Songs like Reflections - Movement 2 & 3 by John Brakstad
Based on a tempo of (+/- 10%) and a similar genre
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福田洋介
やまなみのしらせ
143 bpm • G min • 06:15 • -20.15db
9% Popularity • 34% Danceability • 18% Energy • 11% Liveness
86% Instrumentalness • 28% Positiveness
9% Popularity • 34% Danceability • 18% Energy • 11% Liveness
86% Instrumentalness • 28% Positiveness
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John Brakstad
Old Railwaystation (Cb4)
143 bpm • G# Maj • 13:44 • -26.61db
0% Popularity • 21% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
0% Popularity • 21% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
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Claude T. Smith
Concert Variations
144 bpm • A# min • 05:28 • -16.6db
8% Popularity • 24% Danceability • 20% Energy • 18% Liveness
50% Instrumentalness • 12% Positiveness
8% Popularity • 24% Danceability • 20% Energy • 18% Liveness
50% Instrumentalness • 12% Positiveness
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Christian Lindberg
Docktor Decker´s Daydream: V
142 bpm • G# Maj • 01:04 • -20.41db
13% Popularity • 54% Danceability • 41% Energy • 84% Liveness
92% Instrumentalness • 55% Positiveness
13% Popularity • 54% Danceability • 41% Energy • 84% Liveness
92% Instrumentalness • 55% Positiveness
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Eduard Strauss
Bahn frei
144 bpm • A# Maj • 02:30 • -14.92db
13% Popularity • 67% Danceability • 46% Energy • 35% Liveness
96% Instrumentalness • 85% Positiveness
13% Popularity • 67% Danceability • 46% Energy • 35% Liveness
96% Instrumentalness • 85% Positiveness
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Західноукраїнське об'єднання МСЦ ЄХБ
Когда предвидя
144 bpm • G min • 02:54 • -14.22db
9% Popularity • 28% Danceability • 18% Energy • 13% Liveness
97% Instrumentalness • 16% Positiveness
9% Popularity • 28% Danceability • 18% Energy • 13% Liveness
97% Instrumentalness • 16% Positiveness
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Johan de Meij
The Wind in the Willows: II. Ratty and M...
142 bpm • C# Maj • 04:57 • -24db
11% Popularity • 24% Danceability • 4% Energy • 9% Liveness
72% Instrumentalness • 5% Positiveness
11% Popularity • 24% Danceability • 4% Energy • 9% Liveness
72% Instrumentalness • 5% Positiveness
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Victor Lopez
Sahara Adventure (Live)
141 bpm • G min • 02:18 • -30.71db
2% Popularity • 34% Danceability • 9% Energy • 78% Liveness
85% Instrumentalness • 57% Positiveness
2% Popularity • 34% Danceability • 9% Energy • 78% Liveness
85% Instrumentalness • 57% Positiveness
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Jorijn Van Hese
The Voice of Jesus - Euphonium Choir
145 bpm • C Maj • 01:24 • -27.65db
11% Popularity • 54% Danceability • 5% Energy • 11% Liveness
66% Instrumentalness • 84% Positiveness
11% Popularity • 54% Danceability • 5% Energy • 11% Liveness
66% Instrumentalness • 84% Positiveness
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Daniel Boone
3 Moods: III. Allegro
145 bpm • C Maj • 01:07 • -28.9db
11% Popularity • 50% Danceability • 6% Energy • 12% Liveness
96% Instrumentalness • 29% Positiveness
11% Popularity • 50% Danceability • 6% Energy • 12% Liveness
96% Instrumentalness • 29% Positiveness
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Philip Sparke
風のスケッチ I. 貿易風
145 bpm • G# Maj • 04:04 • -19.03db
9% Popularity • 48% Danceability • 33% Energy • 6% Liveness
43% Instrumentalness • 54% Positiveness
9% Popularity • 48% Danceability • 33% Energy • 6% Liveness
43% Instrumentalness • 54% Positiveness
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Alexander Borodin
Prince Igor Overture (Arr. Lawrence for ...
140 bpm • A# Maj • 10:09 • -21.65db
9% Popularity • 26% Danceability • 10% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
9% Popularity • 26% Danceability • 10% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
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Alfred Reed
El Camino Real
140 bpm • D min • 10:44 • -18.26db
10% Popularity • 21% Danceability • 20% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
10% Popularity • 21% Danceability • 20% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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K & G
March Around the World
140 bpm • G# Maj • 07:56 • -13.6db
8% Popularity • 37% Danceability • 35% Energy • 34% Liveness
11% Instrumentalness • 38% Positiveness
8% Popularity • 37% Danceability • 35% Energy • 34% Liveness
11% Instrumentalness • 38% Positiveness
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John Brakstad
Sounds Of Youth (Cb2)
140 bpm • D# Maj • 03:32 • -14.96db
0% Popularity • 47% Danceability • 33% Energy • 7% Liveness
88% Instrumentalness • 55% Positiveness
0% Popularity • 47% Danceability • 33% Energy • 7% Liveness
88% Instrumentalness • 55% Positiveness
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University of South Carolina Marching Band
University of South Carolina Alma Mater ...
140 bpm • G# Maj • 00:51 • -19.54db
7% Popularity • 20% Danceability • 21% Energy • 21% Liveness
78% Instrumentalness • 26% Positiveness
7% Popularity • 20% Danceability • 21% Energy • 21% Liveness
78% Instrumentalness • 26% Positiveness
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Philip Sparke
Jubilee Ouverture
141 bpm • D# Maj • 06:39 • -23db
8% Popularity • 29% Danceability • 14% Energy • 70% Liveness
96% Instrumentalness • 18% Positiveness
8% Popularity • 29% Danceability • 14% Energy • 70% Liveness
96% Instrumentalness • 18% Positiveness
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Jorijn Van Hese
March: Gold Coast Temple - Baritone Horn...
140 bpm • A# Maj • 03:13 • -25.06db
12% Popularity • 71% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 68% Positiveness
12% Popularity • 71% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 68% Positiveness
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Adrian B. Sims
Dance of the Shadows
146 bpm • D min • 01:48 • -16.31db
8% Popularity • 46% Danceability • 33% Energy • 12% Liveness
28% Instrumentalness • 25% Positiveness
8% Popularity • 46% Danceability • 33% Energy • 12% Liveness
28% Instrumentalness • 25% Positiveness
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The Band of His Majesty's Royal Marines
The King, Our Captain General
140 bpm • G Maj • 03:26 • -7.16db
12% Popularity • 35% Danceability • 73% Energy • 70% Liveness
55% Instrumentalness • 28% Positiveness
12% Popularity • 35% Danceability • 73% Energy • 70% Liveness
55% Instrumentalness • 28% Positiveness
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Daniel Ridder
Batman. Main Title - Euphonium, Cimbasso...
146 bpm • B min • 02:37 • -21.82db
8% Popularity • 37% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 37% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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3T Brass
Hino 212 - 3T Brass Band
139 bpm • D# Maj • 02:44 • -21.12db
8% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 11% Positiveness
8% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 11% Positiveness
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Jacob Gade
Tango Jalousie: V
139 bpm • F min • 00:55 • -13.1db
16% Popularity • 50% Danceability • 19% Energy • 24% Liveness
93% Instrumentalness • 64% Positiveness
16% Popularity • 50% Danceability • 19% Energy • 24% Liveness
93% Instrumentalness • 64% Positiveness
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Jorijn Van Hese
Come and Listen - Euphonium Multi-Track
140 bpm • C Maj • 01:27 • -29.69db
12% Popularity • 58% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 44% Positiveness
12% Popularity • 58% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 44% Positiveness
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Julius Fučík
Auf der Lagune, Op. 221 (Version for Flu...
139 bpm • A# Maj • 04:39 • -20.43db
9% Popularity • 24% Danceability • 5% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 5% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
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Brassology
The Russian One
139 bpm • D# Maj • 02:29 • -12.22db
8% Popularity • 58% Danceability • 34% Energy • 8% Liveness
93% Instrumentalness • 22% Positiveness
8% Popularity • 58% Danceability • 34% Energy • 8% Liveness
93% Instrumentalness • 22% Positiveness
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Paul Hindemith
March from Symphonic Metamorfosis I
148 bpm • A# Maj • 01:01 • -15.67db
15% Popularity • 40% Danceability • 17% Energy • 19% Liveness
92% Instrumentalness • 32% Positiveness
15% Popularity • 40% Danceability • 17% Energy • 19% Liveness
92% Instrumentalness • 32% Positiveness
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Cory Band
Los Hermanos de Bop
147 bpm • G# Maj • 02:33 • -13.29db
13% Popularity • 33% Danceability • 74% Energy • 16% Liveness
24% Instrumentalness • 11% Positiveness
13% Popularity • 33% Danceability • 74% Energy • 16% Liveness
24% Instrumentalness • 11% Positiveness
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Jacob Gade
Tango Jalousie: II
138 bpm • D# min • 00:53 • -12.41db
15% Popularity • 33% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 22% Positiveness
15% Popularity • 33% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 22% Positiveness
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Blechschaden
Waterloo
148 bpm • G# Maj • 02:54 • -9.82db
10% Popularity • 70% Danceability • 62% Energy • 12% Liveness
7% Instrumentalness • 83% Positiveness
10% Popularity • 70% Danceability • 62% Energy • 12% Liveness
7% Instrumentalness • 83% Positiveness
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Band Of The Coldstream Guards
Mexican Hat Dance
138 bpm • D# Maj • 02:49 • -19.13db
11% Popularity • 57% Danceability • 34% Energy • 5% Liveness
19% Instrumentalness • 86% Positiveness
11% Popularity • 57% Danceability • 34% Energy • 5% Liveness
19% Instrumentalness • 86% Positiveness
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Benjamin Britten
The Young Person's Guide to the Orchestr...
148 bpm • D Maj • 03:02 • -16.63db
23% Popularity • 37% Danceability • 25% Energy • 11% Liveness
79% Instrumentalness • 25% Positiveness
23% Popularity • 37% Danceability • 25% Energy • 11% Liveness
79% Instrumentalness • 25% Positiveness
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University of North Texas Symphony Orchestra
ดวงใจกับความร�...
138 bpm • F Maj • 02:41 • -14.62db
15% Popularity • 35% Danceability • 33% Energy • 13% Liveness
80% Instrumentalness • 35% Positiveness
15% Popularity • 35% Danceability • 33% Energy • 13% Liveness
80% Instrumentalness • 35% Positiveness
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Steven Melillo
Godspeed!
149 bpm • G Maj • 05:45 • -12.79db
8% Popularity • 24% Danceability • 30% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
8% Popularity • 24% Danceability • 30% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Ben van Dijk
World Concerto: I. Allegro
138 bpm • A# Maj • 04:06 • -20.72db
9% Popularity • 41% Danceability • 8% Energy • 14% Liveness
91% Instrumentalness • 16% Positiveness
9% Popularity • 41% Danceability • 8% Energy • 14% Liveness
91% Instrumentalness • 16% Positiveness
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BlueJayStudio
Strength and Honor
138 bpm • D# Maj • 01:47 • -19.54db
16% Popularity • 15% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
16% Popularity • 15% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Mnozil Brass
Infernal Dance Of All Kashei's Subjects
137 bpm • A Maj • 04:39 • -12.76db
11% Popularity • 46% Danceability • 54% Energy • 87% Liveness
95% Instrumentalness • 24% Positiveness
11% Popularity • 46% Danceability • 54% Energy • 87% Liveness
95% Instrumentalness • 24% Positiveness
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Trade Winds Recording Ensemble
Zig Zag
149 bpm • C min • 02:34 • -16.64db
10% Popularity • 46% Danceability • 17% Energy • 4% Liveness
92% Instrumentalness • 32% Positiveness
10% Popularity • 46% Danceability • 17% Energy • 4% Liveness
92% Instrumentalness • 32% Positiveness
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Parforcehornensemble Windhag
Jagdliche Festfanfare
137 bpm • F Maj • 01:02 • -13.88db
11% Popularity • 50% Danceability • 10% Energy • 12% Liveness
98% Instrumentalness • 36% Positiveness
11% Popularity • 50% Danceability • 10% Energy • 12% Liveness
98% Instrumentalness • 36% Positiveness
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Bruce Broughton
Oliver's Birthday
137 bpm • A# Maj • 03:46 • -19.44db
7% Popularity • 49% Danceability • 26% Energy • 12% Liveness
92% Instrumentalness • 66% Positiveness
7% Popularity • 49% Danceability • 26% Energy • 12% Liveness
92% Instrumentalness • 66% Positiveness
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Kurt Weill
Lady in the Dark - Symphonic Nocturne (a...
137 bpm • D# Maj • 01:09 • -14db
16% Popularity • 60% Danceability • 59% Energy • 30% Liveness
97% Instrumentalness • 50% Positiveness
16% Popularity • 60% Danceability • 59% Energy • 30% Liveness
97% Instrumentalness • 50% Positiveness
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Tyler Arcari
Fortress of Stone
136 bpm • C min • 02:14 • -16.64db
9% Popularity • 42% Danceability • 26% Energy • 6% Liveness
89% Instrumentalness • 13% Positiveness
9% Popularity • 42% Danceability • 26% Energy • 6% Liveness
89% Instrumentalness • 13% Positiveness
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Jacob de Haan
Oregon
150 bpm • G# Maj • 09:48 • -21.09db
7% Popularity • 28% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
7% Popularity • 28% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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The Game Brass
Scherzo di Notte
136 bpm • C# Maj • 04:39 • -11.97db
9% Popularity • 72% Danceability • 46% Energy • 17% Liveness
89% Instrumentalness • 56% Positiveness
9% Popularity • 72% Danceability • 46% Energy • 17% Liveness
89% Instrumentalness • 56% Positiveness
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Door Vriendschap Sterk
Nearer my God to Thee
150 bpm • D# Maj • 03:16 • -20.48db
10% Popularity • 22% Danceability • 9% Energy • 7% Liveness
90% Instrumentalness • 8% Positiveness
10% Popularity • 22% Danceability • 9% Energy • 7% Liveness
90% Instrumentalness • 8% Positiveness
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Michael Geisler
Monte Cervino
136 bpm • A# Maj • 07:11 • -16.44db
11% Popularity • 17% Danceability • 19% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
11% Popularity • 17% Danceability • 19% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
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Koninklijke Biltse Harmonie
Suite from 'Hymn of the Highlands': II. ...
136 bpm • A# Maj • 04:40 • -22db
17% Popularity • 21% Danceability • 9% Energy • 9% Liveness
65% Instrumentalness • 28% Positiveness
17% Popularity • 21% Danceability • 9% Energy • 9% Liveness
65% Instrumentalness • 28% Positiveness
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Randall D. Standridge
Wintertide
135 bpm • D# Maj • 02:39 • -15.43db
10% Popularity • 65% Danceability • 43% Energy • 17% Liveness
95% Instrumentalness • 65% Positiveness
10% Popularity • 65% Danceability • 43% Energy • 17% Liveness
95% Instrumentalness • 65% Positiveness
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Laura Estes
Kvetchers
135 bpm • A# Maj • 02:16 • -14.94db
7% Popularity • 61% Danceability • 43% Energy • 6% Liveness
90% Instrumentalness • 56% Positiveness
7% Popularity • 61% Danceability • 43% Energy • 6% Liveness
90% Instrumentalness • 56% Positiveness
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Parforcehornensemble Windhag
Hasenjagd
135 bpm • D# Maj • 01:11 • -16.72db
13% Popularity • 63% Danceability • 22% Energy • 21% Liveness
92% Instrumentalness • 94% Positiveness
13% Popularity • 63% Danceability • 22% Energy • 21% Liveness
92% Instrumentalness • 94% Positiveness
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Astor Piazzolla
Allegro Tangabile III
135 bpm • E min • 01:00 • -12.18db
12% Popularity • 45% Danceability • 44% Energy • 12% Liveness
80% Instrumentalness • 9% Positiveness
12% Popularity • 45% Danceability • 44% Energy • 12% Liveness
80% Instrumentalness • 9% Positiveness
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John Larsson
That's the Spirit - Euphonium Multi-Trac...
135 bpm • A# Maj • 01:09 • -31.22db
15% Popularity • 62% Danceability • 6% Energy • 13% Liveness
90% Instrumentalness • 76% Positiveness
15% Popularity • 62% Danceability • 6% Energy • 13% Liveness
90% Instrumentalness • 76% Positiveness
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P. Yoder
Bells of Brass
134 bpm • D# Maj • 02:06 • -14.51db
7% Popularity • 70% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 93% Positiveness
7% Popularity • 70% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 93% Positiveness
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Corpo Bandistico Musicale Telgate 90
Royal Crown March
134 bpm • A# Maj • 02:06 • -20.63db
10% Popularity • 58% Danceability • 12% Energy • 72% Liveness
96% Instrumentalness • 89% Positiveness
10% Popularity • 58% Danceability • 12% Energy • 72% Liveness
96% Instrumentalness • 89% Positiveness
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Jorijn Van Hese
In the Strength of the Lord - Baritone H...
135 bpm • F Maj • 01:55 • -29db
11% Popularity • 84% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 86% Positiveness
11% Popularity • 84% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 86% Positiveness
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John Brakstad
Tocatta e Corale
134 bpm • D# Maj • 07:01 • -16.6db
0% Popularity • 38% Danceability • 24% Energy • 74% Liveness
94% Instrumentalness • 33% Positiveness
0% Popularity • 38% Danceability • 24% Energy • 74% Liveness
94% Instrumentalness • 33% Positiveness
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Sean O'Loughlin
Ironclad
153 bpm • C min • 02:34 • -16.38db
7% Popularity • 41% Danceability • 16% Energy • 9% Liveness
96% Instrumentalness • 17% Positiveness
7% Popularity • 41% Danceability • 16% Energy • 9% Liveness
96% Instrumentalness • 17% Positiveness
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Astor Piazzolla
Piazzolla: Libertango
152 bpm • G min • 04:02 • -14.56db
8% Popularity • 57% Danceability • 17% Energy • 14% Liveness
88% Instrumentalness • 53% Positiveness
8% Popularity • 57% Danceability • 17% Energy • 14% Liveness
88% Instrumentalness • 53% Positiveness
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Michael Geisler
On Fire
134 bpm • A# Maj • 03:18 • -15db
14% Popularity • 45% Danceability • 50% Energy • 10% Liveness
95% Instrumentalness • 63% Positiveness
14% Popularity • 45% Danceability • 50% Energy • 10% Liveness
95% Instrumentalness • 63% Positiveness
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Alfred Concert Band
Guantanamera (arr. V. Lopez)
134 bpm • A# Maj • 01:58 • -15.01db
9% Popularity • 59% Danceability • 38% Energy • 9% Liveness
97% Instrumentalness • 94% Positiveness
9% Popularity • 59% Danceability • 38% Energy • 9% Liveness
97% Instrumentalness • 94% Positiveness
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Ruth Crawford Seeger
Rissolty Rossolty (arr. for brass ensemb...
134 bpm • D# Maj • 02:57 • -20.66db
10% Popularity • 40% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 53% Positiveness
10% Popularity • 40% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 53% Positiveness
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Mathias Wehr
Throne of the North
154 bpm • C min • 08:06 • -17.17db
8% Popularity • 21% Danceability • 31% Energy • 10% Liveness
77% Instrumentalness • 5% Positiveness
8% Popularity • 21% Danceability • 31% Energy • 10% Liveness
77% Instrumentalness • 5% Positiveness
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Johann Nepomuk Hummel
Trumpet Concerto in E Flat Major, S. 49:...
154 bpm • A# Maj • 03:22 • -9.8db
10% Popularity • 52% Danceability • 51% Energy • 12% Liveness
92% Instrumentalness • 71% Positiveness
10% Popularity • 52% Danceability • 51% Energy • 12% Liveness
92% Instrumentalness • 71% Positiveness
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Jan van der Roost
Conzensus
133 bpm • C Maj • 02:52 • -12.57db
8% Popularity • 28% Danceability • 39% Energy • 76% Liveness
94% Instrumentalness • 12% Positiveness
8% Popularity • 28% Danceability • 39% Energy • 76% Liveness
94% Instrumentalness • 12% Positiveness
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Melbourne Staff Band
Spiritoso
154 bpm • A# Maj • 03:04 • -15.3db
17% Popularity • 42% Danceability • 28% Energy • 18% Liveness
95% Instrumentalness • 70% Positiveness
17% Popularity • 42% Danceability • 28% Energy • 18% Liveness
95% Instrumentalness • 70% Positiveness
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Japan Ground Self Defense Force Central Band
行進曲「マリーン・シティ」(...
133 bpm • A# Maj • 02:48 • -12.81db
10% Popularity • 44% Danceability • 27% Energy • 6% Liveness
87% Instrumentalness • 30% Positiveness
10% Popularity • 44% Danceability • 27% Energy • 6% Liveness
87% Instrumentalness • 30% Positiveness
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United States Air Force Heritage of America Band
Honey Boys on Parade
154 bpm • A# min • 02:09 • -13db
13% Popularity • 51% Danceability • 44% Energy • 6% Liveness
94% Instrumentalness • 22% Positiveness
13% Popularity • 51% Danceability • 44% Energy • 6% Liveness
94% Instrumentalness • 22% Positiveness
► Preview
William Rivelli
Nittany Lion (Pennsylvania State)
133 bpm • F# min • 01:46 • -19.53db
14% Popularity • 50% Danceability • 23% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 50% Danceability • 23% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
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Newton Citadel Band
The Battle Cry
132 bpm • D# Maj • 02:04 • -26.97db
13% Popularity • 48% Danceability • 8% Energy • 26% Liveness
97% Instrumentalness • 72% Positiveness
13% Popularity • 48% Danceability • 8% Energy • 26% Liveness
97% Instrumentalness • 72% Positiveness
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Cory Band
Share My Joke
131 bpm • F Maj • 04:09 • -22.09db
15% Popularity • 16% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Melbourne Staff Band
Prelude on Anastasis
155 bpm • G# Maj • 03:47 • -18.24db
8% Popularity • 11% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
8% Popularity • 11% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
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Japan Air Self-Defense Force Central Band
ゆかいな仲間の行進曲(1992年)
132 bpm • A# Maj • 02:52 • -14.88db
11% Popularity • 50% Danceability • 49% Energy • 9% Liveness
89% Instrumentalness • 73% Positiveness
11% Popularity • 50% Danceability • 49% Energy • 9% Liveness
89% Instrumentalness • 73% Positiveness
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Carol Brittin Chambers
Energy Ball
155 bpm • C min • 02:14 • -15.08db
10% Popularity • 57% Danceability • 45% Energy • 23% Liveness
65% Instrumentalness • 62% Positiveness
10% Popularity • 57% Danceability • 45% Energy • 23% Liveness
65% Instrumentalness • 62% Positiveness
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The Regimental Band of the Coldstream Guards
And the Band Played On
131 bpm • D# Maj • 03:42 • -12.02db
8% Popularity • 32% Danceability • 45% Energy • 15% Liveness
91% Instrumentalness • 42% Positiveness
8% Popularity • 32% Danceability • 45% Energy • 15% Liveness
91% Instrumentalness • 42% Positiveness
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John Brakstad
Variations For Band (Cb4)
131 bpm • C min • 10:09 • -10.87db
0% Popularity • 39% Danceability • 20% Energy • 7% Liveness
88% Instrumentalness • 16% Positiveness
0% Popularity • 39% Danceability • 20% Energy • 7% Liveness
88% Instrumentalness • 16% Positiveness
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Brass Band of Battle Creek
Festive Overture
156 bpm • F Maj • 06:32 • -17.96db
8% Popularity • 36% Danceability • 35% Energy • 65% Liveness
83% Instrumentalness • 29% Positiveness
8% Popularity • 36% Danceability • 35% Energy • 65% Liveness
83% Instrumentalness • 29% Positiveness
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Militärmusik Niederösterreich
EOS (The Goddess of Dawn)
156 bpm • A# Maj • 06:45 • -16.32db
4% Popularity • 24% Danceability • 16% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
4% Popularity • 24% Danceability • 16% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
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Astor Piazzolla
Fugua y Misterio II
131 bpm • E min • 01:13 • -13.16db
10% Popularity • 62% Danceability • 28% Energy • 44% Liveness
82% Instrumentalness • 54% Positiveness
10% Popularity • 62% Danceability • 28% Energy • 44% Liveness
82% Instrumentalness • 54% Positiveness
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Singapore Symphony Orchestra
Peach Blossom Crosses The River
130 bpm • D Maj • 02:07 • -20.27db
11% Popularity • 45% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 76% Positiveness
11% Popularity • 45% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 76% Positiveness
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Friedemann Wutzler
Blessed Time
130 bpm • A# Maj • 01:50 • -16.29db
10% Popularity • 52% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 54% Positiveness
10% Popularity • 52% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 54% Positiveness
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John Brakstad
At the Playground
157 bpm • D# Maj • 06:27 • -11.25db
0% Popularity • 56% Danceability • 15% Energy • 5% Liveness
93% Instrumentalness • 45% Positiveness
0% Popularity • 56% Danceability • 15% Energy • 5% Liveness
93% Instrumentalness • 45% Positiveness
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OCHO
OBV
130 bpm • G# Maj • 01:35 • -13.59db
7% Popularity • 24% Danceability • 14% Energy • 13% Liveness
93% Instrumentalness • 10% Positiveness
7% Popularity • 24% Danceability • 14% Energy • 13% Liveness
93% Instrumentalness • 10% Positiveness
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German Dutch Tuba Collaboration
A.R.C. Centennial March - Baritone Horn,...
130 bpm • A# Maj • 03:20 • -23.27db
8% Popularity • 80% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 71% Positiveness
8% Popularity • 80% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 71% Positiveness
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Grażyna Bacewicz
Oberek No. 1 (arr. for brass ensemble by...
130 bpm • D Maj • 01:43 • -22.25db
17% Popularity • 58% Danceability • 38% Energy • 8% Liveness
91% Instrumentalness • 76% Positiveness
17% Popularity • 58% Danceability • 38% Energy • 8% Liveness
91% Instrumentalness • 76% Positiveness
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New York Staff Band
Fighting for the Lord
129 bpm • A# Maj • 03:16 • -17.19db
8% Popularity • 48% Danceability • 31% Energy • 13% Liveness
92% Instrumentalness • 56% Positiveness
8% Popularity • 48% Danceability • 31% Energy • 13% Liveness
92% Instrumentalness • 56% Positiveness
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Alfred Concert Band
Triumphant Journey
129 bpm • D min • 02:13 • -16.53db
11% Popularity • 39% Danceability • 20% Energy • 6% Liveness
79% Instrumentalness • 45% Positiveness
11% Popularity • 39% Danceability • 20% Energy • 6% Liveness
79% Instrumentalness • 45% Positiveness
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John Brakstad
Musica Tripartite
129 bpm • C min • 08:45 • -25.65db
0% Popularity • 33% Danceability • 7% Energy • 10% Liveness
71% Instrumentalness • 9% Positiveness
0% Popularity • 33% Danceability • 7% Energy • 10% Liveness
71% Instrumentalness • 9% Positiveness
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Traditional
The Swingle Singers: Bella Ciao (Arr. fo...
129 bpm • F min • 04:52 • -10.36db
37% Popularity • 34% Danceability • 28% Energy • 10% Liveness
96% Instrumentalness • 32% Positiveness
37% Popularity • 34% Danceability • 28% Energy • 10% Liveness
96% Instrumentalness • 32% Positiveness
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Bob Crewe
Can't Take My Eyes Off You (Cb March)
129 bpm • F min • 03:35 • -15.39db
13% Popularity • 50% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
13% Popularity • 50% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
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Ethel Smyth
Voices Sing of Immortality (arr. for bra...
129 bpm • A Maj • 04:36 • -19.39db
11% Popularity • 21% Danceability • 7% Energy • 28% Liveness
89% Instrumentalness • 4% Positiveness
11% Popularity • 21% Danceability • 7% Energy • 28% Liveness
89% Instrumentalness • 4% Positiveness
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Tredegar Town Band
Memory
129 bpm • F Maj • 04:19 • -24db
17% Popularity • 17% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Henry Carey
My country 'tis of thee, "America" (arr....
129 bpm • F Maj • 01:07 • -15.14db
14% Popularity • 18% Danceability • 23% Energy • 12% Liveness
91% Instrumentalness • 24% Positiveness
14% Popularity • 18% Danceability • 23% Energy • 12% Liveness
91% Instrumentalness • 24% Positiveness
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J.W. Mitchell High School Wind Ensemble
El Relicario - arr. Longfield
129 bpm • C Maj • 02:48 • -23db
9% Popularity • 43% Danceability • 22% Energy • 25% Liveness
91% Instrumentalness • 62% Positiveness
9% Popularity • 43% Danceability • 22% Energy • 25% Liveness
91% Instrumentalness • 62% Positiveness
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Frank Ticheli
Amen!
129 bpm • A# Maj • 03:31 • -17db
7% Popularity • 39% Danceability • 22% Energy • 14% Liveness
94% Instrumentalness • 16% Positiveness
7% Popularity • 39% Danceability • 22% Energy • 14% Liveness
94% Instrumentalness • 16% Positiveness
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The Band Of The Royal Corps Of Signals
Largo Al Factotum
128 bpm • F Maj • 04:16 • -22.46db
11% Popularity • 41% Danceability • 7% Energy • 8% Liveness
85% Instrumentalness • 44% Positiveness
11% Popularity • 41% Danceability • 7% Energy • 8% Liveness
85% Instrumentalness • 44% Positiveness
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Benjamin Yeo
City Of Dreams
128 bpm • F Maj • 11:36 • -14.5db
8% Popularity • 29% Danceability • 19% Energy • 11% Liveness
83% Instrumentalness • 5% Positiveness
8% Popularity • 29% Danceability • 19% Energy • 11% Liveness
83% Instrumentalness • 5% Positiveness
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Wilke Renwick
Dance
160 bpm • G Maj • 01:17 • -13.17db
8% Popularity • 59% Danceability • 30% Energy • 9% Liveness
91% Instrumentalness • 91% Positiveness
8% Popularity • 59% Danceability • 30% Energy • 9% Liveness
91% Instrumentalness • 91% Positiveness
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Grażyna Bacewicz
Mazovian Dance (arr. for brass ensemble ...
160 bpm • G Maj • 03:04 • -24.47db
11% Popularity • 44% Danceability • 22% Energy • 4% Liveness
92% Instrumentalness • 47% Positiveness
11% Popularity • 44% Danceability • 22% Energy • 4% Liveness
92% Instrumentalness • 47% Positiveness
