Songs like Reminisce in D by kvíðahópur
Based on a tempo of (+/- 10%) and a similar genre
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kvÃðahópur
Reminisce in D
127 bpm • D min • 02:14 • -18.94db
26% Popularity • 35% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
26% Popularity • 35% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
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Ben Laver
Keeper
127 bpm • C Maj • 04:57 • -24db
36% Popularity • 27% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
36% Popularity • 27% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Ageena
Finally You Needed Me
126 bpm • D Maj • 03:46 • -28.75db
35% Popularity • 19% Danceability • 4% Energy • 10% Liveness
83% Instrumentalness • 17% Positiveness
35% Popularity • 19% Danceability • 4% Energy • 10% Liveness
83% Instrumentalness • 17% Positiveness
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Chad Lawson
I Should Be Sleeping
127 bpm • F Maj • 03:18 • -25.49db
30% Popularity • 48% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 25% Positiveness
30% Popularity • 48% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 25% Positiveness
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Una Luna
Neuland
128 bpm • A Maj • 02:30 • -24.18db
38% Popularity • 45% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
38% Popularity • 45% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
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Pergélisol
Tulita Skies
126 bpm • G min • 03:45 • -23.09db
32% Popularity • 32% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
32% Popularity • 32% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Daigo Hanada
Butterfly
128 bpm • C min • 02:07 • -23.9db
44% Popularity • 38% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 52% Positiveness
44% Popularity • 38% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 52% Positiveness
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Nowi
Hearts of Gold
128 bpm • F min • 04:53 • -22.1db
14% Popularity • 44% Danceability • 9% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
14% Popularity • 44% Danceability • 9% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Dmitry Evgrafov
Anthem
126 bpm • G Maj • 03:03 • -33.93db
40% Popularity • 27% Danceability • 1% Energy • 16% Liveness
91% Instrumentalness • 6% Positiveness
40% Popularity • 27% Danceability • 1% Energy • 16% Liveness
91% Instrumentalness • 6% Positiveness
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Silver Maple
Serene Solitude
126 bpm • A Maj • 02:14 • -23.84db
32% Popularity • 24% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
32% Popularity • 24% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Martin Landh
Angel Song
128 bpm • D# min • 03:01 • -19db
39% Popularity • 41% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
39% Popularity • 41% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
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Piotr Miteska
A Drift in Time
125 bpm • G Maj • 02:40 • -26.63db
34% Popularity • 36% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
34% Popularity • 36% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
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They Dream By Day
You Have Done Well
125 bpm • C Maj • 04:12 • -16.22db
25% Popularity • 21% Danceability • 13% Energy • 36% Liveness
92% Instrumentalness • 8% Positiveness
25% Popularity • 21% Danceability • 13% Energy • 36% Liveness
92% Instrumentalness • 8% Positiveness
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Alan Ellis
What Made Us Feel Human
125 bpm • C Maj • 02:12 • -20.45db
35% Popularity • 35% Danceability • 20% Energy • 36% Liveness
88% Instrumentalness • 4% Positiveness
35% Popularity • 35% Danceability • 20% Energy • 36% Liveness
88% Instrumentalness • 4% Positiveness
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SigrÃður
Welcome Home
129 bpm • D min • 04:12 • -27.25db
37% Popularity • 23% Danceability • 9% Energy • 12% Liveness
86% Instrumentalness • 20% Positiveness
37% Popularity • 23% Danceability • 9% Energy • 12% Liveness
86% Instrumentalness • 20% Positiveness
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Figgy Malone
Embrace Life
125 bpm • E Maj • 03:54 • -22.61db
23% Popularity • 59% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 35% Positiveness
23% Popularity • 59% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 35% Positiveness
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Wolfgang Snow
Silk And Honey
129 bpm • C Maj • 03:20 • -23.67db
34% Popularity • 52% Danceability • 14% Energy • 14% Liveness
88% Instrumentalness • 21% Positiveness
34% Popularity • 52% Danceability • 14% Energy • 14% Liveness
88% Instrumentalness • 21% Positiveness
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David Wingo
Escape
130 bpm • G Maj • 01:25 • -23.4db
22% Popularity • 43% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
22% Popularity • 43% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Mabelle Jonsson
You Are Here
130 bpm • D# min • 02:10 • -25.07db
27% Popularity • 48% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
27% Popularity • 48% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Moux
Chasing Stars
124 bpm • C Maj • 02:22 • -30.85db
46% Popularity • 48% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 11% Positiveness
46% Popularity • 48% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 11% Positiveness
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Peter Sandberg
Synesthesia (Scaled Down Version)
130 bpm • A Maj • 01:54 • -22db
53% Popularity • 68% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
53% Popularity • 68% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
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Nucleus A.D.
Beyond Voyager - Ambient Mix
124 bpm • G min • 03:37 • -18.96db
23% Popularity • 32% Danceability • 25% Energy • 10% Liveness
99% Instrumentalness • 10% Positiveness
23% Popularity • 32% Danceability • 25% Energy • 10% Liveness
99% Instrumentalness • 10% Positiveness
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Voyager
Into the Unknown
124 bpm • G Maj • 03:31 • -19.91db
22% Popularity • 34% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
22% Popularity • 34% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Lucina Chase
At Peace
130 bpm • C Maj • 01:58 • -23db
11% Popularity • 39% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 18% Positiveness
11% Popularity • 39% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 18% Positiveness
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Rick Jolt
One With You
124 bpm • D Maj • 02:13 • -26db
40% Popularity • 27% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 28% Positiveness
40% Popularity • 27% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 28% Positiveness
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Mabelle Jonsson
Touching The Void
124 bpm • D# Maj • 02:15 • -25.13db
14% Popularity • 25% Danceability • 3% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
14% Popularity • 25% Danceability • 3% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
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Rhiannon Bannenberg
For Stormboy
123 bpm • G# min • 01:36 • -29.13db
52% Popularity • 20% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
52% Popularity • 20% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
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Vincent & A Secret
Nr. 17
131 bpm • C# Maj • 02:25 • -22.73db
16% Popularity • 36% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 20% Positiveness
16% Popularity • 36% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 20% Positiveness
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Levi Stills
Intermezzo
132 bpm • C min • 02:02 • -23.82db
40% Popularity • 62% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 57% Positiveness
40% Popularity • 62% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 57% Positiveness
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Alex Couture
Dreaming Deeper
123 bpm • A min • 03:43 • -32.7db
37% Popularity • 18% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
37% Popularity • 18% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Otto Wahl
Awakening
122 bpm • A# min • 03:00 • -26.76db
17% Popularity • 42% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
17% Popularity • 42% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Cecilie Noer
Ouvre
122 bpm • A min • 02:17 • -17.01db
23% Popularity • 35% Danceability • 24% Energy • 31% Liveness
87% Instrumentalness • 10% Positiveness
23% Popularity • 35% Danceability • 24% Energy • 31% Liveness
87% Instrumentalness • 10% Positiveness
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Chad Lawson
The Broad Sun
122 bpm • D# Maj • 03:28 • -35.34db
34% Popularity • 35% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 28% Positiveness
34% Popularity • 35% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 28% Positiveness
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LUCHS
Lupine (Scaled Down Version)
132 bpm • D Maj • 02:27 • -26.48db
29% Popularity • 53% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 49% Positiveness
29% Popularity • 53% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 49% Positiveness
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Angus MacRae
Mirror Lake
132 bpm • G# Maj • 04:31 • -21db
48% Popularity • 40% Danceability • 10% Energy • 16% Liveness
93% Instrumentalness • 17% Positiveness
48% Popularity • 40% Danceability • 10% Energy • 16% Liveness
93% Instrumentalness • 17% Positiveness
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Trevor Kowalski
Frontiers Are Where You Find Them
133 bpm • C Maj • 03:13 • -24.72db
32% Popularity • 17% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
32% Popularity • 17% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
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Daigo Hanada
And This Is How It Ends
133 bpm • C# min • 04:09 • -25.42db
31% Popularity • 42% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 18% Positiveness
31% Popularity • 42% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 18% Positiveness
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Levi Patel
A Careful Tearing
121 bpm • C Maj • 03:42 • -28.18db
23% Popularity • 42% Danceability • 2% Energy • 18% Liveness
93% Instrumentalness • 20% Positiveness
23% Popularity • 42% Danceability • 2% Energy • 18% Liveness
93% Instrumentalness • 20% Positiveness
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Figaro Castello
Daybreak
133 bpm • C Maj • 02:14 • -22.01db
34% Popularity • 51% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
34% Popularity • 51% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
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James Spiteri
Rain
133 bpm • A Maj • 03:33 • -21.8db
33% Popularity • 34% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
33% Popularity • 34% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
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Dolores Fernel
Relaxing Elevation
133 bpm • C# Maj • 02:00 • -23.15db
25% Popularity • 24% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 15% Positiveness
25% Popularity • 24% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 15% Positiveness
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Karin Borg
Norrsken
134 bpm • C min • 01:35 • -22.4db
48% Popularity • 28% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
48% Popularity • 28% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Silver Maple
This Delicate Place (Scaled Down Version...
120 bpm • G Maj • 02:40 • -25.64db
34% Popularity • 60% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 21% Positiveness
34% Popularity • 60% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 21% Positiveness
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Jonatan Mollberg
Attic Romance
134 bpm • A Maj • 02:38 • -33.1db
14% Popularity • 33% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 10% Positiveness
14% Popularity • 33% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 10% Positiveness
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Hushed
By Night
134 bpm • C min • 03:58 • -17.02db
28% Popularity • 24% Danceability • 24% Energy • 13% Liveness
92% Instrumentalness • 6% Positiveness
28% Popularity • 24% Danceability • 24% Energy • 13% Liveness
92% Instrumentalness • 6% Positiveness
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Eucalyptic
The Slide
134 bpm • G# min • 02:54 • -17.18db
22% Popularity • 28% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
22% Popularity • 28% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
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Eroded Sky
Fusion
120 bpm • B min • 03:47 • -16.93db
34% Popularity • 55% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
34% Popularity • 55% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
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Gavin Luke
At First Light
120 bpm • A Maj • 02:08 • -21.97db
29% Popularity • 48% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
29% Popularity • 48% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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August Wilhelmsson
Going, Going
120 bpm • C# min • 02:13 • -24.11db
36% Popularity • 46% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
36% Popularity • 46% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Omer Bresler
Faded
120 bpm • A min • 02:14 • -24.06db
32% Popularity • 56% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
32% Popularity • 56% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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Hushed
Lanterns
120 bpm • E Maj • 03:20 • -23.17db
38% Popularity • 45% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
38% Popularity • 45% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
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Clem Leek
Rogers Park
120 bpm • A min • 03:38 • -22db
17% Popularity • 50% Danceability • 17% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
17% Popularity • 50% Danceability • 17% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
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Ageena
Derelict Storms
120 bpm • C Maj • 03:44 • -28.66db
31% Popularity • 26% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
31% Popularity • 26% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
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Ambientalism
Carried By Waves
120 bpm • C Maj • 04:44 • -16.67db
21% Popularity • 47% Danceability • 25% Energy • 12% Liveness
90% Instrumentalness • 17% Positiveness
21% Popularity • 47% Danceability • 25% Energy • 12% Liveness
90% Instrumentalness • 17% Positiveness
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August Wilhelmsson
There Is No Me
120 bpm • C Maj • 02:20 • -21.04db
26% Popularity • 40% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
26% Popularity • 40% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
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Manos Milonakis
Dressing
120 bpm • D# Maj • 02:02 • -16.59db
25% Popularity • 35% Danceability • 22% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
25% Popularity • 35% Danceability • 22% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Eagle Lake
Passeggiata
120 bpm • D Maj • 01:49 • -19.54db
21% Popularity • 67% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 10% Positiveness
21% Popularity • 67% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 10% Positiveness
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Ossie Woods
Les Nouveaux Riches
120 bpm • G Maj • 04:49 • -25.23db
14% Popularity • 46% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
14% Popularity • 46% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Joaqin Trudet
Désabusé
120 bpm • D min • 02:27 • -24.51db
33% Popularity • 54% Danceability • 5% Energy • 12% Liveness
87% Instrumentalness • 13% Positiveness
33% Popularity • 54% Danceability • 5% Energy • 12% Liveness
87% Instrumentalness • 13% Positiveness
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Slow Meadow
Quintana
120 bpm • B min • 04:15 • -18db
28% Popularity • 39% Danceability • 6% Energy • 7% Liveness
74% Instrumentalness • 12% Positiveness
28% Popularity • 39% Danceability • 6% Energy • 7% Liveness
74% Instrumentalness • 12% Positiveness
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August Wilhelmsson
Dreams Of Another Reality
120 bpm • C min • 03:10 • -20.34db
35% Popularity • 57% Danceability • 23% Energy • 15% Liveness
93% Instrumentalness • 26% Positiveness
35% Popularity • 57% Danceability • 23% Energy • 15% Liveness
93% Instrumentalness • 26% Positiveness
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Wolfgang Snow
Lakeshore
135 bpm • D Maj • 02:30 • -17db
39% Popularity • 62% Danceability • 12% Energy • 11% Liveness
83% Instrumentalness • 13% Positiveness
39% Popularity • 62% Danceability • 12% Energy • 11% Liveness
83% Instrumentalness • 13% Positiveness
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Lo Mimieux
Nightingale (Scaled Down Version)
135 bpm • C Maj • 02:08 • -15.42db
44% Popularity • 40% Danceability • 24% Energy • 16% Liveness
75% Instrumentalness • 26% Positiveness
44% Popularity • 40% Danceability • 24% Energy • 16% Liveness
75% Instrumentalness • 26% Positiveness
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Levi Patel
As She Passes
119 bpm • G# Maj • 03:43 • -20.43db
31% Popularity • 48% Danceability • 6% Energy • 8% Liveness
81% Instrumentalness • 21% Positiveness
31% Popularity • 48% Danceability • 6% Energy • 8% Liveness
81% Instrumentalness • 21% Positiveness
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Martin Gauffin
Curses
135 bpm • F# min • 02:20 • -23.62db
24% Popularity • 16% Danceability • 6% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 6% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Bela Nemeth
Talisman Stallion
136 bpm • F Maj • 02:00 • -22.87db
22% Popularity • 46% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 23% Positiveness
22% Popularity • 46% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 23% Positiveness
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James Spiteri
Easy To Let Go
118 bpm • C# Maj • 03:53 • -22.11db
37% Popularity • 36% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 20% Positiveness
37% Popularity • 36% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 20% Positiveness
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Bruno Sanfilippo
Piano Textures 3 V
118 bpm • A# Maj • 06:16 • -16.24db
16% Popularity • 26% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
16% Popularity • 26% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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Elise Magnefold
Heavenly
136 bpm • C min • 02:59 • -24db
39% Popularity • 20% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 7% Positiveness
39% Popularity • 20% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 7% Positiveness
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Levi Patel
And She Translated Into the Sky
119 bpm • D min • 07:22 • -17.95db
31% Popularity • 17% Danceability • 6% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
31% Popularity • 17% Danceability • 6% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Kylian Rebour
Fields
118 bpm • C min • 02:03 • -20.72db
32% Popularity • 38% Danceability • 1% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
32% Popularity • 38% Danceability • 1% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
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La-Mu
Reverse Pads
137 bpm • C min • 03:34 • -38.33db
18% Popularity • 15% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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James Spiteri
The Forest
118 bpm • B Maj • 06:15 • -15.81db
36% Popularity • 33% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
36% Popularity • 33% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
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Oscar Collin
Near Peripheral
137 bpm • D Maj • 02:29 • -22.77db
27% Popularity • 15% Danceability • 4% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 15% Danceability • 4% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Gavin Luke
Luster
118 bpm • F min • 02:33 • -21.99db
35% Popularity • 40% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
35% Popularity • 40% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
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Ceilidh
The Plains of Dover
118 bpm • G Maj • 03:11 • -17db
18% Popularity • 49% Danceability • 41% Energy • 12% Liveness
84% Instrumentalness • 34% Positiveness
18% Popularity • 49% Danceability • 41% Energy • 12% Liveness
84% Instrumentalness • 34% Positiveness
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Slow Meadow
Blue Aubade
138 bpm • A min • 05:14 • -18.57db
29% Popularity • 20% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 20% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Mabelle Jonsson
And Then Stillness
138 bpm • E min • 02:00 • -31db
24% Popularity • 26% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
24% Popularity • 26% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
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LUCHS
Now It's Over. Now I'm Awake.
137 bpm • G Maj • 02:20 • -19db
35% Popularity • 19% Danceability • 11% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
35% Popularity • 19% Danceability • 11% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Oscar Collin
In Nadir
137 bpm • G# Maj • 02:21 • -27.14db
18% Popularity • 15% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 8% Positiveness
18% Popularity • 15% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 8% Positiveness
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Emily Rubye
Sad News
138 bpm • D Maj • 02:09 • -28.1db
29% Popularity • 16% Danceability • 1% Energy • 11% Liveness
46% Instrumentalness • 4% Positiveness
29% Popularity • 16% Danceability • 1% Energy • 11% Liveness
46% Instrumentalness • 4% Positiveness
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Ceilidh
Suaimhneas
117 bpm • B min • 03:31 • -20db
42% Popularity • 22% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
42% Popularity • 22% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Julien Marchal
Insight XIX
138 bpm • C Maj • 02:32 • -24.98db
22% Popularity • 40% Danceability • 4% Energy • 13% Liveness
87% Instrumentalness • 8% Positiveness
22% Popularity • 40% Danceability • 4% Energy • 13% Liveness
87% Instrumentalness • 8% Positiveness
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Lo Mimieux
Berceuse (Scaled Down Version)
138 bpm • A# min • 02:30 • -16.4db
44% Popularity • 38% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 22% Positiveness
44% Popularity • 38% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 22% Positiveness
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Jonatan Mollberg
Isle Of Water
117 bpm • F Maj • 02:23 • -24db
33% Popularity • 39% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
33% Popularity • 39% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
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Daigo Hanada
Ouka
117 bpm • A# min • 03:33 • -30db
25% Popularity • 22% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
25% Popularity • 22% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
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Maree Docia
At Last, Sunrise
138 bpm • B Maj • 02:02 • -30db
44% Popularity • 56% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 17% Positiveness
44% Popularity • 56% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 17% Positiveness
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Heinz Goldblatt
Traveling
117 bpm • A# Maj • 01:59 • -20db
33% Popularity • 43% Danceability • 17% Energy • 12% Liveness
96% Instrumentalness • 8% Positiveness
33% Popularity • 43% Danceability • 17% Energy • 12% Liveness
96% Instrumentalness • 8% Positiveness
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Rand Aldo
Aim For The Stars
116 bpm • D# Maj • 02:22 • -17db
34% Popularity • 50% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
34% Popularity • 50% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
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Ebb & Flod
Luna
116 bpm • C# min • 02:28 • -19db
37% Popularity • 30% Danceability • 28% Energy • 14% Liveness
95% Instrumentalness • 22% Positiveness
37% Popularity • 30% Danceability • 28% Energy • 14% Liveness
95% Instrumentalness • 22% Positiveness
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Mabelle Jonsson
Find Me Again
116 bpm • C Maj • 01:55 • -30.77db
21% Popularity • 42% Danceability • 2% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
21% Popularity • 42% Danceability • 2% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
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Gavin Luke
Who We Are
116 bpm • D min • 03:21 • -21db
25% Popularity • 47% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
25% Popularity • 47% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Moldoni
Cornfield Chase
116 bpm • A min • 02:42 • -13.12db
35% Popularity • 41% Danceability • 23% Energy • 32% Liveness
93% Instrumentalness • 13% Positiveness
35% Popularity • 41% Danceability • 23% Energy • 32% Liveness
93% Instrumentalness • 13% Positiveness
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Clem Leek
Breaking Down
116 bpm • D min • 03:04 • -21db
28% Popularity • 48% Danceability • 8% Energy • 18% Liveness
89% Instrumentalness • 13% Positiveness
28% Popularity • 48% Danceability • 8% Energy • 18% Liveness
89% Instrumentalness • 13% Positiveness
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Aaron Lansing
Faded Dreams
116 bpm • A min • 01:51 • -33db
39% Popularity • 40% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 14% Positiveness
39% Popularity • 40% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 14% Positiveness
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Oneke
Rays of Hope
139 bpm • D min • 02:01 • -22.44db
28% Popularity • 23% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
28% Popularity • 23% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
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Józef Gatysik
Evolutionistically yours
116 bpm • F Maj • 02:40 • -32db
24% Popularity • 32% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 11% Positiveness
24% Popularity • 32% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 11% Positiveness
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Deep Inside
A Glowing Heart
140 bpm • C Maj • 01:59 • -34.71db
30% Popularity • 14% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
