Songs like Reflection by ØYSTEIN SEVÅG
Based on a tempo of (+/- 10%) and a similar genre
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Marcomé
Arabica
115 bpm • C# min • 04:10 • -10.86db
40% Popularity • 58% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 23% Positiveness
40% Popularity • 58% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 23% Positiveness
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Bradley Joseph
Classical Cockatoo
115 bpm • C min • 06:14 • -20.03db
29% Popularity • 58% Danceability • 9% Energy • 13% Liveness
90% Instrumentalness • 7% Positiveness
29% Popularity • 58% Danceability • 9% Energy • 13% Liveness
90% Instrumentalness • 7% Positiveness
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Herrin
Preparing the Way
115 bpm • A# min • 01:27 • -13.31db
43% Popularity • 58% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
43% Popularity • 58% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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ØYSTEIN SEVÅG
Reflection
115 bpm • D# min • 02:39 • -24.3db
47% Popularity • 22% Danceability • 10% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
47% Popularity • 22% Danceability • 10% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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William Ellwood
Touchstone
115 bpm • E min • 04:29 • -19db
31% Popularity • 55% Danceability • 28% Energy • 23% Liveness
5% Instrumentalness • 24% Positiveness
31% Popularity • 55% Danceability • 28% Energy • 23% Liveness
5% Instrumentalness • 24% Positiveness
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Paul Machlis
Nightblossom
115 bpm • D Maj • 03:43 • -13.41db
24% Popularity • 35% Danceability • 30% Energy • 13% Liveness
86% Instrumentalness • 22% Positiveness
24% Popularity • 35% Danceability • 30% Energy • 13% Liveness
86% Instrumentalness • 22% Positiveness
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Asher Quinn
Canzone Angelica
114 bpm • F Maj • 06:18 • -17db
24% Popularity • 61% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 74% Positiveness
24% Popularity • 61% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 74% Positiveness
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Gandalf
Love is the Answer
116 bpm • D Maj • 04:43 • -13.07db
32% Popularity • 19% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
32% Popularity • 19% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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Tim Janis
August
114 bpm • A Maj • 02:19 • -9.07db
50% Popularity • 25% Danceability • 61% Energy • 10% Liveness
8% Instrumentalness • 24% Positiveness
50% Popularity • 25% Danceability • 61% Energy • 10% Liveness
8% Instrumentalness • 24% Positiveness
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Back to Earth
Still In Love (first Part)
116 bpm • G Maj • 03:02 • -18.17db
49% Popularity • 39% Danceability • 8% Energy • 12% Liveness
97% Instrumentalness • 11% Positiveness
49% Popularity • 39% Danceability • 8% Energy • 12% Liveness
97% Instrumentalness • 11% Positiveness
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Tim Story
After 4 O'Clock
116 bpm • A min • 03:48 • -18.33db
20% Popularity • 19% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
20% Popularity • 19% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Denise Young
There
116 bpm • A# Maj • 03:32 • -18.69db
41% Popularity • 30% Danceability • 15% Energy • 18% Liveness
90% Instrumentalness • 8% Positiveness
41% Popularity • 30% Danceability • 15% Energy • 18% Liveness
90% Instrumentalness • 8% Positiveness
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B-Tribe
The Sun
116 bpm • D min • 03:05 • -17.78db
44% Popularity • 43% Danceability • 22% Energy • 26% Liveness
92% Instrumentalness • 4% Positiveness
44% Popularity • 43% Danceability • 22% Energy • 26% Liveness
92% Instrumentalness • 4% Positiveness
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Mars Lasar
Enchanted
114 bpm • E min • 03:46 • -16db
31% Popularity • 37% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 13% Positiveness
31% Popularity • 37% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 13% Positiveness
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Eric Tingstad
Shenandoah - Remastered
117 bpm • C Maj • 05:40 • -14.84db
28% Popularity • 56% Danceability • 31% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
28% Popularity • 56% Danceability • 31% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Back to Earth
Carressed by Your Love
116 bpm • C# Maj • 03:46 • -10.79db
45% Popularity • 46% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 5% Positiveness
45% Popularity • 46% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 5% Positiveness
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Andreas Vollenweider
The Secret, the Candle and Love
117 bpm • C# Maj • 03:43 • -11.29db
37% Popularity • 64% Danceability • 52% Energy • 14% Liveness
72% Instrumentalness • 31% Positiveness
37% Popularity • 64% Danceability • 52% Energy • 14% Liveness
72% Instrumentalness • 31% Positiveness
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Lisa Lynne & Aryeh Frankfurter
Spirit Dance
117 bpm • B min • 04:23 • -15db
30% Popularity • 50% Danceability • 16% Energy • 10% Liveness
28% Instrumentalness • 10% Positiveness
30% Popularity • 50% Danceability • 16% Energy • 10% Liveness
28% Instrumentalness • 10% Positiveness
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Lakki Patey
Dønninger Fra Havet
113 bpm • G Maj • 06:03 • -16.91db
5% Popularity • 21% Danceability • 20% Energy • 89% Liveness
95% Instrumentalness • 4% Positiveness
5% Popularity • 21% Danceability • 20% Energy • 89% Liveness
95% Instrumentalness • 4% Positiveness
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William Ellwood
Magic Road
113 bpm • G Maj • 03:23 • -19.46db
23% Popularity • 53% Danceability • 27% Energy • 11% Liveness
32% Instrumentalness • 64% Positiveness
23% Popularity • 53% Danceability • 27% Energy • 11% Liveness
32% Instrumentalness • 64% Positiveness
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Eric Tingstad
Shenandoah
117 bpm • C Maj • 05:40 • -15.28db
21% Popularity • 50% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
21% Popularity • 50% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
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Enam
Thallia Sum Vinergo
117 bpm • F min • 01:29 • -14.3db
39% Popularity • 74% Danceability • 32% Energy • 18% Liveness
96% Instrumentalness • 4% Positiveness
39% Popularity • 74% Danceability • 32% Energy • 18% Liveness
96% Instrumentalness • 4% Positiveness
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Back to Earth
Promise to Your Heart
116 bpm • D# Maj • 03:22 • -15.8db
46% Popularity • 42% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
46% Popularity • 42% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Hilary Stagg
Simply Beautiful
118 bpm • G Maj • 05:20 • -18.62db
28% Popularity • 60% Danceability • 17% Energy • 7% Liveness
97% Instrumentalness • 29% Positiveness
28% Popularity • 60% Danceability • 17% Energy • 7% Liveness
97% Instrumentalness • 29% Positiveness
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Angels Of Venice
Sad Lisa
112 bpm • D Maj • 04:50 • -12db
24% Popularity • 42% Danceability • 32% Energy • 31% Liveness
95% Instrumentalness • 21% Positiveness
24% Popularity • 42% Danceability • 32% Energy • 31% Liveness
95% Instrumentalness • 21% Positiveness
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Kevin Kern
Pearls of Joy
118 bpm • F# min • 03:53 • -18.83db
38% Popularity • 41% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 21% Positiveness
38% Popularity • 41% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 21% Positiveness
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Kostia
Girl From Barcelona
118 bpm • C# min • 05:59 • -27db
19% Popularity • 31% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
19% Popularity • 31% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
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Enam
Longing For Ashira
118 bpm • A min • 02:31 • -21.89db
40% Popularity • 30% Danceability • 20% Energy • 14% Liveness
81% Instrumentalness • 28% Positiveness
40% Popularity • 30% Danceability • 20% Energy • 14% Liveness
81% Instrumentalness • 28% Positiveness
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Marshall Styler
Katherine's Waltz
112 bpm • C Maj • 03:41 • -11.67db
31% Popularity • 39% Danceability • 31% Energy • 19% Liveness
88% Instrumentalness • 11% Positiveness
31% Popularity • 39% Danceability • 31% Energy • 19% Liveness
88% Instrumentalness • 11% Positiveness
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Back to Earth
African Princess
114 bpm • D Maj • 06:04 • -13.23db
40% Popularity • 57% Danceability • 40% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
40% Popularity • 57% Danceability • 40% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Marcomé
Breathe
118 bpm • C# Maj • 01:49 • -15.53db
47% Popularity • 17% Danceability • 23% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
47% Popularity • 17% Danceability • 23% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
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Gandalf
Alhambra (Reflections)
112 bpm • A Maj • 02:44 • -11.68db
34% Popularity • 43% Danceability • 24% Energy • 5% Liveness
85% Instrumentalness • 4% Positiveness
34% Popularity • 43% Danceability • 24% Energy • 5% Liveness
85% Instrumentalness • 4% Positiveness
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Kevin Kern
Fairy Wings
119 bpm • B min • 04:29 • -21.07db
38% Popularity • 44% Danceability • 11% Energy • 7% Liveness
86% Instrumentalness • 21% Positiveness
38% Popularity • 44% Danceability • 11% Energy • 7% Liveness
86% Instrumentalness • 21% Positiveness
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Zotora
Zing
111 bpm • A# min • 05:12 • -13.58db
0% Popularity • 33% Danceability • 22% Energy • 11% Liveness
68% Instrumentalness • 3% Positiveness
0% Popularity • 33% Danceability • 22% Energy • 11% Liveness
68% Instrumentalness • 3% Positiveness
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Marshall Styler
Wine Cups In Willow City
111 bpm • A# Maj • 03:26 • -13.87db
21% Popularity • 40% Danceability • 28% Energy • 17% Liveness
97% Instrumentalness • 22% Positiveness
21% Popularity • 40% Danceability • 28% Energy • 17% Liveness
97% Instrumentalness • 22% Positiveness
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Mehdi
Falling Leaves
119 bpm • A min • 06:05 • -9.96db
26% Popularity • 64% Danceability • 54% Energy • 12% Liveness
89% Instrumentalness • 26% Positiveness
26% Popularity • 64% Danceability • 54% Energy • 12% Liveness
89% Instrumentalness • 26% Positiveness
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Scarborough Faire
Scarborough Faire
111 bpm • D Maj • 02:23 • -19db
50% Popularity • 37% Danceability • 15% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
50% Popularity • 37% Danceability • 15% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
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Origen
Piano Dreams
111 bpm • C Maj • 03:09 • -21.35db
47% Popularity • 40% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
47% Popularity • 40% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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B-Tribe
La Guitarra
120 bpm • D Maj • 04:28 • -13.84db
37% Popularity • 41% Danceability • 24% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
37% Popularity • 41% Danceability • 24% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
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Russel Walder
This Moment Now
120 bpm • E Maj • 03:55 • -5.94db
31% Popularity • 19% Danceability • 42% Energy • 15% Liveness
91% Instrumentalness • 8% Positiveness
31% Popularity • 19% Danceability • 42% Energy • 15% Liveness
91% Instrumentalness • 8% Positiveness
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Enam
For A Long Time To Go
120 bpm • A min • 03:13 • -18db
35% Popularity • 21% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
35% Popularity • 21% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
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ØYSTEIN SEVÅG
My Heart
120 bpm • C min • 03:31 • -17.38db
14% Popularity • 41% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
14% Popularity • 41% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Gandalf
When Blossoms Turn to Fruit
111 bpm • A Maj • 03:58 • -10.26db
25% Popularity • 34% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
25% Popularity • 34% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Achillea
Land of the Elves
120 bpm • F min • 02:24 • -20.02db
50% Popularity • 43% Danceability • 11% Energy • 12% Liveness
38% Instrumentalness • 4% Positiveness
50% Popularity • 43% Danceability • 11% Energy • 12% Liveness
38% Instrumentalness • 4% Positiveness
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Francis Goya
Song for a Secret Garden
120 bpm • C min • 03:35 • -10.03db
43% Popularity • 52% Danceability • 27% Energy • 36% Liveness
87% Instrumentalness • 29% Positiveness
43% Popularity • 52% Danceability • 27% Energy • 36% Liveness
87% Instrumentalness • 29% Positiveness
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Helen Jane Long
Renewed
120 bpm • E min • 02:59 • -19.22db
44% Popularity • 55% Danceability • 22% Energy • 11% Liveness
95% Instrumentalness • 20% Positiveness
44% Popularity • 55% Danceability • 22% Energy • 11% Liveness
95% Instrumentalness • 20% Positiveness
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Paul Lawler
Windmills
120 bpm • C Maj • 04:42 • -15db
11% Popularity • 57% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
11% Popularity • 57% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
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ØYSTEIN SEVÅG
Song from the Planet
120 bpm • A# min • 03:19 • -19.83db
9% Popularity • 72% Danceability • 51% Energy • 9% Liveness
84% Instrumentalness • 91% Positiveness
9% Popularity • 72% Danceability • 51% Energy • 9% Liveness
84% Instrumentalness • 91% Positiveness
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Mars Lasar
Washoe Woman
120 bpm • G Maj • 04:22 • -12.88db
31% Popularity • 56% Danceability • 36% Energy • 13% Liveness
86% Instrumentalness • 19% Positiveness
31% Popularity • 56% Danceability • 36% Energy • 13% Liveness
86% Instrumentalness • 19% Positiveness
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Brice Davoli
Castle In The Sky
120 bpm • C# Maj • 03:38 • -13.16db
38% Popularity • 25% Danceability • 32% Energy • 13% Liveness
88% Instrumentalness • 20% Positiveness
38% Popularity • 25% Danceability • 32% Energy • 13% Liveness
88% Instrumentalness • 20% Positiveness
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B-Tribe
Angelic Voices
120 bpm • F Maj • 04:51 • -19.28db
44% Popularity • 54% Danceability • 27% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
44% Popularity • 54% Danceability • 27% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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Guido Negraszus
Eternal Love and Desire
110 bpm • A# Maj • 02:45 • -12.06db
43% Popularity • 41% Danceability • 41% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
43% Popularity • 41% Danceability • 41% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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Kevin Kern
And the Light is Forever
110 bpm • D# Maj • 03:23 • -19.75db
35% Popularity • 47% Danceability • 5% Energy • 14% Liveness
84% Instrumentalness • 13% Positiveness
35% Popularity • 47% Danceability • 5% Energy • 14% Liveness
84% Instrumentalness • 13% Positiveness
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ØYSTEIN SEVÅG
Horizon
120 bpm • F# Maj • 06:26 • -13.44db
13% Popularity • 40% Danceability • 68% Energy • 35% Liveness
2% Instrumentalness • 17% Positiveness
13% Popularity • 40% Danceability • 68% Energy • 35% Liveness
2% Instrumentalness • 17% Positiveness
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Mehdi
Heavens Rain
110 bpm • A min • 07:16 • -11.44db
24% Popularity • 60% Danceability • 55% Energy • 20% Liveness
96% Instrumentalness • 53% Positiveness
24% Popularity • 60% Danceability • 55% Energy • 20% Liveness
96% Instrumentalness • 53% Positiveness
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Back to Earth
Dreamland Crescendo
110 bpm • G# Maj • 04:52 • -13.22db
41% Popularity • 71% Danceability • 37% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
41% Popularity • 71% Danceability • 37% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
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Herb Ernst
Celestial Vespers
110 bpm • C Maj • 01:17 • -11.53db
47% Popularity • 22% Danceability • 41% Energy • 23% Liveness
93% Instrumentalness • 3% Positiveness
47% Popularity • 22% Danceability • 41% Energy • 23% Liveness
93% Instrumentalness • 3% Positiveness
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Joël Fajerman
Jessie
121 bpm • A Maj • 03:46 • -13.58db
34% Popularity • 25% Danceability • 27% Energy • 9% Liveness
22% Instrumentalness • 8% Positiveness
34% Popularity • 25% Danceability • 27% Energy • 9% Liveness
22% Instrumentalness • 8% Positiveness
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Hilary Stagg
Easy to Be
110 bpm • G Maj • 03:49 • -27.62db
32% Popularity • 53% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
32% Popularity • 53% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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ØYSTEIN SEVÅG
Norwegian Mountain
120 bpm • D# min • 03:40 • -21db
23% Popularity • 63% Danceability • 26% Energy • 6% Liveness
72% Instrumentalness • 21% Positiveness
23% Popularity • 63% Danceability • 26% Energy • 6% Liveness
72% Instrumentalness • 21% Positiveness
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Saint-Preux
Chanson De La Pluie
121 bpm • D min • 02:01 • -31.25db
46% Popularity • 38% Danceability • 2% Energy • 6% Liveness
88% Instrumentalness • 22% Positiveness
46% Popularity • 38% Danceability • 2% Energy • 6% Liveness
88% Instrumentalness • 22% Positiveness
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William Ellwood
The Logic Of Love
121 bpm • A min • 03:40 • -20db
32% Popularity • 62% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 32% Positiveness
32% Popularity • 62% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 32% Positiveness
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Andreas Vollenweider
Pygmalion
109 bpm • D# min • 04:05 • -19.46db
27% Popularity • 33% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
27% Popularity • 33% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Mehdi
Connecting Prayer
122 bpm • D min • 07:16 • -9.97db
18% Popularity • 62% Danceability • 57% Energy • 13% Liveness
94% Instrumentalness • 60% Positiveness
18% Popularity • 62% Danceability • 57% Energy • 13% Liveness
94% Instrumentalness • 60% Positiveness
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Tony O'Connor
Blue Lagoon
108 bpm • C Maj • 10:05 • -18db
34% Popularity • 42% Danceability • 20% Energy • 35% Liveness
78% Instrumentalness • 10% Positiveness
34% Popularity • 42% Danceability • 20% Energy • 35% Liveness
78% Instrumentalness • 10% Positiveness
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Origen
Passacaglia
122 bpm • A min • 01:58 • -17.44db
49% Popularity • 64% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 48% Positiveness
49% Popularity • 64% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 48% Positiveness
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Karen Marie Garrett
Tip Toe Dancer and the Sea Pearl
122 bpm • G# Maj • 03:52 • -18.95db
30% Popularity • 52% Danceability • 12% Energy • 10% Liveness
82% Instrumentalness • 19% Positiveness
30% Popularity • 52% Danceability • 12% Energy • 10% Liveness
82% Instrumentalness • 19% Positiveness
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William Ellwood
Whispering Moon
109 bpm • E min • 03:44 • -21db
38% Popularity • 60% Danceability • 21% Energy • 6% Liveness
82% Instrumentalness • 36% Positiveness
38% Popularity • 60% Danceability • 21% Energy • 6% Liveness
82% Instrumentalness • 36% Positiveness
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Russel Walder
One
122 bpm • A Maj • 05:08 • -8.55db
14% Popularity • 38% Danceability • 42% Energy • 12% Liveness
78% Instrumentalness • 21% Positiveness
14% Popularity • 38% Danceability • 42% Energy • 12% Liveness
78% Instrumentalness • 21% Positiveness
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George Davidson
Chi Mai
122 bpm • F# min • 03:03 • -20db
34% Popularity • 36% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 19% Positiveness
34% Popularity • 36% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 19% Positiveness
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Troels Hammer
Azur
108 bpm • A min • 02:00 • -18.47db
44% Popularity • 44% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
44% Popularity • 44% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Back to Earth
When Angels Smile
108 bpm • D Maj • 04:36 • -16db
43% Popularity • 70% Danceability • 21% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
43% Popularity • 70% Danceability • 21% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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David Hicken
Sekhemet
123 bpm • C Maj • 04:44 • -17db
33% Popularity • 41% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 11% Positiveness
33% Popularity • 41% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 11% Positiveness
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William Ellwood
Woodland Mission
108 bpm • E min • 03:36 • -23db
30% Popularity • 38% Danceability • 11% Energy • 32% Liveness
91% Instrumentalness • 46% Positiveness
30% Popularity • 38% Danceability • 11% Energy • 32% Liveness
91% Instrumentalness • 46% Positiveness
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Enam
Elian
123 bpm • D# Maj • 03:12 • -22.62db
43% Popularity • 31% Danceability • 20% Energy • 14% Liveness
93% Instrumentalness • 16% Positiveness
43% Popularity • 31% Danceability • 20% Energy • 14% Liveness
93% Instrumentalness • 16% Positiveness
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Lévon Minassian
Ar intch lav er
107 bpm • B min • 06:15 • -19.2db
37% Popularity • 16% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Hilary Stagg
Forever and a Day
108 bpm • G Maj • 03:07 • -33.21db
42% Popularity • 43% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 17% Positiveness
42% Popularity • 43% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 17% Positiveness
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David Darling
Minor Blue
107 bpm • F Maj • 05:14 • -20.78db
23% Popularity • 22% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 10% Positiveness
23% Popularity • 22% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 10% Positiveness
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Guy Sweens
Pathway to the Past
107 bpm • D min • 06:23 • -11db
21% Popularity • 61% Danceability • 51% Energy • 10% Liveness
60% Instrumentalness • 20% Positiveness
21% Popularity • 61% Danceability • 51% Energy • 10% Liveness
60% Instrumentalness • 20% Positiveness
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Ray Lynch
Falling In The Garden / Ray Lynch
107 bpm • B Maj • 02:47 • -34db
36% Popularity • 53% Danceability • 0% Energy • 9% Liveness
87% Instrumentalness • 22% Positiveness
36% Popularity • 53% Danceability • 0% Energy • 9% Liveness
87% Instrumentalness • 22% Positiveness
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Walter Mazzaccaro
Our Story - Tuning at 432 Hz
107 bpm • A Maj • 02:41 • -22db
50% Popularity • 47% Danceability • 2% Energy • 14% Liveness
97% Instrumentalness • 11% Positiveness
50% Popularity • 47% Danceability • 2% Energy • 14% Liveness
97% Instrumentalness • 11% Positiveness
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Mars Lasar
Great Challenge
107 bpm • G Maj • 02:06 • -19db
52% Popularity • 27% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
52% Popularity • 27% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Mehdi
Prayers Answered
124 bpm • E min • 03:32 • -19.99db
29% Popularity • 36% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
29% Popularity • 36% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
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Lawrence Blatt
Emergence
124 bpm • D Maj • 02:38 • -11.51db
29% Popularity • 26% Danceability • 25% Energy • 12% Liveness
68% Instrumentalness • 11% Positiveness
29% Popularity • 26% Danceability • 25% Energy • 12% Liveness
68% Instrumentalness • 11% Positiveness
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Oliver Shanti & Friends
Spring in Lhasa
124 bpm • A# Maj • 04:08 • -10db
32% Popularity • 51% Danceability • 45% Energy • 16% Liveness
1% Instrumentalness • 53% Positiveness
32% Popularity • 51% Danceability • 45% Energy • 16% Liveness
1% Instrumentalness • 53% Positiveness
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Kostia
Sunrise
125 bpm • G# Maj • 05:08 • -30db
31% Popularity • 29% Danceability • 3% Energy • 10% Liveness
84% Instrumentalness • 18% Positiveness
31% Popularity • 29% Danceability • 3% Energy • 10% Liveness
84% Instrumentalness • 18% Positiveness
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Thierry Fervant
Merlin the Magician
106 bpm • D Maj • 03:57 • -18db
32% Popularity • 64% Danceability • 37% Energy • 11% Liveness
87% Instrumentalness • 36% Positiveness
32% Popularity • 64% Danceability • 37% Energy • 11% Liveness
87% Instrumentalness • 36% Positiveness
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Gabriel Lee
Nature Cycles Variations - Part 1 - Edit
125 bpm • C min • 02:08 • -31db
39% Popularity • 32% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 21% Positiveness
39% Popularity • 32% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 21% Positiveness
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Deborah Henson-Conant
The Nightingale
106 bpm • G# Maj • 04:28 • -18.33db
18% Popularity • 30% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
18% Popularity • 30% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Andreas Vollenweider
Phases of the Three Moons
105 bpm • D# min • 02:44 • -10db
43% Popularity • 79% Danceability • 42% Energy • 19% Liveness
63% Instrumentalness • 24% Positiveness
43% Popularity • 79% Danceability • 42% Energy • 19% Liveness
63% Instrumentalness • 24% Positiveness
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Trapezoid
Moon Run
125 bpm • G min • 03:42 • -17db
20% Popularity • 30% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 36% Positiveness
20% Popularity • 30% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 36% Positiveness
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Gandalf
The Loveliest Flower in My Garden
126 bpm • A Maj • 04:36 • -14.8db
27% Popularity • 42% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 10% Positiveness
27% Popularity • 42% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 10% Positiveness
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Spencer Brewer
Tomorrow's Child
105 bpm • D Maj • 03:46 • -18.33db
27% Popularity • 47% Danceability • 15% Energy • 13% Liveness
88% Instrumentalness • 16% Positiveness
27% Popularity • 47% Danceability • 15% Energy • 13% Liveness
88% Instrumentalness • 16% Positiveness
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Ana Alcaide
Elenion
105 bpm • E min • 04:18 • -17.53db
43% Popularity • 70% Danceability • 20% Energy • 10% Liveness
84% Instrumentalness • 27% Positiveness
43% Popularity • 70% Danceability • 20% Energy • 10% Liveness
84% Instrumentalness • 27% Positiveness
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Robert Haig Coxon
Coming Home
126 bpm • F# Maj • 07:54 • -20.35db
34% Popularity • 20% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
34% Popularity • 20% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
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Marshall Styler
From The River To The Sea
126 bpm • E min • 06:14 • -15.63db
20% Popularity • 24% Danceability • 14% Energy • 41% Liveness
94% Instrumentalness • 4% Positiveness
20% Popularity • 24% Danceability • 14% Energy • 41% Liveness
94% Instrumentalness • 4% Positiveness
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Enigma
The Dream Of The Dolphin
105 bpm • E Maj • 02:47 • -23db
58% Popularity • 38% Danceability • 13% Energy • 38% Liveness
56% Instrumentalness • 4% Positiveness
58% Popularity • 38% Danceability • 13% Energy • 38% Liveness
56% Instrumentalness • 4% Positiveness
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Michael Gettel
Waiting
105 bpm • F Maj • 02:14 • -29.08db
38% Popularity • 34% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
38% Popularity • 34% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
