Songs like Remember the Mountain Bed by Billy Bragg
Based on a tempo of (+/- 10%) and a similar genre
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The Proclaimers
Over and Done With
68 bpm • C Maj • 02:47 • -10.51db
46% Popularity • 60% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
46% Popularity • 60% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Joni Mitchell
California
71 bpm • E Maj • 03:50 • -9.01db
57% Popularity • 46% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
57% Popularity • 46% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Dave Rawlings Machine
Bells Of Harlem
71 bpm • F Maj • 04:07 • -15db
21% Popularity • 25% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 25% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
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Phosphorescent
Reasons To Quit
71 bpm • A# Maj • 03:13 • -8.98db
28% Popularity • 58% Danceability • 49% Energy • 14% Liveness
7% Instrumentalness • 58% Positiveness
28% Popularity • 58% Danceability • 49% Energy • 14% Liveness
7% Instrumentalness • 58% Positiveness
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The Felice Brothers
Diamond Bell
71 bpm • D Maj • 06:16 • -7.82db
18% Popularity • 45% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 45% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Warren Zevon
Accidentally Like a Martyr
71 bpm • F Maj • 03:42 • -9db
40% Popularity • 58% Danceability • 48% Energy • 7% Liveness
4% Instrumentalness • 37% Positiveness
40% Popularity • 58% Danceability • 48% Energy • 7% Liveness
4% Instrumentalness • 37% Positiveness
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Billy Bragg
The Milkman of Human Kindness
67 bpm • D Maj • 02:48 • -6.47db
30% Popularity • 34% Danceability • 54% Energy • 34% Liveness
1% Instrumentalness • 47% Positiveness
30% Popularity • 34% Danceability • 54% Energy • 34% Liveness
1% Instrumentalness • 47% Positiveness
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Paul Westerberg
It's A Wonderful Lie
73 bpm • A Maj • 02:47 • -17.57db
30% Popularity • 52% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 52% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Townes Van Zandt
To Live Is To Fly
74 bpm • D Maj • 03:15 • -18.29db
45% Popularity • 67% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 67% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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J Mascis
Circle
74 bpm • G Maj • 03:23 • -11.28db
21% Popularity • 58% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 58% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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John Prine
Summer's End
74 bpm • D Maj • 03:29 • -17.7db
51% Popularity • 44% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
51% Popularity • 44% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Warren Zevon
Mohammed's Radio
74 bpm • G Maj • 03:43 • -13.75db
39% Popularity • 64% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 64% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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The Magnetic Fields
Papa Was a Rodeo
75 bpm • G Maj • 05:01 • -8.93db
41% Popularity • 56% Danceability • 48% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
41% Popularity • 56% Danceability • 48% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
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Billy Bragg
I Ain't Got No Home
75 bpm • C Maj • 03:33 • -12.83db
13% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Joni Mitchell
Carey
75 bpm • C# Maj • 03:02 • -7.66db
52% Popularity • 63% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
52% Popularity • 63% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Belle and Sebastian
She's Losing It
75 bpm • G Maj • 02:22 • -9.53db
44% Popularity • 53% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
44% Popularity • 53% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Townes Van Zandt
If I Needed You
76 bpm • B Maj • 03:44 • -17db
52% Popularity • 62% Danceability • 32% Energy • 8% Liveness
3% Instrumentalness • 68% Positiveness
52% Popularity • 62% Danceability • 32% Energy • 8% Liveness
3% Instrumentalness • 68% Positiveness
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Golden Smog
Strangers
63 bpm • C Maj • 03:19 • -7db
25% Popularity • 54% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 54% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Van Morrison
And It Stoned Me - 2013 Remaster
76 bpm • G Maj • 04:32 • -11.17db
61% Popularity • 59% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
61% Popularity • 59% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Barbara Keith
Detroit or Buffalo
76 bpm • C Maj • 04:31 • -11db
33% Popularity • 62% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 62% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Ron Sexsmith
Secret Heart
77 bpm • C Maj • 03:15 • -12.72db
39% Popularity • 54% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
39% Popularity • 54% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Billy Bragg
Wishing the Days Away
77 bpm • C Maj • 02:29 • -4.64db
19% Popularity • 57% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 57% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Simon & Garfunkel
The Only Living Boy in New York
77 bpm • B Maj • 03:58 • -12.36db
62% Popularity • 41% Danceability • 38% Energy • 13% Liveness
26% Instrumentalness • 52% Positiveness
62% Popularity • 41% Danceability • 38% Energy • 13% Liveness
26% Instrumentalness • 52% Positiveness
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Golden Smog
He's a Dick
76 bpm • G Maj • 02:48 • -13.69db
13% Popularity • 49% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 49% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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John Prine
Long Monday
77 bpm • A# Maj • 03:22 • -12.86db
47% Popularity • 55% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
47% Popularity • 55% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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The Felice Brothers
Frankie's Gun!
78 bpm • F Maj • 04:06 • -4.47db
43% Popularity • 38% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 38% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Belle and Sebastian
Sleep the Clock Around
78 bpm • C# min • 04:58 • -9.14db
51% Popularity • 63% Danceability • 52% Energy • 5% Liveness
61% Instrumentalness • 62% Positiveness
51% Popularity • 63% Danceability • 52% Energy • 5% Liveness
61% Instrumentalness • 62% Positiveness
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Billy Bragg
Rock Island Line
78 bpm • F Maj • 02:55 • -6.94db
27% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Tim Hardin
Black Sheep Boy
78 bpm • C# Maj • 01:53 • -12db
45% Popularity • 57% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
45% Popularity • 57% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Golden Smog
Please Tell My Brother
78 bpm • F Maj • 02:10 • -12.73db
32% Popularity • 64% Danceability • 11% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 64% Danceability • 11% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Jay Farrar
California Zephyr
78 bpm • G Maj • 02:23 • -9.46db
35% Popularity • 39% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 39% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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The Felice Brothers
Greatest Show on Earth
79 bpm • C min • 05:30 • -8.71db
22% Popularity • 61% Danceability • 49% Energy • 8% Liveness
1% Instrumentalness • 42% Positiveness
22% Popularity • 61% Danceability • 49% Energy • 8% Liveness
1% Instrumentalness • 42% Positiveness
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The Flying Burrito Brothers
Dark End Of The Street
79 bpm • G Maj • 03:50 • -11.54db
36% Popularity • 42% Danceability • 50% Energy • 15% Liveness
2% Instrumentalness • 59% Positiveness
36% Popularity • 42% Danceability • 50% Energy • 15% Liveness
2% Instrumentalness • 59% Positiveness
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Billy Bragg
The Man in the Iron Mask
79 bpm • A min • 02:13 • -12.12db
26% Popularity • 61% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
26% Popularity • 61% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Daniel Romano
Time Forgot (To Change My Heart)
79 bpm • F# min • 04:00 • -9.09db
34% Popularity • 50% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 50% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
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Belle and Sebastian
Get Me Away from Here, I'm Dying
80 bpm • F# Maj • 03:25 • -9.59db
54% Popularity • 54% Danceability • 62% Energy • 74% Liveness
0% Instrumentalness • 70% Positiveness
54% Popularity • 54% Danceability • 62% Energy • 74% Liveness
0% Instrumentalness • 70% Positiveness
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The Be Good Tanyas
For The Turnstiles
80 bpm • F Maj • 04:26 • -8db
40% Popularity • 55% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 55% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Lambchop
Six O'clock News
80 bpm • G Maj • 04:23 • -13.22db
21% Popularity • 61% Danceability • 46% Energy • 8% Liveness
78% Instrumentalness • 22% Positiveness
21% Popularity • 61% Danceability • 46% Energy • 8% Liveness
78% Instrumentalness • 22% Positiveness
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Phil Ochs
When I'm Gone
80 bpm • D# Maj • 04:13 • -19.04db
41% Popularity • 40% Danceability • 9% Energy • 72% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 40% Danceability • 9% Energy • 72% Liveness
0% Instrumentalness • 24% Positiveness
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John Prine
Lake Marie
80 bpm • G Maj • 06:00 • -9.68db
40% Popularity • 64% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
40% Popularity • 64% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
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Justin Townes Earle
Midnight At the Movies
59 bpm • F Maj • 03:22 • -9.96db
34% Popularity • 57% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 57% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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The Felice Brothers
Love Me Tenderly
80 bpm • F# Maj • 03:40 • -7db
38% Popularity • 59% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 59% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Iris DeMent
Let the Mystery Be
80 bpm • F Maj • 02:46 • -12db
44% Popularity • 66% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
44% Popularity • 66% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Billy Bragg
Help Save the Youth of America
81 bpm • G Maj • 02:48 • -2.96db
25% Popularity • 50% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 50% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Tift Merritt
Traveling Alone
81 bpm • D Maj • 04:44 • -11db
47% Popularity • 51% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
47% Popularity • 51% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Neko Case
Buckets of Rain - Live
81 bpm • D Maj • 02:48 • -12.24db
38% Popularity • 56% Danceability • 30% Energy • 70% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 56% Danceability • 30% Energy • 70% Liveness
0% Instrumentalness • 48% Positiveness
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John Doe
I Dreamed I Saw St. Augustine
81 bpm • G Maj • 03:13 • -9.07db
13% Popularity • 66% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 66% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Joe Henry
Ohio Air Show Plane Crash
81 bpm • A Maj • 06:29 • -8.53db
11% Popularity • 67% Danceability • 71% Energy • 8% Liveness
39% Instrumentalness • 63% Positiveness
11% Popularity • 67% Danceability • 71% Energy • 8% Liveness
39% Instrumentalness • 63% Positiveness
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Van Morrison
Astral Weeks - 1999 Remaster
81 bpm • A Maj • 07:06 • -14.81db
50% Popularity • 45% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
50% Popularity • 45% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Levellers
Hope St.
81 bpm • D Maj • 03:37 • -8.76db
12% Popularity • 43% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 43% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Blaze Foley
Clay Pigeons
81 bpm • F# Maj • 03:00 • -14.62db
50% Popularity • 39% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
50% Popularity • 39% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Townes Van Zandt
Fare Thee Well, Miss Carousel
81 bpm • E Maj • 05:22 • -13.55db
46% Popularity • 55% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
46% Popularity • 55% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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The Replacements
Skyway - 2008 Remaster
83 bpm • F Maj • 02:06 • -12db
38% Popularity • 39% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 39% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Billy Bragg
I Keep Faith
83 bpm • D Maj • 04:34 • -7.59db
15% Popularity • 58% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 58% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Pete Molinari
Sweet Louise
84 bpm • A# Maj • 04:04 • -7db
22% Popularity • 53% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
22% Popularity • 53% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Donovan
To Sing for You
84 bpm • F# Maj • 02:42 • -14.56db
33% Popularity • 48% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 48% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Golden Smog
Radio King
85 bpm • G Maj • 03:09 • -12.2db
35% Popularity • 64% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 64% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Bonnie Prince Billy
Rubin and Cherise
86 bpm • F Maj • 05:46 • -5.39db
36% Popularity • 31% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
36% Popularity • 31% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
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RodrÃguez
Crucify Your Mind
85 bpm • A Maj • 02:32 • -7.77db
65% Popularity • 50% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
65% Popularity • 50% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Billy Bragg
Tomorrow's Going to Be a Better Day
85 bpm • C# min • 03:10 • -14.64db
13% Popularity • 51% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 51% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Warren Zevon
Accidentally Like a Martyr
86 bpm • G Maj • 03:06 • -8.53db
35% Popularity • 61% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 61% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
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Van Morrison
Sweet Thing - 1999 Remaster
87 bpm • E Maj • 04:25 • -14.64db
58% Popularity • 52% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
58% Popularity • 52% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Dan Reeder
Nobody Wants to Be You
87 bpm • A# Maj • 02:08 • -10.16db
27% Popularity • 48% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
27% Popularity • 48% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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Big Star
Watch The Sunrise
88 bpm • G Maj • 03:43 • -12.04db
32% Popularity • 38% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 38% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Grant Lee Buffalo
Dixie Drug Store
87 bpm • A# min • 05:08 • -14db
30% Popularity • 52% Danceability • 61% Energy • 45% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 52% Danceability • 61% Energy • 45% Liveness
0% Instrumentalness • 54% Positiveness
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Hiss Golden Messenger
Biloxi
88 bpm • A Maj • 02:51 • -6.46db
45% Popularity • 62% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
45% Popularity • 62% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Calexico
Alone Again Or - Remastered
88 bpm • D Maj • 03:24 • -8.67db
36% Popularity • 49% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
36% Popularity • 49% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Billy Bragg
Waiting for the Great Leap Forwards
88 bpm • C# min • 04:36 • -6.99db
38% Popularity • 43% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 43% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Joe Henry
Trampoline
89 bpm • C Maj • 04:33 • -9.8db
17% Popularity • 73% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 73% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Peter Case
On The Way Downtown
88 bpm • D Maj • 03:36 • -13db
14% Popularity • 51% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 51% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Uncle Tupelo
Slate
89 bpm • D Maj • 03:24 • -9.96db
25% Popularity • 29% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 29% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Joe Strummer
Tennessee Rain
89 bpm • C Maj • 02:55 • -16db
27% Popularity • 58% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 58% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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The Waterboys
And a Bang on the Ear - Extended
91 bpm • G Maj • 09:14 • -5db
36% Popularity • 57% Danceability • 84% Energy • 19% Liveness
3% Instrumentalness • 88% Positiveness
36% Popularity • 57% Danceability • 84% Energy • 19% Liveness
3% Instrumentalness • 88% Positiveness
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Billy Bragg
Handyman Blues
89 bpm • G Maj • 03:03 • -13.03db
19% Popularity • 66% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
19% Popularity • 66% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
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Ron Sexsmith
Lebanon, Tennessee
91 bpm • D Maj • 02:57 • -11.08db
31% Popularity • 67% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 67% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Richard Buckner
Blue and Wonder
91 bpm • D Maj • 03:47 • -6.85db
28% Popularity • 41% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 41% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Old 97's
Valentine
92 bpm • A# Maj • 03:08 • -10.58db
24% Popularity • 60% Danceability • 42% Energy • 9% Liveness
1% Instrumentalness • 43% Positiveness
24% Popularity • 60% Danceability • 42% Energy • 9% Liveness
1% Instrumentalness • 43% Positiveness
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Joe Strummer
Long Shadow
92 bpm • G Maj • 03:34 • -9.6db
29% Popularity • 70% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 70% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Scud Mountain Boys
In A Ditch
92 bpm • D Maj • 02:42 • -10.89db
19% Popularity • 63% Danceability • 41% Energy • 7% Liveness
1% Instrumentalness • 55% Positiveness
19% Popularity • 63% Danceability • 41% Energy • 7% Liveness
1% Instrumentalness • 55% Positiveness
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Billy Bragg
In the Pines
92 bpm • A# Maj • 03:31 • -9.23db
15% Popularity • 56% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 56% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Blitzen Trapper
Furr
92 bpm • D Maj • 04:07 • -10.66db
60% Popularity • 57% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
60% Popularity • 57% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Badly Drawn Boy
The Shining
93 bpm • E Maj • 05:18 • -14db
44% Popularity • 42% Danceability • 20% Energy • 14% Liveness
3% Instrumentalness • 18% Positiveness
44% Popularity • 42% Danceability • 20% Energy • 14% Liveness
3% Instrumentalness • 18% Positiveness
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Jay Farrar
Hanging On To You
93 bpm • C Maj • 02:51 • -9.01db
28% Popularity • 50% Danceability • 43% Energy • 11% Liveness
19% Instrumentalness • 31% Positiveness
28% Popularity • 50% Danceability • 43% Energy • 11% Liveness
19% Instrumentalness • 31% Positiveness
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The Byrds
Wasn't Born to Follow
93 bpm • G Maj • 02:03 • -8.85db
49% Popularity • 48% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
49% Popularity • 48% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Ron Sexsmith
Cheap Hotel
93 bpm • G# Maj • 02:18 • -10.2db
26% Popularity • 54% Danceability • 47% Energy • 15% Liveness
31% Instrumentalness • 55% Positiveness
26% Popularity • 54% Danceability • 47% Energy • 15% Liveness
31% Instrumentalness • 55% Positiveness
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John Martyn
Over The Hill
94 bpm • A min • 02:52 • -13.01db
50% Popularity • 61% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
50% Popularity • 61% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Laura Marling
Rambling Man
94 bpm • F Maj • 03:16 • -8.89db
44% Popularity • 48% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
44% Popularity • 48% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Golden Smog
Listen Joe
94 bpm • G min • 05:12 • -12.13db
9% Popularity • 48% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 21% Positiveness
9% Popularity • 48% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 21% Positiveness
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Elvis Costello
Brilliant Mistake
95 bpm • C Maj • 03:45 • -6.09db
37% Popularity • 61% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 61% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Warren Zevon
Carmelita
94 bpm • E Maj • 03:34 • -14db
48% Popularity • 74% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 74% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Ron Sexsmith
Heart With No Companion
95 bpm • C# Maj • 03:09 • -13.21db
25% Popularity • 63% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 63% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Billy Bragg
There Is Power in a Union
95 bpm • G Maj • 02:48 • -5.4db
37% Popularity • 45% Danceability • 54% Energy • 44% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 45% Danceability • 54% Energy • 44% Liveness
0% Instrumentalness • 55% Positiveness
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Laura Marling
Sophia
96 bpm • A Maj • 04:51 • -9.73db
30% Popularity • 36% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 36% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Okkervil River
John Allyn Smith Sails
95 bpm • E Maj • 04:33 • -8.03db
29% Popularity • 35% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 35% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 37% Positiveness
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Elvis Costello
Little Palaces
95 bpm • G Maj • 03:49 • -10.26db
23% Popularity • 62% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 62% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Mark Mulcahy
Hey Self Defeater
96 bpm • G Maj • 04:21 • -8.5db
10% Popularity • 62% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 62% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Ron Sexsmith
Words We Never Use
95 bpm • D Maj • 03:03 • -12.94db
25% Popularity • 57% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 57% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Kurt Vile
Rollin With The Flow
96 bpm • D Maj • 02:59 • -7db
42% Popularity • 56% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 56% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
