Songs like Regnar Returns (From The Vikings) by Mario Nascimbene
Based on a tempo of (+/- 10%) and a similar genre
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Mario Nascimbene
Eclipse
62 bpm • D Maj • 03:17 • -23.9db
1% Popularity • 11% Danceability • 17% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
1% Popularity • 11% Danceability • 17% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
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Moscow Symphony Orchestra
The Maltese Falcon : End Title
62 bpm • B Maj • 00:54 • -13.57db
20% Popularity • 12% Danceability • 18% Energy • 38% Liveness
74% Instrumentalness • 7% Positiveness
20% Popularity • 12% Danceability • 18% Energy • 38% Liveness
74% Instrumentalness • 7% Positiveness
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Neal Hefti
The Odd Couple Theme - Instrumental Demo
63 bpm • F min • 01:12 • -12.82db
32% Popularity • 55% Danceability • 46% Energy • 21% Liveness
94% Instrumentalness • 71% Positiveness
32% Popularity • 55% Danceability • 46% Energy • 21% Liveness
94% Instrumentalness • 71% Positiveness
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Orchestra Sinfonica Di Milano
Contest Winners - Excerpt from Carrie
64 bpm • G Maj • 02:34 • -17.16db
11% Popularity • 19% Danceability • 19% Energy • 39% Liveness
90% Instrumentalness • 10% Positiveness
11% Popularity • 19% Danceability • 19% Energy • 39% Liveness
90% Instrumentalness • 10% Positiveness
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Ron Goodwin
The Battle of Britain Suite: III. Work a...
60 bpm • F Maj • 01:59 • -25.53db
16% Popularity • 12% Danceability • 10% Energy • 52% Liveness
82% Instrumentalness • 14% Positiveness
16% Popularity • 12% Danceability • 10% Energy • 52% Liveness
82% Instrumentalness • 14% Positiveness
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Christopher Gunning
Poirot Variants
64 bpm • G min • 08:57 • -19.83db
22% Popularity • 16% Danceability • 10% Energy • 5% Liveness
89% Instrumentalness • 11% Positiveness
22% Popularity • 16% Danceability • 10% Energy • 5% Liveness
89% Instrumentalness • 11% Positiveness
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Mario Nascimbene
The Empty Tomb
62 bpm • C min • 02:51 • -37.42db
0% Popularity • 11% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
0% Popularity • 11% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
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Lucie Svehlová
The Barn - Love Theme
65 bpm • D min • 05:06 • -14db
13% Popularity • 6% Danceability • 28% Energy • 13% Liveness
62% Instrumentalness • 4% Positiveness
13% Popularity • 6% Danceability • 28% Energy • 13% Liveness
62% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Mascagni: Intermezzo
66 bpm • A# Maj • 05:31 • -24db
11% Popularity • 17% Danceability • 2% Energy • 8% Liveness
74% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 2% Energy • 8% Liveness
74% Instrumentalness • 4% Positiveness
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Dirk Brossé
Fargo North Dakota
65 bpm • A min • 02:40 • -17db
33% Popularity • 12% Danceability • 6% Energy • 7% Liveness
31% Instrumentalness • 7% Positiveness
33% Popularity • 12% Danceability • 6% Energy • 7% Liveness
31% Instrumentalness • 7% Positiveness
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Georges Auric
La Belle et Avenant (Beauty and Avenant)
58 bpm • F min • 01:26 • -32.89db
26% Popularity • 21% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
26% Popularity • 21% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Orchestra Sinfonica Di Milano
Blow Out - Excerpt from Blow Out
58 bpm • A min • 02:30 • -15.41db
12% Popularity • 10% Danceability • 23% Energy • 12% Liveness
80% Instrumentalness • 6% Positiveness
12% Popularity • 10% Danceability • 23% Energy • 12% Liveness
80% Instrumentalness • 6% Positiveness
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Mario Nascimbene
Regnar Returns
62 bpm • F Maj • 02:44 • -24.44db
2% Popularity • 15% Danceability • 5% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
2% Popularity • 15% Danceability • 5% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
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Gianni Ferrio
Un dollaro bucato, Suite No. 1
67 bpm • G Maj • 02:04 • -23.51db
18% Popularity • 24% Danceability • 17% Energy • 39% Liveness
83% Instrumentalness • 4% Positiveness
18% Popularity • 24% Danceability • 17% Energy • 39% Liveness
83% Instrumentalness • 4% Positiveness
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King Palmer
Softly She Sleeps
67 bpm • E Maj • 02:29 • -29.28db
9% Popularity • 12% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
9% Popularity • 12% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Ron Grainer
The Omega Man
67 bpm • D min • 03:24 • -17db
16% Popularity • 17% Danceability • 23% Energy • 20% Liveness
85% Instrumentalness • 12% Positiveness
16% Popularity • 17% Danceability • 23% Energy • 20% Liveness
85% Instrumentalness • 12% Positiveness
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Angela Morley
Climbing the Down
68 bpm • F min • 01:46 • -17.24db
14% Popularity • 25% Danceability • 19% Energy • 35% Liveness
81% Instrumentalness • 9% Positiveness
14% Popularity • 25% Danceability • 19% Energy • 35% Liveness
81% Instrumentalness • 9% Positiveness
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Patrick Doyle
Carlito's Way
68 bpm • G Maj • 05:17 • -23.74db
16% Popularity • 16% Danceability • 7% Energy • 22% Liveness
86% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 7% Energy • 22% Liveness
86% Instrumentalness • 4% Positiveness
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Mario Nascimbene
Funeral / End Titles
63 bpm • F Maj • 03:55 • -16.39db
0% Popularity • 15% Danceability • 26% Energy • 9% Liveness
96% Instrumentalness • 10% Positiveness
0% Popularity • 15% Danceability • 26% Energy • 9% Liveness
96% Instrumentalness • 10% Positiveness
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Jerome Moross
The Big Country
68 bpm • G Maj • 03:05 • -13.2db
1% Popularity • 13% Danceability • 29% Energy • 33% Liveness
94% Instrumentalness • 27% Positiveness
1% Popularity • 13% Danceability • 29% Energy • 33% Liveness
94% Instrumentalness • 27% Positiveness
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George Gershwin
Embraceable You
68 bpm • C Maj • 01:45 • -22.83db
23% Popularity • 20% Danceability • 10% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
23% Popularity • 20% Danceability • 10% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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Ron Goodwin
633 Squadron
69 bpm • A# Maj • 02:38 • -14.37db
8% Popularity • 15% Danceability • 50% Energy • 23% Liveness
91% Instrumentalness • 16% Positiveness
8% Popularity • 15% Danceability • 50% Energy • 23% Liveness
91% Instrumentalness • 16% Positiveness
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Twentieth Century-Fox Studio Orchestra
Death of Francis
70 bpm • F Maj • 01:47 • -31.34db
0% Popularity • 17% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
0% Popularity • 17% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Gary Grant
Ballet
71 bpm • G Maj • 01:00 • -14.67db
27% Popularity • 49% Danceability • 36% Energy • 26% Liveness
90% Instrumentalness • 51% Positiveness
27% Popularity • 49% Danceability • 36% Energy • 26% Liveness
90% Instrumentalness • 51% Positiveness
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Mario Nascimbene
Violences and Rapes of the Vikings
64 bpm • C# Maj • 01:33 • -15.29db
0% Popularity • 32% Danceability • 24% Energy • 19% Liveness
24% Instrumentalness • 23% Positiveness
0% Popularity • 32% Danceability • 24% Energy • 19% Liveness
24% Instrumentalness • 23% Positiveness
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Orchestra de Verona
Days Of Heaven (Main Theme)
70 bpm • C min • 02:49 • -16.29db
16% Popularity • 21% Danceability • 27% Energy • 37% Liveness
94% Instrumentalness • 13% Positiveness
16% Popularity • 21% Danceability • 27% Energy • 37% Liveness
94% Instrumentalness • 13% Positiveness
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Eric Demarsan
Thème de Gerbier - Bande originale du f...
72 bpm • F min • 03:15 • -12.52db
27% Popularity • 18% Danceability • 28% Energy • 34% Liveness
76% Instrumentalness • 11% Positiveness
27% Popularity • 18% Danceability • 28% Energy • 34% Liveness
76% Instrumentalness • 11% Positiveness
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Carlo Rustichelli
Ricordi notturni
72 bpm • C# Maj • 01:12 • -15.62db
6% Popularity • 30% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
6% Popularity • 30% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Bill Conti
Breaking The Sound Barrier
72 bpm • C Maj • 04:46 • -11.77db
23% Popularity • 31% Danceability • 38% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
23% Popularity • 31% Danceability • 38% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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Original Soundtrack
Restaurant Interior
72 bpm • D# Maj • 01:53 • -18.25db
13% Popularity • 32% Danceability • 13% Energy • 13% Liveness
3% Instrumentalness • 39% Positiveness
13% Popularity • 32% Danceability • 13% Energy • 13% Liveness
3% Instrumentalness • 39% Positiveness
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Mario Nascimbene
Viking's Horn / Regnar Returns
67 bpm • F Maj • 03:01 • -14.46db
0% Popularity • 16% Danceability • 20% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
0% Popularity • 16% Danceability • 20% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Barry Gray
Breakaway - The Dark Side of the Moon
73 bpm • D Maj • 02:12 • -17.53db
8% Popularity • 13% Danceability • 18% Energy • 29% Liveness
86% Instrumentalness • 4% Positiveness
8% Popularity • 13% Danceability • 18% Energy • 29% Liveness
86% Instrumentalness • 4% Positiveness
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Quincy Jones
Britannia And Mr. Bridger - If You Pleas...
73 bpm • G Maj • 01:59 • -11.58db
16% Popularity • 41% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 41% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Bruno Nicolai
La ragazza con la valigia (seq.13)
73 bpm • D min • 02:25 • -17.41db
0% Popularity • 38% Danceability • 15% Energy • 10% Liveness
3% Instrumentalness • 16% Positiveness
0% Popularity • 38% Danceability • 15% Energy • 10% Liveness
3% Instrumentalness • 16% Positiveness
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Alexander Courage
Star Trek (Main Title)
73 bpm • A# Maj • 01:04 • -15db
23% Popularity • 25% Danceability • 26% Energy • 36% Liveness
95% Instrumentalness • 15% Positiveness
23% Popularity • 25% Danceability • 26% Energy • 36% Liveness
95% Instrumentalness • 15% Positiveness
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Michel Legrand
The Go-Between Main Title
74 bpm • E min • 02:31 • -11.51db
23% Popularity • 19% Danceability • 45% Energy • 24% Liveness
98% Instrumentalness • 12% Positiveness
23% Popularity • 19% Danceability • 45% Energy • 24% Liveness
98% Instrumentalness • 12% Positiveness
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Mario Nascimbene
Totalità violini
68 bpm • A min • 02:15 • -14.69db
0% Popularity • 15% Danceability • 32% Energy • 13% Liveness
98% Instrumentalness • 2% Positiveness
0% Popularity • 15% Danceability • 32% Energy • 13% Liveness
98% Instrumentalness • 2% Positiveness
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George Dunning
3:10 To Yuma (Lovely Emily)
74 bpm • A# min • 03:29 • -13.79db
9% Popularity • 20% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 20% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Ron Goodwin
Those Magnificent Men in Their Flying Ma...
74 bpm • A# Maj • 06:18 • -18.01db
8% Popularity • 14% Danceability • 22% Energy • 8% Liveness
90% Instrumentalness • 13% Positiveness
8% Popularity • 14% Danceability • 22% Energy • 8% Liveness
90% Instrumentalness • 13% Positiveness
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Ernest Gold
Fight for Peace
74 bpm • E min • 01:26 • -12.44db
12% Popularity • 17% Danceability • 42% Energy • 9% Liveness
86% Instrumentalness • 26% Positiveness
12% Popularity • 17% Danceability • 42% Energy • 9% Liveness
86% Instrumentalness • 26% Positiveness
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George Fenton
A New Day
75 bpm • D# Maj • 01:24 • -12.57db
23% Popularity • 10% Danceability • 22% Energy • 6% Liveness
95% Instrumentalness • 5% Positiveness
23% Popularity • 10% Danceability • 22% Energy • 6% Liveness
95% Instrumentalness • 5% Positiveness
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David Shire
Theme From "The Conversation" - Remaster...
74 bpm • A# Maj • 03:33 • -16db
24% Popularity • 27% Danceability • 36% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
24% Popularity • 27% Danceability • 36% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Mario Nascimbene
Funeral / Exit
69 bpm • F Maj • 03:55 • -18db
12% Popularity • 23% Danceability • 19% Energy • 8% Liveness
97% Instrumentalness • 11% Positiveness
12% Popularity • 23% Danceability • 19% Energy • 8% Liveness
97% Instrumentalness • 11% Positiveness
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Jim Parker
Foyle's War - Main Title
75 bpm • D min • 02:12 • -16db
23% Popularity • 25% Danceability • 22% Energy • 10% Liveness
95% Instrumentalness • 30% Positiveness
23% Popularity • 25% Danceability • 22% Energy • 10% Liveness
95% Instrumentalness • 30% Positiveness
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Leonard Rosenman
Rebel Without a Cause: Love Theme
75 bpm • G Maj • 01:28 • -29.59db
29% Popularity • 7% Danceability • 6% Energy • 13% Liveness
84% Instrumentalness • 3% Positiveness
29% Popularity • 7% Danceability • 6% Energy • 13% Liveness
84% Instrumentalness • 3% Positiveness
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The Society Syncopators (performers)
By the Beautiful Sea
75 bpm • G Maj • 01:21 • -10.5db
17% Popularity • 41% Danceability • 69% Energy • 12% Liveness
46% Instrumentalness • 68% Positiveness
17% Popularity • 41% Danceability • 69% Energy • 12% Liveness
46% Instrumentalness • 68% Positiveness
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Anton Karas
The Cafe Mozart Waltz - Original Version
75 bpm • F min • 02:19 • -10.01db
9% Popularity • 52% Danceability • 30% Energy • 28% Liveness
55% Instrumentalness • 52% Positiveness
9% Popularity • 52% Danceability • 30% Energy • 28% Liveness
55% Instrumentalness • 52% Positiveness
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The Starshine Orchestra And Singers
Theme From The Virginian
75 bpm • G Maj • 02:33 • -11db
23% Popularity • 40% Danceability • 68% Energy • 9% Liveness
86% Instrumentalness • 48% Positiveness
23% Popularity • 40% Danceability • 68% Energy • 9% Liveness
86% Instrumentalness • 48% Positiveness
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Mario Nascimbene
Intermezzo - 2022 Remastered
68 bpm • E Maj • 01:53 • -18.32db
0% Popularity • 19% Danceability • 23% Energy • 44% Liveness
92% Instrumentalness • 22% Positiveness
0% Popularity • 19% Danceability • 23% Energy • 44% Liveness
92% Instrumentalness • 22% Positiveness
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Gottfried Huppertz
Metropolis: I. Auftakt: Maschinenhalle -...
75 bpm • C min • 05:19 • -12.9db
11% Popularity • 22% Danceability • 39% Energy • 59% Liveness
94% Instrumentalness • 15% Positiveness
11% Popularity • 22% Danceability • 39% Energy • 59% Liveness
94% Instrumentalness • 15% Positiveness
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BWD Orchestra
Les maries de l'an deux
75 bpm • A# Maj • 02:59 • -23db
13% Popularity • 29% Danceability • 13% Energy • 13% Liveness
85% Instrumentalness • 34% Positiveness
13% Popularity • 29% Danceability • 13% Energy • 13% Liveness
85% Instrumentalness • 34% Positiveness
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Michel Magne
L'adieu final - Bande originale du film ...
76 bpm • C min • 04:42 • -9db
12% Popularity • 30% Danceability • 27% Energy • 13% Liveness
12% Instrumentalness • 17% Positiveness
12% Popularity • 30% Danceability • 27% Energy • 13% Liveness
12% Instrumentalness • 17% Positiveness
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Jim Parker
Foyle's War - Main Theme - Reprise
76 bpm • A min • 01:35 • -18.14db
13% Popularity • 39% Danceability • 16% Energy • 9% Liveness
98% Instrumentalness • 55% Positiveness
13% Popularity • 39% Danceability • 16% Energy • 9% Liveness
98% Instrumentalness • 55% Positiveness
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Marvin Hamlisch
Theme from "The Swimmer" (Send for Me In...
76 bpm • F min • 03:04 • -16db
14% Popularity • 8% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
14% Popularity • 8% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
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Mario Nascimbene
Duel / Eric Kills Einar
70 bpm • A# Maj • 01:50 • -26.27db
1% Popularity • 20% Danceability • 2% Energy • 16% Liveness
98% Instrumentalness • 4% Positiveness
1% Popularity • 20% Danceability • 2% Energy • 16% Liveness
98% Instrumentalness • 4% Positiveness
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Basil Poledouris
The Children Grow
76 bpm • F# Maj • 04:12 • -16.53db
12% Popularity • 18% Danceability • 21% Energy • 17% Liveness
92% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 21% Energy • 17% Liveness
92% Instrumentalness • 4% Positiveness
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Leonard Rosenman
Main Title
76 bpm • E min • 02:50 • -17db
12% Popularity • 7% Danceability • 12% Energy • 39% Liveness
96% Instrumentalness • 13% Positiveness
12% Popularity • 7% Danceability • 12% Energy • 39% Liveness
96% Instrumentalness • 13% Positiveness
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The Warner Bros. Studio Orchestra
Medley (Shine / It Had To Be You)
76 bpm • F min • 02:20 • -9.93db
8% Popularity • 59% Danceability • 40% Energy • 7% Liveness
92% Instrumentalness • 80% Positiveness
8% Popularity • 59% Danceability • 40% Energy • 7% Liveness
92% Instrumentalness • 80% Positiveness
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Michel Colombier
Un monsieur distingué
76 bpm • D min • 03:22 • -17db
16% Popularity • 23% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
16% Popularity • 23% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Ron Goodwin
The Girl from Corsica
76 bpm • G min • 02:59 • -10.67db
16% Popularity • 22% Danceability • 38% Energy • 15% Liveness
90% Instrumentalness • 29% Positiveness
16% Popularity • 22% Danceability • 38% Energy • 15% Liveness
90% Instrumentalness • 29% Positiveness
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Mario Nascimbene
Angoscia
70 bpm • G Maj • 02:14 • -14.54db
0% Popularity • 15% Danceability • 31% Energy • 17% Liveness
87% Instrumentalness • 3% Positiveness
0% Popularity • 15% Danceability • 31% Energy • 17% Liveness
87% Instrumentalness • 3% Positiveness
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Twentieth Century-Fox Studio Orchestra
Clara's Theme - Dressing of Clara
77 bpm • G Maj • 03:22 • -30.97db
0% Popularity • 23% Danceability • 3% Energy • 8% Liveness
58% Instrumentalness • 6% Positiveness
0% Popularity • 23% Danceability • 3% Energy • 8% Liveness
58% Instrumentalness • 6% Positiveness
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Leonard Rosenman
Ferris Wheel
76 bpm • C Maj • 01:25 • -25.39db
23% Popularity • 21% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
23% Popularity • 21% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
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The Warner Bros. Studio Orchestra
Medley: Main Title / Prologue
76 bpm • F Maj • 05:20 • -10db
10% Popularity • 21% Danceability • 42% Energy • 11% Liveness
13% Instrumentalness • 9% Positiveness
10% Popularity • 21% Danceability • 42% Energy • 11% Liveness
13% Instrumentalness • 9% Positiveness
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Philippe Sarde
Le choix des armes
77 bpm • G min • 02:57 • -14db
10% Popularity • 22% Danceability • 25% Energy • 12% Liveness
95% Instrumentalness • 19% Positiveness
10% Popularity • 22% Danceability • 25% Energy • 12% Liveness
95% Instrumentalness • 19% Positiveness
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Justin Hurwitz
Docking Waltz
77 bpm • D Maj • 03:22 • -21db
36% Popularity • 22% Danceability • 8% Energy • 7% Liveness
98% Instrumentalness • 4% Positiveness
36% Popularity • 22% Danceability • 8% Energy • 7% Liveness
98% Instrumentalness • 4% Positiveness
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Mario Nascimbene
Esempi musicali - 2022 Remastered
71 bpm • A# min • 06:25 • -30.18db
0% Popularity • 29% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 29% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Edward White
Tour De France
77 bpm • B min • 02:21 • -10db
12% Popularity • 35% Danceability • 49% Energy • 35% Liveness
93% Instrumentalness • 75% Positiveness
12% Popularity • 35% Danceability • 49% Energy • 35% Liveness
93% Instrumentalness • 75% Positiveness
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Vladimir Cosma
Le temps retrouvé
77 bpm • A Maj • 02:06 • -23.82db
15% Popularity • 16% Danceability • 9% Energy • 38% Liveness
90% Instrumentalness • 19% Positiveness
15% Popularity • 16% Danceability • 9% Energy • 38% Liveness
90% Instrumentalness • 19% Positiveness
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Bruno Nicolai
La ragazza con la valigia (seq.31) - Deg...
78 bpm • A min • 03:01 • -16.57db
0% Popularity • 15% Danceability • 16% Energy • 10% Liveness
78% Instrumentalness • 5% Positiveness
0% Popularity • 15% Danceability • 16% Energy • 10% Liveness
78% Instrumentalness • 5% Positiveness
► Preview
Pino Donaggio
Sally and Jack from Blowout
78 bpm • C min • 03:37 • -20db
24% Popularity • 17% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Twentieth Century-Fox Studio Orchestra
Chamber Music
78 bpm • G Maj • 02:25 • -19.81db
0% Popularity • 22% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 16% Positiveness
0% Popularity • 22% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 16% Positiveness
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Mario Nascimbene
Totalità celli-bassi
72 bpm • C Maj • 02:14 • -33.43db
0% Popularity • 17% Danceability • 1% Energy • 11% Liveness
85% Instrumentalness • 3% Positiveness
0% Popularity • 17% Danceability • 1% Energy • 11% Liveness
85% Instrumentalness • 3% Positiveness
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Brussels Philharmonic
Puppet Love
78 bpm • A min • 01:42 • -15db
23% Popularity • 30% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
23% Popularity • 30% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
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Alexandre Desplat
Mouthwash De Menthe
78 bpm • E min • 01:56 • -21.53db
20% Popularity • 64% Danceability • 19% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
20% Popularity • 64% Danceability • 19% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
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Bruno Nicolai
La ragazza con la valigia (seq.4)
78 bpm • A# Maj • 01:57 • -20db
0% Popularity • 26% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
0% Popularity • 26% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Kevin Shaung
Time To Skies
78 bpm • F# Maj • 02:30 • -14.08db
8% Popularity • 21% Danceability • 26% Energy • 10% Liveness
33% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 26% Energy • 10% Liveness
33% Instrumentalness • 4% Positiveness
► Preview
Burt Bacharach
The Old Fun City (N.Y. Sequence)
79 bpm • D# Maj • 04:04 • -16.04db
20% Popularity • 42% Danceability • 29% Energy • 12% Liveness
46% Instrumentalness • 70% Positiveness
20% Popularity • 42% Danceability • 29% Energy • 12% Liveness
46% Instrumentalness • 70% Positiveness
► Preview
Mario Nascimbene
Voyage and Landing in Britain
77 bpm • F Maj • 07:07 • -12.52db
0% Popularity • 15% Danceability • 42% Energy • 34% Liveness
91% Instrumentalness • 16% Positiveness
0% Popularity • 15% Danceability • 42% Energy • 34% Liveness
91% Instrumentalness • 16% Positiveness
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Luis Bacalov
Il prezzo del potere
79 bpm • C Maj • 03:34 • -21db
11% Popularity • 16% Danceability • 17% Energy • 8% Liveness
32% Instrumentalness • 9% Positiveness
11% Popularity • 16% Danceability • 17% Energy • 8% Liveness
32% Instrumentalness • 9% Positiveness
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Orchestra di Bruno Nicolai
Titoli finali - Dal film ''La resa dei c...
79 bpm • A min • 01:05 • -20db
25% Popularity • 17% Danceability • 20% Energy • 11% Liveness
83% Instrumentalness • 9% Positiveness
25% Popularity • 17% Danceability • 20% Energy • 11% Liveness
83% Instrumentalness • 9% Positiveness
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Academy of St. Martin in the Fields
Why Picton?
79 bpm • E min • 01:09 • -20.64db
31% Popularity • 20% Danceability • 5% Energy • 27% Liveness
90% Instrumentalness • 4% Positiveness
31% Popularity • 20% Danceability • 5% Energy • 27% Liveness
90% Instrumentalness • 4% Positiveness
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Michel Magne
Hymne à l'argent
79 bpm • D# Maj • 01:43 • -10.51db
20% Popularity • 43% Danceability • 29% Energy • 27% Liveness
8% Instrumentalness • 24% Positiveness
20% Popularity • 43% Danceability • 29% Energy • 27% Liveness
8% Instrumentalness • 24% Positiveness
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Alex North
A Streetcar Named Desire: Main Title/New...
80 bpm • F# min • 02:30 • -11.36db
16% Popularity • 33% Danceability • 38% Energy • 37% Liveness
65% Instrumentalness • 7% Positiveness
16% Popularity • 33% Danceability • 38% Energy • 37% Liveness
65% Instrumentalness • 7% Positiveness
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Mario Nascimbene
The Mines
79 bpm • F min • 04:16 • -22.28db
0% Popularity • 9% Danceability • 18% Energy • 12% Liveness
65% Instrumentalness • 4% Positiveness
0% Popularity • 9% Danceability • 18% Energy • 12% Liveness
65% Instrumentalness • 4% Positiveness
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Original Soundtrack
Gardener's Suite
80 bpm • D# Maj • 02:18 • -15.66db
10% Popularity • 16% Danceability • 18% Energy • 36% Liveness
88% Instrumentalness • 9% Positiveness
10% Popularity • 16% Danceability • 18% Energy • 36% Liveness
88% Instrumentalness • 9% Positiveness
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Ernest Gold
Fight for Survival
80 bpm • D Maj • 03:39 • -24.45db
8% Popularity • 20% Danceability • 12% Energy • 14% Liveness
58% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 12% Energy • 14% Liveness
58% Instrumentalness • 4% Positiveness
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Paul Misraki
Thème d'amour
80 bpm • D# Maj • 01:36 • -12db
20% Popularity • 18% Danceability • 26% Energy • 14% Liveness
17% Instrumentalness • 8% Positiveness
20% Popularity • 18% Danceability • 26% Energy • 14% Liveness
17% Instrumentalness • 8% Positiveness
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George Gershwin
Do, Do, Do
80 bpm • D# Maj • 01:52 • -25db
19% Popularity • 33% Danceability • 8% Energy • 10% Liveness
6% Instrumentalness • 36% Positiveness
19% Popularity • 33% Danceability • 8% Energy • 10% Liveness
6% Instrumentalness • 36% Positiveness
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Carmine Coppola
The Godfather Intermezzo
80 bpm • D min • 03:20 • -19.53db
23% Popularity • 18% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
23% Popularity • 18% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
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Mario Nascimbene
Canzone di Rossana
79 bpm • D Maj • 04:07 • -15.99db
2% Popularity • 26% Danceability • 12% Energy • 8% Liveness
70% Instrumentalness • 18% Positiveness
2% Popularity • 26% Danceability • 12% Energy • 8% Liveness
70% Instrumentalness • 18% Positiveness
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The Porziuncola Friars
Laudo a San Francesco
80 bpm • D# Maj • 02:13 • -18.88db
0% Popularity • 31% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 31% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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Michel Magne
Une DS dans le ciel - Bande originale du...
80 bpm • G Maj • 01:26 • -12.63db
11% Popularity • 31% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 31% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Fumio Hayasaka
Rashomon Third Movement
80 bpm • G# Maj • 08:37 • -17db
8% Popularity • 35% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 18% Positiveness
8% Popularity • 35% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 18% Positiveness
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Hanny Williams
Young Frankenstein - Theme
80 bpm • F# Maj • 02:37 • -14.38db
11% Popularity • 28% Danceability • 31% Energy • 12% Liveness
86% Instrumentalness • 13% Positiveness
11% Popularity • 28% Danceability • 31% Energy • 12% Liveness
86% Instrumentalness • 13% Positiveness
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Adolph Deutsch (conductor), Adolph Deutsch's Orchestra
Park Avenue Fantasy
80 bpm • D Maj • 03:30 • -15.81db
9% Popularity • 13% Danceability • 27% Energy • 30% Liveness
87% Instrumentalness • 4% Positiveness
9% Popularity • 13% Danceability • 27% Energy • 30% Liveness
87% Instrumentalness • 4% Positiveness
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Lennie Niehaus
Will Rides In
80 bpm • C Maj • 01:05 • -19.94db
28% Popularity • 17% Danceability • 13% Energy • 12% Liveness
97% Instrumentalness • 6% Positiveness
28% Popularity • 17% Danceability • 13% Energy • 12% Liveness
97% Instrumentalness • 6% Positiveness
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Eric Demarsan
Quand les hommes ont rendez-vous - BOF "...
80 bpm • A min • 01:08 • -21.99db
23% Popularity • 17% Danceability • 8% Energy • 24% Liveness
96% Instrumentalness • 3% Positiveness
23% Popularity • 17% Danceability • 8% Energy • 24% Liveness
96% Instrumentalness • 3% Positiveness
