Songs like remember the mornings by Clinton Kane
Based on a tempo of (+/- 10%) and a similar genre
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Ashley Kutcher
Love You From a Distance
149 bpm • E Maj • 03:24 • -8.65db
64% Popularity • 33% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
64% Popularity • 33% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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James Smith
District Line
149 bpm • F# Maj • 03:28 • -15db
29% Popularity • 53% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 53% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Clinton Kane
remember the mornings
149 bpm • C Maj • 03:22 • -5.66db
46% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Sam MacPherson
How Do You Dress for the Rain?
150 bpm • A# Maj • 02:40 • -12db
50% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
50% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Ruel
distance
149 bpm • D# min • 02:59 • -8.56db
54% Popularity • 56% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 50% Positiveness
54% Popularity • 56% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 50% Positiveness
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Luz
counting houses
150 bpm • A# Maj • 03:20 • -12.09db
35% Popularity • 57% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 57% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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Munn
you're home now
150 bpm • B min • 02:38 • -8.21db
30% Popularity • 63% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 63% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Matt Hansen
better off without me
150 bpm • C Maj • 02:50 • -7db
72% Popularity • 62% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
72% Popularity • 62% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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LANY
if this is the last time
148 bpm • B Maj • 03:23 • -7.73db
62% Popularity • 57% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
62% Popularity • 57% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Elina
Paper Planes
148 bpm • C# Maj • 03:19 • -12.48db
54% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
54% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Caleb Hearn
We're Getting Older
151 bpm • G Maj • 02:41 • -9.44db
52% Popularity • 59% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
52% Popularity • 59% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Clinton Kane
this is what a rough childhood feels lik...
147 bpm • C Maj • 03:21 • -10db
22% Popularity • 57% Danceability • 36% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
22% Popularity • 57% Danceability • 36% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
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Noah Cunane
Miami
151 bpm • A Maj • 02:59 • -8.57db
30% Popularity • 72% Danceability • 22% Energy • 44% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 72% Danceability • 22% Energy • 44% Liveness
0% Instrumentalness • 43% Positiveness
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Ashe
Save Myself
147 bpm • A Maj • 03:44 • -9.21db
52% Popularity • 55% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
52% Popularity • 55% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Matt Hansen
without you with me
147 bpm • D Maj • 02:54 • -5.95db
64% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
64% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Justin Bieber
Name
152 bpm • E Maj • 02:39 • -7.56db
50% Popularity • 45% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
50% Popularity • 45% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Lillian Hepler
Strangers
147 bpm • A min • 02:55 • -10db
37% Popularity • 44% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 44% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
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LANY
nobody else
152 bpm • C Maj • 03:17 • -14.51db
60% Popularity • 57% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
60% Popularity • 57% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Sody
Old Flame
152 bpm • A Maj • 02:47 • -8.25db
27% Popularity • 47% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 47% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Powfu
the long way home
152 bpm • D Maj • 03:09 • -9.69db
41% Popularity • 58% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 58% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Clinton Kane
So I Don't Let Me Down
152 bpm • A Maj • 03:36 • -8.62db
42% Popularity • 65% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
42% Popularity • 65% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Harry Hudson
Yellow Lights
146 bpm • D# Maj • 02:51 • -10.81db
54% Popularity • 44% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
54% Popularity • 44% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Dylan Brady
When I Look at You
145 bpm • C# Maj • 03:55 • -8.05db
36% Popularity • 50% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
36% Popularity • 50% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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FINNEAS
What They'll Say About Us
145 bpm • G min • 03:01 • -13.04db
59% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
59% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Etham
Opposite Of Loving Me - Stripped
145 bpm • G min • 03:31 • -10.83db
44% Popularity • 62% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 62% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Caleb Hearn
Eye Of The Storm
145 bpm • A Maj • 02:58 • -10db
48% Popularity • 58% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
48% Popularity • 58% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Clinton Kane
BITTERSWEET
152 bpm • C# min • 02:38 • -5.35db
51% Popularity • 59% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
51% Popularity • 59% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Forest Blakk
If You Love Her - Acoustic
154 bpm • C# Maj • 03:41 • -11db
46% Popularity • 52% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
46% Popularity • 52% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Tayler Buono
My Person
144 bpm • D Maj • 03:06 • -7.75db
31% Popularity • 60% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 60% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 22% Positiveness
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LANY
paper
154 bpm • G Maj • 04:04 • -9db
44% Popularity • 49% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
44% Popularity • 49% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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JC Stewart
I Need You To Hate Me - Piano Version
144 bpm • D Maj • 02:50 • -7.4db
34% Popularity • 36% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 36% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Griff
Good Stuff
144 bpm • G Maj • 03:13 • -7.48db
59% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
59% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Clinton Kane
DANCING ALL ALONE
146 bpm • F Maj • 02:51 • -6db
54% Popularity • 40% Danceability • 58% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
54% Popularity • 40% Danceability • 58% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
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Ollie Wade
Love's Mistake
154 bpm • D# Maj • 03:52 • -6.98db
16% Popularity • 37% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
16% Popularity • 37% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
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Joel Adams
Sick World
144 bpm • C min • 04:31 • -8.29db
15% Popularity • 48% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
15% Popularity • 48% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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James Smith
Tell Me That You Love Me
144 bpm • F# Maj • 03:14 • -8.75db
63% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
63% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Maddie Zahm
Family Reunions
144 bpm • F Maj • 03:51 • -7.65db
36% Popularity • 44% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 44% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Etham
Purpose - Stripped
155 bpm • G# Maj • 03:16 • -9.7db
42% Popularity • 42% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 42% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Clinton Kane
i don't want to watch the world end with...
154 bpm • D Maj • 03:04 • -9.34db
65% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
65% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Emily Weisband
The Way I Say Goodbye
142 bpm • F Maj • 03:04 • -11.18db
36% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
36% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Caleb Hearn
If We Break Up
143 bpm • F Maj • 03:48 • -8.86db
30% Popularity • 42% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 42% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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We Three
i wanna love somebody
156 bpm • A Maj • 03:53 • -7.38db
47% Popularity • 59% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 59% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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JC Stewart
Bones
156 bpm • B Maj • 03:07 • -7.12db
38% Popularity • 45% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 45% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Ruel
say it over
156 bpm • D min • 03:58 • -10.94db
44% Popularity • 44% Danceability • 32% Energy • 61% Liveness
0% Instrumentalness • 15% Positiveness
44% Popularity • 44% Danceability • 32% Energy • 61% Liveness
0% Instrumentalness • 15% Positiveness
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Noah Cyrus
Young & Sad
142 bpm • G min • 03:10 • -8.5db
54% Popularity • 62% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 62% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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shy martin
Slow
142 bpm • D Maj • 02:43 • -9.51db
55% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
55% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Hayd
What Did I Do?
142 bpm • F# Maj • 03:35 • -11.87db
48% Popularity • 59% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 59% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Zach Hood
lonely isn't the word for this
142 bpm • B Maj • 02:47 • -8.57db
48% Popularity • 65% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
48% Popularity • 65% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Thomas Day
The New Me
142 bpm • D Maj • 02:23 • -6db
47% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Clinton Kane
this is what anxiety feels like
142 bpm • C min • 03:48 • -10.21db
26% Popularity • 47% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 47% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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James Smith
Rely On Me
141 bpm • A min • 03:39 • -10.16db
42% Popularity • 58% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
42% Popularity • 58% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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ROSIE
Idk you at all
141 bpm • C Maj • 02:41 • -13db
25% Popularity • 51% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 51% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Dylan Dunlap
Who Would Have Thought
141 bpm • B Maj • 04:04 • -7.45db
40% Popularity • 41% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 41% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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Alec Bailey
Chernobyl
158 bpm • E Maj • 03:43 • -13db
22% Popularity • 38% Danceability • 47% Energy • 10% Liveness
17% Instrumentalness • 6% Positiveness
22% Popularity • 38% Danceability • 47% Energy • 10% Liveness
17% Instrumentalness • 6% Positiveness
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Maddie Zahm
Blind Spot
158 bpm • C# min • 03:21 • -8.78db
50% Popularity • 62% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 28% Positiveness
50% Popularity • 62% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 28% Positiveness
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Avery Lynch
Holding My Own Hand
158 bpm • D# Maj • 03:36 • -7db
31% Popularity • 68% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 68% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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Zevia
till death frees me
140 bpm • A# Maj • 02:46 • -11db
48% Popularity • 60% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
48% Popularity • 60% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Jake Cornell
tmrw
158 bpm • B Maj • 03:15 • -9.97db
41% Popularity • 63% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 63% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Chord Overstreet
What You Need
140 bpm • C Maj • 03:01 • -11.17db
48% Popularity • 52% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
48% Popularity • 52% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
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Maximillian
Love Like This
140 bpm • D# Maj • 02:47 • -8db
32% Popularity • 70% Danceability • 49% Energy • 59% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 70% Danceability • 49% Energy • 59% Liveness
0% Instrumentalness • 42% Positiveness
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Tate Brusa
Not Me That You're Thinking 'Bout
140 bpm • C# Maj • 04:31 • -11.68db
30% Popularity • 57% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
30% Popularity • 57% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Thomas Day
not my job anymore
140 bpm • B Maj • 03:08 • -7.34db
57% Popularity • 54% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
57% Popularity • 54% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
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JP Cooper
Too Close
140 bpm • B Maj • 03:04 • -5db
46% Popularity • 64% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 64% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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ROSIE
100 Headaches
140 bpm • C# Maj • 02:51 • -9.29db
27% Popularity • 47% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 47% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Avery Lynch
Out Of Love with You
140 bpm • G# Maj • 03:40 • -9.93db
39% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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FLETCHER
Feel
140 bpm • F# Maj • 03:02 • -7.12db
44% Popularity • 45% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
44% Popularity • 45% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Katherine Li
We Didn't Even Date
140 bpm • C# Maj • 02:57 • -10db
47% Popularity • 60% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
47% Popularity • 60% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Lillian Hepler
Stormy Weather
140 bpm • F min • 03:23 • -10.05db
23% Popularity • 52% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 52% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Maximillian
Crossroads
140 bpm • D Maj • 03:01 • -8.35db
28% Popularity • 62% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 62% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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Christy
When We Get Old
140 bpm • C Maj • 03:20 • -11db
27% Popularity • 54% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 54% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Thomas Day
Overplayed
140 bpm • A# Maj • 03:02 • -8.7db
43% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
43% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Rhys Lewis
No Right To Love You
159 bpm • C# Maj • 03:58 • -8.15db
46% Popularity • 59% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 59% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Jillian Rossi
So What
140 bpm • C# Maj • 02:42 • -7db
52% Popularity • 58% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
52% Popularity • 58% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Cian Ducrot
Crocodiles
139 bpm • G min • 04:00 • -11db
39% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
39% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Brynn Cartelli
Jane
160 bpm • G# Maj • 04:29 • -8db
25% Popularity • 56% Danceability • 24% Energy • 35% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 56% Danceability • 24% Energy • 35% Liveness
0% Instrumentalness • 12% Positiveness
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Blake Rose
Gone
139 bpm • B min • 03:25 • -6db
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Adum
Help Myself
160 bpm • A# Maj • 03:33 • -9.83db
30% Popularity • 62% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 62% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Andi
Blew It
160 bpm • C# min • 02:42 • -6db
31% Popularity • 53% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 53% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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shy martin
Nobody Likes Moving On
160 bpm • B Maj • 02:46 • -10.78db
43% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
43% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Matt Hansen
break my heart
160 bpm • B min • 02:58 • -5.51db
58% Popularity • 52% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
58% Popularity • 52% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Dylan Brady
Fallin'
138 bpm • G# Maj • 03:29 • -11.34db
37% Popularity • 47% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 47% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Blake Rose
Movie
160 bpm • F Maj • 04:07 • -9db
36% Popularity • 27% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 27% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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benny blanco
Unlearn
138 bpm • A# min • 02:34 • -12.27db
52% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
52% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Sara Kays
No Matter the Season
138 bpm • D Maj • 03:32 • -8.89db
40% Popularity • 68% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
40% Popularity • 68% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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shy martin
Break With Me
138 bpm • F Maj • 02:35 • -10.31db
39% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Daya
Montana
138 bpm • D Maj • 03:23 • -7db
43% Popularity • 60% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
43% Popularity • 60% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Harry Hudson
Closing Doors
138 bpm • G Maj • 02:26 • -8db
31% Popularity • 50% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
31% Popularity • 50% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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BLÜ EYES
somebody
138 bpm • D Maj • 02:56 • -8.1db
30% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Nick Wilson
Not Like Falling Out Of Love
137 bpm • C# Maj • 03:48 • -11.05db
27% Popularity • 51% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 51% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Alexander 23
The Hardest Part
162 bpm • G# Maj • 03:23 • -9db
47% Popularity • 50% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
47% Popularity • 50% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Abigail Barlow
If I Saw You Today
162 bpm • G# Maj • 03:13 • -9.45db
20% Popularity • 45% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 45% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Dean Lewis
Hurtless
163 bpm • C Maj • 03:00 • -6db
69% Popularity • 37% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
69% Popularity • 37% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Sasha Alex Sloan
Hypochondriac
136 bpm • B Maj • 03:22 • -12.34db
39% Popularity • 64% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
39% Popularity • 64% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Alex Sampson
Play Pretend
136 bpm • G Maj • 03:06 • -7db
53% Popularity • 59% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
53% Popularity • 59% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Max Embers
Honest Mistake
136 bpm • G min • 04:11 • -10.22db
34% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Alexander 23
Hate Me If It Helps
162 bpm • D Maj • 03:16 • -8.84db
45% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Haley Joelle
Emergency Contact
163 bpm • G Maj • 02:36 • -8db
41% Popularity • 44% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 44% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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BRDGS
Let Eachother Go
164 bpm • F Maj • 04:07 • -10.24db
29% Popularity • 31% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
29% Popularity • 31% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
