Songs like Récréations françaises: I. by Gérard Pesson
Based on a tempo of (+/- 10%) and a similar genre
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Ralph Vaughan Williams
Phantasy Quintet: III. Alla Sarabanda: L...
95 bpm • F min • 02:50 • -37db
26% Popularity • 13% Danceability • 1% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
26% Popularity • 13% Danceability • 1% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
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Thomas Adès
Arcadiana, Op. 12: I. Venezia notturna
95 bpm • G# Maj • 02:33 • -33.75db
8% Popularity • 20% Danceability • 1% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 1% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
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Karlheinz Stockhausen
Klavierstück V, Work No. 4: Klavierstuc...
95 bpm • C# Maj • 05:11 • -20db
4% Popularity • 51% Danceability • 1% Energy • 10% Liveness
44% Instrumentalness • 22% Positiveness
4% Popularity • 51% Danceability • 1% Energy • 10% Liveness
44% Instrumentalness • 22% Positiveness
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Anders Hillborg
11 Gates: No. 11. Waves, Pulse and Elast...
95 bpm • G Maj • 03:20 • -20.42db
7% Popularity • 16% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
7% Popularity • 16% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Minor: I. Arpe...
95 bpm • C# min • 02:03 • -35db
38% Popularity • 18% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
38% Popularity • 18% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Arvo Pärt
Lamentate: Fragile e conciliante
94 bpm • C# Maj • 06:31 • -40.22db
25% Popularity • 21% Danceability • 0% Energy • 6% Liveness
22% Instrumentalness • 5% Positiveness
25% Popularity • 21% Danceability • 0% Energy • 6% Liveness
22% Instrumentalness • 5% Positiveness
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Dmitri Shostakovich
Piano Trio No. 2, Op. 67: 4. Allegretto ...
96 bpm • A Maj • 10:15 • -14.12db
9% Popularity • 38% Danceability • 21% Energy • 10% Liveness
61% Instrumentalness • 15% Positiveness
9% Popularity • 38% Danceability • 21% Energy • 10% Liveness
61% Instrumentalness • 15% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: IV. Interm...
96 bpm • F# Maj • 01:41 • -17db
17% Popularity • 40% Danceability • 16% Energy • 34% Liveness
20% Instrumentalness • 38% Positiveness
17% Popularity • 40% Danceability • 16% Energy • 34% Liveness
20% Instrumentalness • 38% Positiveness
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Terry Riley
The Heaven Ladder, Book 7: Simone's Lull...
96 bpm • B min • 05:43 • -39.06db
28% Popularity • 37% Danceability • 0% Energy • 7% Liveness
55% Instrumentalness • 13% Positiveness
28% Popularity • 37% Danceability • 0% Energy • 7% Liveness
55% Instrumentalness • 13% Positiveness
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Henri Dutilleux
Tout un monde lointain…: II. Regard
96 bpm • E Maj • 06:28 • -32.08db
10% Popularity • 12% Danceability • 2% Energy • 45% Liveness
43% Instrumentalness • 3% Positiveness
10% Popularity • 12% Danceability • 2% Energy • 45% Liveness
43% Instrumentalness • 3% Positiveness
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Ãœmit ArmaÄŸan
Three Doors (II) - Concert Performance
94 bpm • D# Maj • 01:50 • -16.11db
11% Popularity • 62% Danceability • 17% Energy • 34% Liveness
47% Instrumentalness • 40% Positiveness
11% Popularity • 62% Danceability • 17% Energy • 34% Liveness
47% Instrumentalness • 40% Positiveness
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Morton Feldman
Something Wild in the City: Mary Ann's T...
94 bpm • A Maj • 03:07 • -43db
29% Popularity • 11% Danceability • 0% Energy • 7% Liveness
89% Instrumentalness • 7% Positiveness
29% Popularity • 11% Danceability • 0% Energy • 7% Liveness
89% Instrumentalness • 7% Positiveness
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Henryk Górecki
Three Pieces in Olden Style: 1. (Untitle...
96 bpm • A min • 02:39 • -24db
20% Popularity • 12% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
20% Popularity • 12% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Gérard Pesson
Butterfly's Notebook: Vicissitudes de la...
94 bpm • C# Maj • 01:15 • -24.09db
0% Popularity • 58% Danceability • 0% Energy • 30% Liveness
22% Instrumentalness • 0% Positiveness
0% Popularity • 58% Danceability • 0% Energy • 30% Liveness
22% Instrumentalness • 0% Positiveness
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Kaija Saariaho
7 Papillons: No. 6. —
96 bpm • G Maj • 02:02 • -36db
18% Popularity • 12% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
18% Popularity • 12% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: II. Vocali...
97 bpm • F# min • 05:01 • -19db
19% Popularity • 21% Danceability • 4% Energy • 19% Liveness
8% Instrumentalness • 4% Positiveness
19% Popularity • 21% Danceability • 4% Energy • 19% Liveness
8% Instrumentalness • 4% Positiveness
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Alfred Schnittke
Concerto grosso no.1 (1976-77): 1. Prelu...
93 bpm • C min • 04:58 • -21db
9% Popularity • 17% Danceability • 2% Energy • 7% Liveness
4% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 2% Energy • 7% Liveness
4% Instrumentalness • 3% Positiveness
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Anton Webern
Two Pieces for Cello and Piano (1899 Ver...
93 bpm • G Maj • 02:40 • -30db
18% Popularity • 19% Danceability • 2% Energy • 7% Liveness
97% Instrumentalness • 5% Positiveness
18% Popularity • 19% Danceability • 2% Energy • 7% Liveness
97% Instrumentalness • 5% Positiveness
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Philip Glass
String Quartet No. 2, "Company": III.
93 bpm • E min • 01:59 • -18.78db
8% Popularity • 18% Danceability • 6% Energy • 24% Liveness
90% Instrumentalness • 8% Positiveness
8% Popularity • 18% Danceability • 6% Energy • 24% Liveness
90% Instrumentalness • 8% Positiveness
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Gérard Pesson
Récréations françaises: II.
96 bpm • C min • 03:06 • -45.83db
0% Popularity • 17% Danceability • 0% Energy • 40% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 17% Danceability • 0% Energy • 40% Liveness
0% Instrumentalness • 4% Positiveness
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Josquin des Prez
Mille regretz
93 bpm • A min • 01:56 • -30db
32% Popularity • 21% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Claude Debussy
Nocturnes, CD 98: III. Sirènes
93 bpm • F# Maj • 09:47 • -24.89db
20% Popularity • 11% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
20% Popularity • 11% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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Arvo Pärt
Tabula Rasa: I. Ludus
92 bpm • F Maj • 09:56 • -16.87db
15% Popularity • 22% Danceability • 27% Energy • 13% Liveness
12% Instrumentalness • 3% Positiveness
15% Popularity • 22% Danceability • 27% Energy • 13% Liveness
12% Instrumentalness • 3% Positiveness
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John Cage
Sonatas and Interludes for Prepared Pian...
92 bpm • B min • 01:51 • -33.95db
32% Popularity • 29% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
32% Popularity • 29% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
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Philip Glass
Concerto for Saxophone - Quartet: Moveve...
92 bpm • C# Maj • 08:23 • -20.7db
9% Popularity • 36% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
9% Popularity • 36% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Steve Reich
Music for Ensemble and Orchestra: V. Six...
99 bpm • G# Maj • 05:23 • -20.43db
12% Popularity • 38% Danceability • 20% Energy • 17% Liveness
97% Instrumentalness • 6% Positiveness
12% Popularity • 38% Danceability • 20% Energy • 17% Liveness
97% Instrumentalness • 6% Positiveness
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Gérard Pesson
Récreations francaises & neuf bagatelle...
97 bpm • C# Maj • 01:20 • -30.51db
0% Popularity • 36% Danceability • 8% Energy • 38% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 36% Danceability • 8% Energy • 38% Liveness
0% Instrumentalness • 12% Positiveness
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Erwin Schulhoff
5 Pieces for String Quartet: No. 5, Alla...
91 bpm • D min • 02:48 • -17.96db
9% Popularity • 42% Danceability • 35% Energy • 9% Liveness
92% Instrumentalness • 58% Positiveness
9% Popularity • 42% Danceability • 35% Energy • 9% Liveness
92% Instrumentalness • 58% Positiveness
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Jennifer Higdon
String poetic: II. Nocturne
91 bpm • C Maj • 04:46 • -24db
21% Popularity • 16% Danceability • 5% Energy • 9% Liveness
49% Instrumentalness • 5% Positiveness
21% Popularity • 16% Danceability • 5% Energy • 9% Liveness
49% Instrumentalness • 5% Positiveness
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Ursula Mamlok
From My Garden for Viola
100 bpm • G min • 06:47 • -34db
12% Popularity • 20% Danceability • 0% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 0% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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György Ligeti
Ligeti: Romanian Concerto: I. Andantino
91 bpm • C Maj • 03:01 • -30.21db
10% Popularity • 16% Danceability • 2% Energy • 35% Liveness
95% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 2% Energy • 35% Liveness
95% Instrumentalness • 4% Positiveness
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Béla Bartók
6 Roumanian Folk Dances, BB 68, Sz. 56: ...
91 bpm • B min • 01:05 • -34.03db
37% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
37% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
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Gérard Pesson
Six transformations du menuet K. 355 de ...
97 bpm • G Maj • 01:29 • -22.89db
0% Popularity • 53% Danceability • 3% Energy • 11% Liveness
17% Instrumentalness • 32% Positiveness
0% Popularity • 53% Danceability • 3% Energy • 11% Liveness
17% Instrumentalness • 32% Positiveness
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KNOXVILLETRACKZ
SBP
100 bpm • F# Maj • 01:04 • -45.36db
20% Popularity • 13% Danceability • 0% Energy • 14% Liveness
100% Instrumentalness • 7% Positiveness
20% Popularity • 13% Danceability • 0% Energy • 14% Liveness
100% Instrumentalness • 7% Positiveness
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Federico Mompou
Primer cuaderno: I. Angelico
100 bpm • A min • 01:48 • -29.45db
8% Popularity • 74% Danceability • 1% Energy • 6% Liveness
86% Instrumentalness • 71% Positiveness
8% Popularity • 74% Danceability • 1% Energy • 6% Liveness
86% Instrumentalness • 71% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: I. Liturgi...
100 bpm • F min • 02:42 • -30db
25% Popularity • 34% Danceability • 4% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
25% Popularity • 34% Danceability • 4% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
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Arash Safaian
Flowers Santini A
90 bpm • F Maj • 01:53 • -32.63db
9% Popularity • 20% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
9% Popularity • 20% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Balanescu Quartet
Wedding Preparation
100 bpm • F Maj • 01:41 • -11.69db
12% Popularity • 53% Danceability • 34% Energy • 28% Liveness
71% Instrumentalness • 41% Positiveness
12% Popularity • 53% Danceability • 34% Energy • 28% Liveness
71% Instrumentalness • 41% Positiveness
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Gérard Pesson
Récreations francaises & neuf bagatelle...
92 bpm • G# Maj • 01:36 • -22.6db
0% Popularity • 32% Danceability • 7% Energy • 14% Liveness
48% Instrumentalness • 10% Positiveness
0% Popularity • 32% Danceability • 7% Energy • 14% Liveness
48% Instrumentalness • 10% Positiveness
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Hans Abrahamsen
Schoenberg - 4 Pieces from 6 Kleine Klav...
90 bpm • A# min • 02:05 • -30.81db
10% Popularity • 12% Danceability • 1% Energy • 17% Liveness
24% Instrumentalness • 3% Positiveness
10% Popularity • 12% Danceability • 1% Energy • 17% Liveness
24% Instrumentalness • 3% Positiveness
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Arvo Pärt
Summa: Summa (Version for string orchest...
100 bpm • G min • 05:24 • -30.12db
10% Popularity • 23% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
10% Popularity • 23% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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Toru Takemitsu
Saegirarenai kyusoku (Uninterrupted Rest...
100 bpm • C Maj • 03:03 • -24.95db
12% Popularity • 58% Danceability • 0% Energy • 10% Liveness
36% Instrumentalness • 19% Positiveness
12% Popularity • 58% Danceability • 0% Energy • 10% Liveness
36% Instrumentalness • 19% Positiveness
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Claude Debussy
Nocturnes, L.91: I. Nuages
90 bpm • C Maj • 06:15 • -38db
19% Popularity • 10% Danceability • 1% Energy • 7% Liveness
59% Instrumentalness • 3% Positiveness
19% Popularity • 10% Danceability • 1% Energy • 7% Liveness
59% Instrumentalness • 3% Positiveness
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Hubert Evin
Ouverture, Pt. 1
90 bpm • G Maj • 01:36 • -21.3db
12% Popularity • 30% Danceability • 9% Energy • 13% Liveness
65% Instrumentalness • 5% Positiveness
12% Popularity • 30% Danceability • 9% Energy • 13% Liveness
65% Instrumentalness • 5% Positiveness
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Gérard Pesson
Cantate égale pays No. 1: Jachère aida...
92 bpm • E Maj • 01:43 • -26.46db
0% Popularity • 35% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
0% Popularity • 35% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
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Iannis Xenakis
6 Chansons: No. 3. Une perdrix descendai...
101 bpm • F# min • 01:29 • -29.39db
10% Popularity • 33% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
10% Popularity • 33% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
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Edward Elgar
Variations on an Original Theme Enigma, ...
90 bpm • G min • 01:00 • -27.83db
21% Popularity • 57% Danceability • 17% Energy • 6% Liveness
82% Instrumentalness • 39% Positiveness
21% Popularity • 57% Danceability • 17% Energy • 6% Liveness
82% Instrumentalness • 39% Positiveness
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André Mehmari
Sopra Demais o Vento
101 bpm • D Maj • 05:25 • -19.71db
10% Popularity • 26% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
10% Popularity • 26% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Charles Wuorinen
Josquiniana: I. Helas madame
101 bpm • D min • 03:16 • -30db
29% Popularity • 21% Danceability • 1% Energy • 10% Liveness
18% Instrumentalness • 10% Positiveness
29% Popularity • 21% Danceability • 1% Energy • 10% Liveness
18% Instrumentalness • 10% Positiveness
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Nico Muhly
Move
89 bpm • D Maj • 02:35 • -20.17db
10% Popularity • 37% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 30% Positiveness
10% Popularity • 37% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 30% Positiveness
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Gérard Pesson
Nebenstück
100 bpm • C Maj • 08:05 • -37db
9% Popularity • 19% Danceability • 0% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 0% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Iannis Xenakis
6 Chansons: No. 5. Aujourd'hui le ciel e...
101 bpm • C# Maj • 02:20 • -28.29db
22% Popularity • 58% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
22% Popularity • 58% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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Anders Hillborg
11 Gates: No. 10. Seafloor Meditation (W...
89 bpm • F Maj • 01:45 • -43db
8% Popularity • 24% Danceability • 0% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 24% Danceability • 0% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Upside Down Upright Bass
Cage is made by you
102 bpm • G Maj • 01:02 • -39.38db
20% Popularity • 42% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 41% Positiveness
20% Popularity • 42% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 41% Positiveness
► Preview
Osvaldo Golijov
The Dreams and Prayers of Isaac the Blin...
88 bpm • F# min • 03:13 • -28db
9% Popularity • 9% Danceability • 0% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 0% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Charles Ives
The Unanswered Question
88 bpm • C Maj • 05:29 • -29db
6% Popularity • 10% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
6% Popularity • 10% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Gérard Pesson
La Lumiere N'a Pas De Bras Pour Nous Por...
99 bpm • G Maj • 03:32 • -35.99db
0% Popularity • 75% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 11% Positiveness
0% Popularity • 75% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 11% Positiveness
► Preview
Krzysztof Penderecki
Sinfonietta No. 2: III. Serenade: Tempo ...
88 bpm • C Maj • 01:51 • -26.66db
10% Popularity • 50% Danceability • 2% Energy • 12% Liveness
26% Instrumentalness • 23% Positiveness
10% Popularity • 50% Danceability • 2% Energy • 12% Liveness
26% Instrumentalness • 23% Positiveness
► Preview
Jörg Widmann
25 Duos for Violin and Cello: XXI. Valse...
88 bpm • G min • 01:55 • -23db
16% Popularity • 57% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 18% Positiveness
16% Popularity • 57% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 18% Positiveness
► Preview
Gérard Grisey
Mégalithes, Version 3: II. 5-2 - III. 9...
88 bpm • E Maj • 01:49 • -21.25db
11% Popularity • 31% Danceability • 28% Energy • 19% Liveness
28% Instrumentalness • 9% Positiveness
11% Popularity • 31% Danceability • 28% Energy • 19% Liveness
28% Instrumentalness • 9% Positiveness
► Preview
Luciano Berio
Sequenza III for Female Voice
88 bpm • F min • 08:16 • -24db
8% Popularity • 40% Danceability • 3% Energy • 23% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 40% Danceability • 3% Energy • 23% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Leopold Godowsky
Java Suite: Part I: I. Gamelan
88 bpm • D min • 03:27 • -26db
16% Popularity • 34% Danceability • 3% Energy • 6% Liveness
94% Instrumentalness • 20% Positiveness
16% Popularity • 34% Danceability • 3% Energy • 6% Liveness
94% Instrumentalness • 20% Positiveness
► Preview
Gérard Pesson
Récréations françaises: VI.
100 bpm • G# Maj • 02:11 • -37.09db
0% Popularity • 46% Danceability • 8% Energy • 11% Liveness
25% Instrumentalness • 20% Positiveness
0% Popularity • 46% Danceability • 8% Energy • 11% Liveness
25% Instrumentalness • 20% Positiveness
► Preview
Harry Partch
Two Studies on Ancient Greek Scales: 1) ...
88 bpm • C min • 03:41 • -32db
19% Popularity • 16% Danceability • 4% Energy • 18% Liveness
85% Instrumentalness • 11% Positiveness
19% Popularity • 16% Danceability • 4% Energy • 18% Liveness
85% Instrumentalness • 11% Positiveness
► Preview
Anja Lechner
Shadow
88 bpm • C# Maj • 01:18 • -32.22db
21% Popularity • 30% Danceability • 1% Energy • 11% Liveness
73% Instrumentalness • 19% Positiveness
21% Popularity • 30% Danceability • 1% Energy • 11% Liveness
73% Instrumentalness • 19% Positiveness
► Preview
Maya Badian
Violin Concerto: III. Sonata
88 bpm • G# Maj • 05:30 • -24db
9% Popularity • 26% Danceability • 16% Energy • 68% Liveness
50% Instrumentalness • 15% Positiveness
9% Popularity • 26% Danceability • 16% Energy • 68% Liveness
50% Instrumentalness • 15% Positiveness
► Preview
Olivier Messiaen
Quartet for the End of Time
103 bpm • F# Maj • 02:39 • -24db
12% Popularity • 37% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 10% Positiveness
12% Popularity • 37% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 10% Positiveness
► Preview
Kaija Saariaho
7 Papillons: No. 3. —
103 bpm • D Maj • 01:32 • -29.17db
20% Popularity • 30% Danceability • 9% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
20% Popularity • 30% Danceability • 9% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
► Preview
Gérard Pesson
Cantate égale pays No. 1: Jachère aida...
100 bpm • F Maj • 01:24 • -15.85db
0% Popularity • 43% Danceability • 25% Energy • 37% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 43% Danceability • 25% Energy • 37% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Igor Stravinsky
Stravinsky: The Rite of Spring, Pt. 1 "A...
103 bpm • A Maj • 05:02 • -22db
23% Popularity • 31% Danceability • 10% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
23% Popularity • 31% Danceability • 10% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
José Manuel Ortega Caballo
Allegro Scherzino : Flying - Chamber Ens...
87 bpm • F# min • 01:16 • -18db
19% Popularity • 29% Danceability • 41% Energy • 18% Liveness
41% Instrumentalness • 4% Positiveness
19% Popularity • 29% Danceability • 41% Energy • 18% Liveness
41% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
The Lark Ascending: IV. Senza misura
103 bpm • G Maj • 01:54 • -35.77db
11% Popularity • 24% Danceability • 5% Energy • 9% Liveness
6% Instrumentalness • 9% Positiveness
11% Popularity • 24% Danceability • 5% Energy • 9% Liveness
6% Instrumentalness • 9% Positiveness
► Preview
John Zorn
Kol Nidre
87 bpm • E Maj • 05:52 • -25db
18% Popularity • 9% Danceability • 3% Energy • 19% Liveness
19% Instrumentalness • 3% Positiveness
18% Popularity • 9% Danceability • 3% Energy • 19% Liveness
19% Instrumentalness • 3% Positiveness
► Preview
Charles Ives
Set of 5 Take-offs: Song Without (Good) ...
104 bpm • C Maj • 04:05 • -36db
18% Popularity • 44% Danceability • 0% Energy • 6% Liveness
73% Instrumentalness • 17% Positiveness
18% Popularity • 44% Danceability • 0% Energy • 6% Liveness
73% Instrumentalness • 17% Positiveness
► Preview
Gérard Pesson
Musica Ficta: @vec Maria
89 bpm • A Maj • 01:58 • -29.48db
0% Popularity • 54% Danceability • 0% Energy • 11% Liveness
53% Instrumentalness • 29% Positiveness
0% Popularity • 54% Danceability • 0% Energy • 11% Liveness
53% Instrumentalness • 29% Positiveness
► Preview
Lou Harrison
Suite for Symphonic Strings: 2. Chorale ...
87 bpm • B min • 05:51 • -33db
20% Popularity • 13% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 3% Positiveness
20% Popularity • 13% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 3% Positiveness
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Igor Stravinsky
3 Pieces for String Quartet: No. 3
87 bpm • G# Maj • 04:13 • -38db
12% Popularity • 10% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
12% Popularity • 10% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Federico Mompou
Musica callada, Vol. 1: I. Angelico
104 bpm • A min • 01:47 • -29.42db
9% Popularity • 67% Danceability • 1% Energy • 6% Liveness
83% Instrumentalness • 74% Positiveness
9% Popularity • 67% Danceability • 1% Energy • 6% Liveness
83% Instrumentalness • 74% Positiveness
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Giacinto Scelsi
4 Pezzi (Su una nota sola): I. —
87 bpm • A# Maj • 02:56 • -35.32db
13% Popularity • 12% Danceability • 0% Energy • 9% Liveness
22% Instrumentalness • 3% Positiveness
13% Popularity • 12% Danceability • 0% Energy • 9% Liveness
22% Instrumentalness • 3% Positiveness
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Einojuhani Rautavaara
Piano Concerto No. 1, Op. 45: II. Andant...
104 bpm • C# Maj • 08:01 • -27db
11% Popularity • 25% Danceability • 2% Energy • 18% Liveness
17% Instrumentalness • 3% Positiveness
11% Popularity • 25% Danceability • 2% Energy • 18% Liveness
17% Instrumentalness • 3% Positiveness
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Gérard Pesson
Cantate égale pays No. 1: Jachère aida...
102 bpm • C Maj • 01:43 • -16.01db
0% Popularity • 74% Danceability • 33% Energy • 88% Liveness
2% Instrumentalness • 43% Positiveness
0% Popularity • 74% Danceability • 33% Energy • 88% Liveness
2% Instrumentalness • 43% Positiveness
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Giovanni Girolamo Kapsberger
Toccata arpeggiata
104 bpm • A min • 03:07 • -31.12db
18% Popularity • 14% Danceability • 0% Energy • 15% Liveness
95% Instrumentalness • 3% Positiveness
18% Popularity • 14% Danceability • 0% Energy • 15% Liveness
95% Instrumentalness • 3% Positiveness
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György Ligeti
Musica ricercata No. 7 in B-Flat Major
87 bpm • D# Maj • 02:49 • -35.21db
29% Popularity • 21% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 68% Positiveness
29% Popularity • 21% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 68% Positiveness
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Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: III...
86 bpm • A# min • 03:05 • -24.24db
24% Popularity • 18% Danceability • 5% Energy • 12% Liveness
53% Instrumentalness • 4% Positiveness
24% Popularity • 18% Danceability • 5% Energy • 12% Liveness
53% Instrumentalness • 4% Positiveness
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Arvo Pärt
Symphony No. 2: III
104 bpm • E Maj • 04:47 • -22db
14% Popularity • 22% Danceability • 14% Energy • 9% Liveness
72% Instrumentalness • 5% Positiveness
14% Popularity • 22% Danceability • 14% Energy • 9% Liveness
72% Instrumentalness • 5% Positiveness
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Olivier Messiaen
Quartet for the End of Time
86 bpm • E Maj • 09:29 • -24db
9% Popularity • 17% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
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Gérard Pesson
La lumière n'a pas de bras pour nous po...
102 bpm • G# Maj • 03:23 • -30.13db
0% Popularity • 68% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 26% Positiveness
0% Popularity • 68% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 26% Positiveness
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John Cage
Apartment House 1776: Harmony No. 1, Coo...
104 bpm • G Maj • 01:33 • -27db
30% Popularity • 15% Danceability • 1% Energy • 13% Liveness
70% Instrumentalness • 8% Positiveness
30% Popularity • 15% Danceability • 1% Energy • 13% Liveness
70% Instrumentalness • 8% Positiveness
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Dobrinka Tabakova
Insight
86 bpm • D min • 09:35 • -15.44db
12% Popularity • 17% Danceability • 12% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 12% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
The Art of Fugue, BWV 1080: Contrapunctu...
86 bpm • D min • 03:59 • -22.39db
17% Popularity • 13% Danceability • 5% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
17% Popularity • 13% Danceability • 5% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Kaija Saariaho
Sept papillons: Papillons I
86 bpm • D Maj • 01:24 • -30.36db
12% Popularity • 26% Danceability • 13% Energy • 18% Liveness
82% Instrumentalness • 4% Positiveness
12% Popularity • 26% Danceability • 13% Energy • 18% Liveness
82% Instrumentalness • 4% Positiveness
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John Adams
Adams: Nixon in China: Act I, Scene 1 - ...
105 bpm • A min • 02:53 • -34db
18% Popularity • 22% Danceability • 3% Energy • 32% Liveness
96% Instrumentalness • 6% Positiveness
18% Popularity • 22% Danceability • 3% Energy • 32% Liveness
96% Instrumentalness • 6% Positiveness
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Gérard Pesson
Cantate égale pays No. 1: Jachère aida...
102 bpm • D min • 01:15 • -15.95db
0% Popularity • 59% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
0% Popularity • 59% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
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Béla Bartók
Bartók: String Quartet No. 1 in A Minor...
86 bpm • G# Maj • 09:05 • -25db
14% Popularity • 17% Danceability • 4% Energy • 30% Liveness
81% Instrumentalness • 3% Positiveness
14% Popularity • 17% Danceability • 4% Energy • 30% Liveness
81% Instrumentalness • 3% Positiveness
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Germaine Tailleferre
Concerto pour piano
105 bpm • D Maj • 04:52 • -17.47db
10% Popularity • 46% Danceability • 24% Energy • 25% Liveness
88% Instrumentalness • 50% Positiveness
10% Popularity • 46% Danceability • 24% Energy • 25% Liveness
88% Instrumentalness • 50% Positiveness
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Valentin Silvestrov
Der Bote
86 bpm • C Maj • 09:13 • -39db
8% Popularity • 10% Danceability • 0% Energy • 37% Liveness
4% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 0% Energy • 37% Liveness
4% Instrumentalness • 4% Positiveness
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Philip Glass
String Quartet No.3 "Mishima" II. Novemb...
86 bpm • D min • 01:27 • -29.12db
8% Popularity • 24% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
8% Popularity • 24% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Verklärte Nacht, Op. 4 - Version For St...
85 bpm • C min • 06:24 • -22db
11% Popularity • 11% Danceability • 7% Energy • 61% Liveness
74% Instrumentalness • 3% Positiveness
11% Popularity • 11% Danceability • 7% Energy • 61% Liveness
74% Instrumentalness • 3% Positiveness