Songs like Red XF Falcon by Peter Bibby
Based on a tempo of (+/- 10%) and a similar genre
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Peter Bibby
Red XF Falcon
79 bpm • C Maj • 03:50 • -12.13db
24% Popularity • 38% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 38% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Skegss
Got On My Skateboard
79 bpm • G Maj • 03:47 • -3.33db
45% Popularity • 50% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
45% Popularity • 50% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Pist Idiots
Fuck Off
79 bpm • A min • 03:50 • -12.44db
33% Popularity • 25% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 25% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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The Slingers
Living in the Age of Loneliness
78 bpm • A Maj • 04:25 • -5.42db
34% Popularity • 38% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
34% Popularity • 38% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Lunatics On Pogosticks
Less Than Sober
78 bpm • B Maj • 03:17 • -3.73db
26% Popularity • 21% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 21% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Eddy Current Suppression Ring
Get Up Morning
81 bpm • D Maj • 02:59 • -5db
12% Popularity • 43% Danceability • 96% Energy • 14% Liveness
1% Instrumentalness • 38% Positiveness
12% Popularity • 43% Danceability • 96% Energy • 14% Liveness
1% Instrumentalness • 38% Positiveness
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Peter Bibby
Work for Arseholes
80 bpm • A min • 05:20 • -7.69db
10% Popularity • 36% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 36% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
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Crocodylus
My Baby
81 bpm • C Maj • 02:36 • -6db
32% Popularity • 51% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 51% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Floodlights
Human
77 bpm • E Maj • 02:41 • -7db
33% Popularity • 39% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 39% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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The Gooch Palms
Yeh Nah
77 bpm • A# min • 04:15 • -5.99db
10% Popularity • 64% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 64% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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blistar
Satellite
77 bpm • A min • 03:29 • -9.35db
14% Popularity • 36% Danceability • 42% Energy • 27% Liveness
98% Instrumentalness • 34% Positiveness
14% Popularity • 36% Danceability • 42% Energy • 27% Liveness
98% Instrumentalness • 34% Positiveness
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Eddy Current Suppression Ring
Wrapped Up
81 bpm • E Maj • 03:18 • -4db
29% Popularity • 44% Danceability • 84% Energy • 38% Liveness
75% Instrumentalness • 75% Positiveness
29% Popularity • 44% Danceability • 84% Energy • 38% Liveness
75% Instrumentalness • 75% Positiveness
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Good Boy
Green Dress
76 bpm • E Maj • 04:05 • -10db
31% Popularity • 49% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 49% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Peter Bibby
Hippies
78 bpm • C Maj • 04:04 • -11.71db
8% Popularity • 51% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 51% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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The Peep Tempel
Carol
76 bpm • C min • 03:56 • -5.28db
32% Popularity • 41% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 41% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Goons Of Doom
Surfing Without You
82 bpm • A Maj • 02:18 • -10.5db
11% Popularity • 51% Danceability • 87% Energy • 40% Liveness
1% Instrumentalness • 98% Positiveness
11% Popularity • 51% Danceability • 87% Energy • 40% Liveness
1% Instrumentalness • 98% Positiveness
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The Chats
VB Anthem
76 bpm • C Maj • 03:44 • -4.98db
33% Popularity • 38% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 38% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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The Ocean Party
Back Bar
76 bpm • D Maj • 02:32 • -6db
23% Popularity • 50% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 50% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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The Ruminaters
Bad Bad Things
76 bpm • E Maj • 03:56 • -6db
14% Popularity • 42% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 42% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Bones and Jones
Feel Better Now
83 bpm • G Maj • 02:48 • -3.87db
20% Popularity • 41% Danceability • 81% Energy • 21% Liveness
80% Instrumentalness • 41% Positiveness
20% Popularity • 41% Danceability • 81% Energy • 21% Liveness
80% Instrumentalness • 41% Positiveness
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Adam Newling
Cheer Up
75 bpm • D# Maj • 03:38 • -8db
24% Popularity • 49% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 49% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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The Slingers
Little Conversations
83 bpm • E Maj • 04:16 • -19db
24% Popularity • 54% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 54% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
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Skegss
You Probably Won't Die For A While
83 bpm • D Maj • 02:51 • -2.7db
31% Popularity • 37% Danceability • 97% Energy • 29% Liveness
72% Instrumentalness • 59% Positiveness
31% Popularity • 37% Danceability • 97% Energy • 29% Liveness
72% Instrumentalness • 59% Positiveness
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Crocodylus
Ghosts
84 bpm • A Maj • 03:26 • -5.65db
11% Popularity • 14% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 14% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
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Royal Headache
Another World
84 bpm • B min • 02:22 • -5.6db
39% Popularity • 33% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
39% Popularity • 33% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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WOD
TOP 5
85 bpm • E min • 03:34 • -5.4db
9% Popularity • 34% Danceability • 96% Energy • 59% Liveness
26% Instrumentalness • 39% Positiveness
9% Popularity • 34% Danceability • 96% Energy • 59% Liveness
26% Instrumentalness • 39% Positiveness
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King Stingray
Hey Wanhaka
85 bpm • B min • 03:57 • -5db
30% Popularity • 27% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 27% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Full Flower Moon Band
Meet Ya
85 bpm • A Maj • 02:57 • -3.56db
24% Popularity • 54% Danceability • 56% Energy • 20% Liveness
90% Instrumentalness • 55% Positiveness
24% Popularity • 54% Danceability • 56% Energy • 20% Liveness
90% Instrumentalness • 55% Positiveness
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Jack Davies and The Bush Chooks
Some Things Don't Last a Very Long Time
73 bpm • A Maj • 03:52 • -7.66db
20% Popularity • 33% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 33% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Ethanol Blend
River
86 bpm • C# Maj • 03:24 • -11.62db
18% Popularity • 40% Danceability • 60% Energy • 15% Liveness
14% Instrumentalness • 65% Positiveness
18% Popularity • 40% Danceability • 60% Energy • 15% Liveness
14% Instrumentalness • 65% Positiveness
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The Gooch Palms
You
73 bpm • C Maj • 03:30 • -5.33db
12% Popularity • 22% Danceability • 60% Energy • 10% Liveness
10% Instrumentalness • 23% Positiveness
12% Popularity • 22% Danceability • 60% Energy • 10% Liveness
10% Instrumentalness • 23% Positiveness
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Soy
Chronic Fatigue
86 bpm • B Maj • 04:12 • -5.02db
11% Popularity • 46% Danceability • 76% Energy • 23% Liveness
28% Instrumentalness • 74% Positiveness
11% Popularity • 46% Danceability • 76% Energy • 23% Liveness
28% Instrumentalness • 74% Positiveness
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Peter Bibby
I'm on Fire
87 bpm • A Maj • 02:19 • -15.03db
10% Popularity • 49% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 49% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Twelve Point Buck
I Don't Care
86 bpm • G Maj • 02:37 • -3.27db
21% Popularity • 42% Danceability • 69% Energy • 30% Liveness
34% Instrumentalness • 25% Positiveness
21% Popularity • 42% Danceability • 69% Energy • 30% Liveness
34% Instrumentalness • 25% Positiveness
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Radium Dolls
Where To Go
71 bpm • E min • 05:23 • -8.36db
19% Popularity • 28% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 28% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Marlin's Dreaming
Valencia
88 bpm • D min • 03:42 • -8.9db
21% Popularity • 27% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 27% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 31% Positiveness
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Floodlights
Ramblings Of A Passenger
89 bpm • C Maj • 04:58 • -9.15db
26% Popularity • 47% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 47% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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White Blanks
Go Right Now
89 bpm • E Maj • 03:15 • -6.69db
23% Popularity • 41% Danceability • 93% Energy • 7% Liveness
14% Instrumentalness • 72% Positiveness
23% Popularity • 41% Danceability • 93% Energy • 7% Liveness
14% Instrumentalness • 72% Positiveness
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Soaked Oats
Apricot Jam
90 bpm • A Maj • 03:21 • -7.46db
23% Popularity • 52% Danceability • 87% Energy • 5% Liveness
82% Instrumentalness • 48% Positiveness
23% Popularity • 52% Danceability • 87% Energy • 5% Liveness
82% Instrumentalness • 48% Positiveness
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Mini Skirt
Asx (Bonus Track)
91 bpm • D Maj • 02:30 • -6.12db
24% Popularity • 48% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 48% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Cash Savage and the Last Drinks
Rat-a-tat-tat
91 bpm • B min • 04:33 • -5.25db
22% Popularity • 43% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 43% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Boing Boing
JT (C'mon Fellas It's Not a Library Talk...
91 bpm • D min • 05:20 • -5.33db
11% Popularity • 48% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 48% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 31% Positiveness
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Hockey Dad
Babes
92 bpm • A Maj • 05:08 • -7.92db
45% Popularity • 30% Danceability • 86% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
45% Popularity • 30% Danceability • 86% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
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Drunk Mums
Eventual Ghost
68 bpm • A Maj • 03:04 • -4db
28% Popularity • 53% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 53% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Eddy Current Suppression Ring
Anxiety
92 bpm • A Maj • 03:23 • -3.69db
17% Popularity • 36% Danceability • 96% Energy • 14% Liveness
58% Instrumentalness • 58% Positiveness
17% Popularity • 36% Danceability • 96% Energy • 14% Liveness
58% Instrumentalness • 58% Positiveness
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Mini Skirt
Dying Majority
92 bpm • C Maj • 02:51 • -6.2db
28% Popularity • 46% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
28% Popularity • 46% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Los Scallywaggs
Hell
93 bpm • G Maj • 03:26 • -5.61db
14% Popularity • 39% Danceability • 90% Energy • 24% Liveness
46% Instrumentalness • 36% Positiveness
14% Popularity • 39% Danceability • 90% Energy • 24% Liveness
46% Instrumentalness • 36% Positiveness
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Carla Geneve
Yesterday's Clothes
94 bpm • D Maj • 04:24 • -8.89db
15% Popularity • 69% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 56% Positiveness
15% Popularity • 69% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 56% Positiveness
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These New South Whales
Broken System
94 bpm • A Maj • 02:47 • -4.39db
21% Popularity • 48% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 48% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Jack Davies and The Bush Chooks
Half Frozen Beer
95 bpm • F Maj • 04:35 • -7.97db
23% Popularity • 43% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 43% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Cash Savage and the Last Drinks
Run With the Dogs
94 bpm • B min • 05:09 • -6.27db
20% Popularity • 58% Danceability • 89% Energy • 10% Liveness
24% Instrumentalness • 30% Positiveness
20% Popularity • 58% Danceability • 89% Energy • 10% Liveness
24% Instrumentalness • 30% Positiveness
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Dumb Punts
Shred Till Ya Dead
95 bpm • B Maj • 02:52 • -4.64db
23% Popularity • 30% Danceability • 82% Energy • 7% Liveness
87% Instrumentalness • 40% Positiveness
23% Popularity • 30% Danceability • 82% Energy • 7% Liveness
87% Instrumentalness • 40% Positiveness
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Susie Quicke
Route to Chaos(Ride My Ferrari)
95 bpm • G Maj • 04:04 • -7.52db
0% Popularity • 61% Danceability • 53% Energy • 54% Liveness
0% Instrumentalness • 56% Positiveness
0% Popularity • 61% Danceability • 53% Energy • 54% Liveness
0% Instrumentalness • 56% Positiveness
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The Slingers
24 Hour News
95 bpm • D Maj • 05:21 • -10.11db
22% Popularity • 53% Danceability • 55% Energy • 14% Liveness
49% Instrumentalness • 14% Positiveness
22% Popularity • 53% Danceability • 55% Energy • 14% Liveness
49% Instrumentalness • 14% Positiveness
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Crocodylus
Can't Understand
95 bpm • A Maj • 04:21 • -5.04db
15% Popularity • 28% Danceability • 70% Energy • 60% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 28% Danceability • 70% Energy • 60% Liveness
0% Instrumentalness • 27% Positiveness
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Skegss
Picturesque Moment
96 bpm • G Maj • 03:05 • -5.04db
27% Popularity • 51% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
27% Popularity • 51% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Hockey Dad
Beach House
95 bpm • G Maj • 03:52 • -7.99db
35% Popularity • 43% Danceability • 95% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 43% Danceability • 95% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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The Peep Tempel
Rayguns
96 bpm • E Maj • 02:17 • -6db
19% Popularity • 40% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 40% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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Twelve Point Buck
X All Y
96 bpm • A Maj • 04:26 • -8.92db
29% Popularity • 29% Danceability • 55% Energy • 7% Liveness
13% Instrumentalness • 18% Positiveness
29% Popularity • 29% Danceability • 55% Energy • 7% Liveness
13% Instrumentalness • 18% Positiveness
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Israeli Chicks
Supermarket
96 bpm • B Maj • 02:22 • -5.69db
19% Popularity • 65% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 65% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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Goons Of Doom
The Slapper
98 bpm • B Maj • 02:28 • -8.72db
13% Popularity • 57% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 57% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Skegss
Under The Thunder
98 bpm • G Maj • 03:36 • -3.84db
41% Popularity • 50% Danceability • 85% Energy • 10% Liveness
1% Instrumentalness • 80% Positiveness
41% Popularity • 50% Danceability • 85% Energy • 10% Liveness
1% Instrumentalness • 80% Positiveness
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The Slingers
Our Last Day in the Sun
98 bpm • C Maj • 03:38 • -6.54db
25% Popularity • 56% Danceability • 74% Energy • 22% Liveness
5% Instrumentalness • 62% Positiveness
25% Popularity • 56% Danceability • 74% Energy • 22% Liveness
5% Instrumentalness • 62% Positiveness
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Soaked Oats
Houdini
99 bpm • C Maj • 03:43 • -9db
22% Popularity • 50% Danceability • 44% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
22% Popularity • 50% Danceability • 44% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
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Full Flower Moon Band
New Rocket
100 bpm • B Maj • 03:04 • -7.07db
29% Popularity • 64% Danceability • 81% Energy • 48% Liveness
14% Instrumentalness • 63% Positiveness
29% Popularity • 64% Danceability • 81% Energy • 48% Liveness
14% Instrumentalness • 63% Positiveness
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Peter Bibby
River Guts
102 bpm • D Maj • 03:33 • -7.37db
16% Popularity • 47% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 47% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Twelve Point Buck
Callie
101 bpm • C Maj • 03:09 • -11.63db
19% Popularity • 42% Danceability • 53% Energy • 46% Liveness
36% Instrumentalness • 53% Positiveness
19% Popularity • 42% Danceability • 53% Energy • 46% Liveness
36% Instrumentalness • 53% Positiveness
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Warumpi Band
Waru (Fire)
103 bpm • G Maj • 03:52 • -15.74db
26% Popularity • 64% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
26% Popularity • 64% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
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The Slingers
No Harm Done
102 bpm • C Maj • 04:52 • -6.91db
35% Popularity • 78% Danceability • 56% Energy • 7% Liveness
3% Instrumentalness • 58% Positiveness
35% Popularity • 78% Danceability • 56% Energy • 7% Liveness
3% Instrumentalness • 58% Positiveness
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The Smith Street Band
It's OK
103 bpm • D# Maj • 03:30 • -7.38db
30% Popularity • 44% Danceability • 42% Energy • 42% Liveness
0% Instrumentalness • 53% Positiveness
30% Popularity • 44% Danceability • 42% Energy • 42% Liveness
0% Instrumentalness • 53% Positiveness
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Boing Boing
Smbyfp
104 bpm • D Maj • 03:22 • -4.29db
15% Popularity • 51% Danceability • 90% Energy • 22% Liveness
3% Instrumentalness • 77% Positiveness
15% Popularity • 51% Danceability • 90% Energy • 22% Liveness
3% Instrumentalness • 77% Positiveness
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DOPE LEMON
Coyote
104 bpm • C Maj • 03:49 • -4.48db
45% Popularity • 55% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 55% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Pist Idiots
Love Nah
105 bpm • F Maj • 02:46 • -3.03db
30% Popularity • 37% Danceability • 97% Energy • 31% Liveness
84% Instrumentalness • 34% Positiveness
30% Popularity • 37% Danceability • 97% Energy • 31% Liveness
84% Instrumentalness • 34% Positiveness
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Flowertruck
Dying To Hear
105 bpm • A Maj • 05:04 • -9db
10% Popularity • 61% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 61% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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The Slingers
Different Oceans
102 bpm • C Maj • 04:50 • -8.23db
23% Popularity • 80% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 80% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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The Pretty Littles
Noobie
105 bpm • E min • 02:27 • -3.89db
31% Popularity • 34% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 34% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Skegss
Up In The Clouds
105 bpm • C Maj • 02:29 • -9.25db
52% Popularity • 55% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
52% Popularity • 55% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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DOPE LEMON
Fuck Things Up
105 bpm • G Maj • 04:31 • -6.94db
41% Popularity • 65% Danceability • 54% Energy • 11% Liveness
74% Instrumentalness • 28% Positiveness
41% Popularity • 65% Danceability • 54% Energy • 11% Liveness
74% Instrumentalness • 28% Positiveness
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The Beefs
Shins Up, Tins Up
105 bpm • D Maj • 01:11 • -4db
30% Popularity • 62% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 62% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Cupid and the Stupids
BABY BABY BABY BABY
106 bpm • G Maj • 02:06 • -3.84db
17% Popularity • 52% Danceability • 98% Energy • 22% Liveness
72% Instrumentalness • 59% Positiveness
17% Popularity • 52% Danceability • 98% Energy • 22% Liveness
72% Instrumentalness • 59% Positiveness
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The Slingers
The Cruellest Cut
105 bpm • C Maj • 05:29 • -6db
27% Popularity • 69% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 69% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Good Boy
No Love for Back Home
106 bpm • D Maj • 03:36 • -8.38db
16% Popularity • 65% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 65% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Peter Bibby
Home Alone
106 bpm • A min • 03:54 • -7.78db
11% Popularity • 51% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 51% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
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Radium Dolls
Treat
107 bpm • D min • 04:08 • -7.28db
23% Popularity • 38% Danceability • 91% Energy • 8% Liveness
18% Instrumentalness • 31% Positiveness
23% Popularity • 38% Danceability • 91% Energy • 8% Liveness
18% Instrumentalness • 31% Positiveness
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Fight Ibis
Dorothy Deadleg
107 bpm • A# min • 03:19 • -5.91db
12% Popularity • 54% Danceability • 80% Energy • 19% Liveness
17% Instrumentalness • 50% Positiveness
12% Popularity • 54% Danceability • 80% Energy • 19% Liveness
17% Instrumentalness • 50% Positiveness
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Crocodylus
Motivation
107 bpm • F# min • 03:27 • -6.42db
11% Popularity • 24% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 24% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 9% Positiveness
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The Slingers
Down to the Bone
107 bpm • E min • 04:40 • -6.33db
26% Popularity • 67% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
26% Popularity • 67% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Good Boy
Transparency
107 bpm • E Maj • 03:23 • -8db
29% Popularity • 74% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
29% Popularity • 74% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Peter Bibby
Calcium
108 bpm • C Maj • 04:26 • -9.12db
9% Popularity • 47% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 47% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Bones and Jones
Donna
108 bpm • D Maj • 02:36 • -3.23db
19% Popularity • 59% Danceability • 78% Energy • 13% Liveness
8% Instrumentalness • 96% Positiveness
19% Popularity • 59% Danceability • 78% Energy • 13% Liveness
8% Instrumentalness • 96% Positiveness
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Spike Fuck
Kind Hearts
108 bpm • C Maj • 05:17 • -5.6db
34% Popularity • 54% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 54% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Crocodylus
Camouflage
107 bpm • G Maj • 03:03 • -4db
10% Popularity • 31% Danceability • 98% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 31% Danceability • 98% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Jack Davies and The Bush Chooks
Rusty Blue Car
109 bpm • A Maj • 02:08 • -13.71db
19% Popularity • 50% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 50% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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The Ocean Party
Rain On Tin
109 bpm • F# Maj • 05:13 • -11db
17% Popularity • 47% Danceability • 35% Energy • 17% Liveness
35% Instrumentalness • 23% Positiveness
17% Popularity • 47% Danceability • 35% Energy • 17% Liveness
35% Instrumentalness • 23% Positiveness
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Peter Bibby
Pissbird Firetruck
108 bpm • C Maj • 02:59 • -7.59db
12% Popularity • 50% Danceability • 68% Energy • 34% Liveness
8% Instrumentalness • 79% Positiveness
12% Popularity • 50% Danceability • 68% Energy • 34% Liveness
8% Instrumentalness • 79% Positiveness
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The Pinheads
Heart Of Darkness
109 bpm • B Maj • 05:40 • -4.82db
9% Popularity • 50% Danceability • 75% Energy • 24% Liveness
50% Instrumentalness • 76% Positiveness
9% Popularity • 50% Danceability • 75% Energy • 24% Liveness
50% Instrumentalness • 76% Positiveness
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Carla Geneve
Listening
110 bpm • G Maj • 03:18 • -7db
21% Popularity • 70% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 70% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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These New South Whales
In The Light of Day
110 bpm • C# min • 02:06 • -5.75db
16% Popularity • 43% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 43% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
