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Reckoning
Songs like
Reckoning
by
Donny McCaslin
Based on a tempo of (+/- 10%) and a similar genre
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Donny McCaslin
Reckoning
164 bpm • C# Maj • 03:14 • -9.48db
15% Popularity • 50% Danceability • 44% Energy • 45% Liveness
46% Instrumentalness • 25% Positiveness
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YUYING HSU
You, in the Past
164 bpm • F# Maj • 09:03 • -11.17db
2% Popularity • 38% Danceability • 48% Energy • 12% Liveness
48% Instrumentalness • 61% Positiveness
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Will Vinson
Firenze
163 bpm • G# Maj • 09:23 • -11.51db
9% Popularity • 44% Danceability • 53% Energy • 7% Liveness
8% Instrumentalness • 52% Positiveness
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Vijay Iyer Trio
Starlings
161 bpm • C Maj • 03:52 • -23.76db
16% Popularity • 34% Danceability • 16% Energy • 8% Liveness
77% Instrumentalness • 20% Positiveness
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Dave Liebman
Blaizza
168 bpm • F Maj • 04:14 • -11.53db
0% Popularity • 60% Danceability • 32% Energy • 9% Liveness
78% Instrumentalness • 56% Positiveness
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Nate Smith
I Burn for You Amma Whatt
160 bpm • A# Maj • 04:31 • -8.74db
17% Popularity • 23% Danceability • 67% Energy • 11% Liveness
64% Instrumentalness • 29% Positiveness
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Donny McCaslin
Fly My Space Ship
165 bpm • C# min • 04:23 • -9.77db
12% Popularity • 64% Danceability • 70% Energy • 15% Liveness
75% Instrumentalness • 83% Positiveness
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Tingvall Trio
Tokyo Dance
160 bpm • G# Maj • 04:33 • -12.31db
33% Popularity • 41% Danceability • 72% Energy • 10% Liveness
91% Instrumentalness • 80% Positiveness
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Yazz Ahmed
The Lost Pearl
160 bpm • G Maj • 07:19 • -11.77db
12% Popularity • 51% Danceability • 45% Energy • 9% Liveness
74% Instrumentalness • 51% Positiveness
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The Jazz Seekers
Raindance
160 bpm • A# min • 04:27 • -12db
19% Popularity • 36% Danceability • 34% Energy • 10% Liveness
60% Instrumentalness • 66% Positiveness
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Tobin Mueller
Icarus
168 bpm • D min • 05:19 • -5.32db
26% Popularity • 31% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Metropole Orkest
Smooth Jazz Apocalypse
168 bpm • C Maj • 06:42 • -10.74db
9% Popularity • 37% Danceability • 67% Energy • 70% Liveness
66% Instrumentalness • 22% Positiveness
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Donny McCaslin
No Eyes
160 bpm • C Maj • 05:55 • -11.09db
10% Popularity • 53% Danceability • 63% Energy • 8% Liveness
92% Instrumentalness • 36% Positiveness
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Ellen Andrea Wang
Erasmus
160 bpm • C Maj • 08:49 • -13.04db
14% Popularity • 40% Danceability • 33% Energy • 10% Liveness
84% Instrumentalness • 39% Positiveness
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Joel Lyssarides
Gowns of Dark
170 bpm • E min • 03:12 • -19.22db
41% Popularity • 29% Danceability • 46% Energy • 12% Liveness
87% Instrumentalness • 52% Positiveness
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The University Of Notre Dame Folk Choir
To Promised Life
170 bpm • D# Maj • 03:59 • -4.63db
0% Popularity • 18% Danceability • 72% Energy • 20% Liveness
25% Instrumentalness • 15% Positiveness
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Bill Laurance
Round House
160 bpm • C Maj • 05:12 • -17db
30% Popularity • 54% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 57% Positiveness
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Cameron Graves
The End of Corporatism
158 bpm • F min • 08:08 • -7.85db
10% Popularity • 31% Danceability • 70% Energy • 9% Liveness
85% Instrumentalness • 36% Positiveness
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Takuya Kuroda
Dead End Dance
158 bpm • A# min • 04:21 • -8.1db
21% Popularity • 43% Danceability • 75% Energy • 9% Liveness
88% Instrumentalness • 43% Positiveness
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Roy Hargrove
I'm Not So Sure
171 bpm • F# Maj • 05:48 • -10.03db
33% Popularity • 45% Danceability • 54% Energy • 8% Liveness
66% Instrumentalness • 70% Positiveness
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Web Web
Kings of Forbidden Lands
157 bpm • C min • 05:23 • -7.49db
26% Popularity • 41% Danceability • 73% Energy • 9% Liveness
28% Instrumentalness • 90% Positiveness
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Nate Smith
Retold
158 bpm • D Maj • 04:54 • -10db
37% Popularity • 40% Danceability • 60% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
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Mark Guiliana Jazz Quartet
Welcome Home
157 bpm • F Maj • 09:42 • -15.49db
8% Popularity • 38% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Brian Blade & The Fellowship Band
Broken Leg Days
157 bpm • C Maj • 05:20 • -12.08db
25% Popularity • 34% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
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Vijay Iyer Trio
Human Nature (Trio Extension)
157 bpm • C# Maj • 09:39 • -15.66db
21% Popularity • 41% Danceability • 29% Energy • 9% Liveness
90% Instrumentalness • 51% Positiveness
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Ari Hoenig
Higher to Hayastan
157 bpm • C min • 06:16 • -12.55db
8% Popularity • 26% Danceability • 69% Energy • 20% Liveness
94% Instrumentalness • 74% Positiveness
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Brian Blade Fellowship
Steadfast
172 bpm • E min • 08:21 • -14db
12% Popularity • 25% Danceability • 34% Energy • 10% Liveness
49% Instrumentalness • 17% Positiveness
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Donny McCaslin
Alpha and Omega
172 bpm • C# Maj • 04:11 • -13.45db
10% Popularity • 54% Danceability • 62% Energy • 6% Liveness
90% Instrumentalness • 7% Positiveness
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Yazz Ahmed
Jamil Jamal
172 bpm • A# Maj • 08:12 • -10.78db
20% Popularity • 38% Danceability • 45% Energy • 6% Liveness
90% Instrumentalness • 47% Positiveness
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Michael Wollny
Hello Dave
172 bpm • C# Maj • 04:06 • -12.79db
33% Popularity • 54% Danceability • 47% Energy • 9% Liveness
91% Instrumentalness • 49% Positiveness
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Brian Blade & The Fellowship Band
Embers
172 bpm • G Maj • 02:21 • -17.52db
44% Popularity • 44% Danceability • 23% Energy • 14% Liveness
95% Instrumentalness • 33% Positiveness
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Zela Margossian Quintet
Forecast
156 bpm • D# min • 03:44 • -13.7db
22% Popularity • 47% Danceability • 43% Energy • 9% Liveness
66% Instrumentalness • 68% Positiveness
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Miho Hazama
Today, Not Today
172 bpm • E min • 08:03 • -9.63db
16% Popularity • 36% Danceability • 47% Energy • 12% Liveness
60% Instrumentalness • 22% Positiveness
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Nate Smith
Spinning Down
172 bpm • D# min • 08:40 • -12db
25% Popularity • 36% Danceability • 53% Energy • 12% Liveness
81% Instrumentalness • 44% Positiveness
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Reid Anderson
Song One
172 bpm • G min • 07:42 • -7.89db
8% Popularity • 25% Danceability • 66% Energy • 9% Liveness
96% Instrumentalness • 23% Positiveness
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Donny McCaslin
Says Who
173 bpm • F# Maj • 06:17 • -8.74db
10% Popularity • 43% Danceability • 83% Energy • 11% Liveness
30% Instrumentalness • 44% Positiveness
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Manu Katché
Beats & Bounce
173 bpm • A Maj • 08:28 • -12.91db
8% Popularity • 43% Danceability • 40% Energy • 11% Liveness
89% Instrumentalness • 55% Positiveness
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James Francies
Leaps
173 bpm • B Maj • 06:09 • -9.94db
14% Popularity • 26% Danceability • 68% Energy • 11% Liveness
82% Instrumentalness • 28% Positiveness
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Ari Joshua
Tooth and Nail
156 bpm • G# min • 01:28 • -12.32db
22% Popularity • 56% Danceability • 58% Energy • 13% Liveness
87% Instrumentalness • 43% Positiveness
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Ross Pederson
Sagittarius
173 bpm • G# Maj • 05:34 • -9.08db
0% Popularity • 25% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Shai Maestro
Mystery and Illusions
155 bpm • C Maj • 08:32 • -17.05db
19% Popularity • 30% Danceability • 23% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
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Donny McCaslin
Henry
155 bpm • E Maj • 06:34 • -11.95db
4% Popularity • 42% Danceability • 60% Energy • 13% Liveness
41% Instrumentalness • 41% Positiveness
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Ill Considered
Building Bridges
155 bpm • A min • 05:36 • -11.28db
20% Popularity • 45% Danceability • 58% Energy • 11% Liveness
79% Instrumentalness • 35% Positiveness
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FORQ
635 South
174 bpm • F min • 02:28 • -13.99db
24% Popularity • 49% Danceability • 43% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
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Kristjan Randalu
Adaption II
174 bpm • B Maj • 05:54 • -20.87db
8% Popularity • 18% Danceability • 20% Energy • 9% Liveness
94% Instrumentalness • 29% Positiveness
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Ross Pederson
sagittarius - 2023 remaster
173 bpm • F min • 05:35 • -10.08db
0% Popularity • 25% Danceability • 69% Energy • 10% Liveness
64% Instrumentalness • 35% Positiveness
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Miho Hazama
RUN
154 bpm • D Maj • 07:06 • -9.82db
13% Popularity • 33% Danceability • 50% Energy • 7% Liveness
39% Instrumentalness • 29% Positiveness
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Donny McCaslin
Stria
175 bpm • G min • 05:37 • -8.28db
11% Popularity • 31% Danceability • 82% Energy • 21% Liveness
88% Instrumentalness • 10% Positiveness
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Greg Spero
Rose Petal
175 bpm • B min • 03:57 • -13.33db
13% Popularity • 47% Danceability • 56% Energy • 8% Liveness
90% Instrumentalness • 69% Positiveness
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Endless Field
Supermoon
176 bpm • A Maj • 03:58 • -8.82db
2% Popularity • 28% Danceability • 46% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
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Fergus McCreadie
Cliffside
176 bpm • G Maj • 07:42 • -15.41db
9% Popularity • 22% Danceability • 51% Energy • 12% Liveness
87% Instrumentalness • 14% Positiveness
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Fred Nardin Trio
In the Skies
153 bpm • G# min • 07:00 • -13.43db
13% Popularity • 32% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Jack DeJohnette
In Movement
152 bpm • C# Maj • 09:21 • -14.58db
14% Popularity • 38% Danceability • 39% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Yazz Ahmed
Flip Flop
178 bpm • A min • 05:21 • -12.23db
8% Popularity • 33% Danceability • 35% Energy • 12% Liveness
66% Instrumentalness • 29% Positiveness
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Mark Guiliana
under the influence
151 bpm • A# min • 06:34 • -10db
12% Popularity • 33% Danceability • 59% Energy • 18% Liveness
74% Instrumentalness • 24% Positiveness
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Spirit Fingers
inside
151 bpm • A# min • 04:39 • -9.01db
16% Popularity • 31% Danceability • 74% Energy • 13% Liveness
90% Instrumentalness • 38% Positiveness
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Wayne Krantz
Alliance
150 bpm • E Maj • 03:38 • -20.92db
38% Popularity • 48% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 68% Positiveness
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Joel Goodman
What Dreamers Dream
151 bpm • A min • 07:41 • -8.66db
32% Popularity • 37% Danceability • 59% Energy • 11% Liveness
87% Instrumentalness • 29% Positiveness
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Donny McCaslin
Creeper
150 bpm • C min • 04:39 • -9.86db
4% Popularity • 40% Danceability • 47% Energy • 8% Liveness
65% Instrumentalness • 6% Positiveness
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Theo Croker
Just Let It Ride
150 bpm • G# min • 05:30 • -12.03db
8% Popularity • 58% Danceability • 70% Energy • 8% Liveness
94% Instrumentalness • 85% Positiveness
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Billy Childs
Dori
150 bpm • G min • 07:34 • -10.09db
12% Popularity • 41% Danceability • 66% Energy • 14% Liveness
81% Instrumentalness • 48% Positiveness
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Now Vs Now
Drift
150 bpm • B min • 06:51 • -13.48db
7% Popularity • 28% Danceability • 31% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
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Lucien Johnson
Blue Rain
148 bpm • E Maj • 07:19 • -12.86db
9% Popularity • 41% Danceability • 49% Energy • 10% Liveness
79% Instrumentalness • 48% Positiveness
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Joel Goodman
The Mystery of Trees
150 bpm • F Maj • 07:49 • -10.55db
5% Popularity • 28% Danceability • 54% Energy • 13% Liveness
86% Instrumentalness • 23% Positiveness
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Donny McCaslin
L.Z.C.M.
150 bpm • G Maj • 07:06 • -7.78db
1% Popularity • 55% Danceability • 78% Energy • 8% Liveness
9% Instrumentalness • 59% Positiveness
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Joshua Redman Elastic Band
Riverwide
183 bpm • F min • 06:20 • -9.71db
16% Popularity • 43% Danceability • 52% Energy • 29% Liveness
54% Instrumentalness • 38% Positiveness
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Art Hirahara
Points Of View
148 bpm • G# Maj • 06:21 • -8.98db
0% Popularity • 41% Danceability • 55% Energy • 20% Liveness
78% Instrumentalness • 47% Positiveness
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Kendrick Scott
>>Nemesis
147 bpm • F# Maj • 05:52 • -11.51db
8% Popularity • 35% Danceability • 41% Energy • 23% Liveness
73% Instrumentalness • 46% Positiveness
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Vijay Iyer Trio
Hood
144 bpm • B min • 06:10 • -22.84db
13% Popularity • 50% Danceability • 30% Energy • 9% Liveness
82% Instrumentalness • 40% Positiveness
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Jason Palmer
The Priest's Tale (Mode II)
144 bpm • E min • 07:43 • -12.42db
0% Popularity • 45% Danceability • 60% Energy • 66% Liveness
6% Instrumentalness • 44% Positiveness
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Donny McCaslin
Hold Me Tight
149 bpm • C# Maj • 04:31 • -9.33db
13% Popularity • 36% Danceability • 61% Energy • 14% Liveness
86% Instrumentalness • 14% Positiveness
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Will Vinson
Strasbourg St. Denis
145 bpm • A# min • 04:36 • -9.12db
19% Popularity • 44% Danceability • 48% Energy • 9% Liveness
74% Instrumentalness • 49% Positiveness
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Michael Leonhart Orchestra
Wayne Shorter
144 bpm • F Maj • 05:16 • -11.9db
0% Popularity • 50% Danceability • 34% Energy • 8% Liveness
89% Instrumentalness • 29% Positiveness
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Ben Wendel
Wanderers
144 bpm • C# min • 07:33 • -9.7db
10% Popularity • 48% Danceability • 39% Energy • 16% Liveness
86% Instrumentalness • 55% Positiveness
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Analog Players Society
Home in America
144 bpm • A# min • 04:23 • -7.64db
7% Popularity • 66% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Brian Blade & The Fellowship Band
He Died Fighting
144 bpm • A min • 05:36 • -13db
25% Popularity • 38% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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Mammal Hands
Tiny Crumb
143 bpm • C Maj • 07:46 • -9.88db
20% Popularity • 37% Danceability • 54% Energy • 18% Liveness
86% Instrumentalness • 31% Positiveness
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Greg Spero
TWO…
142 bpm • C# Maj • 03:25 • -10.89db
0% Popularity • 57% Danceability • 52% Energy • 52% Liveness
58% Instrumentalness • 20% Positiveness
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Kneebody
Wounds Let in the Light
142 bpm • F# min • 04:51 • -10db
8% Popularity • 34% Danceability • 49% Energy • 10% Liveness
9% Instrumentalness • 28% Positiveness
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Matthias Lupri Group
Metalix Abstract
142 bpm • G min • 01:38 • -31.99db
3% Popularity • 30% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Art Hirahara
Yuyake Koyake
142 bpm • C Maj • 02:33 • -22.22db
5% Popularity • 38% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 22% Positiveness
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Steve Lyman
IT'S JUST DARKNESS
141 bpm • G min • 06:13 • -11.61db
12% Popularity • 36% Danceability • 49% Energy • 32% Liveness
76% Instrumentalness • 15% Positiveness
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Brian Blade & The Fellowship Band
Bonnie Be Good
141 bpm • D Maj • 03:58 • -15db
29% Popularity • 39% Danceability • 13% Energy • 12% Liveness
64% Instrumentalness • 7% Positiveness
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Immanuel Wilkins
Warriors
141 bpm • E min • 06:55 • -8.88db
20% Popularity • 38% Danceability • 66% Energy • 25% Liveness
65% Instrumentalness • 42% Positiveness
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Andrew Cyrille
Worried Woman
141 bpm • F min • 07:35 • -18.4db
11% Popularity • 34% Danceability • 19% Energy • 9% Liveness
58% Instrumentalness • 22% Positiveness
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Don Peretz
Impulsed
140 bpm • G# Maj • 03:48 • -5.26db
0% Popularity • 47% Danceability • 84% Energy • 7% Liveness
82% Instrumentalness • 19% Positiveness
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Phronesis
Urban Control
140 bpm • F min • 07:52 • -12.59db
16% Popularity • 39% Danceability • 55% Energy • 69% Liveness
90% Instrumentalness • 66% Positiveness
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Taylor Eigsti
Sparky
140 bpm • D min • 07:18 • -9.99db
18% Popularity • 56% Danceability • 60% Energy • 12% Liveness
91% Instrumentalness • 18% Positiveness
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Miho Hazama
Magyar Dance
140 bpm • G min • 08:06 • -9.06db
9% Popularity • 37% Danceability • 51% Energy • 16% Liveness
56% Instrumentalness • 32% Positiveness
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Rob Luft
All Ways Moving
200 bpm • F# min • 02:31 • -16.79db
27% Popularity • 32% Danceability • 19% Energy • 6% Liveness
74% Instrumentalness • 26% Positiveness
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ARCANA
Gone Tomorrow
140 bpm • E min • 09:38 • -7.85db
13% Popularity • 18% Danceability • 85% Energy • 12% Liveness
8% Instrumentalness • 11% Positiveness
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Reckoning