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Reckless Feeling
Songs like
Reckless Feeling
by
Ray Bonneville
Based on a tempo of (+/- 10%) and a similar genre
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Ray Bonneville
Reckless Feeling
101 bpm • G# Maj • 03:30 • -11.27db
31% Popularity • 75% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Delbert McClinton
Rosy
101 bpm • F Maj • 03:23 • -7db
36% Popularity • 80% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Todd Snider
Fortunate Son
101 bpm • G Maj • 02:43 • -11db
31% Popularity • 56% Danceability • 26% Energy • 13% Liveness
3% Instrumentalness • 33% Positiveness
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Curtis Salgado
The Gift Of Robert Charles
101 bpm • D Maj • 03:53 • -13.91db
24% Popularity • 56% Danceability • 9% Energy • 11% Liveness
47% Instrumentalness • 36% Positiveness
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John Hiatt
Crossing Muddy Waters
101 bpm • A Maj • 04:05 • -9.93db
51% Popularity • 63% Danceability • 49% Energy • 33% Liveness
4% Instrumentalness • 49% Positiveness
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Tab Benoit
For What It's Worth
101 bpm • A Maj • 05:17 • -12.17db
43% Popularity • 72% Danceability • 38% Energy • 8% Liveness
28% Instrumentalness • 76% Positiveness
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Big Head Todd and The Monsters
All True Man
102 bpm • A min • 04:04 • -9.05db
32% Popularity • 72% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Eliza Gilkyson
Sooner or Later
102 bpm • E min • 04:21 • -8.88db
20% Popularity • 49% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Ray Bonneville
Two Bends in the Road
102 bpm • D Maj • 03:19 • -13.39db
15% Popularity • 85% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Charlie Musselwhite
Blues Gave Me A Ride
100 bpm • E Maj • 02:21 • -11.42db
26% Popularity • 67% Danceability • 39% Energy • 38% Liveness
2% Instrumentalness • 56% Positiveness
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Danielle Nicole
Wolf Den
100 bpm • B min • 04:33 • -10db
30% Popularity • 83% Danceability • 48% Energy • 7% Liveness
1% Instrumentalness • 65% Positiveness
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Samantha Fish
Try Not To Fall In Love With You
100 bpm • C# min • 04:04 • -9.65db
28% Popularity • 72% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Curtis Salgado
You Got To Move
102 bpm • D Maj • 04:32 • -7db
24% Popularity • 75% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Delbert McClinton
Don't Do It
100 bpm • C Maj • 03:20 • -4.28db
16% Popularity • 64% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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Phantom Blues Band
Stop Runnin'
100 bpm • B min • 05:13 • -5db
19% Popularity • 75% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Tinsley Ellis
All In The Name Of Love
100 bpm • A min • 05:07 • -8db
27% Popularity • 82% Danceability • 69% Energy • 32% Liveness
1% Instrumentalness • 88% Positiveness
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Kenny Butterill
True North
100 bpm • A# min • 03:14 • -10db
4% Popularity • 82% Danceability • 49% Energy • 9% Liveness
45% Instrumentalness • 74% Positiveness
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Robert Cray
The Same Love That Made Me Laugh
102 bpm • A# Maj • 03:51 • -6.29db
32% Popularity • 72% Danceability • 69% Energy • 9% Liveness
1% Instrumentalness • 72% Positiveness
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Curtis Salgado
Walk A Mile In My Blues
100 bpm • C Maj • 04:31 • -5db
39% Popularity • 65% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Henrik Freischlader
Early Morning Blues
100 bpm • G Maj • 05:19 • -9db
21% Popularity • 65% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Peter Green
Carry My Love
100 bpm • B min • 04:59 • -10.25db
27% Popularity • 72% Danceability • 51% Energy • 8% Liveness
12% Instrumentalness • 77% Positiveness
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Delbert McClinton & Glen Clark
Sure Feels Good
102 bpm • B min • 04:24 • -12.02db
6% Popularity • 70% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Lucinda Williams
Hot Blood
103 bpm • D min • 06:19 • -9db
24% Popularity • 52% Danceability • 60% Energy • 13% Liveness
15% Instrumentalness • 43% Positiveness
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Ray Bonneville
What Katy Did
103 bpm • B min • 03:29 • -10.09db
8% Popularity • 55% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Chris Smither
Hold On I
103 bpm • E Maj • 04:03 • -9.08db
34% Popularity • 56% Danceability • 49% Energy • 69% Liveness
3% Instrumentalness • 50% Positiveness
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Stephen Bruton
Bigger Wheel
99 bpm • A# Maj • 05:44 • -6.75db
1% Popularity • 55% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Luther Dickinson
Up Over Yonder
99 bpm • A min • 03:19 • -11.49db
9% Popularity • 66% Danceability • 37% Energy • 11% Liveness
10% Instrumentalness • 61% Positiveness
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The Rides
I've Got To Use My Imagination
99 bpm • F min • 06:15 • -5db
29% Popularity • 52% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Janiva Magness
I Won't Cry
99 bpm • G Maj • 03:51 • -8.9db
28% Popularity • 63% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Ray Bonneville
Darlin' (Put Your Suitcase Down)
99 bpm • D Maj • 03:25 • -11.41db
12% Popularity • 65% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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John Hiatt
Nobody Knew His Name
103 bpm • C Maj • 04:25 • -10.74db
6% Popularity • 60% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Hot Tuna
Alumni Blues (Hot Tuna)
104 bpm • E Maj • 04:57 • -14db
20% Popularity • 58% Danceability • 20% Energy • 12% Liveness
3% Instrumentalness • 36% Positiveness
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Curtis Salgado
I Can't Be Satisfied
99 bpm • D Maj • 03:49 • -8.65db
31% Popularity • 68% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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Deborah Coleman
My Heart Bleeds Blue
98 bpm • E min • 04:28 • -7db
22% Popularity • 61% Danceability • 82% Energy • 8% Liveness
1% Instrumentalness • 71% Positiveness
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The Allman Betts Band
Down To The River
98 bpm • G min • 04:43 • -9.5db
38% Popularity • 79% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Ray Bonneville
Run Jolee Run
103 bpm • C min • 04:45 • -11.39db
9% Popularity • 60% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Tommy Castro
Somewhere
104 bpm • A Maj • 03:30 • -5.2db
40% Popularity • 60% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Karen Lovely
Nice and Easy
104 bpm • B min • 04:58 • -8.71db
11% Popularity • 72% Danceability • 50% Energy • 14% Liveness
28% Instrumentalness • 62% Positiveness
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Jim Allchin
Healing Ground
104 bpm • A min • 03:45 • -8db
21% Popularity • 56% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Randall Bramblett
Get in Get Out
104 bpm • G Maj • 03:28 • -6.14db
10% Popularity • 69% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Selwyn Birchwood
Overworked And Underpaid
98 bpm • E Maj • 04:06 • -6.03db
10% Popularity • 54% Danceability • 52% Energy • 15% Liveness
1% Instrumentalness • 57% Positiveness
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Robert Cray
Nobody's Fault But Mine
98 bpm • A Maj • 02:39 • -5.79db
33% Popularity • 59% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Colin Linden
Until the Heat Leaves Town
98 bpm • C Maj • 03:33 • -7.92db
10% Popularity • 74% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Peter Wolf
Peace Of Mind
98 bpm • G# Maj • 03:48 • -11.61db
27% Popularity • 72% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Ray Bonneville
July Sun
98 bpm • E Maj • 04:22 • -14.25db
15% Popularity • 71% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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The Robert Cray Band
Baby's Arms
104 bpm • A Maj • 02:55 • -7.23db
25% Popularity • 68% Danceability • 73% Energy • 44% Liveness
0% Instrumentalness • 76% Positiveness
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Kieran Kane
Just Like That
98 bpm • C Maj • 03:30 • -12.02db
29% Popularity • 72% Danceability • 43% Energy • 9% Liveness
50% Instrumentalness • 75% Positiveness
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Greg Brown
Blue Car
98 bpm • D Maj • 04:11 • -11.58db
30% Popularity • 78% Danceability • 39% Energy • 10% Liveness
28% Instrumentalness • 57% Positiveness
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Chris Smither
She Said She Said
104 bpm • D Maj • 02:54 • -8.95db
35% Popularity • 65% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Southern Avenue
80 Miles From Memphis
98 bpm • A Maj • 03:52 • -4.23db
25% Popularity • 55% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Seth Walker
Lately I've Let Things Slide
98 bpm • A# Maj • 02:57 • -10.12db
21% Popularity • 68% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Melvin Taylor
Voodoo Daddy
98 bpm • F Maj • 06:30 • -16db
27% Popularity • 72% Danceability • 52% Energy • 28% Liveness
2% Instrumentalness • 93% Positiveness
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Matt "Guitar" Murphy
Way Down South
98 bpm • A Maj • 04:34 • -13db
29% Popularity • 75% Danceability • 51% Energy • 18% Liveness
2% Instrumentalness • 57% Positiveness
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Cary Morin
When the Levee Breaks
104 bpm • C Maj • 03:18 • -12.91db
30% Popularity • 73% Danceability • 21% Energy • 12% Liveness
19% Instrumentalness • 76% Positiveness
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Lloyd Spiegel
Sweet South West Blues
105 bpm • B min • 02:39 • -11.35db
39% Popularity • 65% Danceability • 52% Energy • 9% Liveness
36% Instrumentalness • 54% Positiveness
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Big Daddy Wilson
Crazy World
98 bpm • B min • 05:23 • -11.56db
15% Popularity • 74% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Lowell George
Easy Money
105 bpm • D Maj • 03:31 • -12db
24% Popularity • 66% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Snowy White
The Situation
105 bpm • E min • 05:06 • -7.57db
40% Popularity • 78% Danceability • 58% Energy • 7% Liveness
2% Instrumentalness • 93% Positiveness
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Tedeschi Trucks Band
Right On Time
105 bpm • C Maj • 04:33 • -10.58db
29% Popularity • 70% Danceability • 44% Energy • 16% Liveness
2% Instrumentalness • 66% Positiveness
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Ronnie Earl
Southside Stomp
97 bpm • E min • 04:13 • -4.73db
25% Popularity • 40% Danceability • 77% Energy • 13% Liveness
58% Instrumentalness • 54% Positiveness
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Bill Wyman's Rhythm Kings
Anyway the Wind Blows
97 bpm • D min • 03:26 • -8.09db
21% Popularity • 74% Danceability • 78% Energy • 11% Liveness
1% Instrumentalness • 89% Positiveness
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Ray Bonneville
Cross and Flowers
97 bpm • G min • 04:22 • -11db
17% Popularity • 66% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Lonnie Mack
Oreo Cookie Blues
97 bpm • E Maj • 04:54 • -10db
36% Popularity • 65% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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The Fabulous Thunderbirds
(I Know) I'm Losing You
97 bpm • G Maj • 04:25 • -9db
29% Popularity • 66% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Tedeschi Trucks Band
In Every Heart
97 bpm • A Maj • 06:20 • -10.65db
22% Popularity • 47% Danceability • 41% Energy • 23% Liveness
4% Instrumentalness • 56% Positiveness
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Peter Karp
Chance of Rain
105 bpm • C Maj • 03:35 • -8.53db
21% Popularity • 86% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Gregg Allman
I Love The Life I Live
97 bpm • B min • 03:31 • -5.67db
21% Popularity • 35% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Ray Bonneville
Tender Heart
97 bpm • C Maj • 04:49 • -13.31db
9% Popularity • 75% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Hadden Sayers
Something Wrong in the World
97 bpm • F# min • 03:23 • -7db
29% Popularity • 84% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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The Fabulous Thunderbirds
Where's Your Love Been
97 bpm • F Maj • 05:09 • -9.71db
12% Popularity • 64% Danceability • 61% Energy • 13% Liveness
3% Instrumentalness • 80% Positiveness
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Chris Smither
Hundred Dollar Valentine
105 bpm • G Maj • 03:05 • -4.99db
30% Popularity • 72% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Wentus Blues Band
First We Take Manhattan
105 bpm • G min • 04:19 • -9.21db
16% Popularity • 50% Danceability • 58% Energy • 32% Liveness
10% Instrumentalness • 61% Positiveness
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The Rides
Virtual World
97 bpm • E min • 04:04 • -6db
18% Popularity • 53% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Ray Bonneville
Lone Freighter's Wail
97 bpm • G min • 04:00 • -14.99db
12% Popularity • 63% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Lloyd Spiegel
All the Cats Are Grey
106 bpm • F min • 02:29 • -8.96db
41% Popularity • 80% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Charlie Musselwhite
Rank Strangers
106 bpm • A Maj • 02:27 • -15.56db
37% Popularity • 52% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Seth Walker
Memory Pain
106 bpm • C Maj • 02:34 • -9.29db
23% Popularity • 79% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Chris Smither
Crocodile Man
106 bpm • D min • 03:33 • -10db
27% Popularity • 65% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Karen Lovely
Everything Means Nothing
106 bpm • G Maj • 04:35 • -7.35db
9% Popularity • 78% Danceability • 45% Energy • 7% Liveness
33% Instrumentalness • 72% Positiveness
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Ray Bonneville
Listen
97 bpm • G min • 03:48 • -14db
34% Popularity • 61% Danceability • 38% Energy • 11% Liveness
6% Instrumentalness • 73% Positiveness
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Snowy White
Something on Me
106 bpm • A min • 07:44 • -13.68db
33% Popularity • 87% Danceability • 34% Energy • 8% Liveness
7% Instrumentalness • 80% Positiveness
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Hadden Sayers
Lay Down your Worries
106 bpm • B Maj • 03:17 • -6.76db
21% Popularity • 90% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Eric Lindell
Mind Your Business
106 bpm • D Maj • 03:37 • -3.64db
35% Popularity • 65% Danceability • 89% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Shannon McNally
Low Rider
96 bpm • F# Maj • 02:53 • -13.37db
17% Popularity • 66% Danceability • 39% Energy • 15% Liveness
1% Instrumentalness • 37% Positiveness
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Debbie Davies
Love Spin
96 bpm • E min • 04:03 • -8.18db
20% Popularity • 70% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Ray Bonneville
Cemetery Road
97 bpm • G Maj • 03:36 • -16.1db
15% Popularity • 63% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
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Curtis Salgado
I Want My Dog To Live Longer (The Greate...
106 bpm • A Maj • 02:47 • -10db
38% Popularity • 87% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Mark Knopfler
Hot Or What
96 bpm • C Maj • 04:53 • -10.91db
32% Popularity • 73% Danceability • 40% Energy • 10% Liveness
4% Instrumentalness • 53% Positiveness
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Peter Green Splinter Group
Burglar
96 bpm • F Maj • 05:55 • -9.68db
28% Popularity • 80% Danceability • 49% Energy • 12% Liveness
5% Instrumentalness • 64% Positiveness
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Chris Smither
Train Home
96 bpm • B min • 04:25 • -9.99db
32% Popularity • 62% Danceability • 30% Energy • 68% Liveness
0% Instrumentalness • 44% Positiveness
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James Solberg
Ballad of a Thin Man
107 bpm • G min • 08:34 • -7.28db
5% Popularity • 40% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Ray Bonneville
Sabine River
106 bpm • G# Maj • 04:46 • -11db
27% Popularity • 67% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Cary Morin
Angels and Devils
107 bpm • C Maj • 03:02 • -9.77db
10% Popularity • 54% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Greg Brown
Real Good Friend
95 bpm • C Maj • 03:55 • -8.08db
19% Popularity • 81% Danceability • 41% Energy • 8% Liveness
60% Instrumentalness • 63% Positiveness
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Delbert McClinton
Doin' What You Do
107 bpm • F# min • 03:41 • -6.13db
31% Popularity • 90% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Andy Fairweather Low
I Don't Need
107 bpm • E min • 03:55 • -9.03db
24% Popularity • 79% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Christone "Kingfish" Ingram
Listen
95 bpm • E Maj • 05:29 • -7.76db
37% Popularity • 62% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Ray Bonneville
So Long Blues
96 bpm • C# Maj • 03:56 • -12.57db
19% Popularity • 69% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
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Curtis Salgado
Depot Blues
107 bpm • A Maj • 04:11 • -9db
17% Popularity • 79% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Danielle Nicole
Hot Spell
95 bpm • B Maj • 04:08 • -7.44db
32% Popularity • 86% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Reckless Feeling