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Red Bull & Hennessy
Songs like
Red Bull & Hennessy
by
Jenny Lewis
Based on a tempo of (+/- 10%) and a similar genre
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Jenny Lewis
Red Bull & Hennessy
130 bpm • E min • 04:48 • -5.63db
36% Popularity • 51% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Margo Price
Nowhere Fast
130 bpm • A Maj • 04:07 • -11.17db
13% Popularity • 64% Danceability • 28% Energy • 11% Liveness
10% Instrumentalness • 15% Positiveness
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Best Coast
Master Of My Own Mind
130 bpm • C Maj • 03:16 • -4db
18% Popularity • 28% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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The New Pornographers
This Is The World Of The Theater
130 bpm • F Maj • 04:27 • -2.73db
22% Popularity • 65% Danceability • 99% Energy • 41% Liveness
0% Instrumentalness • 63% Positiveness
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The Mynabirds
Be Here Now
130 bpm • A Maj • 04:37 • -7.23db
8% Popularity • 55% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Old 97's
Good With God
130 bpm • F min • 03:55 • -6db
26% Popularity • 46% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Lydia Loveless
Same To You
130 bpm • B Maj • 03:54 • -4.81db
11% Popularity • 45% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Jenny Lewis
The Charging Sky
130 bpm • C Maj • 02:58 • -6db
15% Popularity • 54% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
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Spoon
No Bullets Spent
129 bpm • G# Maj • 03:40 • -4.79db
37% Popularity • 76% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Craig Finn
Galveston
129 bpm • D Maj • 03:25 • -9.82db
13% Popularity • 42% Danceability • 58% Energy • 16% Liveness
1% Instrumentalness • 44% Positiveness
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The Mynabirds
Shouting at the Dark
130 bpm • D Maj • 04:12 • -4.81db
11% Popularity • 53% Danceability • 90% Energy • 9% Liveness
49% Instrumentalness • 38% Positiveness
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The New Pornographers
Colossus Of Rhodes
131 bpm • A Maj • 04:03 • -4.56db
22% Popularity • 41% Danceability • 92% Energy • 29% Liveness
94% Instrumentalness • 42% Positiveness
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J Mascis
See You At The Movies
129 bpm • G Maj • 03:22 • -5.49db
31% Popularity • 45% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Lilly Hiatt
Get This Right
129 bpm • D Maj • 03:29 • -6.14db
9% Popularity • 47% Danceability • 82% Energy • 11% Liveness
3% Instrumentalness • 84% Positiveness
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The Barr Brothers
Queens of the Breakers
129 bpm • F Maj • 05:28 • -7.37db
20% Popularity • 55% Danceability • 87% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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Hurray For The Riff Raff
Hungry Ghost
129 bpm • A Maj • 03:25 • -6.22db
27% Popularity • 69% Danceability • 78% Energy • 10% Liveness
1% Instrumentalness • 69% Positiveness
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Neko Case
Best Kept Secret
131 bpm • B min • 03:17 • -7db
34% Popularity • 48% Danceability • 84% Energy • 18% Liveness
1% Instrumentalness • 64% Positiveness
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Jenny Lewis
Heads Gonna Roll
128 bpm • C Maj • 05:13 • -6.24db
33% Popularity • 38% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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The Wild Reeds
Telepathic Mail
132 bpm • B min • 03:48 • -5db
14% Popularity • 67% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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M. Ward
Miracle Man
128 bpm • F# min • 02:59 • -6.93db
12% Popularity • 64% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Lydia Loveless
Wringer
128 bpm • A# min • 03:23 • -7.26db
15% Popularity • 62% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Springtime Carnivore
Name on a Matchbook
128 bpm • B min • 04:16 • -4.18db
35% Popularity • 49% Danceability • 89% Energy • 34% Liveness
79% Instrumentalness • 63% Positiveness
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S.G. Goodman
Old Time Feeling
128 bpm • B min • 03:51 • -6db
25% Popularity • 58% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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Jenny Lewis
Head Underwater
132 bpm • C Maj • 04:08 • -6db
34% Popularity • 69% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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The New Pornographers
High Ticket Attractions
132 bpm • B Maj • 03:51 • -4db
33% Popularity • 61% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
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Courtney Barnett
Keep On
128 bpm • E Maj • 04:27 • -6.61db
21% Popularity • 44% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Yeah Yeah Yeahs
Hysteric
132 bpm • A# Maj • 03:50 • -7db
43% Popularity • 57% Danceability • 67% Energy • 10% Liveness
17% Instrumentalness • 38% Positiveness
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The Felice Brothers
Undress
132 bpm • E Maj • 03:52 • -8.44db
21% Popularity • 45% Danceability • 71% Energy • 10% Liveness
6% Instrumentalness • 43% Positiveness
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Artists for Peace and Justice
Under the Supermoon
132 bpm • G Maj • 05:15 • -11.57db
13% Popularity • 63% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Jenny Lewis
Aloha & the Three Johns
132 bpm • D# Maj • 04:04 • -7.08db
21% Popularity • 43% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
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Dawes
Living In The Future
127 bpm • B min • 04:50 • -5.67db
10% Popularity • 57% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Ray LaMontagne
Paper Man
127 bpm • F# Maj • 04:25 • -9.46db
33% Popularity • 31% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Craig Finn
Jester & June
133 bpm • C Maj • 03:59 • -5.85db
16% Popularity • 47% Danceability • 83% Energy • 39% Liveness
0% Instrumentalness • 44% Positiveness
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that dog.
If You Just Didn't Do It
133 bpm • E Maj • 03:40 • -4.86db
10% Popularity • 60% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Sharon Van Etten
Seventeen
127 bpm • F Maj • 04:25 • -7db
60% Popularity • 54% Danceability • 77% Energy • 7% Liveness
26% Instrumentalness • 25% Positiveness
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Jenny Lewis
Dogwood
128 bpm • C Maj • 04:28 • -9.09db
24% Popularity • 33% Danceability • 38% Energy • 9% Liveness
29% Instrumentalness • 10% Positiveness
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Neko Case
This Tornado Loves You
133 bpm • G Maj • 03:19 • -5db
43% Popularity • 48% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Langhorne Slim
Zombie
133 bpm • F Maj • 03:01 • -6.79db
20% Popularity • 42% Danceability • 76% Energy • 11% Liveness
22% Instrumentalness • 73% Positiveness
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Escondido
Crush on Her
127 bpm • A# min • 03:35 • -5.77db
11% Popularity • 50% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
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Kathleen Edwards
Options Open
127 bpm • E Maj • 03:48 • -5db
25% Popularity • 60% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Samantha Crain
Antiseptic Greeting
127 bpm • A Maj • 02:59 • -9.1db
7% Popularity • 61% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Jenny Lewis
Handle With Care
133 bpm • G Maj • 02:56 • -5db
39% Popularity • 50% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Iron & Wine
Last of Your Rock 'n' Roll Heroes
127 bpm • F Maj • 03:20 • -9db
21% Popularity • 74% Danceability • 55% Energy • 9% Liveness
66% Instrumentalness • 80% Positiveness
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Waxahatchee
Hear You
126 bpm • F Maj • 03:00 • -5.29db
25% Popularity • 46% Danceability • 82% Energy • 17% Liveness
1% Instrumentalness • 38% Positiveness
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Lydia Loveless
European
126 bpm • C Maj • 04:47 • -4.58db
11% Popularity • 61% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Death Cab for Cutie
To the Ground
134 bpm • G# Maj • 05:15 • -4db
25% Popularity • 64% Danceability • 88% Energy • 10% Liveness
76% Instrumentalness • 11% Positiveness
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Phosphorescent
Around the Horn
134 bpm • A Maj • 08:11 • -6.47db
25% Popularity • 40% Danceability • 83% Energy • 12% Liveness
27% Instrumentalness • 19% Positiveness
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Jenny Lewis
Party Clown
133 bpm • C Maj • 04:09 • -7.2db
23% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Madeline Kenney
Big One
126 bpm • E Maj • 02:58 • -5.36db
20% Popularity • 38% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Kym Register + Meltdown Rodeo
Little River
126 bpm • A min • 03:24 • -9db
17% Popularity • 80% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Hurray For The Riff Raff
Living In The City
126 bpm • C# Maj • 03:16 • -4.94db
35% Popularity • 61% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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M. Ward
Unreal City
135 bpm • F Maj • 04:05 • -8db
16% Popularity • 56% Danceability • 89% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
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Tegan and Sara
I'll Be Back Someday
135 bpm • E Maj • 03:12 • -5db
28% Popularity • 62% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
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Jenny Lewis
Puppy and a Truck
127 bpm • A Maj • 03:11 • -7.49db
46% Popularity • 81% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Brandi Carlile
Hold out Your Hand
125 bpm • F# Maj • 04:22 • -3.66db
40% Popularity • 43% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Japanese Breakfast
Essentially
135 bpm • F Maj • 03:16 • -9.05db
38% Popularity • 67% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Middle Kids
Mistake
135 bpm • D Maj • 03:32 • -2.83db
35% Popularity • 52% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Low Cut Connie
Private Lives
125 bpm • G Maj • 04:17 • -4.79db
26% Popularity • 64% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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Erika Wennerstrom
Extraordinary Love
135 bpm • E Maj • 06:48 • -4.64db
27% Popularity • 33% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 18% Positiveness
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Jenny Lewis
Love Feel
126 bpm • G# Maj • 03:14 • -7.32db
33% Popularity • 68% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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The New Pornographers
Need Some Giants
135 bpm • C Maj • 03:38 • -4.81db
14% Popularity • 47% Danceability • 91% Energy • 35% Liveness
93% Instrumentalness • 64% Positiveness
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Adia Victoria
The Needle's Eye
135 bpm • G# Maj • 03:33 • -8.34db
11% Popularity • 42% Danceability • 68% Energy • 10% Liveness
78% Instrumentalness • 53% Positiveness
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Cut Worms
Cash for Gold
125 bpm • A Maj • 03:35 • -2.96db
19% Popularity • 50% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
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Low Cut Connie
Beverly
125 bpm • B Maj • 03:49 • -4.87db
25% Popularity • 46% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
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Amanda Shires
Wasn't I Paying Attention
125 bpm • D min • 04:23 • -8.1db
11% Popularity • 66% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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David Ramirez
People Call Who They Wanna Talk To
125 bpm • C Maj • 03:30 • -4.55db
21% Popularity • 45% Danceability • 71% Energy • 12% Liveness
33% Instrumentalness • 40% Positiveness
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Wild Pink
Lake Erie
125 bpm • B Maj • 05:10 • -7.91db
18% Popularity • 59% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
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Kevin Morby
OMG Rock n Roll
125 bpm • A Maj • 02:29 • -4.38db
25% Popularity • 41% Danceability • 78% Energy • 11% Liveness
74% Instrumentalness • 15% Positiveness
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Basia Bulat
Your Girl
135 bpm • C min • 02:46 • -5.28db
24% Popularity • 61% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Jenny Lewis
The Big Guns
125 bpm • D Maj • 02:34 • -7.03db
19% Popularity • 52% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Amanda Shires
Leave It Alone
125 bpm • C Maj • 03:41 • -7.09db
17% Popularity • 62% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Lukas Nelson and Promise of the Real
Bad Case
124 bpm • C Maj • 04:39 • -4.57db
24% Popularity • 53% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Waxahatchee
8 Ball
124 bpm • E Maj • 02:49 • -7.94db
40% Popularity • 59% Danceability • 77% Energy • 15% Liveness
67% Instrumentalness • 76% Positiveness
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Tancred
Queen of New York
136 bpm • E Maj • 02:59 • -4.34db
18% Popularity • 55% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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The Decemberists
Severed
136 bpm • E min • 04:03 • -7.04db
46% Popularity • 60% Danceability • 79% Energy • 13% Liveness
2% Instrumentalness • 43% Positiveness
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Jenny Lewis
Psychos
124 bpm • A min • 03:05 • -8.45db
46% Popularity • 81% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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The New Pornographers
Whiteout Conditions
136 bpm • A# Maj • 04:08 • -3.68db
35% Popularity • 57% Danceability • 98% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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Deep Sea Diver
Impossible Weight - Sharon Van Etten
124 bpm • G# Maj • 03:22 • -5.79db
42% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Tracyanne & Danny
Alabama
124 bpm • A Maj • 04:53 • -9.47db
18% Popularity • 59% Danceability • 72% Energy • 15% Liveness
1% Instrumentalness • 81% Positiveness
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Adia Victoria
Different Kind Of Love
124 bpm • B min • 03:24 • -5.17db
32% Popularity • 57% Danceability • 88% Energy • 7% Liveness
7% Instrumentalness • 74% Positiveness
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Black Belt Eagle Scout
Soft Stud
124 bpm • D Maj • 06:08 • -7.09db
41% Popularity • 55% Danceability • 73% Energy • 12% Liveness
44% Instrumentalness • 33% Positiveness
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Jenny Lewis
You Can't Outrun 'Em
136 bpm • D Maj • 03:30 • -6.97db
23% Popularity • 58% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
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Lydia Loveless
Longer
124 bpm • C Maj • 03:56 • -5.4db
12% Popularity • 63% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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TORRES
Dressing America
124 bpm • B Maj • 03:59 • -7db
18% Popularity • 53% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Hiss Golden Messenger
Lost Out in the Darkness
124 bpm • C Maj • 03:22 • -7.61db
28% Popularity • 69% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
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Ages and Ages
How It Feels
124 bpm • C Maj • 03:30 • -6.49db
30% Popularity • 69% Danceability • 72% Energy • 18% Liveness
79% Instrumentalness • 46% Positiveness
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Lily & Madeleine
Can't Help the Way I Feel
124 bpm • C Maj • 03:13 • -4.18db
13% Popularity • 62% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Jenny Lewis
Just One of the Guys
136 bpm • A Maj • 03:51 • -4db
40% Popularity • 32% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Lydia Loveless
All I Know
124 bpm • A# Maj • 04:24 • -3.82db
12% Popularity • 57% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Perfume Genius
Slip Away
137 bpm • C# Maj • 02:45 • -6.82db
50% Popularity • 60% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Waxahatchee
Silver
137 bpm • F Maj • 03:24 • -4.02db
35% Popularity • 42% Danceability • 93% Energy • 11% Liveness
6% Instrumentalness • 31% Positiveness
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Kathleen Edwards
Fools Ride
137 bpm • E Maj • 03:29 • -5.83db
16% Popularity • 53% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Christine and the Queens
Doesn't matter
137 bpm • G# Maj • 04:23 • -6.33db
38% Popularity • 79% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Jenny Lewis
The Voyager
136 bpm • G Maj • 03:30 • -7db
32% Popularity • 35% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 15% Positiveness
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Neko Case
Bad Luck
137 bpm • D# Maj • 03:54 • -7.4db
28% Popularity • 58% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Robert Ellis
Passive Aggressive
137 bpm • C Maj • 04:04 • -6.42db
6% Popularity • 58% Danceability • 40% Energy • 9% Liveness
26% Instrumentalness • 52% Positiveness
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Jeff Tweedy
Some Birds
137 bpm • D Maj • 03:41 • -9.02db
22% Popularity • 55% Danceability • 68% Energy • 14% Liveness
61% Instrumentalness • 67% Positiveness
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Major Love
Tear It Down
123 bpm • G Maj • 03:17 • -8.12db
9% Popularity • 61% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Kathleen Edwards
Glenfern
123 bpm • D Maj • 04:30 • -6.16db
34% Popularity • 67% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Jenny Lewis
Late Bloomer
124 bpm • A Maj • 05:13 • -4.88db
28% Popularity • 53% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Red Bull & Hennessy