Songs like Refuge (Outro) by Canyon City
Based on a tempo of (+/- 10%) and a similar genre
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North.
Things I Do
78 bpm • C# Maj • 04:07 • -13.32db
16% Popularity • 69% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 69% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Erik Jonasson
Autumn Falls
78 bpm • F# Maj • 04:01 • -9.79db
16% Popularity • 42% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 42% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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David Luning
Different Piano Song
78 bpm • C# Maj • 04:19 • -12.49db
14% Popularity • 25% Danceability • 20% Energy • 12% Liveness
34% Instrumentalness • 27% Positiveness
14% Popularity • 25% Danceability • 20% Energy • 12% Liveness
34% Instrumentalness • 27% Positiveness
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C. SHIROCK
Any Minute Now - Acoustic
78 bpm • A Maj • 03:43 • -9.54db
9% Popularity • 30% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 30% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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James Blunt
Courtney's Song
78 bpm • C Maj • 04:26 • -10.43db
31% Popularity • 34% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
31% Popularity • 34% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
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Canyon City
Refuge (Outro)
78 bpm • A# Maj • 02:56 • -17.2db
21% Popularity • 43% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
21% Popularity • 43% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Ryan McNulty
If Your Mind Should Change
77 bpm • A# Maj • 03:24 • -17db
28% Popularity • 72% Danceability • 16% Energy • 7% Liveness
2% Instrumentalness • 27% Positiveness
28% Popularity • 72% Danceability • 16% Energy • 7% Liveness
2% Instrumentalness • 27% Positiveness
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Corey Kilgannon
Unable
79 bpm • A Maj • 03:29 • -9.99db
15% Popularity • 26% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 26% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Lists
Haven Lea
77 bpm • D Maj • 03:07 • -13.97db
32% Popularity • 27% Danceability • 16% Energy • 7% Liveness
56% Instrumentalness • 6% Positiveness
32% Popularity • 27% Danceability • 16% Energy • 7% Liveness
56% Instrumentalness • 6% Positiveness
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Josh Devine
Never Fade
79 bpm • A# Maj • 03:23 • -9db
16% Popularity • 50% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 50% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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The Guest and the Host
Best Friend
77 bpm • D Maj • 02:54 • -11.66db
16% Popularity • 51% Danceability • 21% Energy • 34% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 51% Danceability • 21% Energy • 34% Liveness
0% Instrumentalness • 16% Positiveness
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Comet Blue
Spaceship - Popvilla Sessions
79 bpm • C# Maj • 03:16 • -8db
20% Popularity • 34% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 34% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Oliver Riot
Tired and Awake
77 bpm • G Maj • 03:38 • -13.55db
35% Popularity • 29% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 29% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Alex Preston
The Light Was Already Here
79 bpm • F# Maj • 03:42 • -12db
16% Popularity • 40% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 40% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Canyon City
The Boys of Summer
79 bpm • B Maj • 04:18 • -8.91db
28% Popularity • 51% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
28% Popularity • 51% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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The Careful Ones
Turn to You
77 bpm • A min • 04:19 • -13.57db
23% Popularity • 32% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 32% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Missy & Blonde
Falling Down - Acoustic Version
80 bpm • G min • 03:31 • -11.16db
36% Popularity • 58% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
36% Popularity • 58% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Ryan O'Shaughnessy
No Need to Worry
80 bpm • G# min • 05:28 • -13.64db
11% Popularity • 58% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 58% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Billy Lockett
Wide Eyed
80 bpm • A# Maj • 02:42 • -12db
43% Popularity • 40% Danceability • 28% Energy • 9% Liveness
6% Instrumentalness • 24% Positiveness
43% Popularity • 40% Danceability • 28% Energy • 9% Liveness
6% Instrumentalness • 24% Positiveness
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Marti West
Feels Like Home
80 bpm • C Maj • 04:01 • -13db
26% Popularity • 60% Danceability • 32% Energy • 10% Liveness
6% Instrumentalness • 55% Positiveness
26% Popularity • 60% Danceability • 32% Energy • 10% Liveness
6% Instrumentalness • 55% Positiveness
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Canyon City
When I Fell
79 bpm • C Maj • 04:02 • -15.55db
26% Popularity • 42% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 42% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Brandon Jenner
All I Need Is You
80 bpm • A Maj • 04:07 • -12.98db
25% Popularity • 48% Danceability • 39% Energy • 12% Liveness
31% Instrumentalness • 40% Positiveness
25% Popularity • 48% Danceability • 39% Energy • 12% Liveness
31% Instrumentalness • 40% Positiveness
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Jake Etheridge
You Found Me First
80 bpm • F Maj • 04:15 • -12db
26% Popularity • 45% Danceability • 28% Energy • 7% Liveness
1% Instrumentalness • 16% Positiveness
26% Popularity • 45% Danceability • 28% Energy • 7% Liveness
1% Instrumentalness • 16% Positiveness
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The Dunwells
Will You Wait For Me
80 bpm • C Maj • 03:20 • -14.32db
17% Popularity • 35% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 35% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Rhys Lewis
Be Your Man - Acoustic
80 bpm • A min • 03:24 • -10.01db
40% Popularity • 69% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 69% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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SAILR
Heartbeat
80 bpm • B Maj • 03:11 • -15.51db
44% Popularity • 51% Danceability • 42% Energy • 10% Liveness
10% Instrumentalness • 45% Positiveness
44% Popularity • 51% Danceability • 42% Energy • 10% Liveness
10% Instrumentalness • 45% Positiveness
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Canyon City
Blue - Midnight Version
79 bpm • C# Maj • 03:16 • -14.14db
27% Popularity • 51% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
27% Popularity • 51% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Matthew Perryman Jones
I Can’t Go Back Now
76 bpm • B min • 04:21 • -10.72db
21% Popularity • 56% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 56% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Daniel Gidlund
Wasteland
76 bpm • A Maj • 04:30 • -7.09db
17% Popularity • 39% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 39% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Karmacloud
Elysia
80 bpm • D Maj • 04:27 • -10.09db
10% Popularity • 29% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 29% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Axel Flóvent
Years
80 bpm • E Maj • 03:53 • -13.1db
17% Popularity • 31% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 31% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Juke Ross
Keep You Dry
76 bpm • F# Maj • 03:11 • -10.64db
43% Popularity • 37% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
43% Popularity • 37% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Canyon City
Oh My God
79 bpm • C# Maj • 03:56 • -13.97db
24% Popularity • 48% Danceability • 22% Energy • 8% Liveness
2% Instrumentalness • 14% Positiveness
24% Popularity • 48% Danceability • 22% Energy • 8% Liveness
2% Instrumentalness • 14% Positiveness
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Corey Kilgannon
Bleeding out Slow
76 bpm • C Maj • 05:46 • -18.11db
15% Popularity • 27% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 21% Positiveness
15% Popularity • 27% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 21% Positiveness
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Donovan Woods
Empty Rooms
76 bpm • F Maj • 03:01 • -16.29db
14% Popularity • 36% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 36% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Billy Lockett
Empty House
80 bpm • F# Maj • 02:49 • -7.3db
35% Popularity • 55% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 55% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Trent Dabbs
This Time Tomorrow
75 bpm • C Maj • 04:27 • -18db
29% Popularity • 45% Danceability • 7% Energy • 12% Liveness
2% Instrumentalness • 18% Positiveness
29% Popularity • 45% Danceability • 7% Energy • 12% Liveness
2% Instrumentalness • 18% Positiveness
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Juke Ross
Colour Me
81 bpm • G# min • 03:31 • -8.36db
56% Popularity • 54% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
56% Popularity • 54% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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Canyon City
Blue
80 bpm • C# Maj • 03:16 • -15.18db
15% Popularity • 57% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 57% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Dan Owen
Made to Love You
81 bpm • C Maj • 03:27 • -10db
47% Popularity • 36% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
47% Popularity • 36% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Ryan McNulty
Charing Cross
75 bpm • C# min • 03:37 • -16.92db
11% Popularity • 61% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
11% Popularity • 61% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Billy Lockett
Who I Am
75 bpm • E Maj • 03:05 • -8db
28% Popularity • 34% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
28% Popularity • 34% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Keels
Darkest Nights
75 bpm • F Maj • 04:21 • -11.38db
12% Popularity • 46% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 46% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Aisha Badru
Bridges - Stripped
81 bpm • C# Maj • 03:08 • -9.27db
21% Popularity • 31% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 31% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Canyon City
OK
80 bpm • C Maj • 03:32 • -14.77db
42% Popularity • 49% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
42% Popularity • 49% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Fevers
They Don't Lie
75 bpm • A Maj • 03:50 • -10db
14% Popularity • 41% Danceability • 20% Energy • 8% Liveness
5% Instrumentalness • 9% Positiveness
14% Popularity • 41% Danceability • 20% Energy • 8% Liveness
5% Instrumentalness • 9% Positiveness
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Michael Benjamin
Don't Forget Me
75 bpm • F Maj • 03:27 • -15.71db
16% Popularity • 45% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
16% Popularity • 45% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
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Kodaline
Blood and Bones
75 bpm • D Maj • 03:52 • -8.51db
39% Popularity • 47% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
39% Popularity • 47% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Nomadeline
Count Me Down
75 bpm • B Maj • 03:24 • -11db
10% Popularity • 58% Danceability • 39% Energy • 12% Liveness
10% Instrumentalness • 32% Positiveness
10% Popularity • 58% Danceability • 39% Energy • 12% Liveness
10% Instrumentalness • 32% Positiveness
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Bruno Merz
There Is a Place
75 bpm • G Maj • 05:12 • -15.73db
16% Popularity • 56% Danceability • 18% Energy • 10% Liveness
4% Instrumentalness • 18% Positiveness
16% Popularity • 56% Danceability • 18% Energy • 10% Liveness
4% Instrumentalness • 18% Positiveness
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Canyon City
Shadows
81 bpm • G Maj • 04:36 • -10.97db
22% Popularity • 41% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 41% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Prides
Are You Ready? - Acoustic
75 bpm • C min • 04:30 • -13db
23% Popularity • 56% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 56% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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James Quick
Ten & True
75 bpm • F min • 04:17 • -11db
15% Popularity • 61% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 61% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Katie Buxton
You Flew
82 bpm • D Maj • 03:08 • -9.54db
9% Popularity • 27% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 27% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Hayden Calnin
Dirt
82 bpm • D# min • 07:05 • -10.73db
8% Popularity • 20% Danceability • 24% Energy • 11% Liveness
4% Instrumentalness • 8% Positiveness
8% Popularity • 20% Danceability • 24% Energy • 11% Liveness
4% Instrumentalness • 8% Positiveness
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Josh Savage
Whisper in the Snow
74 bpm • B min • 02:57 • -9.75db
14% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Canyon City
Smoke & Ash
82 bpm • D Maj • 03:35 • -12.43db
12% Popularity • 54% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 54% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Makers
River Eyes
82 bpm • E min • 04:25 • -6.81db
9% Popularity • 46% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 46% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Richard Walters
A.M.
82 bpm • E Maj • 02:30 • -13.25db
10% Popularity • 42% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 42% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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James Gillespie
Don't Let Me Get Me
82 bpm • A min • 03:20 • -9db
31% Popularity • 31% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 31% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Om Shankar
Flower Line
82 bpm • F Maj • 03:17 • -10db
18% Popularity • 64% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 64% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Silver Trees
Close Your Eyes
83 bpm • D# Maj • 03:18 • -8.06db
29% Popularity • 54% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 54% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Matthew Perryman Jones
Only You
83 bpm • E Maj • 04:08 • -14db
40% Popularity • 49% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
40% Popularity • 49% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Alex Cornell
Poison and Wine
83 bpm • C Maj • 03:22 • -12.45db
31% Popularity • 50% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
31% Popularity • 50% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Jon Bryant
Wilderness
83 bpm • D# Maj • 04:29 • -16.67db
41% Popularity • 50% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
41% Popularity • 50% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Charlie Brennan
Comfortable
73 bpm • C Maj • 02:53 • -7.66db
9% Popularity • 68% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 68% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Thomas Daniel
Symphony - Acoustic
83 bpm • G Maj • 03:12 • -10.57db
43% Popularity • 36% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
43% Popularity • 36% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Jay Warren
Fall Asleep with You
73 bpm • A Maj • 03:41 • -8.83db
17% Popularity • 35% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
17% Popularity • 35% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
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Maygen Lacey
One Foot
73 bpm • D Maj • 03:46 • -11.63db
25% Popularity • 71% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 71% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Angus Powell
Lines
83 bpm • G Maj • 03:26 • -17.45db
9% Popularity • 24% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 24% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Silver Trees
Paper Hearts
83 bpm • C# Maj • 03:19 • -8db
30% Popularity • 65% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 65% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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James Vincent McMorrow
Evil - West Hollywood, May 2015
84 bpm • G Maj • 03:49 • -13.14db
2% Popularity • 42% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
2% Popularity • 42% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Corey Kilgannon
Hallway Hymn
84 bpm • B min • 01:54 • -11.35db
13% Popularity • 36% Danceability • 15% Energy • 31% Liveness
0% Instrumentalness • 17% Positiveness
13% Popularity • 36% Danceability • 15% Energy • 31% Liveness
0% Instrumentalness • 17% Positiveness
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Gareth Dunlop
Hide and Seek
84 bpm • G min • 03:32 • -11.71db
22% Popularity • 56% Danceability • 28% Energy • 11% Liveness
5% Instrumentalness • 25% Positiveness
22% Popularity • 56% Danceability • 28% Energy • 11% Liveness
5% Instrumentalness • 25% Positiveness
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Jake Etheridge
Just Let Go
84 bpm • B Maj • 03:57 • -12.28db
22% Popularity • 48% Danceability • 42% Energy • 9% Liveness
28% Instrumentalness • 22% Positiveness
22% Popularity • 48% Danceability • 42% Energy • 9% Liveness
28% Instrumentalness • 22% Positiveness
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Andy Kong
Clarity
84 bpm • D# Maj • 03:21 • -12.59db
21% Popularity • 51% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 51% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Canyon City
Time
84 bpm • C# Maj • 03:26 • -10.66db
22% Popularity • 46% Danceability • 31% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 46% Danceability • 31% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
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Nick & June
Autumn Bird - The Exitus
84 bpm • A# min • 05:42 • -16.02db
8% Popularity • 18% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Ag Silver
I Found You
72 bpm • A Maj • 04:06 • -7.7db
20% Popularity • 45% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 45% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Novo Amor
Terraform
72 bpm • B Maj • 04:11 • -11.49db
51% Popularity • 48% Danceability • 22% Energy • 28% Liveness
38% Instrumentalness • 19% Positiveness
51% Popularity • 48% Danceability • 22% Energy • 28% Liveness
38% Instrumentalness • 19% Positiveness
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Ira Wolf
Waves
72 bpm • A Maj • 03:14 • -6.53db
22% Popularity • 48% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
22% Popularity • 48% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Too Far Moon
Til My Heart Stops
85 bpm • C Maj • 04:14 • -10.13db
32% Popularity • 20% Danceability • 34% Energy • 5% Liveness
63% Instrumentalness • 7% Positiveness
32% Popularity • 20% Danceability • 34% Energy • 5% Liveness
63% Instrumentalness • 7% Positiveness
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Storm Smith
Too Young
85 bpm • A min • 04:55 • -11.52db
12% Popularity • 42% Danceability • 53% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
12% Popularity • 42% Danceability • 53% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
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Adam French
Punchbag Love - Demo
85 bpm • C# Maj • 03:51 • -9.87db
11% Popularity • 43% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 43% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Phillip LaRue
On The Other Side
85 bpm • C Maj • 03:25 • -13db
29% Popularity • 45% Danceability • 42% Energy • 9% Liveness
8% Instrumentalness • 22% Positiveness
29% Popularity • 45% Danceability • 42% Energy • 9% Liveness
8% Instrumentalness • 22% Positiveness
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Canyon City
Venice
85 bpm • D# Maj • 05:14 • -14.19db
20% Popularity • 36% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 36% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Martin Luke Brown
65 Roses
85 bpm • C Maj • 03:17 • -13db
14% Popularity • 40% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 40% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Clementine Duo
Friends
86 bpm • G Maj • 03:45 • -11.25db
25% Popularity • 58% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 58% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Major Myjah
Chemical Kids
87 bpm • E Maj • 02:31 • -12.98db
11% Popularity • 33% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
11% Popularity • 33% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Corey Kilgannon
I Still See Ghosts / The Hollow II
70 bpm • F Maj • 06:15 • -15.46db
18% Popularity • 35% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 35% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Boatkeeper
Faraway Tree
87 bpm • D# Maj • 04:02 • -12db
21% Popularity • 48% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 48% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Canyon City
Alone with You
87 bpm • C# Maj • 03:06 • -13db
46% Popularity • 55% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
46% Popularity • 55% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Rebecca Clements
Spiral
70 bpm • A min • 03:43 • -7.86db
11% Popularity • 42% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 42% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
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Xenia
Postcards from Eden
70 bpm • C# Maj • 03:01 • -20.63db
16% Popularity • 68% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 68% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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S. Carey
Fire-scene - Alt. Version
88 bpm • D Maj • 04:17 • -20db
27% Popularity • 45% Danceability • 9% Energy • 16% Liveness
1% Instrumentalness • 23% Positiveness
27% Popularity • 45% Danceability • 9% Energy • 16% Liveness
1% Instrumentalness • 23% Positiveness
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Adam Barnes
Tennyson
88 bpm • G# Maj • 06:13 • -8db
14% Popularity • 49% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
14% Popularity • 49% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Kodaline
I Wouldn't Be
69 bpm • G# Maj • 03:41 • -11.9db
33% Popularity • 22% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
33% Popularity • 22% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Kris Orlowski
Love
89 bpm • A# Maj • 04:01 • -8.05db
33% Popularity • 24% Danceability • 40% Energy • 33% Liveness
2% Instrumentalness • 35% Positiveness
33% Popularity • 24% Danceability • 40% Energy • 33% Liveness
2% Instrumentalness • 35% Positiveness
