Songs like Requiem - Exis Remix by Mark Sixma
Based on a tempo of (+/- 10%) and a similar genre
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Eugenio Tokarev
Resonator
138 bpm • G# min • 03:25 • -5.56db
16% Popularity • 46% Danceability • 99% Energy • 82% Liveness
83% Instrumentalness • 12% Positiveness
16% Popularity • 46% Danceability • 99% Energy • 82% Liveness
83% Instrumentalness • 12% Positiveness
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Splinta
Shock Therapy (Mix Cut) - Rising Altitud...
138 bpm • B min • 02:38 • -9db
21% Popularity • 67% Danceability • 91% Energy • 50% Liveness
31% Instrumentalness • 16% Positiveness
21% Popularity • 67% Danceability • 91% Energy • 50% Liveness
31% Instrumentalness • 16% Positiveness
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Key4050
Utterly Butterly
138 bpm • F Maj • 04:15 • -10.21db
23% Popularity • 54% Danceability • 88% Energy • 5% Liveness
87% Instrumentalness • 10% Positiveness
23% Popularity • 54% Danceability • 88% Energy • 5% Liveness
87% Instrumentalness • 10% Positiveness
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Mark Sixma
Requiem - Mark Sixma presents M6 Remix
138 bpm • F min • 02:48 • -7.33db
17% Popularity • 58% Danceability • 92% Energy • 29% Liveness
73% Instrumentalness • 11% Positiveness
17% Popularity • 58% Danceability • 92% Energy • 29% Liveness
73% Instrumentalness • 11% Positiveness
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Exis
Orchestral Acid
138 bpm • B min • 03:21 • -5.53db
24% Popularity • 57% Danceability • 97% Energy • 10% Liveness
90% Instrumentalness • 31% Positiveness
24% Popularity • 57% Danceability • 97% Energy • 10% Liveness
90% Instrumentalness • 31% Positiveness
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Shinovi
Kumai (ASOT 865)
138 bpm • E min • 03:02 • -12db
10% Popularity • 30% Danceability • 86% Energy • 18% Liveness
27% Instrumentalness • 6% Positiveness
10% Popularity • 30% Danceability • 86% Energy • 18% Liveness
27% Instrumentalness • 6% Positiveness
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Driftmoon
Howl At the Moon - Original Mix
138 bpm • A min • 08:59 • -7.15db
23% Popularity • 45% Danceability • 97% Energy • 3% Liveness
83% Instrumentalness • 34% Positiveness
23% Popularity • 45% Danceability • 97% Energy • 3% Liveness
83% Instrumentalness • 34% Positiveness
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Sean Mathews
Claire
138 bpm • C# Maj • 03:37 • -5.61db
21% Popularity • 44% Danceability • 99% Energy • 10% Liveness
94% Instrumentalness • 32% Positiveness
21% Popularity • 44% Danceability • 99% Energy • 10% Liveness
94% Instrumentalness • 32% Positiveness
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Key4050
Equinox
138 bpm • D Maj • 05:53 • -8.54db
23% Popularity • 61% Danceability • 83% Energy • 13% Liveness
93% Instrumentalness • 7% Positiveness
23% Popularity • 61% Danceability • 83% Energy • 13% Liveness
93% Instrumentalness • 7% Positiveness
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Carroch
Giratina (Exis Remix)
138 bpm • D Maj • 03:14 • -5.35db
24% Popularity • 41% Danceability • 87% Energy • 22% Liveness
86% Instrumentalness • 10% Positiveness
24% Popularity • 41% Danceability • 87% Energy • 22% Liveness
86% Instrumentalness • 10% Positiveness
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Arctic Moon
Dragonborn - Extended Mix
138 bpm • F# min • 06:43 • -6.51db
8% Popularity • 54% Danceability • 93% Energy • 56% Liveness
82% Instrumentalness • 8% Positiveness
8% Popularity • 54% Danceability • 93% Energy • 56% Liveness
82% Instrumentalness • 8% Positiveness
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Sholan
Bring The Noise
138 bpm • F# min • 03:20 • -7db
12% Popularity • 51% Danceability • 95% Energy • 35% Liveness
88% Instrumentalness • 42% Positiveness
12% Popularity • 51% Danceability • 95% Energy • 35% Liveness
88% Instrumentalness • 42% Positiveness
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Jordan Suckley
Tranceformations Anthem 2020
138 bpm • A# min • 02:57 • -5.2db
18% Popularity • 45% Danceability • 96% Energy • 5% Liveness
86% Instrumentalness • 22% Positiveness
18% Popularity • 45% Danceability • 96% Energy • 5% Liveness
86% Instrumentalness • 22% Positiveness
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Whiteout
ADSR (ASOT 1121)
138 bpm • E Maj • 01:50 • -7.88db
20% Popularity • 50% Danceability • 94% Energy • 64% Liveness
59% Instrumentalness • 4% Positiveness
20% Popularity • 50% Danceability • 94% Energy • 64% Liveness
59% Instrumentalness • 4% Positiveness
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Alex Di Stefano
Rolling Thunder
138 bpm • C# Maj • 03:58 • -6db
8% Popularity • 39% Danceability • 99% Energy • 73% Liveness
94% Instrumentalness • 11% Positiveness
8% Popularity • 39% Danceability • 99% Energy • 73% Liveness
94% Instrumentalness • 11% Positiveness
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Mark Sixma
Bad Dreams
138 bpm • C# Maj • 02:44 • -5.93db
18% Popularity • 46% Danceability • 78% Energy • 51% Liveness
85% Instrumentalness • 19% Positiveness
18% Popularity • 46% Danceability • 78% Energy • 51% Liveness
85% Instrumentalness • 19% Positiveness
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DRYM
Zeus
138 bpm • D# min • 03:10 • -6db
12% Popularity • 43% Danceability • 89% Energy • 24% Liveness
12% Instrumentalness • 25% Positiveness
12% Popularity • 43% Danceability • 89% Energy • 24% Liveness
12% Instrumentalness • 25% Positiveness
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Shinovi
Indian Summer - Extended Mix
138 bpm • A Maj • 06:01 • -6db
8% Popularity • 70% Danceability • 71% Energy • 8% Liveness
86% Instrumentalness • 11% Positiveness
8% Popularity • 70% Danceability • 71% Energy • 8% Liveness
86% Instrumentalness • 11% Positiveness
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The Space Brothers
Shine - Jorn van Deynhoven Remix
138 bpm • A min • 03:26 • -7db
26% Popularity • 41% Danceability • 100% Energy • 59% Liveness
21% Instrumentalness • 6% Positiveness
26% Popularity • 41% Danceability • 100% Energy • 59% Liveness
21% Instrumentalness • 6% Positiveness
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MaRLo
Hold It Together - Exis Remix
138 bpm • F min • 02:36 • -4.06db
14% Popularity • 70% Danceability • 96% Energy • 46% Liveness
30% Instrumentalness • 6% Positiveness
14% Popularity • 70% Danceability • 96% Energy • 46% Liveness
30% Instrumentalness • 6% Positiveness
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Nitrous Oxide
Solstice
138 bpm • C# min • 03:55 • -7db
16% Popularity • 46% Danceability • 90% Energy • 34% Liveness
96% Instrumentalness • 19% Positiveness
16% Popularity • 46% Danceability • 90% Energy • 34% Liveness
96% Instrumentalness • 19% Positiveness
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Ultra Shock
The Sound Of E - Jorn van Deynhoven Exte...
138 bpm • G Maj • 06:41 • -7db
10% Popularity • 62% Danceability • 86% Energy • 65% Liveness
92% Instrumentalness • 8% Positiveness
10% Popularity • 62% Danceability • 86% Energy • 65% Liveness
92% Instrumentalness • 8% Positiveness
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Jak Aggas
Russian Roulette
138 bpm • C Maj • 03:20 • -8.76db
30% Popularity • 45% Danceability • 81% Energy • 6% Liveness
81% Instrumentalness • 14% Positiveness
30% Popularity • 45% Danceability • 81% Energy • 6% Liveness
81% Instrumentalness • 14% Positiveness
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Adam Taylor
Collision Therapy
138 bpm • G Maj • 03:21 • -3.63db
20% Popularity • 50% Danceability • 98% Energy • 16% Liveness
95% Instrumentalness • 9% Positiveness
20% Popularity • 50% Danceability • 98% Energy • 16% Liveness
95% Instrumentalness • 9% Positiveness
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Lostly
Empty The Tanks
138 bpm • G# min • 03:53 • -5.61db
7% Popularity • 53% Danceability • 99% Energy • 29% Liveness
67% Instrumentalness • 19% Positiveness
7% Popularity • 53% Danceability • 99% Energy • 29% Liveness
67% Instrumentalness • 19% Positiveness
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Tempo Giusto
Dakini
138 bpm • F# min • 03:33 • -2.83db
12% Popularity • 63% Danceability • 98% Energy • 7% Liveness
66% Instrumentalness • 90% Positiveness
12% Popularity • 63% Danceability • 98% Energy • 7% Liveness
66% Instrumentalness • 90% Positiveness
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Arctic Moon
Quantum Realm
138 bpm • A min • 04:24 • -5.85db
24% Popularity • 52% Danceability • 90% Energy • 53% Liveness
94% Instrumentalness • 9% Positiveness
24% Popularity • 52% Danceability • 90% Energy • 53% Liveness
94% Instrumentalness • 9% Positiveness
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Ultra Shock
The Sound Of E - Jorn van Deynhoven Remi...
138 bpm • A# Maj • 03:25 • -7db
22% Popularity • 59% Danceability • 87% Energy • 94% Liveness
92% Instrumentalness • 4% Positiveness
22% Popularity • 59% Danceability • 87% Energy • 94% Liveness
92% Instrumentalness • 4% Positiveness
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Alex Wright
Gem State
138 bpm • D Maj • 04:19 • -5.24db
12% Popularity • 43% Danceability • 99% Energy • 41% Liveness
91% Instrumentalness • 17% Positiveness
12% Popularity • 43% Danceability • 99% Energy • 41% Liveness
91% Instrumentalness • 17% Positiveness
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Roger Shah
Patong Beach
138 bpm • C Maj • 03:44 • -4.95db
14% Popularity • 12% Danceability • 97% Energy • 22% Liveness
96% Instrumentalness • 37% Positiveness
14% Popularity • 12% Danceability • 97% Energy • 22% Liveness
96% Instrumentalness • 37% Positiveness
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Alex Di Stefano
Lions Rock
138 bpm • G min • 03:44 • -5.89db
13% Popularity • 31% Danceability • 99% Energy • 73% Liveness
93% Instrumentalness • 9% Positiveness
13% Popularity • 31% Danceability • 99% Energy • 73% Liveness
93% Instrumentalness • 9% Positiveness
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Shinovi
El Dorado
138 bpm • D Maj • 02:43 • -4.72db
13% Popularity • 69% Danceability • 98% Energy • 30% Liveness
62% Instrumentalness • 23% Positiveness
13% Popularity • 69% Danceability • 98% Energy • 30% Liveness
62% Instrumentalness • 23% Positiveness
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Frank T.R.A.X.
Nebuchan - Radion6 Remix
138 bpm • D min • 02:52 • -5.75db
31% Popularity • 46% Danceability • 88% Energy • 22% Liveness
95% Instrumentalness • 36% Positiveness
31% Popularity • 46% Danceability • 88% Energy • 22% Liveness
95% Instrumentalness • 36% Positiveness
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Arctic Moon
Cool In My Disaster
138 bpm • G min • 04:14 • -5db
37% Popularity • 49% Danceability • 96% Energy • 19% Liveness
1% Instrumentalness • 4% Positiveness
37% Popularity • 49% Danceability • 96% Energy • 19% Liveness
1% Instrumentalness • 4% Positiveness
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M.I.K.E. Push
Friends Of The Light
138 bpm • B min • 04:10 • -8.17db
25% Popularity • 61% Danceability • 85% Energy • 9% Liveness
85% Instrumentalness • 74% Positiveness
25% Popularity • 61% Danceability • 85% Energy • 9% Liveness
85% Instrumentalness • 74% Positiveness
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A.r.d.i.
Heart & Soul
138 bpm • A# min • 03:20 • -5.49db
14% Popularity • 46% Danceability • 100% Energy • 18% Liveness
90% Instrumentalness • 10% Positiveness
14% Popularity • 46% Danceability • 100% Energy • 18% Liveness
90% Instrumentalness • 10% Positiveness
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Jordan Suckley
Pursuit
138 bpm • F min • 03:53 • -2.94db
15% Popularity • 55% Danceability • 95% Energy • 12% Liveness
80% Instrumentalness • 31% Positiveness
15% Popularity • 55% Danceability • 95% Energy • 12% Liveness
80% Instrumentalness • 31% Positiveness
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Shinovi
Neverending Dream
138 bpm • D Maj • 03:23 • -6.04db
8% Popularity • 74% Danceability • 88% Energy • 28% Liveness
11% Instrumentalness • 10% Positiveness
8% Popularity • 74% Danceability • 88% Energy • 28% Liveness
11% Instrumentalness • 10% Positiveness
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Simon Patterson
Kick Bass Acid Loud
138 bpm • B min • 04:03 • -5.77db
7% Popularity • 53% Danceability • 97% Energy • 34% Liveness
1% Instrumentalness • 24% Positiveness
7% Popularity • 53% Danceability • 97% Energy • 34% Liveness
1% Instrumentalness • 24% Positiveness
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Chris Schweizer
Scorpion
138 bpm • C# Maj • 02:48 • -5.02db
20% Popularity • 63% Danceability • 95% Energy • 10% Liveness
80% Instrumentalness • 40% Positiveness
20% Popularity • 63% Danceability • 95% Energy • 10% Liveness
80% Instrumentalness • 40% Positiveness
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Goldenscan
Halcyon - Adam Ellis Remix
138 bpm • C Maj • 04:10 • -4.91db
15% Popularity • 45% Danceability • 100% Energy • 32% Liveness
99% Instrumentalness • 22% Positiveness
15% Popularity • 45% Danceability • 100% Energy • 32% Liveness
99% Instrumentalness • 22% Positiveness
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Darren Porter
Recall
138 bpm • G min • 03:16 • -9.16db
20% Popularity • 44% Danceability • 96% Energy • 66% Liveness
91% Instrumentalness • 37% Positiveness
20% Popularity • 44% Danceability • 96% Energy • 66% Liveness
91% Instrumentalness • 37% Positiveness
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Gerome
Cygnus
138 bpm • F# Maj • 04:24 • -7.04db
9% Popularity • 48% Danceability • 97% Energy • 30% Liveness
81% Instrumentalness • 4% Positiveness
9% Popularity • 48% Danceability • 97% Energy • 30% Liveness
81% Instrumentalness • 4% Positiveness
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Warp Brothers
Time & Space
138 bpm • C# Maj • 03:45 • -4.62db
12% Popularity • 63% Danceability • 100% Energy • 37% Liveness
91% Instrumentalness • 4% Positiveness
12% Popularity • 63% Danceability • 100% Energy • 37% Liveness
91% Instrumentalness • 4% Positiveness
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Darren O'Brien
Delay - Radio Edit
138 bpm • G# min • 04:26 • -9.33db
11% Popularity • 50% Danceability • 92% Energy • 14% Liveness
84% Instrumentalness • 24% Positiveness
11% Popularity • 50% Danceability • 92% Energy • 14% Liveness
84% Instrumentalness • 24% Positiveness
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Chris Schweizer
Don't Be Scared
138 bpm • A Maj • 02:53 • -4.66db
23% Popularity • 60% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 60% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
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A.r.d.i.
Lost In The Dark
138 bpm • A# min • 03:20 • -7db
28% Popularity • 58% Danceability • 89% Energy • 64% Liveness
94% Instrumentalness • 23% Positiveness
28% Popularity • 58% Danceability • 89% Energy • 64% Liveness
94% Instrumentalness • 23% Positiveness
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Key4050
Pikachu
138 bpm • G# min • 04:57 • -8.16db
20% Popularity • 73% Danceability • 90% Energy • 6% Liveness
88% Instrumentalness • 32% Positiveness
20% Popularity • 73% Danceability • 90% Energy • 6% Liveness
88% Instrumentalness • 32% Positiveness
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Jordan Suckley
C.Y.M
138 bpm • F# min • 03:32 • -2.84db
16% Popularity • 61% Danceability • 97% Energy • 12% Liveness
80% Instrumentalness • 59% Positiveness
16% Popularity • 61% Danceability • 97% Energy • 12% Liveness
80% Instrumentalness • 59% Positiveness
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Eric Senn
Gladius
138 bpm • A min • 03:01 • -3.53db
13% Popularity • 43% Danceability • 99% Energy • 98% Liveness
9% Instrumentalness • 5% Positiveness
13% Popularity • 43% Danceability • 99% Energy • 98% Liveness
9% Instrumentalness • 5% Positiveness
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DJ Wag
Man On The Moon (Mix Cut) - Indecent Noi...
138 bpm • F# min • 02:39 • -9.95db
17% Popularity • 55% Danceability • 93% Energy • 36% Liveness
78% Instrumentalness • 21% Positiveness
17% Popularity • 55% Danceability • 93% Energy • 36% Liveness
78% Instrumentalness • 21% Positiveness
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Johan Gielen
Manawatu
138 bpm • A# min • 03:09 • -7.45db
9% Popularity • 40% Danceability • 99% Energy • 49% Liveness
81% Instrumentalness • 9% Positiveness
9% Popularity • 40% Danceability • 99% Energy • 49% Liveness
81% Instrumentalness • 9% Positiveness
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Snatt & Vix
Soapte - Bogdan Vix & Claudiu Adam Remix
138 bpm • A# Maj • 03:47 • -5.41db
22% Popularity • 26% Danceability • 90% Energy • 14% Liveness
52% Instrumentalness • 24% Positiveness
22% Popularity • 26% Danceability • 90% Energy • 14% Liveness
52% Instrumentalness • 24% Positiveness
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David Gravell
The Last Of Us - Zac Waters Remix
138 bpm • B Maj • 04:06 • -6.78db
19% Popularity • 46% Danceability • 73% Energy • 52% Liveness
43% Instrumentalness • 5% Positiveness
19% Popularity • 46% Danceability • 73% Energy • 52% Liveness
43% Instrumentalness • 5% Positiveness
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Chakra
X File - Vini Vici & Chakra Remix
138 bpm • F Maj • 06:43 • -5.37db
20% Popularity • 61% Danceability • 96% Energy • 8% Liveness
85% Instrumentalness • 3% Positiveness
20% Popularity • 61% Danceability • 96% Energy • 8% Liveness
85% Instrumentalness • 3% Positiveness
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Exis
Free
138 bpm • G# min • 03:08 • -5db
19% Popularity • 40% Danceability • 94% Energy • 29% Liveness
2% Instrumentalness • 3% Positiveness
19% Popularity • 40% Danceability • 94% Energy • 29% Liveness
2% Instrumentalness • 3% Positiveness
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Pathfinders
Asado
138 bpm • E min • 03:23 • -6.32db
17% Popularity • 54% Danceability • 89% Energy • 10% Liveness
81% Instrumentalness • 33% Positiveness
17% Popularity • 54% Danceability • 89% Energy • 10% Liveness
81% Instrumentalness • 33% Positiveness
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Simon Lee & Alvin
ATTN
138 bpm • C# Maj • 03:46 • -7.03db
11% Popularity • 50% Danceability • 99% Energy • 76% Liveness
79% Instrumentalness • 50% Positiveness
11% Popularity • 50% Danceability • 99% Energy • 76% Liveness
79% Instrumentalness • 50% Positiveness
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Scott Mac
Damager 02 - Binary Finary Remix
138 bpm • A min • 03:30 • -6.34db
10% Popularity • 52% Danceability • 100% Energy • 13% Liveness
90% Instrumentalness • 34% Positiveness
10% Popularity • 52% Danceability • 100% Energy • 13% Liveness
90% Instrumentalness • 34% Positiveness
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Key Lean
Jarre
138 bpm • D Maj • 03:39 • -5.28db
13% Popularity • 43% Danceability • 99% Energy • 43% Liveness
85% Instrumentalness • 14% Positiveness
13% Popularity • 43% Danceability • 99% Energy • 43% Liveness
85% Instrumentalness • 14% Positiveness
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Marco V
20.000 Everything
138 bpm • D# Maj • 03:30 • -7.74db
17% Popularity • 44% Danceability • 95% Energy • 67% Liveness
82% Instrumentalness • 35% Positiveness
17% Popularity • 44% Danceability • 95% Energy • 67% Liveness
82% Instrumentalness • 35% Positiveness
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Alessandra Roncone
Redemption
138 bpm • F min • 04:38 • -5.84db
18% Popularity • 16% Danceability • 99% Energy • 40% Liveness
91% Instrumentalness • 18% Positiveness
18% Popularity • 16% Danceability • 99% Energy • 40% Liveness
91% Instrumentalness • 18% Positiveness
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John O'Callaghan
Complex Solution
138 bpm • D# Maj • 02:46 • -7.46db
13% Popularity • 49% Danceability • 100% Energy • 9% Liveness
79% Instrumentalness • 36% Positiveness
13% Popularity • 49% Danceability • 100% Energy • 9% Liveness
79% Instrumentalness • 36% Positiveness
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James Dymond
Stay
138 bpm • F# min • 04:10 • -6.52db
17% Popularity • 52% Danceability • 94% Energy • 15% Liveness
93% Instrumentalness • 39% Positiveness
17% Popularity • 52% Danceability • 94% Energy • 15% Liveness
93% Instrumentalness • 39% Positiveness
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Tensteps
Fly
138 bpm • G Maj • 03:51 • -4.7db
21% Popularity • 58% Danceability • 93% Energy • 88% Liveness
8% Instrumentalness • 5% Positiveness
21% Popularity • 58% Danceability • 93% Energy • 88% Liveness
8% Instrumentalness • 5% Positiveness
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Shinovi
Indian Summer
138 bpm • A Maj • 03:03 • -5.04db
19% Popularity • 45% Danceability • 78% Energy • 58% Liveness
63% Instrumentalness • 7% Positiveness
19% Popularity • 45% Danceability • 78% Energy • 58% Liveness
63% Instrumentalness • 7% Positiveness
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Perry O'Neil
Wave Force - South Of The Stars Remix
138 bpm • A# min • 03:21 • -5.85db
13% Popularity • 46% Danceability • 98% Energy • 36% Liveness
94% Instrumentalness • 29% Positiveness
13% Popularity • 46% Danceability • 98% Energy • 36% Liveness
94% Instrumentalness • 29% Positiveness
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Mushroom
Desert Boat
138 bpm • D# min • 03:02 • -2.82db
14% Popularity • 60% Danceability • 92% Energy • 23% Liveness
21% Instrumentalness • 10% Positiveness
14% Popularity • 60% Danceability • 92% Energy • 23% Liveness
21% Instrumentalness • 10% Positiveness
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Roger Shah
Triumvirate
138 bpm • G Maj • 03:26 • -4.39db
28% Popularity • 47% Danceability • 89% Energy • 35% Liveness
96% Instrumentalness • 22% Positiveness
28% Popularity • 47% Danceability • 89% Energy • 35% Liveness
96% Instrumentalness • 22% Positiveness
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4 Strings
Backlight
138 bpm • B min • 02:55 • -9.35db
7% Popularity • 49% Danceability • 92% Energy • 25% Liveness
86% Instrumentalness • 17% Positiveness
7% Popularity • 49% Danceability • 92% Energy • 25% Liveness
86% Instrumentalness • 17% Positiveness
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Berg
See It Coming (ASOT 942)
138 bpm • G# min • 03:35 • -8.48db
10% Popularity • 55% Danceability • 91% Energy • 44% Liveness
58% Instrumentalness • 39% Positiveness
10% Popularity • 55% Danceability • 91% Energy • 44% Liveness
58% Instrumentalness • 39% Positiveness
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Mike Zaloxx
Saving Night - Radio
138 bpm • E min • 03:28 • -5.83db
20% Popularity • 48% Danceability • 92% Energy • 39% Liveness
88% Instrumentalness • 12% Positiveness
20% Popularity • 48% Danceability • 92% Energy • 39% Liveness
88% Instrumentalness • 12% Positiveness
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Ahmed Romel
RÃœYA
138 bpm • A min • 04:28 • -7.69db
12% Popularity • 42% Danceability • 97% Energy • 39% Liveness
43% Instrumentalness • 37% Positiveness
12% Popularity • 42% Danceability • 97% Energy • 39% Liveness
43% Instrumentalness • 37% Positiveness
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Maria Healy
Clouds
138 bpm • E min • 03:31 • -5.83db
25% Popularity • 37% Danceability • 99% Energy • 10% Liveness
94% Instrumentalness • 65% Positiveness
25% Popularity • 37% Danceability • 99% Energy • 10% Liveness
94% Instrumentalness • 65% Positiveness
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Solis & Sean Truby
Out Of Sight
138 bpm • C# min • 03:35 • -6.33db
16% Popularity • 41% Danceability • 100% Energy • 36% Liveness
94% Instrumentalness • 19% Positiveness
16% Popularity • 41% Danceability • 100% Energy • 36% Liveness
94% Instrumentalness • 19% Positiveness
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Bryan Kearney
Something Out of Nothing
138 bpm • A Maj • 03:26 • -6.36db
11% Popularity • 55% Danceability • 99% Energy • 8% Liveness
86% Instrumentalness • 47% Positiveness
11% Popularity • 55% Danceability • 99% Energy • 8% Liveness
86% Instrumentalness • 47% Positiveness
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Scot Project
D (Don't Go)
138 bpm • E min • 03:32 • -4.85db
19% Popularity • 55% Danceability • 90% Energy • 33% Liveness
91% Instrumentalness • 23% Positiveness
19% Popularity • 55% Danceability • 90% Energy • 33% Liveness
91% Instrumentalness • 23% Positiveness
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Chris Schweizer
Signals
138 bpm • A Maj • 03:20 • -3.75db
8% Popularity • 61% Danceability • 96% Energy • 40% Liveness
2% Instrumentalness • 24% Positiveness
8% Popularity • 61% Danceability • 96% Energy • 40% Liveness
2% Instrumentalness • 24% Positiveness
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Jordan Suckley
Do Or Die - Sam Jones Remix
138 bpm • F min • 03:00 • -5.84db
16% Popularity • 53% Danceability • 96% Energy • 68% Liveness
70% Instrumentalness • 25% Positiveness
16% Popularity • 53% Danceability • 96% Energy • 68% Liveness
70% Instrumentalness • 25% Positiveness
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Splinta
Shock Therapy (Mix Cut) - Rising Altitud...
138 bpm • B min • 02:50 • -6.58db
27% Popularity • 68% Danceability • 95% Energy • 24% Liveness
72% Instrumentalness • 12% Positiveness
27% Popularity • 68% Danceability • 95% Energy • 24% Liveness
72% Instrumentalness • 12% Positiveness
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A.r.d.i.
Army of Angels - Extended Mix
138 bpm • F# min • 06:41 • -9.2db
10% Popularity • 56% Danceability • 91% Energy • 26% Liveness
55% Instrumentalness • 10% Positiveness
10% Popularity • 56% Danceability • 91% Energy • 26% Liveness
55% Instrumentalness • 10% Positiveness
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Hypersia
Stuttgart (ASOT 1165)
138 bpm • A Maj • 02:19 • -6.99db
38% Popularity • 37% Danceability • 98% Energy • 34% Liveness
97% Instrumentalness • 12% Positiveness
38% Popularity • 37% Danceability • 98% Energy • 34% Liveness
97% Instrumentalness • 12% Positiveness
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DRYM
Octagon
138 bpm • C# Maj • 03:25 • -6.2db
8% Popularity • 50% Danceability • 98% Energy • 63% Liveness
38% Instrumentalness • 20% Positiveness
8% Popularity • 50% Danceability • 98% Energy • 63% Liveness
38% Instrumentalness • 20% Positiveness
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Chris Schweizer
Hammer Time
138 bpm • A# min • 04:02 • -5.32db
9% Popularity • 25% Danceability • 100% Energy • 34% Liveness
82% Instrumentalness • 4% Positiveness
9% Popularity • 25% Danceability • 100% Energy • 34% Liveness
82% Instrumentalness • 4% Positiveness
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Jordan Suckley
Hijacker - Chris Schweizer Remix
138 bpm • E min • 06:36 • -5.25db
11% Popularity • 61% Danceability • 98% Energy • 8% Liveness
83% Instrumentalness • 15% Positiveness
11% Popularity • 61% Danceability • 98% Energy • 8% Liveness
83% Instrumentalness • 15% Positiveness
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Leroy Moreno
Aetheria - Original Mix
138 bpm • D# Maj • 06:31 • -4.67db
14% Popularity • 44% Danceability • 99% Energy • 11% Liveness
79% Instrumentalness • 61% Positiveness
14% Popularity • 44% Danceability • 99% Energy • 11% Liveness
79% Instrumentalness • 61% Positiveness
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Mark Sixma
Requiem - Exis Remix
138 bpm • G Maj • 02:49 • -5.05db
11% Popularity • 64% Danceability • 98% Energy • 14% Liveness
82% Instrumentalness • 13% Positiveness
11% Popularity • 64% Danceability • 98% Energy • 14% Liveness
82% Instrumentalness • 13% Positiveness
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Abstract Vision
Coruscent
138 bpm • G# Maj • 03:10 • -3.96db
27% Popularity • 52% Danceability • 100% Energy • 94% Liveness
79% Instrumentalness • 4% Positiveness
27% Popularity • 52% Danceability • 100% Energy • 94% Liveness
79% Instrumentalness • 4% Positiveness
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DRYM
Nemesis
138 bpm • D# min • 03:23 • -4.78db
10% Popularity • 46% Danceability • 95% Energy • 39% Liveness
41% Instrumentalness • 9% Positiveness
10% Popularity • 46% Danceability • 95% Energy • 39% Liveness
41% Instrumentalness • 9% Positiveness
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Chris Schweizer
Near The End
138 bpm • F# min • 03:21 • -6.62db
23% Popularity • 53% Danceability • 93% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
23% Popularity • 53% Danceability • 93% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
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Matt Bukovski
The Unknown
138 bpm • B min • 03:46 • -6.26db
28% Popularity • 45% Danceability • 99% Energy • 32% Liveness
91% Instrumentalness • 24% Positiveness
28% Popularity • 45% Danceability • 99% Energy • 32% Liveness
91% Instrumentalness • 24% Positiveness
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Dan Stone
Vice Versa
138 bpm • C# Maj • 03:19 • -7.39db
27% Popularity • 45% Danceability • 95% Energy • 44% Liveness
82% Instrumentalness • 4% Positiveness
27% Popularity • 45% Danceability • 95% Energy • 44% Liveness
82% Instrumentalness • 4% Positiveness
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Mark Sixma
Requiem - Mark Sixma presents M6 Extende...
138 bpm • D Maj • 05:13 • -6.88db
12% Popularity • 65% Danceability • 95% Energy • 9% Liveness
78% Instrumentalness • 21% Positiveness
12% Popularity • 65% Danceability • 95% Energy • 9% Liveness
78% Instrumentalness • 21% Positiveness
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Jorn Van Deynhoven
Freaks - Chris Schweizer Remix
138 bpm • A Maj • 02:50 • -5.07db
19% Popularity • 59% Danceability • 100% Energy • 84% Liveness
92% Instrumentalness • 14% Positiveness
19% Popularity • 59% Danceability • 100% Energy • 84% Liveness
92% Instrumentalness • 14% Positiveness
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Key4050
Utterly Butterly (ASOT 901)
138 bpm • F Maj • 03:01 • -11.91db
8% Popularity • 45% Danceability • 96% Energy • 17% Liveness
89% Instrumentalness • 11% Positiveness
8% Popularity • 45% Danceability • 96% Energy • 17% Liveness
89% Instrumentalness • 11% Positiveness
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Chris Schweizer
The Order
138 bpm • F# min • 02:41 • -5.07db
18% Popularity • 62% Danceability • 97% Energy • 6% Liveness
82% Instrumentalness • 41% Positiveness
18% Popularity • 62% Danceability • 97% Energy • 6% Liveness
82% Instrumentalness • 41% Positiveness
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Exis
Survival
138 bpm • A# min • 03:01 • -4.79db
6% Popularity • 63% Danceability • 98% Energy • 21% Liveness
87% Instrumentalness • 7% Positiveness
6% Popularity • 63% Danceability • 98% Energy • 21% Liveness
87% Instrumentalness • 7% Positiveness
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Ucast
Glow (ASOT 964)
138 bpm • A Maj • 02:46 • -7.36db
17% Popularity • 42% Danceability • 96% Energy • 21% Liveness
95% Instrumentalness • 23% Positiveness
17% Popularity • 42% Danceability • 96% Energy • 21% Liveness
95% Instrumentalness • 23% Positiveness
