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Alexa Cappelli
Forbidden
178 bpm • D Maj • 03:44 • -5.75db
29% Popularity • 55% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 55% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Brynn Cartelli
We Belong
178 bpm • A Maj • 03:25 • -6db
22% Popularity • 52% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 52% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Natalie Jane
Love Is the Devil
168 bpm • A Maj • 03:13 • -10.86db
41% Popularity • 61% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
41% Popularity • 61% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Mimi Webb
Reasons
178 bpm • F# Maj • 02:42 • -10db
46% Popularity • 40% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
46% Popularity • 40% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Taylor Felt
Once In A Blue Moon
165 bpm • D Maj • 01:54 • -5.38db
24% Popularity • 70% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 70% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Lillian Hepler
Baddie
165 bpm • A# min • 02:56 • -6.43db
23% Popularity • 83% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 83% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Caroline Kole
Missing Each Other
165 bpm • F# Maj • 02:48 • -6.24db
18% Popularity • 72% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 72% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Zoë Ferguson
fuck love
180 bpm • C# Maj • 02:41 • -7.38db
12% Popularity • 57% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
12% Popularity • 57% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Frawley
Hard Boy
180 bpm • E Maj • 03:12 • -3.21db
55% Popularity • 52% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
55% Popularity • 52% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Annika Wells
Fuck Being Sober
180 bpm • G# Maj • 03:32 • -6.63db
46% Popularity • 69% Danceability • 55% Energy • 51% Liveness
0% Instrumentalness • 38% Positiveness
46% Popularity • 69% Danceability • 55% Energy • 51% Liveness
0% Instrumentalness • 38% Positiveness
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Georgia Ku
Ever Really Know
180 bpm • D Maj • 02:34 • -7db
31% Popularity • 46% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 46% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Ryan Mack
Guess That's Love
180 bpm • A Maj • 03:15 • -9db
50% Popularity • 69% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
50% Popularity • 69% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Jax
Ring Pop
180 bpm • F Maj • 02:26 • -11.98db
47% Popularity • 64% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
47% Popularity • 64% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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ASTON
Middle Fingers
180 bpm • G# min • 03:38 • -3db
50% Popularity • 56% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
50% Popularity • 56% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Frawley
Zombie
180 bpm • G# Maj • 02:56 • -2.41db
32% Popularity • 44% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 44% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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OSTON
I Think You Should Leave
164 bpm • G# Maj • 03:02 • -5.85db
17% Popularity • 67% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 67% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
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emlyn
rapunzel
164 bpm • D Maj • 03:07 • -3.63db
49% Popularity • 68% Danceability • 93% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
49% Popularity • 68% Danceability • 93% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Alexa Cappelli
I'll Be Okay
164 bpm • D# Maj • 03:44 • -8.5db
15% Popularity • 49% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 49% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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LØLØ
Convenient
164 bpm • F min • 02:58 • -6.94db
39% Popularity • 71% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 71% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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EMELINE
this is how i learn to say no
181 bpm • A# Maj • 02:22 • -7.76db
58% Popularity • 38% Danceability • 59% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
58% Popularity • 38% Danceability • 59% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
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KINGS
call me when you grow up...
162 bpm • F Maj • 02:31 • -5.78db
29% Popularity • 74% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 74% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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TRAMP STAMPS
1-800-miss-ur-guts
164 bpm • F# Maj • 03:03 • -7.24db
32% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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GAYLE
z
162 bpm • C Maj • 02:31 • -5.92db
24% Popularity • 61% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
24% Popularity • 61% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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emlyn
a thousand parties
162 bpm • C# Maj • 03:37 • -4.28db
20% Popularity • 48% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 48% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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salem ilese
Coke & Mentos
183 bpm • G Maj • 02:07 • -5.4db
43% Popularity • 60% Danceability • 66% Energy • 16% Liveness
1% Instrumentalness • 75% Positiveness
43% Popularity • 60% Danceability • 66% Energy • 16% Liveness
1% Instrumentalness • 75% Positiveness
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Taylor Bickett
Morning to Midnight
184 bpm • F# Maj • 02:58 • -7.57db
26% Popularity • 53% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 53% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Andrea Russett
Darkest Hour
184 bpm • D min • 02:48 • -6db
44% Popularity • 50% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 50% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Carlie Hanson
WYA
160 bpm • C# Maj • 03:11 • -4.38db
40% Popularity • 59% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
40% Popularity • 59% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
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Drew Ryn
You'll Miss Me
184 bpm • G# Maj • 02:24 • -7.7db
14% Popularity • 61% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 61% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Avenue Beat
thank you anxiety
160 bpm • G Maj • 02:48 • -4.02db
29% Popularity • 59% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 59% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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salem ilese
Dinosaurs (S4E7)
184 bpm • E Maj • 02:24 • -7.95db
28% Popularity • 41% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 41% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 27% Positiveness
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DEZI
Missing You
160 bpm • C Maj • 03:03 • -9.73db
26% Popularity • 49% Danceability • 60% Energy • 54% Liveness
3% Instrumentalness • 66% Positiveness
26% Popularity • 49% Danceability • 60% Energy • 54% Liveness
3% Instrumentalness • 66% Positiveness
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emlyn
plot line
159 bpm • A# min • 03:37 • -3.93db
48% Popularity • 36% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
48% Popularity • 36% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Andi
Blew It
160 bpm • C# min • 02:42 • -6db
31% Popularity • 53% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 53% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Sadie
Fake Friends
186 bpm • B min • 03:06 • -5.74db
28% Popularity • 58% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 58% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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HAVEN
Falling Out Of Love
159 bpm • G# Maj • 02:27 • -6.86db
23% Popularity • 43% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 43% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Effy Marella
How Do You Sleep?
158 bpm • E min • 02:32 • -7.73db
14% Popularity • 63% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 63% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Caroline Kole
Grudges
158 bpm • D Maj • 03:26 • -6.78db
27% Popularity • 66% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 66% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Jax
Bitchcraft
158 bpm • C Maj • 03:14 • -5.19db
39% Popularity • 57% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
39% Popularity • 57% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Jules Walcott
boys lie
158 bpm • E Maj • 02:49 • -12.59db
30% Popularity • 65% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 65% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Spencer Jordan
Fighting Fires
158 bpm • D Maj • 03:01 • -8.36db
27% Popularity • 74% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 74% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Rachel Grae
Lived It Twice
158 bpm • A# Maj • 02:53 • -6.07db
48% Popularity • 62% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
48% Popularity • 62% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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salem ilese
(L)only Child
157 bpm • G# min • 02:24 • -5.93db
38% Popularity • 64% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 64% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Gracie Carol
Breakup Szn
189 bpm • C# min • 02:33 • -6.69db
29% Popularity • 36% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 36% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
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Marisa Maino
BITTER
156 bpm • E Maj • 03:05 • -5.63db
29% Popularity • 70% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
29% Popularity • 70% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Jax
Come Home To Me
156 bpm • B min • 03:01 • -7.89db
34% Popularity • 70% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 70% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Caroline Manning
Sour Strawberry
156 bpm • G Maj • 02:26 • -7.54db
37% Popularity • 82% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 82% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Lucky Lyke
Dancing In The Moonlight
156 bpm • D# Maj • 04:18 • -4.18db
0% Popularity • 60% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 60% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Cloudy June
Love the Way It Hurts
156 bpm • C Maj • 02:20 • -7.62db
43% Popularity • 68% Danceability • 62% Energy • 70% Liveness
0% Instrumentalness • 66% Positiveness
43% Popularity • 68% Danceability • 62% Energy • 70% Liveness
0% Instrumentalness • 66% Positiveness
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JUJ
1-800-HELL-NO
155 bpm • F Maj • 02:35 • -7.2db
15% Popularity • 61% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 61% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Liv Grace Blue
Don't Need A Man
155 bpm • B Maj • 02:29 • -7.64db
46% Popularity • 60% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 60% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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HAVEN
Hoodie In The Summer
192 bpm • F# Maj • 02:36 • -5.28db
7% Popularity • 58% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
7% Popularity • 58% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Rachel Grae
Friend Like Me
154 bpm • F# Maj • 02:32 • -5.82db
60% Popularity • 67% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
60% Popularity • 67% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Andi
Crazier Best Friend
154 bpm • A# Maj • 02:51 • -5.47db
54% Popularity • 67% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
54% Popularity • 67% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
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Lauren Weintraub
Not Like I’m In Love With You
154 bpm • B Maj • 03:05 • -6db
48% Popularity • 66% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
48% Popularity • 66% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Hailee Steinfeld
End This (L.O.V.E.)
192 bpm • B min • 03:03 • -9.73db
42% Popularity • 62% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
42% Popularity • 62% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Liv Grace Blue
Young Wild & Free
192 bpm • E Maj • 02:16 • -4.66db
16% Popularity • 42% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 42% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
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CC Clarke
Not Playing
152 bpm • D Maj • 03:12 • -3.95db
33% Popularity • 67% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 67% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Cate
Stupid
152 bpm • C min • 02:48 • -5.26db
40% Popularity • 60% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
40% Popularity • 60% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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ROSIE
Sad Sad Sad
193 bpm • D Maj • 03:01 • -8.62db
24% Popularity • 39% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 39% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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ASTON
Girl Is A Gun
152 bpm • G Maj • 02:59 • -5.19db
33% Popularity • 67% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
33% Popularity • 67% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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JESSIA
One of the Guys
152 bpm • G Maj • 01:58 • -4.12db
53% Popularity • 76% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
53% Popularity • 76% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Olivia O'Brien
Sad Together
152 bpm • F Maj • 02:50 • -4.14db
33% Popularity • 65% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 65% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Sam DeRosa
321
152 bpm • B min • 02:53 • -5.24db
12% Popularity • 69% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 69% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Jax
90s Kids
152 bpm • C Maj • 02:43 • -6.44db
57% Popularity • 71% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
57% Popularity • 71% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
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Jillian Rossi
Give Me A Reason
195 bpm • A Maj • 02:15 • -5.55db
56% Popularity • 33% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
56% Popularity • 33% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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OBLVYN
Collide
151 bpm • G# Maj • 03:39 • -6.16db
16% Popularity • 50% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 50% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Grey Zeigler
cigarettes in the morning
150 bpm • A# min • 02:46 • -7.37db
34% Popularity • 62% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 62% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Andi
Never Dated You
151 bpm • B Maj • 02:01 • -6db
41% Popularity • 68% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
41% Popularity • 68% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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JESSIA
Be Here Now
150 bpm • G# Maj • 02:33 • -11db
35% Popularity • 51% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 51% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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GUNNAR
Can't Say No
150 bpm • F# min • 03:13 • -6db
26% Popularity • 56% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
26% Popularity • 56% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
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Carlie Hanson
Off My Neck
150 bpm • E Maj • 03:01 • -6db
28% Popularity • 67% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 67% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Kaitlyn Velez
FOMO
150 bpm • B min • 02:40 • -6.25db
11% Popularity • 76% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 76% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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salem ilese
Bad Word
150 bpm • C# Maj • 03:11 • -3.37db
23% Popularity • 68% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 68% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Lauren Weintraub
She's Mine
150 bpm • C Maj • 02:58 • -5.54db
39% Popularity • 65% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 65% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Carly Rose
song of the summer
150 bpm • A# min • 02:43 • -7.59db
9% Popularity • 68% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 68% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
