Songs like Remember All The Days by Daphne Darling
Based on a tempo of (+/- 10%) and a similar genre
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Rasyiqa
Two Shades of Blue
130 bpm • A Maj • 04:28 • -4.11db
21% Popularity • 57% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 57% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Daphne Darling
Remember All The Days
130 bpm • F# min • 03:04 • -10.03db
0% Popularity • 71% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
0% Popularity • 71% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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Leslie Mills
Feel Like LA
130 bpm • B min • 03:50 • -6.08db
14% Popularity • 64% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 64% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Schuyler Fisk
Hello
130 bpm • A Maj • 04:18 • -6.79db
20% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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November 2nd
Tomcat Blues
130 bpm • D# Maj • 03:33 • -5.27db
10% Popularity • 51% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 51% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Deana Carter
I'm Just A Girl
130 bpm • G Maj • 03:33 • -7.13db
12% Popularity • 60% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 60% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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JJ Heller
You Ruin Me
131 bpm • A Maj • 02:21 • -7.46db
9% Popularity • 59% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 59% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
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Vitamin C
Unhappy Anniversary
131 bpm • A# Maj • 03:56 • -7.51db
14% Popularity • 68% Danceability • 66% Energy • 33% Liveness
7% Instrumentalness • 27% Positiveness
14% Popularity • 68% Danceability • 66% Energy • 33% Liveness
7% Instrumentalness • 27% Positiveness
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Susannah Blinkoff
So Amazed
131 bpm • F# Maj • 03:20 • -4.91db
9% Popularity • 57% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 57% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Sixpence None The Richer
I Need Love
131 bpm • B min • 04:12 • -7.24db
24% Popularity • 57% Danceability • 67% Energy • 25% Liveness
1% Instrumentalness • 46% Positiveness
24% Popularity • 57% Danceability • 67% Energy • 25% Liveness
1% Instrumentalness • 46% Positiveness
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Eddi Reader
Scarecrow
131 bpm • A# Maj • 03:31 • -14.38db
11% Popularity • 57% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 57% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Barbie's Cradle
Everyday
131 bpm • D Maj • 04:10 • -6.09db
14% Popularity • 72% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 72% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
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The Chicks
The Long Way Around
128 bpm • C Maj • 04:32 • -3.38db
47% Popularity • 60% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
47% Popularity • 60% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Jewel
You Were Meant For Me - Juan Patiño Ver...
128 bpm • F# Maj • 03:08 • -10.98db
8% Popularity • 64% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 64% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Matthew Sweet
Our Lips Are Sealed
132 bpm • C# Maj • 02:54 • -9.83db
9% Popularity • 56% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 56% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Sinéad O'Connor
The State I'm In
132 bpm • G Maj • 04:11 • -4.2db
22% Popularity • 55% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 55% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Schuyler Fisk
From Where I'm Standing
132 bpm • D Maj • 03:32 • -5.59db
28% Popularity • 60% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 60% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Tracy Bonham
I Was Born Without You
132 bpm • C Maj • 03:43 • -7.12db
11% Popularity • 68% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 68% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
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The Corrs
Head in the Air
128 bpm • D Maj • 03:45 • -6.83db
10% Popularity • 63% Danceability • 72% Energy • 9% Liveness
1% Instrumentalness • 61% Positiveness
10% Popularity • 63% Danceability • 72% Energy • 9% Liveness
1% Instrumentalness • 61% Positiveness
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Becky Jones
You're Going to Miss Me When I'm Gone
128 bpm • B Maj • 02:07 • -9.27db
30% Popularity • 82% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 82% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Liz Phair
Count On My Love
128 bpm • D Maj • 03:41 • -5db
22% Popularity • 50% Danceability • 88% Energy • 6% Liveness
3% Instrumentalness • 24% Positiveness
22% Popularity • 50% Danceability • 88% Energy • 6% Liveness
3% Instrumentalness • 24% Positiveness
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Nerina Pallot
Everybody's Gone To War - Nerina's Versi...
128 bpm • D# Maj • 04:00 • -7.84db
19% Popularity • 70% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 70% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Mandy Moore
Looking Forward to Looking Back
132 bpm • B Maj • 03:11 • -4.1db
16% Popularity • 64% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 64% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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JJ Heller
Tell It Again
128 bpm • D Maj • 02:45 • -8.11db
13% Popularity • 76% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 76% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Angela Saini
Living on the Bright Side
132 bpm • B Maj • 04:06 • -6.87db
14% Popularity • 44% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 44% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Jewel
Hands
127 bpm • F min • 03:55 • -10.18db
54% Popularity • 64% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
54% Popularity • 64% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Liz Phair
Giving It All To You
128 bpm • F Maj • 03:44 • -3.79db
9% Popularity • 53% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 53% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Violet Aurora
Somewhere Brighter (Alt Mix)
133 bpm • C Maj • 04:31 • -6.32db
15% Popularity • 60% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 60% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Aimee Mann
You Could Make A Killing
133 bpm • D# Maj • 03:42 • -13.79db
34% Popularity • 43% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
34% Popularity • 43% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Madonna
Dear Jessie
127 bpm • D Maj • 04:21 • -17db
41% Popularity • 70% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
41% Popularity • 70% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
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bôa
Get There
126 bpm • D min • 04:33 • -8.83db
49% Popularity • 59% Danceability • 78% Energy • 15% Liveness
1% Instrumentalness • 32% Positiveness
49% Popularity • 59% Danceability • 78% Energy • 15% Liveness
1% Instrumentalness • 32% Positiveness
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Donna Lewis
I Could Be the One
133 bpm • A# Maj • 03:46 • -7.84db
38% Popularity • 71% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 71% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
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Chrissy Chase
Meant for Me
134 bpm • D Maj • 03:40 • -2.8db
18% Popularity • 58% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 58% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Southern Shadows
Enough
134 bpm • A Maj • 03:29 • -18.97db
10% Popularity • 65% Danceability • 43% Energy • 9% Liveness
1% Instrumentalness • 49% Positiveness
10% Popularity • 65% Danceability • 43% Energy • 9% Liveness
1% Instrumentalness • 49% Positiveness
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Suzanne Vega
Frank & Ava
134 bpm • B Maj • 02:37 • -6db
20% Popularity • 67% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 67% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Mandy Moore
Slummin' in Paradise
126 bpm • D Maj • 04:11 • -4.02db
16% Popularity • 56% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 56% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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The Naked Brothers Band
Great Trip
126 bpm • C Maj • 02:43 • -6.22db
14% Popularity • 71% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
14% Popularity • 71% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Stretch Princess
Time And Time Again
126 bpm • A# Maj • 04:45 • -7db
12% Popularity • 52% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 52% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Heidi Elgaard
Got My Ticket
126 bpm • D Maj • 05:05 • -12.01db
2% Popularity • 61% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
2% Popularity • 61% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Indigo Girls
Joking
134 bpm • G Maj • 03:34 • -3.66db
33% Popularity • 54% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
33% Popularity • 54% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Courtney Jaye
Can't Behave
125 bpm • E Maj • 03:34 • -2.7db
37% Popularity • 67% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 67% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Lisa Loeb
Single Me Out (Theme From #1 Single)
135 bpm • B min • 03:13 • -5.47db
8% Popularity • 53% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
8% Popularity • 53% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Killing Heidi
Live Without It
135 bpm • G Maj • 03:11 • -5.67db
31% Popularity • 44% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 44% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Kerrin Connolly
Fly in My Room
135 bpm • A# Maj • 02:31 • -11.4db
36% Popularity • 77% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 77% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Adrienne Pierce
Lost & Found
125 bpm • B Maj • 03:39 • -6db
21% Popularity • 70% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
21% Popularity • 70% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Yael Meyer
Tea for Two
125 bpm • A Maj • 03:06 • -7db
10% Popularity • 58% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 58% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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The Corrs
At Your Side
135 bpm • C# min • 03:50 • -9.16db
44% Popularity • 59% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
44% Popularity • 59% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Janet Panic
Make Everything Different
136 bpm • A# Maj • 02:44 • -6.37db
8% Popularity • 60% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 60% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Reins
Mistakes
136 bpm • C# min • 03:39 • -5.74db
12% Popularity • 77% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 77% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Courtney Jaye
Can You Sleep
136 bpm • A Maj • 03:51 • -5.05db
9% Popularity • 52% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 52% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Meja
Rainbow
124 bpm • F# Maj • 03:57 • -7.29db
13% Popularity • 68% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 68% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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Jewel
Standing Still
124 bpm • D Maj • 04:30 • -6.62db
50% Popularity • 61% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 61% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Nichole Nordeman
Never Loved You More
124 bpm • D Maj • 03:44 • -5.73db
11% Popularity • 61% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 61% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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LOVE PSYCHEDELICO
Your Song
123 bpm • D Maj • 03:37 • -4db
41% Popularity • 71% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 71% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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Jaci Velasquez
I'm Not Looking Down
137 bpm • A# Maj • 03:47 • -5.09db
9% Popularity • 53% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 53% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Lenka
Bring Me Down
137 bpm • A Maj • 03:28 • -3.85db
28% Popularity • 58% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 58% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Lisa Loeb
We Could Still Belong Together
138 bpm • E Maj • 02:58 • -5.18db
20% Popularity • 58% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 58% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Leigh Nash
The Tide
123 bpm • G min • 03:32 • -4.66db
30% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
30% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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The Corrs
Moorlough Shore
138 bpm • G min • 04:17 • -5.66db
19% Popularity • 54% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 54% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Killing Heidi
Black Sheep
122 bpm • C Maj • 02:17 • -7.51db
15% Popularity • 70% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 70% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
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Natalie Imbruglia
Talk In Tongues
138 bpm • E min • 03:29 • -10.07db
13% Popularity • 59% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
13% Popularity • 59% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Lenka
The Show
123 bpm • C Maj • 03:55 • -4.14db
57% Popularity • 75% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
57% Popularity • 75% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Electric Lady
I'm Done
140 bpm • C Maj • 02:26 • -9.61db
10% Popularity • 50% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 50% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Sixpence None The Richer
There She Goes - Ben Grosse Mix
120 bpm • A# Maj • 02:40 • -5db
35% Popularity • 47% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 47% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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The Submarines
Clouds
140 bpm • C Maj • 03:38 • -7.9db
10% Popularity • 54% Danceability • 48% Energy • 53% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 54% Danceability • 48% Energy • 53% Liveness
0% Instrumentalness • 48% Positiveness
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Daphne Darling
Heartbeat
120 bpm • G# Maj • 03:13 • -8.35db
0% Popularity • 89% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 89% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Sheryl Crow
All I Wanna Do
120 bpm • A Maj • 04:32 • -11.18db
72% Popularity • 82% Danceability • 53% Energy • 26% Liveness
2% Instrumentalness • 93% Positiveness
72% Popularity • 82% Danceability • 53% Energy • 26% Liveness
2% Instrumentalness • 93% Positiveness
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Lenka
Knock Knock
120 bpm • E Maj • 03:40 • -3.55db
34% Popularity • 68% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 68% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Sophie Ellis-Bextor
Today The Sun's On Us - Radio Edit
120 bpm • D Maj • 03:45 • -4.29db
16% Popularity • 69% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 69% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Sharon Wilbur
Awake! Awake!
120 bpm • C min • 04:24 • -6.27db
8% Popularity • 62% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 62% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
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Dar Williams
As Cool As I Am
120 bpm • C Maj • 03:35 • -6.94db
12% Popularity • 73% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 73% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
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Missy Higgins
Steer
120 bpm • E Maj • 03:51 • -7db
45% Popularity • 57% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 57% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
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adMeyer
X-Rays
120 bpm • B min • 03:06 • -7.96db
26% Popularity • 66% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 66% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Rebecca St. James
It Is Well
120 bpm • G Maj • 04:08 • -6.47db
17% Popularity • 52% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 52% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Jewel
Doin' Fine
120 bpm • D Maj • 03:14 • -5.64db
23% Popularity • 66% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 66% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
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Lenka
Deep Blue
120 bpm • G min • 03:51 • -7.19db
18% Popularity • 78% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 45% Positiveness
18% Popularity • 78% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 45% Positiveness
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High Dive Heart
1979
120 bpm • G# Maj • 04:44 • -7.47db
17% Popularity • 69% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
17% Popularity • 69% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Tristan Prettyman
War Out Of Peace
120 bpm • F Maj • 03:49 • -8db
8% Popularity • 69% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 69% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Jessica Falk
Without You
120 bpm • B Maj • 03:14 • -6.83db
27% Popularity • 64% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
27% Popularity • 64% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Abby Posner
If You Wanna Love
120 bpm • E Maj • 02:30 • -8.33db
15% Popularity • 72% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 72% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Helen Perris
Demophobia
141 bpm • F# Maj • 02:15 • -4.28db
9% Popularity • 58% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
9% Popularity • 58% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Lenka
Roll with the Punches
120 bpm • G min • 03:19 • -5.83db
29% Popularity • 67% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 67% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Blake Babies
Nothing Ever Happens
120 bpm • E Maj • 03:09 • -8db
8% Popularity • 62% Danceability • 66% Energy • 75% Liveness
2% Instrumentalness • 50% Positiveness
8% Popularity • 62% Danceability • 66% Energy • 75% Liveness
2% Instrumentalness • 50% Positiveness
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Beth Orton
Central Reservation - The Then Again Ver...
120 bpm • G Maj • 04:01 • -6.35db
32% Popularity • 71% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 71% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Kasey Chambers
Not Pretty Enough
120 bpm • B Maj • 03:19 • -5.43db
44% Popularity • 61% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 61% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Juliana Hatfield
Might Be In Love
120 bpm • F Maj • 02:45 • -9.07db
10% Popularity • 73% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 73% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Emma's Imagination
This Day
120 bpm • D Maj • 03:11 • -6.89db
13% Popularity • 58% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 58% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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The Common Linnets
Hungry Hands - Acoustic
119 bpm • B min • 03:54 • -7.89db
8% Popularity • 65% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 65% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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P!nk
Save My Life
142 bpm • B Maj • 03:16 • -4.25db
37% Popularity • 49% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
37% Popularity • 49% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
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The Peter Malick Group
Chance And Circumstance
119 bpm • D Maj • 03:46 • -6.25db
10% Popularity • 63% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 63% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Mozella
Say It Ain't So
142 bpm • F# Maj • 04:07 • -4.98db
15% Popularity • 53% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
15% Popularity • 53% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Mary Lou Lord
Western Union Desperate
142 bpm • G Maj • 03:08 • -8.35db
12% Popularity • 69% Danceability • 77% Energy • 9% Liveness
1% Instrumentalness • 75% Positiveness
12% Popularity • 69% Danceability • 77% Energy • 9% Liveness
1% Instrumentalness • 75% Positiveness
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The Murmurs
Genius
119 bpm • G min • 03:40 • -8.55db
21% Popularity • 65% Danceability • 50% Energy • 8% Liveness
4% Instrumentalness • 32% Positiveness
21% Popularity • 65% Danceability • 50% Energy • 8% Liveness
4% Instrumentalness • 32% Positiveness
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Liz Phair
Wind And The Mountain
142 bpm • E Maj • 05:33 • -6db
10% Popularity • 29% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 29% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Nina Gordon
The End of the World
142 bpm • B Maj • 03:39 • -6.57db
11% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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The Cardigans
For The Boys
118 bpm • B min • 03:37 • -5.61db
10% Popularity • 59% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 59% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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Carly Rae Jepsen
Sweet Talker
119 bpm • G# Maj • 02:56 • -9.75db
19% Popularity • 69% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 69% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
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Nichole Nordeman
Real To Me
118 bpm • F Maj • 03:47 • -5.58db
14% Popularity • 63% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 63% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
