Songs like Remedy - Radio Edit by Little Boots
Based on a tempo of (+/- 10%) and a similar genre
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Diana Vickers
Blame Game
129 bpm • G# Maj • 04:27 • -3.98db
16% Popularity • 60% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 60% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
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Venus Hum
Montana
129 bpm • G# Maj • 03:44 • -4db
6% Popularity • 64% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
6% Popularity • 64% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Florrie
Every Inch
129 bpm • F# min • 04:31 • -5db
18% Popularity • 65% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 65% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Little Boots
Remedy
129 bpm • F# min • 03:19 • -3db
42% Popularity • 59% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
42% Popularity • 59% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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Booty Luv
Black Widow
129 bpm • F min • 04:07 • -5db
14% Popularity • 60% Danceability • 79% Energy • 53% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 60% Danceability • 79% Energy • 53% Liveness
0% Instrumentalness • 65% Positiveness
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Pixie Lott
All About Tonight
129 bpm • D Maj • 03:06 • -6.14db
51% Popularity • 64% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
51% Popularity • 64% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Dannii Minogue
Begin to Spin Me Round (Dannii Minogue v...
129 bpm • F# min • 05:11 • -6db
25% Popularity • 64% Danceability • 91% Energy • 16% Liveness
56% Instrumentalness • 83% Positiveness
25% Popularity • 64% Danceability • 91% Energy • 16% Liveness
56% Instrumentalness • 83% Positiveness
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Uh Huh Her
Not A Love Song
130 bpm • C min • 03:33 • -5db
31% Popularity • 51% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 51% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Shiny Toy Guns
Rainy Monday - Bimbo Jones Radio Edit
128 bpm • C Maj • 03:30 • -5.09db
9% Popularity • 56% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 56% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
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Petite Meller
Lil' Love
130 bpm • C Maj • 03:32 • -4.23db
18% Popularity • 48% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 9% Positiveness
18% Popularity • 48% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 9% Positiveness
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Countess Luann
Chic C'est La Vie
130 bpm • A min • 03:06 • -7.92db
32% Popularity • 72% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 72% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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The Ting Tings
Hands
130 bpm • G min • 03:19 • -3.74db
42% Popularity • 78% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
42% Popularity • 78% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Dannii Minogue
Dannii Minogue vs Dead Or Alive (Begin T...
128 bpm • F# min • 03:13 • -7db
20% Popularity • 61% Danceability • 97% Energy • 90% Liveness
71% Instrumentalness • 88% Positiveness
20% Popularity • 61% Danceability • 97% Energy • 90% Liveness
71% Instrumentalness • 88% Positiveness
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Lily Allen
Wind Your Neck In
128 bpm • A# Maj • 03:19 • -6.14db
17% Popularity • 75% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
17% Popularity • 75% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Rachel Stevens
Some Girls
130 bpm • D Maj • 03:33 • -4.57db
36% Popularity • 70% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 70% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 38% Positiveness
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No Frills Twins
Cyclic Cowboy
130 bpm • B min • 03:56 • -6.42db
22% Popularity • 63% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
22% Popularity • 63% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Booty Luv
Some Kinda Rush - Brizi & Delexy Vs. Mok...
130 bpm • A min • 03:40 • -4.53db
22% Popularity • 51% Danceability • 88% Energy • 3% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 51% Danceability • 88% Energy • 3% Liveness
0% Instrumentalness • 43% Positiveness
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Katy Perry
International Smile
130 bpm • E min • 03:47 • -4.27db
43% Popularity • 51% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
43% Popularity • 51% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Operator Please
Catapult
130 bpm • D Maj • 03:11 • -4.74db
6% Popularity • 75% Danceability • 91% Energy • 9% Liveness
34% Instrumentalness • 96% Positiveness
6% Popularity • 75% Danceability • 91% Energy • 9% Liveness
34% Instrumentalness • 96% Positiveness
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Jessica Simpson
You Spin Me Round (Like A Record)
128 bpm • E Maj • 03:49 • -5.02db
26% Popularity • 71% Danceability • 95% Energy • 11% Liveness
52% Instrumentalness • 88% Positiveness
26% Popularity • 71% Danceability • 95% Energy • 11% Liveness
52% Instrumentalness • 88% Positiveness
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Pixie Lott
Boys And Girls
130 bpm • C# Maj • 03:02 • -4.18db
45% Popularity • 71% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
45% Popularity • 71% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Ssion
Earthquake
130 bpm • C# Maj • 04:19 • -5db
24% Popularity • 70% Danceability • 72% Energy • 16% Liveness
5% Instrumentalness • 54% Positiveness
24% Popularity • 70% Danceability • 72% Energy • 16% Liveness
5% Instrumentalness • 54% Positiveness
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Rachel Stevens
Every Little Thing
128 bpm • C# Maj • 03:44 • -4.01db
14% Popularity • 72% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 72% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Diana Vickers
Jumping Into Rivers
128 bpm • G Maj • 03:36 • -5db
11% Popularity • 82% Danceability • 63% Energy • 34% Liveness
1% Instrumentalness • 36% Positiveness
11% Popularity • 82% Danceability • 63% Energy • 34% Liveness
1% Instrumentalness • 36% Positiveness
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Chlöe Howl
Disappointed
128 bpm • C# Maj • 03:07 • -4.41db
18% Popularity • 62% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 62% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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The Saturdays
Not Giving Up
128 bpm • C# min • 03:03 • -4db
36% Popularity • 59% Danceability • 92% Energy • 22% Liveness
12% Instrumentalness • 62% Positiveness
36% Popularity • 59% Danceability • 92% Energy • 22% Liveness
12% Instrumentalness • 62% Positiveness
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Manila Luzon & Latrice Royale
The Chop
128 bpm • F min • 04:28 • -5db
18% Popularity • 79% Danceability • 81% Energy • 89% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 79% Danceability • 81% Energy • 89% Liveness
0% Instrumentalness • 70% Positiveness
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Lisa Scott-Lee
Lately
128 bpm • F# Maj • 03:56 • -5.59db
20% Popularity • 68% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 91% Positiveness
20% Popularity • 68% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 91% Positiveness
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Ssion
Psy-Chic
130 bpm • C# min • 02:51 • -8db
18% Popularity • 73% Danceability • 70% Energy • 7% Liveness
17% Instrumentalness • 63% Positiveness
18% Popularity • 73% Danceability • 70% Energy • 7% Liveness
17% Instrumentalness • 63% Positiveness
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Katy Perry
Walking On Air
128 bpm • F# min • 03:42 • -4.84db
46% Popularity • 63% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
46% Popularity • 63% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
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Chlöe Howl
No Strings
128 bpm • C Maj • 03:46 • -5db
23% Popularity • 79% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 79% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Uh Huh Her
Not A Love Song - Morgan Page Remix
130 bpm • G min • 07:13 • -9db
9% Popularity • 76% Danceability • 59% Energy • 6% Liveness
6% Instrumentalness • 44% Positiveness
9% Popularity • 76% Danceability • 59% Energy • 6% Liveness
6% Instrumentalness • 44% Positiveness
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Cheryl
Call My Name
128 bpm • G# Maj • 03:27 • -3.5db
55% Popularity • 70% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
55% Popularity • 70% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Lisa Scott-Lee
Too Far Gone
128 bpm • E min • 03:37 • -4.23db
18% Popularity • 63% Danceability • 88% Energy • 24% Liveness
15% Instrumentalness • 86% Positiveness
18% Popularity • 63% Danceability • 88% Energy • 24% Liveness
15% Instrumentalness • 86% Positiveness
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Solange
Sandcastle Disco - Freemasons Extended M...
128 bpm • F# min • 09:00 • -5.79db
17% Popularity • 71% Danceability • 94% Energy • 7% Liveness
84% Instrumentalness • 98% Positiveness
17% Popularity • 71% Danceability • 94% Energy • 7% Liveness
84% Instrumentalness • 98% Positiveness
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Lady Gaga
Paparazzi - Filthy Dukes Remix
128 bpm • C Maj • 05:21 • -3.65db
3% Popularity • 67% Danceability • 86% Energy • 14% Liveness
57% Instrumentalness • 79% Positiveness
3% Popularity • 67% Danceability • 86% Energy • 14% Liveness
57% Instrumentalness • 79% Positiveness
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Intenso Project
Get It On
130 bpm • C# min • 02:46 • -6db
16% Popularity • 80% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 80% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Taylor Swift
I Can Do It With a Broken Heart
130 bpm • C Maj • 03:38 • -8.29db
86% Popularity • 70% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
86% Popularity • 70% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Wynter Gordon
Til Death - Denzal Park Radio Edit
128 bpm • E min • 03:00 • -4db
25% Popularity • 70% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
25% Popularity • 70% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Lisa Scott-Lee
Back In Time
128 bpm • F min • 03:54 • -4.07db
11% Popularity • 63% Danceability • 88% Energy • 16% Liveness
19% Instrumentalness • 84% Positiveness
11% Popularity • 63% Danceability • 88% Energy • 16% Liveness
19% Instrumentalness • 84% Positiveness
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Nadine Coyle
Sweetest High
128 bpm • F# Maj • 03:34 • -5.38db
21% Popularity • 67% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 67% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Luciana
I'm Still Hot
130 bpm • G Maj • 02:33 • -5db
17% Popularity • 85% Danceability • 80% Energy • 15% Liveness
1% Instrumentalness • 75% Positiveness
17% Popularity • 85% Danceability • 80% Energy • 15% Liveness
1% Instrumentalness • 75% Positiveness
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Rachel Stevens
Sweet Dreams My LA Ex - Radio Edit
130 bpm • D Maj • 03:28 • -3.59db
46% Popularity • 85% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
46% Popularity • 85% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Little Boots
Stuck On Repeat - Fake Blood Mix
128 bpm • A# Maj • 06:26 • -6db
22% Popularity • 78% Danceability • 83% Energy • 82% Liveness
72% Instrumentalness • 29% Positiveness
22% Popularity • 78% Danceability • 83% Energy • 82% Liveness
72% Instrumentalness • 29% Positiveness
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Erika Jayne
Pretty Mess - Dave Aude Radio Edit
130 bpm • G# Maj • 03:31 • -6db
30% Popularity • 74% Danceability • 52% Energy • 20% Liveness
9% Instrumentalness • 48% Positiveness
30% Popularity • 74% Danceability • 52% Energy • 20% Liveness
9% Instrumentalness • 48% Positiveness
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Britney Spears
Radar - Bloodshy & Avant Remix - 2009 Re...
128 bpm • A Maj • 05:39 • -5db
17% Popularity • 76% Danceability • 66% Energy • 12% Liveness
1% Instrumentalness • 67% Positiveness
17% Popularity • 76% Danceability • 66% Energy • 12% Liveness
1% Instrumentalness • 67% Positiveness
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The Veronicas
Untouched - Designer Drugs Remix Edit
130 bpm • A Maj • 04:49 • -8.38db
14% Popularity • 72% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 72% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Amanda Blank
Big Heavy
128 bpm • A min • 03:59 • -3.01db
9% Popularity • 75% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 75% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Melanie C
Rock Me - Dance Version
130 bpm • C# Maj • 03:29 • -5.45db
10% Popularity • 60% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 60% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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The Sound of Arrows
Nova
128 bpm • C# Maj • 03:52 • -8.52db
12% Popularity • 49% Danceability • 88% Energy • 62% Liveness
1% Instrumentalness • 48% Positiveness
12% Popularity • 49% Danceability • 88% Energy • 62% Liveness
1% Instrumentalness • 48% Positiveness
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Lily Allen
Fuck You - Annie Nightingale and Far Too...
130 bpm • C# min • 05:54 • -8db
17% Popularity • 66% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 66% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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The Saturdays
30 Days
130 bpm • G# Maj • 03:04 • -4.17db
31% Popularity • 68% Danceability • 88% Energy • 5% Liveness
1% Instrumentalness • 75% Positiveness
31% Popularity • 68% Danceability • 88% Energy • 5% Liveness
1% Instrumentalness • 75% Positiveness
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Florrie
Give Me Your Love - Florrie Edit
128 bpm • F Maj • 03:56 • -9db
16% Popularity • 65% Danceability • 65% Energy • 11% Liveness
2% Instrumentalness • 43% Positiveness
16% Popularity • 65% Danceability • 65% Energy • 11% Liveness
2% Instrumentalness • 43% Positiveness
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Blake Lewis
Binary Love
128 bpm • A# min • 03:26 • -3.86db
11% Popularity • 56% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 56% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Wynter Gordon
Still Getting Younger
128 bpm • C Maj • 03:43 • -3.94db
13% Popularity • 56% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 56% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Jack Rokka
Take Off - Digital Dog Original Club Ins...
128 bpm • C# Maj • 02:36 • -3.8db
13% Popularity • 66% Danceability • 94% Energy • 96% Liveness
83% Instrumentalness • 36% Positiveness
13% Popularity • 66% Danceability • 94% Energy • 96% Liveness
83% Instrumentalness • 36% Positiveness
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No Doubt
Looking Hot
128 bpm • G min • 04:42 • -4.01db
40% Popularity • 61% Danceability • 88% Energy • 12% Liveness
1% Instrumentalness • 41% Positiveness
40% Popularity • 61% Danceability • 88% Energy • 12% Liveness
1% Instrumentalness • 41% Positiveness
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Diana Vickers
Boy in Paris
128 bpm • D Maj • 03:33 • -4.4db
21% Popularity • 71% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
21% Popularity • 71% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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Jamelia
Beware of the Dog
130 bpm • F# min • 03:10 • -3.86db
39% Popularity • 55% Danceability • 97% Energy • 32% Liveness
2% Instrumentalness • 69% Positiveness
39% Popularity • 55% Danceability • 97% Energy • 32% Liveness
2% Instrumentalness • 69% Positiveness
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Alexandra Burke
Let It Go
128 bpm • C Maj • 03:24 • -5.2db
28% Popularity • 73% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 73% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Giorgio Moroder
Wildstar
128 bpm • C# min • 03:47 • -3.56db
29% Popularity • 64% Danceability • 80% Energy • 42% Liveness
0% Instrumentalness • 47% Positiveness
29% Popularity • 64% Danceability • 80% Energy • 42% Liveness
0% Instrumentalness • 47% Positiveness
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Katy B
Witches Brew
128 bpm • F min • 03:19 • -3.13db
22% Popularity • 61% Danceability • 89% Energy • 60% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 61% Danceability • 89% Energy • 60% Liveness
0% Instrumentalness • 55% Positiveness
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No Doubt
Looking Hot - Kill Paris Remix
128 bpm • G min • 04:22 • -3.9db
12% Popularity • 64% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 64% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Foxes
Youth
128 bpm • G# Maj • 04:19 • -9.96db
39% Popularity • 57% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 21% Positiveness
39% Popularity • 57% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 21% Positiveness
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The Ting Tings
Only Love
127 bpm • D Maj • 03:10 • -6.24db
3% Popularity • 82% Danceability • 68% Energy • 23% Liveness
5% Instrumentalness • 92% Positiveness
3% Popularity • 82% Danceability • 68% Energy • 23% Liveness
5% Instrumentalness • 92% Positiveness
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The Saturdays
All Fired Up
128 bpm • C# min • 03:12 • -2.89db
46% Popularity • 57% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
46% Popularity • 57% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Katy Perry
Waking Up In Vegas - Remix
131 bpm • A# Maj • 03:43 • -4.42db
11% Popularity • 64% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 64% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
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Xelle
Queen
131 bpm • F# min • 04:07 • -6.84db
20% Popularity • 76% Danceability • 80% Energy • 64% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 76% Danceability • 80% Energy • 64% Liveness
0% Instrumentalness • 56% Positiveness
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Wynter Gordon
Don't Stop Me
131 bpm • G# Maj • 03:36 • -4.05db
20% Popularity • 64% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 64% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Basement Jaxx
Feelings Gone
131 bpm • G min • 03:42 • -5.18db
23% Popularity • 60% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 60% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Tom Aspaul
Let Them (It's All Love)
127 bpm • F# min • 03:03 • -5.9db
28% Popularity • 65% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 65% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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La Roux
Colourless Colour
127 bpm • G Maj • 03:28 • -4db
38% Popularity • 75% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 75% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Lady Gaga
The Fame
127 bpm • F Maj • 03:42 • -3.33db
48% Popularity • 82% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
48% Popularity • 82% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Florrie
Left Too Late
127 bpm • G min • 04:17 • -8db
30% Popularity • 57% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 57% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Rachel Stevens
Crazy Boys
127 bpm • F min • 03:51 • -3.66db
16% Popularity • 69% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 69% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
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Nicola Roberts
Beat Of My Drum
127 bpm • G# Maj • 02:57 • -5db
31% Popularity • 73% Danceability • 83% Energy • 7% Liveness
7% Instrumentalness • 69% Positiveness
31% Popularity • 73% Danceability • 83% Energy • 7% Liveness
7% Instrumentalness • 69% Positiveness
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Pet Shop Boys
Love is a Bourgeois Construct - Little B...
127 bpm • A# Maj • 06:50 • -7.16db
6% Popularity • 74% Danceability • 76% Energy • 10% Liveness
23% Instrumentalness • 85% Positiveness
6% Popularity • 74% Danceability • 76% Energy • 10% Liveness
23% Instrumentalness • 85% Positiveness
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Colette
Think You Want It
127 bpm • F min • 04:36 • -5.88db
8% Popularity • 81% Danceability • 79% Energy • 8% Liveness
36% Instrumentalness • 73% Positiveness
8% Popularity • 81% Danceability • 79% Energy • 8% Liveness
36% Instrumentalness • 73% Positiveness
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La Roux
As If By Magic
131 bpm • C Maj • 03:51 • -4.61db
33% Popularity • 73% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
33% Popularity • 73% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Basement Jaxx
Oh My Gosh
127 bpm • C# Maj • 03:57 • -7db
37% Popularity • 77% Danceability • 72% Energy • 30% Liveness
9% Instrumentalness • 89% Positiveness
37% Popularity • 77% Danceability • 72% Energy • 30% Liveness
9% Instrumentalness • 89% Positiveness
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Booty Luv
Dance Dance
127 bpm • G# min • 03:07 • -5.43db
25% Popularity • 62% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 62% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Little Boots
Eros
127 bpm • E min • 04:20 • -9.34db
15% Popularity • 79% Danceability • 55% Energy • 37% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 79% Danceability • 55% Energy • 37% Liveness
0% Instrumentalness • 81% Positiveness
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Wynter Gordon
Buy My Love
127 bpm • G min • 03:08 • -4db
20% Popularity • 67% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
20% Popularity • 67% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Diana Vickers
The Boy Who Murdered Love
127 bpm • B min • 03:21 • -5db
31% Popularity • 75% Danceability • 85% Energy • 37% Liveness
11% Instrumentalness • 70% Positiveness
31% Popularity • 75% Danceability • 85% Energy • 37% Liveness
11% Instrumentalness • 70% Positiveness
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Pixie Lott
Here We Go Again
127 bpm • C# Maj • 03:05 • -7.18db
26% Popularity • 84% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 84% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Basement Jaxx
Plug It In
127 bpm • C# Maj • 04:51 • -4db
24% Popularity • 70% Danceability • 95% Energy • 12% Liveness
8% Instrumentalness • 57% Positiveness
24% Popularity • 70% Danceability • 95% Energy • 12% Liveness
8% Instrumentalness • 57% Positiveness
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Booty Luv
Some Kinda Rush - Radio Edit
127 bpm • C Maj • 03:31 • -7db
40% Popularity • 47% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
40% Popularity • 47% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Hilary Duff
Come Clean - Remix
127 bpm • B Maj • 03:20 • -5.62db
15% Popularity • 51% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 51% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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Kate Boy
A Girl Like You
127 bpm • G# Maj • 02:59 • -8.21db
17% Popularity • 69% Danceability • 62% Energy • 16% Liveness
30% Instrumentalness • 38% Positiveness
17% Popularity • 69% Danceability • 62% Energy • 16% Liveness
30% Instrumentalness • 38% Positiveness
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Alphabeat
Fascination - Bimbo Jones Remixed Edit
127 bpm • D Maj • 02:58 • -5.02db
15% Popularity • 53% Danceability • 88% Energy • 45% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 53% Danceability • 88% Energy • 45% Liveness
0% Instrumentalness • 55% Positiveness
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Hi Fashion
Eighteen
132 bpm • D Maj • 03:23 • -7db
15% Popularity • 68% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 68% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Diana Vickers
Better in French
126 bpm • A min • 03:49 • -4.02db
14% Popularity • 74% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 74% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Geri Halliwell
Ride It - Single Version
126 bpm • B min • 03:49 • -6db
30% Popularity • 69% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 69% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Erasure
Blue Savannah (Little Boots Remix)
132 bpm • B min • 04:57 • -8.33db
3% Popularity • 51% Danceability • 80% Energy • 8% Liveness
95% Instrumentalness • 52% Positiveness
3% Popularity • 51% Danceability • 80% Energy • 8% Liveness
95% Instrumentalness • 52% Positiveness
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The Ting Tings
Communication
126 bpm • D min • 03:34 • -6.74db
2% Popularity • 76% Danceability • 82% Energy • 6% Liveness
19% Instrumentalness • 56% Positiveness
2% Popularity • 76% Danceability • 82% Energy • 6% Liveness
19% Instrumentalness • 56% Positiveness
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ElectroVamp
I Don't Like The Vibe In The VIP
126 bpm • B Maj • 03:02 • -3.02db
10% Popularity • 73% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 73% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
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Hi Fashion
I'm Not Madonna
132 bpm • G Maj • 04:07 • -5.79db
28% Popularity • 71% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 71% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
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Holly Valance
Over 'n' Out
132 bpm • D Maj • 03:10 • -5.54db
8% Popularity • 64% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 64% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
