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Release Me
Songs like
Release Me
by
Thomas George Cook
Based on a tempo of (+/- 10%) and a similar genre
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The Avener
We Go Home - Agrume & Lounes Sunshine Re...
120 bpm • C# Maj • 04:16 • -7.18db
23% Popularity • 72% Danceability • 75% Energy • 11% Liveness
6% Instrumentalness • 14% Positiveness
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Joseph J. Jones
Gospel Truth
120 bpm • C# min • 03:32 • -7.63db
20% Popularity • 55% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Malo'
Let It Go
120 bpm • C Maj • 04:15 • -6.1db
26% Popularity • 54% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Woodes
Hunger
120 bpm • B min • 03:59 • -9.46db
16% Popularity • 58% Danceability • 47% Energy • 8% Liveness
3% Instrumentalness • 25% Positiveness
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Ben Cocks
One Last Time
120 bpm • B Maj • 03:41 • -7.55db
19% Popularity • 62% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Romain Tranchart
Freedom & Love
120 bpm • B Maj • 03:41 • -9.36db
15% Popularity • 80% Danceability • 72% Energy • 9% Liveness
5% Instrumentalness • 67% Positiveness
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Clare Maguire
Elizabeth Taylor - Mulholland Edition
120 bpm • G min • 03:26 • -7.24db
17% Popularity • 66% Danceability • 68% Energy • 21% Liveness
16% Instrumentalness • 29% Positiveness
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Cascadeur
Silent
120 bpm • C min • 03:55 • -11.28db
12% Popularity • 66% Danceability • 46% Energy • 23% Liveness
14% Instrumentalness • 19% Positiveness
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Roni Alter
Once Again
120 bpm • D# Maj • 03:16 • -8.61db
16% Popularity • 69% Danceability • 58% Energy • 18% Liveness
5% Instrumentalness • 41% Positiveness
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Broken Back
Got to Go
120 bpm • C# min • 03:38 • -5.64db
28% Popularity • 68% Danceability • 79% Energy • 47% Liveness
0% Instrumentalness • 44% Positiveness
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Shey Baba
Requiem - Single
120 bpm • F# min • 03:53 • -6.86db
12% Popularity • 42% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Ingrid Michaelson
Stay Right Where You Are
120 bpm • C Maj • 04:41 • -9.84db
35% Popularity • 65% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Marianne Mirage
The Place - Italian Version
120 bpm • E min • 03:17 • -7db
11% Popularity • 56% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Thomas George Cook
Release Me
120 bpm • C Maj • 03:35 • -10.04db
0% Popularity • 65% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Sanjiv Sen
Take It Slow
120 bpm • A# min • 02:48 • -13.84db
21% Popularity • 67% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Broken Back
Halcyon Birds - Radio Edit
120 bpm • F# Maj • 03:17 • -6.8db
37% Popularity • 71% Danceability • 76% Energy • 44% Liveness
0% Instrumentalness • 61% Positiveness
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Vandarth
Waiting For Me
120 bpm • G Maj • 04:53 • -7.77db
9% Popularity • 50% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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David O'Dowda
Shine
120 bpm • F Maj • 02:10 • -20.33db
18% Popularity • 55% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Kaleena Zanders
Stronger Than I've Ever Been (Piano Edit...
120 bpm • G Maj • 02:54 • -10db
26% Popularity • 66% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Marius Bear
Sanity
120 bpm • E min • 03:37 • -9.52db
13% Popularity • 70% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
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Henri PFR
Until The End - Acoustic Version
120 bpm • C min • 03:04 • -3.09db
12% Popularity • 48% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Sam Joseph Delves
Own Devices
120 bpm • D Maj • 02:32 • -12.56db
22% Popularity • 35% Danceability • 37% Energy • 12% Liveness
2% Instrumentalness • 13% Positiveness
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Alice Jemima
When You Dance
119 bpm • C min • 03:21 • -13.73db
23% Popularity • 78% Danceability • 41% Energy • 13% Liveness
7% Instrumentalness • 26% Positiveness
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Part-Time Friends
Here We Are
121 bpm • G Maj • 03:33 • -6.6db
26% Popularity • 59% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
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Greg June
We Can Never Talk - Acoustic Version
119 bpm • A Maj • 02:46 • -8.6db
21% Popularity • 75% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Luke Wade
Work Song
121 bpm • A# Maj • 03:45 • -11.5db
16% Popularity • 69% Danceability • 49% Energy • 11% Liveness
14% Instrumentalness • 35% Positiveness
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Andreya Triana
Song For A Friend
122 bpm • B Maj • 03:56 • -7.69db
26% Popularity • 50% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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Candy Says
Dead on Arrival
118 bpm • A Maj • 03:24 • -10.86db
7% Popularity • 41% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Typh Barrow
The Whispers
118 bpm • G# min • 03:11 • -6.19db
28% Popularity • 45% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Part-Time Friends
Here We Are - English Version
121 bpm • G Maj • 03:34 • -6.65db
18% Popularity • 59% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Corentin Grevost
Crazy In Love
122 bpm • A# min • 03:04 • -8.25db
12% Popularity • 66% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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B.Miles
Salt
122 bpm • B min • 03:21 • -10.85db
46% Popularity • 58% Danceability • 52% Energy • 27% Liveness
25% Instrumentalness • 27% Positiveness
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Frantzis
Facing Changes
118 bpm • C# Maj • 03:45 • -7.9db
7% Popularity • 62% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Jain
Souldier
118 bpm • F Maj • 03:46 • -9.58db
28% Popularity • 80% Danceability • 36% Energy • 37% Liveness
0% Instrumentalness • 39% Positiveness
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Alice Jemima
Take Me Back
118 bpm • C# min • 02:41 • -8.21db
23% Popularity • 93% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Broken Back
Seven Words
118 bpm • C# min • 03:19 • -7.51db
25% Popularity • 58% Danceability • 85% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Dave Not Dave
Catch That Glory
118 bpm • C min • 03:38 • -10.44db
22% Popularity • 58% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Cattle & Cane
Come Home
118 bpm • C# Maj • 03:42 • -8.05db
8% Popularity • 57% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
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Max Jury
Princess
122 bpm • F# Maj • 05:25 • -6.89db
14% Popularity • 60% Danceability • 49% Energy • 34% Liveness
2% Instrumentalness • 31% Positiveness
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Cintia Lund
Red Velvet
122 bpm • G min • 02:40 • -10.98db
6% Popularity • 76% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Typh Barrow
What Is Love
118 bpm • A# Maj • 02:52 • -8.16db
32% Popularity • 63% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Broken Back
Better Run
122 bpm • C Maj • 02:56 • -4.67db
32% Popularity • 72% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Erin K
Couldn't
122 bpm • D Maj • 03:13 • -12.03db
8% Popularity • 55% Danceability • 24% Energy • 8% Liveness
1% Instrumentalness • 18% Positiveness
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Naya
Great Ocean Road
123 bpm • G# Maj • 03:21 • -8.36db
14% Popularity • 63% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Eels
Premonition
123 bpm • G Maj • 03:12 • -17.8db
19% Popularity • 58% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Steaming Satellites
How Dare You - Der Wanderer Remix
123 bpm • G Maj • 06:52 • -8.96db
9% Popularity • 73% Danceability • 52% Energy • 12% Liveness
46% Instrumentalness • 55% Positiveness
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Sara Swenson
All Things Big and Small
117 bpm • A# Maj • 02:07 • -21.01db
9% Popularity • 52% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Broken Back
Say
122 bpm • C min • 03:27 • -8.6db
22% Popularity • 46% Danceability • 70% Energy • 38% Liveness
0% Instrumentalness • 10% Positiveness
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Sting
Don't Make Me Wait - Dave Audé Club Mi...
123 bpm • B min • 05:18 • -5.8db
17% Popularity • 66% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Naya
Great Ocean Road (2016)
123 bpm • G# Maj • 03:53 • -7.94db
11% Popularity • 58% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Jake Isaac
Better This Way
123 bpm • C Maj • 03:03 • -13.62db
14% Popularity • 47% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Charles Aznavour
La bohème - English Version
117 bpm • C min • 03:50 • -9.56db
11% Popularity • 30% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Alice Wonder
Strategy
116 bpm • B min • 03:16 • -6.56db
21% Popularity • 47% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Ramon Mirabet
Midsummer Night
124 bpm • C# min • 03:53 • -11.15db
18% Popularity • 57% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Diane Birch
The End
124 bpm • G min • 05:10 • -11.42db
30% Popularity • 33% Danceability • 27% Energy • 11% Liveness
4% Instrumentalness • 22% Positiveness
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Richard Grey
We Ride On - Radio Edit
124 bpm • G Maj • 03:40 • -6.5db
7% Popularity • 58% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Avanae
Underwater
116 bpm • A Maj • 03:31 • -6.47db
17% Popularity • 73% Danceability • 83% Energy • 68% Liveness
0% Instrumentalness • 32% Positiveness
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Huko
No Use
116 bpm • C min • 03:10 • -7.24db
20% Popularity • 75% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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Emilie Mover
Brand New
116 bpm • A# min • 03:04 • -10.22db
13% Popularity • 56% Danceability • 49% Energy • 10% Liveness
12% Instrumentalness • 70% Positiveness
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Elephanz
Million Eyes Monster
116 bpm • C# Maj • 03:47 • -9.52db
16% Popularity • 61% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Rose Windows
There Is a Light
116 bpm • G Maj • 04:42 • -10db
7% Popularity • 35% Danceability • 56% Energy • 10% Liveness
4% Instrumentalness • 9% Positiveness
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Fred Porte
Because of You
125 bpm • C Maj • 02:21 • -9db
7% Popularity • 50% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Australian Blonde
I Want You
116 bpm • D Maj • 03:03 • -8.36db
27% Popularity • 59% Danceability • 80% Energy • 35% Liveness
26% Instrumentalness • 69% Positiveness
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Typh Barrow
Taboo
125 bpm • C min • 02:50 • -4.63db
31% Popularity • 66% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
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Sono Oto
A Way to Stay Away
125 bpm • F Maj • 04:58 • -8.94db
5% Popularity • 59% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Naya
Girl on the Moon
125 bpm • C Maj • 02:53 • -7.14db
12% Popularity • 70% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Part-Time Friends
Johnny Johnny
125 bpm • F Maj • 04:24 • -11.22db
15% Popularity • 58% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Kishi Bashi
This Must Be the Place (Naive Melody)
125 bpm • E min • 03:23 • -8.11db
29% Popularity • 61% Danceability • 32% Energy • 70% Liveness
0% Instrumentalness • 70% Positiveness
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Gresby Race Nash
The One Exceptions
125 bpm • G# Maj • 02:48 • -12db
17% Popularity • 45% Danceability • 47% Energy • 5% Liveness
15% Instrumentalness • 11% Positiveness
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Lucinda Barry
Walk That Line
115 bpm • E min • 03:28 • -7.81db
11% Popularity • 38% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Kodaline
All I Want - Radio Edit
125 bpm • C Maj • 03:51 • -8.36db
26% Popularity • 27% Danceability • 53% Energy • 5% Liveness
16% Instrumentalness • 20% Positiveness
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Broken Back
Lady Bitterness
125 bpm • C Maj • 03:35 • -8db
29% Popularity • 70% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
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Alexandre Sookia
Ghost
125 bpm • C min • 04:40 • -9db
22% Popularity • 31% Danceability • 63% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
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Mozambo
Papercut
125 bpm • A Maj • 02:54 • -3.95db
25% Popularity • 72% Danceability • 76% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
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Corneille
Sign Your Name
115 bpm • E Maj • 03:42 • -10.36db
9% Popularity • 76% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Will Cookson
Alone In The Dark
125 bpm • B Maj • 03:30 • -14.27db
34% Popularity • 38% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 13% Positiveness
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Chuck Wonderland
Free Like a Bird
115 bpm • B Maj • 03:01 • -5.93db
24% Popularity • 75% Danceability • 87% Energy • 12% Liveness
1% Instrumentalness • 21% Positiveness
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Broken Back
Young Love
115 bpm • A min • 02:50 • -5.3db
24% Popularity • 70% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Alexandre Sookia
Strange
115 bpm • C# min • 04:18 • -9.13db
13% Popularity • 64% Danceability • 55% Energy • 20% Liveness
2% Instrumentalness • 40% Positiveness
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Dillon
Killing Time
115 bpm • A min • 03:38 • -11.94db
20% Popularity • 81% Danceability • 49% Energy • 11% Liveness
7% Instrumentalness • 42% Positiveness
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Charity Children
Whispering Still
115 bpm • G# min • 03:23 • -8.01db
27% Popularity • 67% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Alice on the roof
Race in the Shadows
126 bpm • A# Maj • 03:27 • -14.11db
9% Popularity • 53% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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We The Ghost
Come Down
126 bpm • C min • 03:07 • -7.48db
20% Popularity • 64% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Amber Maya
Fly by Night
126 bpm • G Maj • 03:33 • -16db
9% Popularity • 58% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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JONAH
Wicked Fever
126 bpm • G min • 03:56 • -9.14db
20% Popularity • 56% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Trackhead
Down Below (Radio Edit)
126 bpm • C# Maj • 03:04 • -9.95db
20% Popularity • 74% Danceability • 55% Energy • 12% Liveness
20% Instrumentalness • 42% Positiveness
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Talisco
Before the Dawn
126 bpm • E Maj • 04:02 • -9.02db
32% Popularity • 53% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Gregory Douglass
Alibis
126 bpm • A# min • 03:13 • -17db
22% Popularity • 62% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Charlie Winston
Airport
126 bpm • A# min • 04:56 • -13.88db
13% Popularity • 59% Danceability • 11% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
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Cry Boy Cry
My Heart Is So Heavy - Acoustic Version
114 bpm • B min • 03:19 • -12.81db
15% Popularity • 82% Danceability • 30% Energy • 29% Liveness
0% Instrumentalness • 31% Positiveness
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John Newman
Fire In Me - Acoustic
114 bpm • B min • 03:28 • -7db
17% Popularity • 71% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Q.Z.B
There's Nothing Holdin Me Back
114 bpm • F# min • 03:19 • -10db
46% Popularity • 63% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Sanders Bohlke
Smalltown Boy
114 bpm • C min • 05:09 • -13db
29% Popularity • 38% Danceability • 26% Energy • 16% Liveness
1% Instrumentalness • 36% Positiveness
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BEFFROI
95-96
127 bpm • B Maj • 04:11 • -9.38db
12% Popularity • 65% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Charlie Winston
The Weekend - Radio Edit
114 bpm • A# min • 03:13 • -8.07db
13% Popularity • 86% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Rosie Doonan
Feel Love
127 bpm • F# Maj • 03:56 • -11.68db
20% Popularity • 60% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 15% Positiveness
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Hollysiz
Boy
127 bpm • F min • 03:36 • -7.74db
14% Popularity • 70% Danceability • 48% Energy • 19% Liveness
7% Instrumentalness • 43% Positiveness
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Mike Reed
Addicted to You
127 bpm • A min • 03:25 • -7.67db
19% Popularity • 61% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Blake Lively
In Our Dreams
127 bpm • D min • 01:38 • -17db
25% Popularity • 54% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 18% Positiveness
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Joseph J. Jones
Gospel Truth - Unplugged
113 bpm • C# min • 03:30 • -7.25db
8% Popularity • 40% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Release Me