Songs like Requiem for a Requiem (Philip Blackburn remix) by Robert Moran
Based on a tempo of (+/- 10%) and a similar genre
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Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
97 bpm • B Maj • 03:59 • -24.37db
8% Popularity • 13% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
8% Popularity • 13% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
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Einojuhani Rautavaara
Missa a cappella: I. Kyrie
97 bpm • G Maj • 02:38 • -29db
15% Popularity • 17% Danceability • 9% Energy • 19% Liveness
90% Instrumentalness • 17% Positiveness
15% Popularity • 17% Danceability • 9% Energy • 19% Liveness
90% Instrumentalness • 17% Positiveness
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Johannes Wanning
Omnis qui se exaltat
97 bpm • G min • 01:52 • -14.46db
9% Popularity • 24% Danceability • 31% Energy • 14% Liveness
14% Instrumentalness • 11% Positiveness
9% Popularity • 24% Danceability • 31% Energy • 14% Liveness
14% Instrumentalness • 11% Positiveness
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Elfrida Andrée
Ur drömliv I (Arr. for Vocal Ensemble)
97 bpm • C min • 02:02 • -24.21db
17% Popularity • 23% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 23% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Henry Purcell
Hush, no More (Sleep)
97 bpm • B min • 03:21 • -30.75db
16% Popularity • 21% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
16% Popularity • 21% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
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William Byrd
Mass for 5 Voices, T. 3: IIa. Gloria in ...
97 bpm • B min • 01:55 • -23.41db
15% Popularity • 16% Danceability • 9% Energy • 22% Liveness
62% Instrumentalness • 15% Positiveness
15% Popularity • 16% Danceability • 9% Energy • 22% Liveness
62% Instrumentalness • 15% Positiveness
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KNOXVILLETRACKZ
SBL
97 bpm • F# Maj • 01:04 • -47.12db
20% Popularity • 14% Danceability • 0% Energy • 13% Liveness
98% Instrumentalness • 3% Positiveness
20% Popularity • 14% Danceability • 0% Energy • 13% Liveness
98% Instrumentalness • 3% Positiveness
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LeoRoads
Lay All Heaven
97 bpm • F# min • 02:19 • -19.41db
7% Popularity • 27% Danceability • 9% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
7% Popularity • 27% Danceability • 9% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
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Robert Moran
Requiem for a Requiem (Philip Blackburn ...
97 bpm • G# Maj • 07:03 • -23.01db
5% Popularity • 16% Danceability • 14% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
5% Popularity • 16% Danceability • 14% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
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Jacob Narverud
O Salutaris
95 bpm • A Maj • 04:45 • -26.57db
8% Popularity • 13% Danceability • 5% Energy • 11% Liveness
16% Instrumentalness • 3% Positiveness
8% Popularity • 13% Danceability • 5% Energy • 11% Liveness
16% Instrumentalness • 3% Positiveness
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Peter Cornelius
Weihnachtslieder, Op. 8: No. 3, The Thre...
95 bpm • G Maj • 02:42 • -19.34db
16% Popularity • 21% Danceability • 15% Energy • 14% Liveness
5% Instrumentalness • 9% Positiveness
16% Popularity • 21% Danceability • 15% Energy • 14% Liveness
5% Instrumentalness • 9% Positiveness
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William Byrd
Lullaby "My Sweet Little Baby", T. 242
95 bpm • G# min • 02:22 • -29.89db
8% Popularity • 12% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
8% Popularity • 12% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Marc' Antonio Ingegneri
Cantate Domino
94 bpm • D min • 05:45 • -22.08db
12% Popularity • 12% Danceability • 13% Energy • 24% Liveness
96% Instrumentalness • 7% Positiveness
12% Popularity • 12% Danceability • 13% Energy • 24% Liveness
96% Instrumentalness • 7% Positiveness
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Gregorian Chants
Lamentations Of Jeremiah
100 bpm • F# Maj • 07:16 • -18.52db
13% Popularity • 16% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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Robert Moran
Game of the Antichrist: The Pope (Empero...
96 bpm • D# Maj • 01:31 • -22.41db
0% Popularity • 18% Danceability • 9% Energy • 9% Liveness
84% Instrumentalness • 8% Positiveness
0% Popularity • 18% Danceability • 9% Energy • 9% Liveness
84% Instrumentalness • 8% Positiveness
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Joanna Marsh
In Winter's House
100 bpm • A# Maj • 05:48 • -22.4db
6% Popularity • 14% Danceability • 9% Energy • 11% Liveness
29% Instrumentalness • 3% Positiveness
6% Popularity • 14% Danceability • 9% Energy • 11% Liveness
29% Instrumentalness • 3% Positiveness
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Quire of Voyces
Salvator mundi I
94 bpm • G# min • 02:10 • -21.47db
10% Popularity • 13% Danceability • 26% Energy • 9% Liveness
97% Instrumentalness • 13% Positiveness
10% Popularity • 13% Danceability • 26% Energy • 9% Liveness
97% Instrumentalness • 13% Positiveness
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William Byrd
Mass for five voices: II. Gloria in exce...
99 bpm • D# Maj • 05:02 • -22.15db
12% Popularity • 18% Danceability • 14% Energy • 9% Liveness
3% Instrumentalness • 6% Positiveness
12% Popularity • 18% Danceability • 14% Energy • 9% Liveness
3% Instrumentalness • 6% Positiveness
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Dawid Kusz OP
Adoramus Te, Christe
94 bpm • A min • 03:54 • -22.76db
10% Popularity • 11% Danceability • 7% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 7% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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LeoRoads
Angelic Symphony
93 bpm • A min • 02:26 • -18.67db
9% Popularity • 20% Danceability • 13% Energy • 12% Liveness
97% Instrumentalness • 14% Positiveness
9% Popularity • 20% Danceability • 13% Energy • 12% Liveness
97% Instrumentalness • 14% Positiveness
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Robert Moran
Act Two: Interlude
101 bpm • C Maj • 02:19 • -18.79db
1% Popularity • 43% Danceability • 39% Energy • 15% Liveness
94% Instrumentalness • 50% Positiveness
1% Popularity • 43% Danceability • 39% Energy • 15% Liveness
94% Instrumentalness • 50% Positiveness
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Valentin Silvestrov
Maidan 2014 / Cycle IV: II. Elegy
101 bpm • C Maj • 02:52 • -32.71db
10% Popularity • 18% Danceability • 1% Energy • 7% Liveness
70% Instrumentalness • 3% Positiveness
10% Popularity • 18% Danceability • 1% Energy • 7% Liveness
70% Instrumentalness • 3% Positiveness
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Clive Osgood
Magnificat: No. 6, Esurientes implevit
101 bpm • E Maj • 02:50 • -28.13db
22% Popularity • 20% Danceability • 5% Energy • 9% Liveness
3% Instrumentalness • 15% Positiveness
22% Popularity • 20% Danceability • 5% Energy • 9% Liveness
3% Instrumentalness • 15% Positiveness
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markpowell
Christ Has Risen (2)
93 bpm • A min • 01:19 • -17.31db
15% Popularity • 15% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 15% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Hildegard von Bingen
O Virga ac diadema
93 bpm • C min • 06:38 • -24.58db
10% Popularity • 30% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 30% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Caroline Shaw
To the Hands: No. 5. Litany of the Displ...
92 bpm • D min • 03:00 • -32db
10% Popularity • 19% Danceability • 11% Energy • 6% Liveness
13% Instrumentalness • 7% Positiveness
10% Popularity • 19% Danceability • 11% Energy • 6% Liveness
13% Instrumentalness • 7% Positiveness
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Robert Moran
Game of the Antichrist: Christians and B...
101 bpm • C min • 02:54 • -25.93db
0% Popularity • 30% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 30% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Liturgical Chants: O Holy God
92 bpm • C# Maj • 03:21 • -30.97db
14% Popularity • 11% Danceability • 3% Energy • 8% Liveness
5% Instrumentalness • 3% Positiveness
14% Popularity • 11% Danceability • 3% Energy • 8% Liveness
5% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41, ...
92 bpm • C Maj • 03:04 • -20.14db
19% Popularity • 19% Danceability • 14% Energy • 10% Liveness
16% Instrumentalness • 4% Positiveness
19% Popularity • 19% Danceability • 14% Energy • 10% Liveness
16% Instrumentalness • 4% Positiveness
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Victoria Vita Polevá
Life-giving Spring
103 bpm • C Maj • 01:43 • -28.22db
12% Popularity • 23% Danceability • 4% Energy • 9% Liveness
15% Instrumentalness • 3% Positiveness
12% Popularity • 23% Danceability • 4% Energy • 9% Liveness
15% Instrumentalness • 3% Positiveness
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Hildegard von Bingen
O ignis spiritus
93 bpm • A min • 05:43 • -23.53db
14% Popularity • 29% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 29% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Carlo Gesualdo
Sacrarum cantionum quinque vocibus, Libe...
91 bpm • D# min • 03:43 • -21.5db
7% Popularity • 19% Danceability • 10% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
7% Popularity • 19% Danceability • 10% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
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Robert Moran
Arias, Interludes & Inventions from "The...
101 bpm • D# Maj • 04:31 • -35.17db
0% Popularity • 14% Danceability • 1% Energy • 14% Liveness
92% Instrumentalness • 7% Positiveness
0% Popularity • 14% Danceability • 1% Energy • 14% Liveness
92% Instrumentalness • 7% Positiveness
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Owain Park
O Send Out Thy Light
91 bpm • B Maj • 02:33 • -24.18db
18% Popularity • 17% Danceability • 4% Energy • 15% Liveness
89% Instrumentalness • 3% Positiveness
18% Popularity • 17% Danceability • 4% Energy • 15% Liveness
89% Instrumentalness • 3% Positiveness
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The Royal Wind Music
Farewell the Bliss
91 bpm • A# min • 04:01 • -18.72db
14% Popularity • 20% Danceability • 7% Energy • 10% Liveness
61% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 7% Energy • 10% Liveness
61% Instrumentalness • 4% Positiveness
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Francisco de la Torre
Cancionero Musical de la Colombina: No. ...
91 bpm • D min • 01:08 • -29.07db
18% Popularity • 16% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 16% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Alfred Schnittke
Three Sacred Hymns: I. Gegrüßet seist ...
90 bpm • C min • 01:35 • -30db
14% Popularity • 20% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
14% Popularity • 20% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Kerensa Briggs
Media Vita
104 bpm • F# Maj • 03:11 • -26.84db
9% Popularity • 15% Danceability • 6% Energy • 12% Liveness
5% Instrumentalness • 3% Positiveness
9% Popularity • 15% Danceability • 6% Energy • 12% Liveness
5% Instrumentalness • 3% Positiveness
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Robert Moran
Meister Ekhard and the Point of No Retur...
101 bpm • C# Maj • 04:34 • -45.33db
0% Popularity • 35% Danceability • 0% Energy • 7% Liveness
3% Instrumentalness • 8% Positiveness
0% Popularity • 35% Danceability • 0% Energy • 7% Liveness
3% Instrumentalness • 8% Positiveness
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Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
90 bpm • G# min • 01:16 • -17.63db
7% Popularity • 15% Danceability • 21% Energy • 34% Liveness
0% Instrumentalness • 13% Positiveness
7% Popularity • 15% Danceability • 21% Energy • 34% Liveness
0% Instrumentalness • 13% Positiveness
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Kim André Arnesen
Making or Breaking
90 bpm • D Maj • 04:37 • -23.28db
21% Popularity • 10% Danceability • 11% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
21% Popularity • 10% Danceability • 11% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Arautos do Evangelho
Sepulto Domino
90 bpm • C# Maj • 02:47 • -24.36db
11% Popularity • 24% Danceability • 7% Energy • 9% Liveness
57% Instrumentalness • 4% Positiveness
11% Popularity • 24% Danceability • 7% Energy • 9% Liveness
57% Instrumentalness • 4% Positiveness
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University Of Pretoria Camerata
Neišeik, Saulala
105 bpm • C# Maj • 07:11 • -20.66db
7% Popularity • 18% Danceability • 15% Energy • 6% Liveness
84% Instrumentalness • 4% Positiveness
7% Popularity • 18% Danceability • 15% Energy • 6% Liveness
84% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Petite messe solennelle: II. Kyrie. Chri...
105 bpm • F min • 02:01 • -34.68db
21% Popularity • 15% Danceability • 1% Energy • 9% Liveness
22% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 1% Energy • 9% Liveness
22% Instrumentalness • 4% Positiveness
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Robert Moran
For Organ
103 bpm • F min • 08:23 • -26.19db
0% Popularity • 17% Danceability • 12% Energy • 13% Liveness
96% Instrumentalness • 7% Positiveness
0% Popularity • 17% Danceability • 12% Energy • 13% Liveness
96% Instrumentalness • 7% Positiveness
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Jacob Mühlrad
Anim Zemirot - Pt. I
89 bpm • A# min • 01:26 • -17.08db
7% Popularity • 21% Danceability • 19% Energy • 16% Liveness
58% Instrumentalness • 4% Positiveness
7% Popularity • 21% Danceability • 19% Energy • 16% Liveness
58% Instrumentalness • 4% Positiveness
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Valter Maasalo
Veni, Emmanuel
89 bpm • G min • 04:16 • -19.62db
10% Popularity • 16% Danceability • 15% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 15% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
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Dale Warland Singers
Requiem - Herbert Howells: I. Salvator M...
89 bpm • G Maj • 01:54 • -35.07db
13% Popularity • 17% Danceability • 2% Energy • 6% Liveness
22% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 2% Energy • 6% Liveness
22% Instrumentalness • 4% Positiveness
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Antoine Brumel
Missa Et ecce terrae motus: Kyrie
106 bpm • C Maj • 07:49 • -14.81db
8% Popularity • 15% Danceability • 24% Energy • 10% Liveness
10% Instrumentalness • 12% Positiveness
8% Popularity • 15% Danceability • 24% Energy • 10% Liveness
10% Instrumentalness • 12% Positiveness
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KNOXVILLETRACKZ
HFTEPG
89 bpm • D min • 01:04 • -41.14db
13% Popularity • 33% Danceability • 1% Energy • 13% Liveness
97% Instrumentalness • 22% Positiveness
13% Popularity • 33% Danceability • 1% Energy • 13% Liveness
97% Instrumentalness • 22% Positiveness
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Robert Moran
Three Dances: Anastasia's Two-step
91 bpm • G Maj • 06:07 • -22.87db
0% Popularity • 58% Danceability • 31% Energy • 12% Liveness
8% Instrumentalness • 74% Positiveness
0% Popularity • 58% Danceability • 31% Energy • 12% Liveness
8% Instrumentalness • 74% Positiveness
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Komitas
Divine Liturgy (Arr. V. Sharafyan for Mi...
89 bpm • G min • 04:25 • -24.47db
8% Popularity • 16% Danceability • 10% Energy • 9% Liveness
5% Instrumentalness • 5% Positiveness
8% Popularity • 16% Danceability • 10% Energy • 9% Liveness
5% Instrumentalness • 5% Positiveness
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George de La Hèle
Missa Praeter rerum seriem: III. Credo
106 bpm • D# min • 09:23 • -20.52db
9% Popularity • 17% Danceability • 16% Energy • 14% Liveness
10% Instrumentalness • 7% Positiveness
9% Popularity • 17% Danceability • 16% Energy • 14% Liveness
10% Instrumentalness • 7% Positiveness
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Henry Purcell
Jehova, quam multi sunt hostes mei, Z. 1...
89 bpm • A min • 06:25 • -24.42db
7% Popularity • 16% Danceability • 10% Energy • 12% Liveness
35% Instrumentalness • 10% Positiveness
7% Popularity • 16% Danceability • 10% Energy • 12% Liveness
35% Instrumentalness • 10% Positiveness
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David Lang
Evening Morning Day
106 bpm • A# Maj • 08:13 • -29.75db
7% Popularity • 27% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 27% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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KNOXVILLETRACKZ
HFTEPR
89 bpm • F Maj • 01:04 • -43.25db
13% Popularity • 32% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 33% Positiveness
13% Popularity • 32% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 33% Positiveness
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John Tavener
Tavener: Lamentations and Praises: XIX. ...
106 bpm • C Maj • 04:24 • -18.2db
8% Popularity • 29% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
8% Popularity • 29% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Robert Moran
Cortege
89 bpm • F Maj • 07:06 • -19.92db
0% Popularity • 10% Danceability • 6% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
0% Popularity • 10% Danceability • 6% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 4. Respice (Repe...
89 bpm • D Maj • 01:27 • -15.9db
34% Popularity • 19% Danceability • 28% Energy • 3% Liveness
5% Instrumentalness • 4% Positiveness
34% Popularity • 19% Danceability • 28% Energy • 3% Liveness
5% Instrumentalness • 4% Positiveness
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Max Reger
Der Mensch lebt und bestehet nur eine kl...
89 bpm • A min • 02:45 • -26.31db
24% Popularity • 16% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Marta Keen
Homeward Bound (arr. Paul Smith for Apol...
88 bpm • D Maj • 03:45 • -24.11db
8% Popularity • 20% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 20% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Sven-David Sandström
4 Songs of Love: No. 4, His Left Hand
88 bpm • A Maj • 01:44 • -34.72db
18% Popularity • 12% Danceability • 2% Energy • 11% Liveness
99% Instrumentalness • 3% Positiveness
18% Popularity • 12% Danceability • 2% Energy • 11% Liveness
99% Instrumentalness • 3% Positiveness
► Preview
George Lloyd
A Litany for soprano, baritone, chorus &...
107 bpm • G# Maj • 06:03 • -28.28db
9% Popularity • 16% Danceability • 6% Energy • 13% Liveness
10% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 6% Energy • 13% Liveness
10% Instrumentalness • 4% Positiveness
► Preview
Maurice Duruflé
Requiem, Op. 9: I. Introït
107 bpm • F Maj • 03:33 • -21.89db
12% Popularity • 16% Danceability • 6% Energy • 11% Liveness
54% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 6% Energy • 11% Liveness
54% Instrumentalness • 4% Positiveness
► Preview
Caroline Shaw
To the Hands: No. 6. I Will Hold You
88 bpm • D min • 03:09 • -24db
11% Popularity • 14% Danceability • 8% Energy • 5% Liveness
7% Instrumentalness • 5% Positiveness
11% Popularity • 14% Danceability • 8% Energy • 5% Liveness
7% Instrumentalness • 5% Positiveness
► Preview
Giacomo Finetti
O crux ave, spes unica
88 bpm • D min • 03:41 • -26.88db
8% Popularity • 13% Danceability • 7% Energy • 6% Liveness
84% Instrumentalness • 4% Positiveness
8% Popularity • 13% Danceability • 7% Energy • 6% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
James Whitbourn
Son of God Mass: Amen
88 bpm • C Maj • 02:25 • -13db
15% Popularity • 9% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
15% Popularity • 9% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Robert Moran
Trinity Requiem: Sanctus
88 bpm • C min • 03:33 • -25.5db
0% Popularity • 10% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
0% Popularity • 10% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
William Byrd
Mass for five voices: I. Kyrie eleison
88 bpm • C min • 01:27 • -24.19db
8% Popularity • 19% Danceability • 9% Energy • 36% Liveness
72% Instrumentalness • 7% Positiveness
8% Popularity • 19% Danceability • 9% Energy • 36% Liveness
72% Instrumentalness • 7% Positiveness
► Preview
Frank La Rocca
Mass of the Americas: V. Sanctus - Bened...
87 bpm • D min • 03:33 • -20.09db
3% Popularity • 11% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
3% Popularity • 11% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Robert Schumann
Romanzen, Book 1, Op. 69: No. 6. Die Kap...
87 bpm • F Maj • 03:29 • -34.86db
18% Popularity • 21% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 8% Positiveness
18% Popularity • 21% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 8% Positiveness
► Preview
Benjamin Britten
Spring Symphony, Op. 44, Part I: The Mor...
108 bpm • F Maj • 03:18 • -22.6db
23% Popularity • 21% Danceability • 6% Energy • 10% Liveness
69% Instrumentalness • 5% Positiveness
23% Popularity • 21% Danceability • 6% Energy • 10% Liveness
69% Instrumentalness • 5% Positiveness
► Preview
Komitas
Divine Liturgy (Arr. V. Sharafyan for Mi...
108 bpm • A Maj • 01:19 • -27.66db
25% Popularity • 24% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 24% Positiveness
25% Popularity • 24% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 24% Positiveness
► Preview
Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
108 bpm • D Maj • 04:56 • -24.84db
12% Popularity • 26% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 6% Positiveness
12% Popularity • 26% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 6% Positiveness
► Preview
Maurice Duruflé
Requiem, Op. 9: IX. In paradisum
87 bpm • F# Maj • 02:59 • -22.38db
8% Popularity • 9% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
► Preview
Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
87 bpm • A Maj • 01:46 • -23.83db
14% Popularity • 15% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Timothy A. Helisek
Sancte Michael
87 bpm • C min • 04:11 • -15.74db
9% Popularity • 32% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 32% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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St.Petersburg Chamber Choir
Op. 12, Memory Eternal
87 bpm • D min • 01:13 • -25.79db
17% Popularity • 23% Danceability • 10% Energy • 13% Liveness
100% Instrumentalness • 3% Positiveness
17% Popularity • 23% Danceability • 10% Energy • 13% Liveness
100% Instrumentalness • 3% Positiveness
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William Byrd
De lamentatione Jeremiae prophetae, T. 1...
109 bpm • F# min • 01:12 • -30.09db
10% Popularity • 20% Danceability • 5% Energy • 11% Liveness
57% Instrumentalness • 11% Positiveness
10% Popularity • 20% Danceability • 5% Energy • 11% Liveness
57% Instrumentalness • 11% Positiveness
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Frederick Delius
Hassan, DCW 8, Act 5 Scene 2: Closing Sc...
87 bpm • G min • 10:16 • -26.95db
21% Popularity • 13% Danceability • 2% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
21% Popularity • 13% Danceability • 2% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
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Oreste Ravanello
Cantantibus Organis (Ravanello)
86 bpm • C# min • 01:31 • -20.17db
18% Popularity • 20% Danceability • 10% Energy • 10% Liveness
85% Instrumentalness • 7% Positiveness
18% Popularity • 20% Danceability • 10% Energy • 10% Liveness
85% Instrumentalness • 7% Positiveness
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Marc Béziat
The Yearning of the Soul (2024 Prague Se...
86 bpm • A Maj • 02:36 • -18.7db
5% Popularity • 21% Danceability • 16% Energy • 7% Liveness
1% Instrumentalness • 5% Positiveness
5% Popularity • 21% Danceability • 16% Energy • 7% Liveness
1% Instrumentalness • 5% Positiveness
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Luca Marenzio
All'imperio d'Amore: 6. La dipartita e a...
109 bpm • G min • 02:13 • -19db
13% Popularity • 24% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 24% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Stellan Sagvik
Missa Maria Magdalena: Agnus Dei
86 bpm • D Maj • 04:21 • -22.89db
7% Popularity • 10% Danceability • 7% Energy • 13% Liveness
10% Instrumentalness • 3% Positiveness
7% Popularity • 10% Danceability • 7% Energy • 13% Liveness
10% Instrumentalness • 3% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: IV. Beth
86 bpm • F# min • 01:12 • -24db
36% Popularity • 9% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
36% Popularity • 9% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Alfred Schnittke
3 Sacred Hymns: No. 2. Gospodi, Gospodi ...
86 bpm • C min • 01:50 • -25.43db
29% Popularity • 12% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 3% Positiveness
29% Popularity • 12% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 3% Positiveness
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Peter Maxwell Davies
O magnum mysterium: I. O magnum mysteriu...
110 bpm • F# Maj • 01:43 • -23.46db
19% Popularity • 26% Danceability • 12% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
19% Popularity • 26% Danceability • 12% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Maurice Duruflé
Requiem, Op. 9: II. Kyrie eléison
86 bpm • F Maj • 03:32 • -16.44db
11% Popularity • 9% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Kim André Arnesen
Holy Spirit Mass: Fount of Life: Holy
86 bpm • F Maj • 02:26 • -16.27db
15% Popularity • 12% Danceability • 16% Energy • 26% Liveness
61% Instrumentalness • 4% Positiveness
15% Popularity • 12% Danceability • 16% Energy • 26% Liveness
61% Instrumentalness • 4% Positiveness
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Frank La Rocca
Mass of the Americas: VII. Ave verum cor...
86 bpm • G min • 05:36 • -21.52db
3% Popularity • 15% Danceability • 20% Energy • 26% Liveness
31% Instrumentalness • 3% Positiveness
3% Popularity • 15% Danceability • 20% Energy • 26% Liveness
31% Instrumentalness • 3% Positiveness
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Robert Moran
Act One: Epilogue
86 bpm • D# Maj • 03:18 • -24.63db
1% Popularity • 19% Danceability • 13% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
1% Popularity • 19% Danceability • 13% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Petite messe solennelle: Kyrie I
110 bpm • C Maj • 02:48 • -21db
8% Popularity • 24% Danceability • 14% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
8% Popularity • 24% Danceability • 14% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
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Becky McGlade
The Oak - SATB
85 bpm • D Maj • 03:35 • -21.12db
7% Popularity • 9% Danceability • 7% Energy • 16% Liveness
64% Instrumentalness • 4% Positiveness
7% Popularity • 9% Danceability • 7% Energy • 16% Liveness
64% Instrumentalness • 4% Positiveness
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Domenico Scarlatti
Stabat Mater: IV. Sancta Mater, istud ag...
85 bpm • A# Maj • 03:14 • -19.6db
15% Popularity • 15% Danceability • 16% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
15% Popularity • 15% Danceability • 16% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Alfred Schnittke
Requiem: 1. Requiem
85 bpm • C Maj • 03:44 • -26db
9% Popularity • 9% Danceability • 3% Energy • 17% Liveness
39% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 3% Energy • 17% Liveness
39% Instrumentalness • 3% Positiveness
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Hörður Áskelsson
Hvíld
85 bpm • D min • 04:45 • -28.44db
8% Popularity • 11% Danceability • 5% Energy • 7% Liveness
25% Instrumentalness • 3% Positiveness
8% Popularity • 11% Danceability • 5% Energy • 7% Liveness
25% Instrumentalness • 3% Positiveness
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Robert Moran
Ten Miles High over Albania: Part II
110 bpm • A Maj • 08:34 • -40.26db
0% Popularity • 26% Danceability • 1% Energy • 10% Liveness
69% Instrumentalness • 10% Positiveness
0% Popularity • 26% Danceability • 1% Energy • 10% Liveness
69% Instrumentalness • 10% Positiveness
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Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
85 bpm • A# min • 02:24 • -31db
8% Popularity • 10% Danceability • 3% Energy • 11% Liveness
8% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 3% Energy • 11% Liveness
8% Instrumentalness • 4% Positiveness
