Songs like Red Orange Yellow by The Photo Atlas
Based on a tempo of (+/- 10%) and a similar genre
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Jimmy Eat World
Pain
168 bpm • C min • 03:01 • -3db
61% Popularity • 40% Danceability • 96% Energy • 58% Liveness
0% Instrumentalness • 28% Positiveness
61% Popularity • 40% Danceability • 96% Energy • 58% Liveness
0% Instrumentalness • 28% Positiveness
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Lower Than Atlantis
Love Someone Else
168 bpm • E min • 02:29 • -3.11db
33% Popularity • 36% Danceability • 99% Energy • 60% Liveness
1% Instrumentalness • 40% Positiveness
33% Popularity • 36% Danceability • 99% Energy • 60% Liveness
1% Instrumentalness • 40% Positiveness
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Autopilot Off
What I Want
168 bpm • E Maj • 02:45 • -4.03db
34% Popularity • 48% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
34% Popularity • 48% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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The Outline
Tragic Times
168 bpm • E Maj • 03:12 • -3.81db
9% Popularity • 35% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 35% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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The Ordinary Boys
Over the Counterculture
168 bpm • D min • 03:15 • -3.07db
36% Popularity • 36% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
36% Popularity • 36% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Point Defiance
Union of Nothing
168 bpm • G min • 03:00 • -3.92db
22% Popularity • 40% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 40% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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The Photo Atlas
Red Orange Yellow
168 bpm • A Maj • 03:09 • -5.34db
31% Popularity • 26% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 26% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Yellowcard
Lights And Sounds
168 bpm • B min • 03:28 • -3.68db
62% Popularity • 34% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
62% Popularity • 34% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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The Sleeping
Don't Hold Back
168 bpm • G# min • 04:32 • -5.08db
47% Popularity • 38% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
47% Popularity • 38% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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The Asphalt
From Afar
168 bpm • A min • 03:25 • -4.43db
16% Popularity • 15% Danceability • 93% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 15% Danceability • 93% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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I Hate Kate
Bed of Black Roses
168 bpm • G# Maj • 03:44 • -3.17db
12% Popularity • 39% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 39% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
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![Bad Motherfucker (I.O.E.2 Version) [feat. Dasha Charusha] cover art](https://i.scdn.co/image/ab67616d00001e02f8c87d00d83e548ad795127b)
Biting Elbows
Bad Motherfucker (I.O.E.2 Version)
168 bpm • E Maj • 04:30 • -7.63db
23% Popularity • 49% Danceability • 88% Energy • 9% Liveness
10% Instrumentalness • 17% Positiveness
23% Popularity • 49% Danceability • 88% Energy • 9% Liveness
10% Instrumentalness • 17% Positiveness
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Strawhorse
Atlanta
169 bpm • F# Maj • 03:01 • -6.12db
31% Popularity • 29% Danceability • 87% Energy • 11% Liveness
38% Instrumentalness • 32% Positiveness
31% Popularity • 29% Danceability • 87% Energy • 11% Liveness
38% Instrumentalness • 32% Positiveness
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Beatsteaks
Atomic Love
167 bpm • G min • 02:33 • -6.12db
29% Popularity • 23% Danceability • 94% Energy • 21% Liveness
81% Instrumentalness • 33% Positiveness
29% Popularity • 23% Danceability • 94% Energy • 21% Liveness
81% Instrumentalness • 33% Positiveness
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Plague Vendor
ISUA
169 bpm • G# Maj • 02:51 • -4.22db
19% Popularity • 39% Danceability • 84% Energy • 29% Liveness
6% Instrumentalness • 21% Positiveness
19% Popularity • 39% Danceability • 84% Energy • 29% Liveness
6% Instrumentalness • 21% Positiveness
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The Virginmarys
Just A Ride
167 bpm • B min • 03:15 • -2.78db
37% Popularity • 40% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
37% Popularity • 40% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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Neon Plastix
Prick Tease
169 bpm • G min • 03:08 • -5.08db
8% Popularity • 48% Danceability • 98% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
8% Popularity • 48% Danceability • 98% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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Biting Elbows
Bad Motherfucker
168 bpm • B Maj • 03:26 • -6.63db
44% Popularity • 54% Danceability • 93% Energy • 17% Liveness
8% Instrumentalness • 54% Positiveness
44% Popularity • 54% Danceability • 93% Energy • 17% Liveness
8% Instrumentalness • 54% Positiveness
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Spiderbait
5th Set
167 bpm • G Maj • 03:26 • -6.34db
28% Popularity • 41% Danceability • 99% Energy • 8% Liveness
90% Instrumentalness • 33% Positiveness
28% Popularity • 41% Danceability • 99% Energy • 8% Liveness
90% Instrumentalness • 33% Positiveness
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Bass Drum of Death
Smell The Night
169 bpm • B min • 03:19 • -4.94db
27% Popularity • 32% Danceability • 88% Energy • 17% Liveness
1% Instrumentalness • 61% Positiveness
27% Popularity • 32% Danceability • 88% Energy • 17% Liveness
1% Instrumentalness • 61% Positiveness
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The Sleeping
Loud And Clear
167 bpm • G# min • 03:52 • -5db
23% Popularity • 43% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 43% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
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the vacation
I'm No Good
167 bpm • A Maj • 02:50 • -1.61db
28% Popularity • 28% Danceability • 99% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 28% Danceability • 99% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
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The Photo Atlas
It's Always About The Money
167 bpm • C Maj • 03:48 • -5.39db
1% Popularity • 45% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
1% Popularity • 45% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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The Offspring
Way Down The Line
169 bpm • G Maj • 02:36 • -3.22db
44% Popularity • 43% Danceability • 97% Energy • 3% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 43% Danceability • 97% Energy • 3% Liveness
0% Instrumentalness • 53% Positiveness
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Hushpuppies
You're Gonna Say Yeah
166 bpm • D Maj • 03:11 • -3db
42% Popularity • 40% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
42% Popularity • 40% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Hot Hot Heat
My Best Fiend
166 bpm • G# Maj • 02:53 • -3.31db
17% Popularity • 42% Danceability • 98% Energy • 8% Liveness
1% Instrumentalness • 38% Positiveness
17% Popularity • 42% Danceability • 98% Energy • 8% Liveness
1% Instrumentalness • 38% Positiveness
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We Are Wolves
Psychic Kids
166 bpm • G Maj • 04:17 • -6.27db
18% Popularity • 38% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 38% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Boss Martians
Oppurtunistic Girl
170 bpm • C# min • 03:23 • -5.14db
15% Popularity • 28% Danceability • 96% Energy • 87% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 28% Danceability • 96% Energy • 87% Liveness
0% Instrumentalness • 51% Positiveness
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Black Tide
Shout
170 bpm • C Maj • 03:25 • -2.07db
34% Popularity • 30% Danceability • 99% Energy • 37% Liveness
1% Instrumentalness • 44% Positiveness
34% Popularity • 30% Danceability • 99% Energy • 37% Liveness
1% Instrumentalness • 44% Positiveness
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Agent Blue
Snowhill
170 bpm • A Maj • 03:07 • -3.73db
22% Popularity • 42% Danceability • 98% Energy • 36% Liveness
42% Instrumentalness • 26% Positiveness
22% Popularity • 42% Danceability • 98% Energy • 36% Liveness
42% Instrumentalness • 26% Positiveness
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Tokyo Police Club
Tunnel Vision
170 bpm • D Maj • 03:02 • -3.8db
17% Popularity • 47% Danceability • 94% Energy • 8% Liveness
1% Instrumentalness • 68% Positiveness
17% Popularity • 47% Danceability • 94% Energy • 8% Liveness
1% Instrumentalness • 68% Positiveness
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The Confession
Through These Eyes
170 bpm • D min • 04:05 • -4.66db
18% Popularity • 42% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 42% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Dr Manhattan
Big Chomper, Big Chomper
166 bpm • A min • 03:15 • -5.94db
31% Popularity • 40% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 40% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Bass Drum of Death
I Don't Wanna Know
170 bpm • F# Maj • 03:13 • -6.22db
27% Popularity • 49% Danceability • 97% Energy • 23% Liveness
5% Instrumentalness • 66% Positiveness
27% Popularity • 49% Danceability • 97% Energy • 23% Liveness
5% Instrumentalness • 66% Positiveness
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Asherel
Shake The Dust
170 bpm • A Maj • 02:35 • -5.69db
32% Popularity • 34% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 34% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
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The Photo Atlas
Electric Shock
170 bpm • E min • 03:06 • -5.68db
7% Popularity • 33% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 33% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Against Me!
Occult Enemies
166 bpm • E Maj • 02:37 • -1.41db
20% Popularity • 40% Danceability • 100% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 40% Danceability • 100% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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KillRadio
Scavenger (Dave Cobb Session)
166 bpm • C# min • 02:41 • -3.34db
40% Popularity • 34% Danceability • 97% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
40% Popularity • 34% Danceability • 97% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
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Middle Class Rut
Lifelong Dayshift
166 bpm • B Maj • 04:27 • -2.81db
20% Popularity • 42% Danceability • 98% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 42% Danceability • 98% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
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Bass Drum of Death
I'm On The Run
166 bpm • G Maj • 02:26 • -4.22db
29% Popularity • 28% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 28% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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H-Blockx
Gazoline
170 bpm • B min • 03:11 • -5db
33% Popularity • 41% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 41% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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The Photo Atlas
The Walls Have Eyes
166 bpm • G# Maj • 03:28 • -7.84db
4% Popularity • 41% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
4% Popularity • 41% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
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Turbowolf
A Rose for the Crows
166 bpm • F min • 03:46 • -3.5db
21% Popularity • 15% Danceability • 89% Energy • 14% Liveness
1% Instrumentalness • 23% Positiveness
21% Popularity • 15% Danceability • 89% Energy • 14% Liveness
1% Instrumentalness • 23% Positiveness
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Agent Blue
Something Else
165 bpm • C Maj • 02:21 • -3.62db
19% Popularity • 43% Danceability • 99% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 43% Danceability • 99% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Year Long Disaster
Leda Atomica
165 bpm • F min • 03:55 • -3.05db
34% Popularity • 26% Danceability • 97% Energy • 31% Liveness
1% Instrumentalness • 23% Positiveness
34% Popularity • 26% Danceability • 97% Energy • 31% Liveness
1% Instrumentalness • 23% Positiveness
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Snapcase
Skeptic
165 bpm • G# Maj • 02:23 • -3.39db
40% Popularity • 35% Danceability • 98% Energy • 5% Liveness
1% Instrumentalness • 41% Positiveness
40% Popularity • 35% Danceability • 98% Energy • 5% Liveness
1% Instrumentalness • 41% Positiveness
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Pennywise
Can't Be Ignored
165 bpm • A Maj • 03:35 • -5.03db
31% Popularity • 42% Danceability • 92% Energy • 9% Liveness
51% Instrumentalness • 60% Positiveness
31% Popularity • 42% Danceability • 92% Energy • 9% Liveness
51% Instrumentalness • 60% Positiveness
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Authority Zero
On Edge
171 bpm • G Maj • 02:47 • -4.22db
35% Popularity • 48% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 48% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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The Sleeping
Listen Close
165 bpm • C# min • 02:43 • -5db
30% Popularity • 49% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 49% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Autopilot Off
Blind Truth
171 bpm • C# min • 02:38 • -4.03db
23% Popularity • 49% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
23% Popularity • 49% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Spitalfield
Stolen From Some Great Writer
165 bpm • G Maj • 04:05 • -5db
27% Popularity • 48% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 48% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Datarock
The New Song
165 bpm • E min • 02:35 • -2.83db
0% Popularity • 30% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 30% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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LEVELLOAD
HND in RNR
165 bpm • F# Maj • 02:40 • -2.04db
18% Popularity • 46% Danceability • 81% Energy • 4% Liveness
61% Instrumentalness • 35% Positiveness
18% Popularity • 46% Danceability • 81% Energy • 4% Liveness
61% Instrumentalness • 35% Positiveness
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Clutch
Power Player
165 bpm • G Maj • 03:04 • -3.67db
30% Popularity • 40% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 40% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Finch
Ink
165 bpm • C# min • 03:35 • -4.67db
38% Popularity • 47% Danceability • 95% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
38% Popularity • 47% Danceability • 95% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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The Datsuns
System Overload
165 bpm • F# Maj • 02:31 • -4.5db
19% Popularity • 45% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 45% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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USS (Ubiquitous Synergy Seeker)
Anti-Venom
172 bpm • G# Maj • 03:47 • -5.43db
34% Popularity • 37% Danceability • 89% Energy • 49% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 37% Danceability • 89% Energy • 49% Liveness
0% Instrumentalness • 40% Positiveness
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![Dress Code (Remix) [feat. Wuki] cover art](https://i.scdn.co/image/ab67616d00001e0260c718b880bb38d3b29ae3db)
The Photo Atlas
Dress Code (Remix)
172 bpm • B min • 03:49 • -4.36db
1% Popularity • 69% Danceability • 89% Energy • 37% Liveness
4% Instrumentalness • 15% Positiveness
1% Popularity • 69% Danceability • 89% Energy • 37% Liveness
4% Instrumentalness • 15% Positiveness
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Reggie And The Full Effect
Congratulations Smack + Katy
172 bpm • B min • 02:28 • -3.84db
37% Popularity • 25% Danceability • 97% Energy • 81% Liveness
0% Instrumentalness • 24% Positiveness
37% Popularity • 25% Danceability • 97% Energy • 81% Liveness
0% Instrumentalness • 24% Positiveness
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Donots
Saccharine Smile
172 bpm • F# Maj • 03:18 • -3.68db
35% Popularity • 34% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 34% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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The Outline
Shotgun
164 bpm • B min • 02:44 • -3.23db
38% Popularity • 46% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
38% Popularity • 46% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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The D4
Come On
164 bpm • E Maj • 02:23 • -4.27db
24% Popularity • 39% Danceability • 94% Energy • 74% Liveness
3% Instrumentalness • 97% Positiveness
24% Popularity • 39% Danceability • 94% Energy • 74% Liveness
3% Instrumentalness • 97% Positiveness
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Pulled Apart By Horses
Wildfire, Smoke & Doom
172 bpm • A Maj • 02:23 • -2.59db
20% Popularity • 18% Danceability • 100% Energy • 34% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 18% Danceability • 100% Energy • 34% Liveness
0% Instrumentalness • 6% Positiveness
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The Photo Atlas
Class Of 2012
172 bpm • B min • 03:13 • -5.04db
2% Popularity • 40% Danceability • 98% Energy • 28% Liveness
0% Instrumentalness • 17% Positiveness
2% Popularity • 40% Danceability • 98% Energy • 28% Liveness
0% Instrumentalness • 17% Positiveness
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Arlo
Runaround
163 bpm • A Maj • 02:59 • -4db
19% Popularity • 34% Danceability • 96% Energy • 52% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 34% Danceability • 96% Energy • 52% Liveness
0% Instrumentalness • 52% Positiveness
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Jimmy Eat World
Just Tonight
173 bpm • G# min • 03:26 • -3db
47% Popularity • 39% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
47% Popularity • 39% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Heaven's Basement
I Am Electric
173 bpm • F min • 03:00 • -3db
45% Popularity • 34% Danceability • 100% Energy • 33% Liveness
0% Instrumentalness • 6% Positiveness
45% Popularity • 34% Danceability • 100% Energy • 33% Liveness
0% Instrumentalness • 6% Positiveness
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Showing Off To Thieves
Everyone Has Their Secrets
173 bpm • D Maj • 03:03 • -4.04db
16% Popularity • 43% Danceability • 86% Energy • 77% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 43% Danceability • 86% Energy • 77% Liveness
0% Instrumentalness • 39% Positiveness
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Maxeen
Loud as War
173 bpm • C Maj • 03:37 • -3.11db
11% Popularity • 34% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 34% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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The Photo Atlas
Little Tiny Explosions
163 bpm • B min • 03:51 • -5.4db
3% Popularity • 16% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
3% Popularity • 16% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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Riverboat Gamblers
On Again Off Again
162 bpm • C Maj • 03:14 • -5.77db
21% Popularity • 18% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 18% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
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Jimmy Eat World
Electable (Give It Up)
173 bpm • A Maj • 02:56 • -3.32db
38% Popularity • 42% Danceability • 99% Energy • 32% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 42% Danceability • 99% Energy • 32% Liveness
0% Instrumentalness • 18% Positiveness
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Audioslave
Man Or Animal
174 bpm • B Maj • 03:52 • -3db
43% Popularity • 20% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
43% Popularity • 20% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
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Valencia
Stop Searching
174 bpm • D Maj • 03:32 • -5db
6% Popularity • 34% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
6% Popularity • 34% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
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The Network
Roshambo
174 bpm • G Maj • 02:48 • -3.62db
37% Popularity • 40% Danceability • 96% Energy • 49% Liveness
0% Instrumentalness • 64% Positiveness
37% Popularity • 40% Danceability • 96% Energy • 49% Liveness
0% Instrumentalness • 64% Positiveness
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The Reunion Show
Television
162 bpm • F# min • 02:55 • -3.34db
29% Popularity • 41% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 41% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Sahara Hotnights
Hot Night Crash
162 bpm • C# Maj • 02:41 • -3.33db
37% Popularity • 38% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 38% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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Middle Class Rut
Usa
174 bpm • A# Maj • 03:33 • -2.55db
19% Popularity • 31% Danceability • 98% Energy • 27% Liveness
34% Instrumentalness • 32% Positiveness
19% Popularity • 31% Danceability • 98% Energy • 27% Liveness
34% Instrumentalness • 32% Positiveness
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Dinosaur Pile-Up
Barce-Loner
162 bpm • C Maj • 03:15 • -4.43db
25% Popularity • 37% Danceability • 97% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 37% Danceability • 97% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
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Electric Six
I Don't Like You
162 bpm • C Maj • 02:53 • -2.39db
36% Popularity • 47% Danceability • 100% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 47% Danceability • 100% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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We Are The Ocean
Trouble Is Temporary, Time Is Tonic
162 bpm • G min • 02:44 • -3.72db
24% Popularity • 44% Danceability • 97% Energy • 12% Liveness
24% Instrumentalness • 61% Positiveness
24% Popularity • 44% Danceability • 97% Energy • 12% Liveness
24% Instrumentalness • 61% Positiveness
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We Are Scientists
Inaction
162 bpm • A min • 02:32 • -4.43db
38% Popularity • 41% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 41% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Yellowcard
Rough Landing, Holly
175 bpm • E Maj • 03:33 • -3.32db
49% Popularity • 34% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
49% Popularity • 34% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Riverboat Gamblers
Don't Bury Me...I'm Still Not Dead Yet
175 bpm • E Maj • 02:46 • -6db
35% Popularity • 28% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
35% Popularity • 28% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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The Bronx
Sunset City
175 bpm • E Maj • 03:28 • -3.84db
30% Popularity • 24% Danceability • 96% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 24% Danceability • 96% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Madina Lake
Never Take Us Alive
161 bpm • D min • 02:59 • -3db
36% Popularity • 26% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 26% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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The Faint
Dropkick the Punks
161 bpm • G Maj • 02:28 • -6db
38% Popularity • 55% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 55% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Sparta
Taking Back Control
161 bpm • D min • 03:41 • -3.97db
31% Popularity • 32% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
31% Popularity • 32% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Local H
Everyone Alive (live)
161 bpm • A# min • 04:22 • -3db
32% Popularity • 24% Danceability • 98% Energy • 47% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 24% Danceability • 98% Energy • 47% Liveness
0% Instrumentalness • 31% Positiveness
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Emanuel
The Hey Man!
176 bpm • C# Maj • 03:48 • -3.38db
32% Popularity • 33% Danceability • 98% Energy • 46% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 33% Danceability • 98% Energy • 46% Liveness
0% Instrumentalness • 42% Positiveness
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Neon Plastix
On Fire
161 bpm • G min • 03:54 • -6db
39% Popularity • 42% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 42% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
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Spiderbait
Cows
176 bpm • E Maj • 02:19 • -5.93db
28% Popularity • 37% Danceability • 88% Energy • 34% Liveness
10% Instrumentalness • 82% Positiveness
28% Popularity • 37% Danceability • 88% Energy • 34% Liveness
10% Instrumentalness • 82% Positiveness
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Maxeen
Please
176 bpm • G min • 03:45 • -3.41db
35% Popularity • 47% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 47% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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Sugarcult
Dead Living
160 bpm • C# Maj • 03:38 • -3.72db
41% Popularity • 40% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
41% Popularity • 40% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Chronic Future
New York, NY
160 bpm • D# min • 03:06 • -2.75db
24% Popularity • 47% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 47% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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No Connection
Burnin'
160 bpm • C Maj • 02:43 • -2.18db
21% Popularity • 38% Danceability • 100% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
21% Popularity • 38% Danceability • 100% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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Ima Robot
A Is For Action
160 bpm • F# min • 02:21 • -4.89db
32% Popularity • 42% Danceability • 95% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 42% Danceability • 95% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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Blindside
Swallow
160 bpm • F# min • 02:25 • -3.47db
37% Popularity • 32% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
37% Popularity • 32% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
