Songs like Requiem in D minor, Op. 194 (1900): Benedictus by Josef Rheinberger
Based on a tempo of (+/- 10%) and a similar genre
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Francesco Soriano
Nihil tibi
96 bpm • E Maj • 01:10 • -26db
48% Popularity • 30% Danceability • 4% Energy • 6% Liveness
99% Instrumentalness • 7% Positiveness
48% Popularity • 30% Danceability • 4% Energy • 6% Liveness
99% Instrumentalness • 7% Positiveness
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Eric Whitacre
Whitacre: Five Hebrew Love Songs: Lárov...
95 bpm • G Maj • 00:58 • -21.86db
28% Popularity • 30% Danceability • 12% Energy • 36% Liveness
12% Instrumentalness • 22% Positiveness
28% Popularity • 30% Danceability • 12% Energy • 36% Liveness
12% Instrumentalness • 22% Positiveness
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The Chapel Choir of Pembroke College, Cambridge
Walford Davies: A Short Requiem - De pro...
94 bpm • D Maj • 02:09 • -34.59db
35% Popularity • 20% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
35% Popularity • 20% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: I. K...
94 bpm • C Maj • 04:44 • -19.22db
17% Popularity • 11% Danceability • 13% Energy • 18% Liveness
89% Instrumentalness • 6% Positiveness
17% Popularity • 11% Danceability • 13% Energy • 18% Liveness
89% Instrumentalness • 6% Positiveness
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Dmitry Bortniansky
Sacred Concerto No. 15, "Priidite, vospo...
94 bpm • D# min • 02:02 • -34db
25% Popularity • 24% Danceability • 2% Energy • 11% Liveness
52% Instrumentalness • 3% Positiveness
25% Popularity • 24% Danceability • 2% Energy • 11% Liveness
52% Instrumentalness • 3% Positiveness
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Johann Christoph Bach
Fürchte dich nicht
96 bpm • A min • 04:35 • -26db
10% Popularity • 18% Danceability • 5% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 18% Danceability • 5% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
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Louis Vierne
Messe solennelle pour deux orgues et cho...
94 bpm • E Maj • 03:26 • -21db
10% Popularity • 11% Danceability • 2% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 2% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Organ Sonata No. 3 in G Major, Op. 88 "P...
94 bpm • D Maj • 07:17 • -18.48db
0% Popularity • 12% Danceability • 16% Energy • 34% Liveness
78% Instrumentalness • 5% Positiveness
0% Popularity • 12% Danceability • 16% Energy • 34% Liveness
78% Instrumentalness • 5% Positiveness
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Hans Leo Hassler
Verbum caro factum est
94 bpm • G Maj • 02:56 • -21db
14% Popularity • 17% Danceability • 10% Energy • 6% Liveness
24% Instrumentalness • 8% Positiveness
14% Popularity • 17% Danceability • 10% Energy • 6% Liveness
24% Instrumentalness • 8% Positiveness
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Kim André Arnesen
Even When He is Silent
97 bpm • C Maj • 04:23 • -24db
30% Popularity • 16% Danceability • 5% Energy • 8% Liveness
20% Instrumentalness • 3% Positiveness
30% Popularity • 16% Danceability • 5% Energy • 8% Liveness
20% Instrumentalness • 3% Positiveness
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Elfrida Andrée
Ur drömliv I (Arr. for Vocal Ensemble)
97 bpm • C min • 02:02 • -24.21db
15% Popularity • 23% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 23% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Brahms
Der 13. Psalm, Op. 27
93 bpm • G Maj • 05:08 • -22.07db
14% Popularity • 16% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Louis Vierne
Messe Solennelle, Op. 16 - Sanctus
93 bpm • E Maj • 02:32 • -14.64db
8% Popularity • 17% Danceability • 23% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 23% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Suite for Violin, Cello, Organ and Strin...
93 bpm • C min • 09:22 • -27.59db
0% Popularity • 11% Danceability • 6% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
0% Popularity • 11% Danceability • 6% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Heinrich Kaminski
Psalm 130: Ich Harre auf den Herren
92 bpm • A# Maj • 01:08 • -27.74db
36% Popularity • 25% Danceability • 5% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
36% Popularity • 25% Danceability • 5% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
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Gustav Mahler
Ich bin der Welt abhanden gekommen
92 bpm • D# Maj • 05:36 • -26.94db
8% Popularity • 15% Danceability • 10% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 10% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
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Giovanni Gabrieli
Sacrae symphoniae: Canzon septimi et oct...
92 bpm • C Maj • 02:39 • -18.34db
25% Popularity • 34% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
25% Popularity • 34% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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Nordic Chamber Choir - Nicol Matt
Se Per Havervi, Oime
92 bpm • C# Maj • 04:26 • -29db
10% Popularity • 13% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
10% Popularity • 13% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Accentus
Drömmarna
99 bpm • D# Maj • 01:45 • -29.36db
29% Popularity • 17% Danceability • 6% Energy • 9% Liveness
17% Instrumentalness • 5% Positiveness
29% Popularity • 17% Danceability • 6% Energy • 9% Liveness
17% Instrumentalness • 5% Positiveness
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Josef Rheinberger
Organ Concerto in F-Major, Op. 137: III....
93 bpm • F Maj • 09:32 • -23.76db
2% Popularity • 13% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
2% Popularity • 13% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
The Bluebird
91 bpm • B Maj • 03:13 • -28db
24% Popularity • 17% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Waldemar Åhlén
Sommarpsalm
99 bpm • A Maj • 03:01 • -26db
13% Popularity • 20% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
13% Popularity • 20% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Amy Beach
3 Shakespeare Choruses, Op. 39: No. 1. O...
99 bpm • D Maj • 01:49 • -24db
15% Popularity • 23% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 6% Positiveness
15% Popularity • 23% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 6% Positiveness
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Kim André Arnesen
Flight Song
91 bpm • C# Maj • 04:22 • -27.37db
31% Popularity • 12% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
31% Popularity • 12% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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Maddalena Casulana
Il desiderio: No. 3, Morir non può il m...
91 bpm • G Maj • 01:54 • -21db
30% Popularity • 18% Danceability • 9% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 9% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Organ Sonata No. 4 in A Minor, Op. 98: I...
92 bpm • A min • 07:16 • -19.64db
0% Popularity • 13% Danceability • 14% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
0% Popularity • 13% Danceability • 14% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Johannes Brahms
Warum ist das Licht gegeben dem Mühseli...
99 bpm • F Maj • 02:47 • -20db
9% Popularity • 15% Danceability • 15% Energy • 10% Liveness
31% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 15% Energy • 10% Liveness
31% Instrumentalness • 4% Positiveness
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Fraser Wilson
Wishes
99 bpm • E min • 04:14 • -27.09db
5% Popularity • 14% Danceability • 5% Energy • 10% Liveness
7% Instrumentalness • 4% Positiveness
5% Popularity • 14% Danceability • 5% Energy • 10% Liveness
7% Instrumentalness • 4% Positiveness
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Johann Crüger
O haupt voll blut und wunden
91 bpm • C Maj • 02:46 • -24.71db
8% Popularity • 25% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 25% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Ola Gjeilo
Sunrise Mass: II. Sunrise
90 bpm • D Maj • 10:02 • -21.04db
24% Popularity • 12% Danceability • 18% Energy • 35% Liveness
76% Instrumentalness • 4% Positiveness
24% Popularity • 12% Danceability • 18% Energy • 35% Liveness
76% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Requiem
91 bpm • G min • 05:35 • -30.66db
7% Popularity • 12% Danceability • 2% Energy • 16% Liveness
92% Instrumentalness • 3% Positiveness
7% Popularity • 12% Danceability • 2% Energy • 16% Liveness
92% Instrumentalness • 3% Positiveness
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Josef Rheinberger
Mass in F Major, Op. 190: III. Credo
98 bpm • E Maj • 06:25 • -21.17db
1% Popularity • 14% Danceability • 13% Energy • 10% Liveness
59% Instrumentalness • 4% Positiveness
1% Popularity • 14% Danceability • 13% Energy • 10% Liveness
59% Instrumentalness • 4% Positiveness
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Alfred Schnittke
Three Sacred Hymns: I. Gegrüßet seist ...
90 bpm • C min • 01:35 • -30db
12% Popularity • 20% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
12% Popularity • 20% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Robert Schumann
Romanzen und Balladen, Book 1, Op. 67: N...
100 bpm • G Maj • 02:57 • -40.12db
13% Popularity • 17% Danceability • 1% Energy • 7% Liveness
19% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 1% Energy • 7% Liveness
19% Instrumentalness • 4% Positiveness
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Johannes Brahms
In stiller Nacht
90 bpm • D Maj • 02:06 • -31db
16% Popularity • 19% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
16% Popularity • 19% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Stellan Sagvik
Missa Maria Magdalena: Äktenskapsbryter...
90 bpm • D Maj • 08:21 • -18.93db
7% Popularity • 15% Danceability • 15% Energy • 35% Liveness
18% Instrumentalness • 3% Positiveness
7% Popularity • 15% Danceability • 15% Energy • 35% Liveness
18% Instrumentalness • 3% Positiveness
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Kim André Arnesen
Making or Breaking
90 bpm • D Maj • 04:37 • -23.28db
20% Popularity • 10% Danceability • 11% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
20% Popularity • 10% Danceability • 11% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Organ Sonata No. 20 in F Major, Op. 196 ...
92 bpm • A Maj • 07:01 • -24.54db
0% Popularity • 10% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
0% Popularity • 10% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Samuel Barber
4 Songs, Op. 13: No. 3. Sure on this shi...
101 bpm • A# Maj • 02:29 • -28.32db
18% Popularity • 16% Danceability • 3% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
18% Popularity • 16% Danceability • 3% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
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Jaakko Mäntyjärvi
4 Shakespeare Songs: No. 4. Full fathom ...
89 bpm • G# Maj • 02:22 • -24db
9% Popularity • 15% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 3% Positiveness
9% Popularity • 15% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 3% Positiveness
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Johannes Brahms
Fünf Gesänge, Op. 104: II. Nachtwache ...
89 bpm • D# Maj • 01:24 • -23db
12% Popularity • 15% Danceability • 10% Energy • 7% Liveness
4% Instrumentalness • 8% Positiveness
12% Popularity • 15% Danceability • 10% Energy • 7% Liveness
4% Instrumentalness • 8% Positiveness
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Ola Gjeilo
Ubi caritas
101 bpm • F# min • 03:44 • -28.7db
27% Popularity • 16% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
27% Popularity • 16% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 4. Respice (Repe...
89 bpm • D Maj • 01:27 • -15.9db
35% Popularity • 19% Danceability • 28% Energy • 3% Liveness
5% Instrumentalness • 4% Positiveness
35% Popularity • 19% Danceability • 28% Energy • 3% Liveness
5% Instrumentalness • 4% Positiveness
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Claude Debussy
3 Chansons de Charles d'Orleans: Trois C...
89 bpm • B Maj • 02:17 • -31db
10% Popularity • 16% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Negrasálmur
Go down Moses
102 bpm • B min • 01:52 • -20.1db
13% Popularity • 26% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
13% Popularity • 26% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
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Josef Rheinberger
Hymnen, Op. 140: V. Angelus suis
102 bpm • D# Maj • 03:25 • -24.27db
7% Popularity • 20% Danceability • 9% Energy • 28% Liveness
3% Instrumentalness • 5% Positiveness
7% Popularity • 20% Danceability • 9% Energy • 28% Liveness
3% Instrumentalness • 5% Positiveness
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William Croft
Burial Sentences: III. We Brought Nothin...
88 bpm • F min • 01:12 • -27.47db
32% Popularity • 12% Danceability • 4% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 4% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: II. Gloria
88 bpm • C Maj • 05:28 • -25db
12% Popularity • 13% Danceability • 11% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 13% Danceability • 11% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Johann Michael Bach
Halt, was du hast
88 bpm • E min • 05:26 • -21db
17% Popularity • 18% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 18% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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John Dowland
Come Again, Sweet Love Doth Now Invite
102 bpm • G Maj • 04:35 • -21.17db
11% Popularity • 36% Danceability • 5% Energy • 22% Liveness
3% Instrumentalness • 34% Positiveness
11% Popularity • 36% Danceability • 5% Energy • 22% Liveness
3% Instrumentalness • 34% Positiveness
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Jaakko Mäntyjärvi
4 Shakespeare Songs: No. 3. Double, doub...
88 bpm • F# Maj • 03:28 • -16db
12% Popularity • 42% Danceability • 24% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
12% Popularity • 42% Danceability • 24% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
88 bpm • G# Maj • 02:19 • -25.25db
16% Popularity • 22% Danceability • 8% Energy • 11% Liveness
20% Instrumentalness • 3% Positiveness
16% Popularity • 22% Danceability • 8% Energy • 11% Liveness
20% Instrumentalness • 3% Positiveness
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Samuel Barber
Reincarnations, Op. 16: III. The Coolin
103 bpm • G min • 03:14 • -29.74db
9% Popularity • 20% Danceability • 5% Energy • 11% Liveness
20% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 5% Energy • 11% Liveness
20% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
All-Night Vigil, Op. 37: No. 6, Rejoice,...
88 bpm • F Maj • 03:06 • -28.3db
10% Popularity • 9% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Giulio Caccini
All'imperio d'Amore: 7. Ineffabile ardor...
103 bpm • A# Maj • 00:54 • -16db
21% Popularity • 18% Danceability • 26% Energy • 30% Liveness
99% Instrumentalness • 5% Positiveness
21% Popularity • 18% Danceability • 26% Energy • 30% Liveness
99% Instrumentalness • 5% Positiveness
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Niccolò Jommelli
Requiem in D Minor, K. 626 (Paris 1804 V...
88 bpm • E min • 02:37 • -33db
21% Popularity • 9% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
21% Popularity • 9% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Sirkka Rautakoski
Aaria, Sairasten Parantaja (Myrskyn Kesk...
88 bpm • D# Maj • 04:26 • -24.83db
13% Popularity • 11% Danceability • 7% Energy • 20% Liveness
76% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 7% Energy • 20% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
Sergey Khvoshchinsky
Bogoroditse Devo, raduysia
87 bpm • D# Maj • 05:18 • -19db
9% Popularity • 14% Danceability • 18% Energy • 16% Liveness
1% Instrumentalness • 6% Positiveness
9% Popularity • 14% Danceability • 18% Energy • 16% Liveness
1% Instrumentalness • 6% Positiveness
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John Dowland
Now, Oh Now I Needs Must Part
103 bpm • G Maj • 03:57 • -24db
9% Popularity • 36% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 36% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Dale Warland Singers
Requiem - Herbert Howells: III. Requiem ...
87 bpm • E min • 03:23 • -41db
31% Popularity • 9% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
31% Popularity • 9% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Robert Schumann
Romanzen, Book 1, Op. 69: No. 6. Die Kap...
87 bpm • F Maj • 03:29 • -34.86db
18% Popularity • 21% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 8% Positiveness
18% Popularity • 21% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 8% Positiveness
► Preview
John Tavener
The Lamb
103 bpm • E min • 04:12 • -36.99db
7% Popularity • 15% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
7% Popularity • 15% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Josef Rheinberger
6 Gesange, Opo 131: No. 4. Im Erdenraum
104 bpm • G# Maj • 03:00 • -26.05db
1% Popularity • 22% Danceability • 4% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
1% Popularity • 22% Danceability • 4% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Antonio Lotti
Lotti: Crucifixus a 8 voci
103 bpm • C min • 03:44 • -25.69db
15% Popularity • 16% Danceability • 6% Energy • 10% Liveness
60% Instrumentalness • 3% Positiveness
15% Popularity • 16% Danceability • 6% Energy • 10% Liveness
60% Instrumentalness • 3% Positiveness
► Preview
Nordic Chamber Choir - Nicol Matt
Veni, Sancte Spiritus
87 bpm • A Maj • 02:32 • -18.4db
13% Popularity • 20% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
13% Popularity • 20% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
► Preview
Jacobus Gallus
Pueri concinite
87 bpm • F Maj • 01:51 • -25db
36% Popularity • 14% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
36% Popularity • 14% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Jonathan Dove
The Passing of the Year: No. 5. Ah, Sun-...
104 bpm • F# Maj • 02:13 • -24db
23% Popularity • 16% Danceability • 6% Energy • 8% Liveness
63% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 6% Energy • 8% Liveness
63% Instrumentalness • 4% Positiveness
► Preview
Joseph Haydn
Te Deum, Hob. XXIIIc:2
104 bpm • C Maj • 08:21 • -19.64db
18% Popularity • 35% Danceability • 23% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
18% Popularity • 35% Danceability • 23% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
► Preview
Josef Rheinberger
Suite for Violin, Cello, Organ and Strin...
86 bpm • C min • 09:11 • -28.19db
0% Popularity • 11% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
0% Popularity • 11% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
► Preview
George Lloyd
Requiem for counter-tenor, choir & organ...
86 bpm • C# Maj • 03:30 • -16.55db
9% Popularity • 27% Danceability • 24% Energy • 34% Liveness
90% Instrumentalness • 5% Positiveness
9% Popularity • 27% Danceability • 24% Energy • 34% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Jan Pieterszoon Sweelinck
Psalm 96, "Chantez a Dieu chanson nouvel...
86 bpm • E min • 01:55 • -24.05db
19% Popularity • 28% Danceability • 9% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 28% Danceability • 9% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Sergei Rachmaninoff
Vespers, Op. 37: O Serene Light
86 bpm • G# Maj • 03:26 • -24.82db
9% Popularity • 21% Danceability • 8% Energy • 8% Liveness
38% Instrumentalness • 3% Positiveness
9% Popularity • 21% Danceability • 8% Energy • 8% Liveness
38% Instrumentalness • 3% Positiveness
► Preview
Stellan Sagvik
Missa Maria Magdalena: Agnus Dei
86 bpm • D Maj • 04:21 • -22.89db
7% Popularity • 10% Danceability • 7% Energy • 13% Liveness
10% Instrumentalness • 3% Positiveness
7% Popularity • 10% Danceability • 7% Energy • 13% Liveness
10% Instrumentalness • 3% Positiveness
► Preview
Ola Gjeilo
Sunrise Mass: III. The City
86 bpm • D min • 11:10 • -21db
22% Popularity • 11% Danceability • 18% Energy • 9% Liveness
63% Instrumentalness • 4% Positiveness
22% Popularity • 11% Danceability • 18% Energy • 9% Liveness
63% Instrumentalness • 4% Positiveness
► Preview
Millikin University Choir
Stetit Angelus
86 bpm • A min • 04:38 • -24db
29% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
29% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
John Tavener
Mother of God
86 bpm • F Maj • 03:01 • -28.8db
11% Popularity • 22% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Jan Pieterszoon Sweelinck
Pseaumes de David, Livre 2: No. 25, Qui ...
86 bpm • E min • 03:24 • -22db
9% Popularity • 15% Danceability • 15% Energy • 26% Liveness
5% Instrumentalness • 9% Positiveness
9% Popularity • 15% Danceability • 15% Energy • 26% Liveness
5% Instrumentalness • 9% Positiveness
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Ingrid Hofer
Spatzenmesse in C-Dur, KV. 220 'Missa - ...
105 bpm • C Maj • 00:58 • -18.49db
13% Popularity • 45% Danceability • 12% Energy • 14% Liveness
1% Instrumentalness • 42% Positiveness
13% Popularity • 45% Danceability • 12% Energy • 14% Liveness
1% Instrumentalness • 42% Positiveness
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University Of Pretoria Camerata
Tykus Tykus
86 bpm • D# Maj • 04:28 • -22.86db
20% Popularity • 17% Danceability • 12% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
20% Popularity • 17% Danceability • 12% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
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AntonÃn Dvořák
Mass in D major, Op. 86: 5. Benedictus
85 bpm • G Maj • 06:45 • -24.36db
8% Popularity • 9% Danceability • 4% Energy • 13% Liveness
36% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 4% Energy • 13% Liveness
36% Instrumentalness • 3% Positiveness
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Kevin Puts
If I Were A Swan
85 bpm • C# Maj • 06:22 • -24db
8% Popularity • 16% Danceability • 13% Energy • 9% Liveness
82% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 13% Energy • 9% Liveness
82% Instrumentalness • 3% Positiveness
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Herman Finkers
Missa Sancti Georgii: II. Gloria
106 bpm • C# Maj • 07:16 • -21.37db
12% Popularity • 18% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Josef Rheinberger
6 Gesange, Opo 131: No. 2. Die alte Tann...
106 bpm • D min • 02:19 • -26.11db
1% Popularity • 24% Danceability • 4% Energy • 6% Liveness
4% Instrumentalness • 4% Positiveness
1% Popularity • 24% Danceability • 4% Energy • 6% Liveness
4% Instrumentalness • 4% Positiveness
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Bertalan Hock
Organ Symphony No. 5 in F minor, Op. 42,...
106 bpm • F Maj • 06:10 • -16db
12% Popularity • 21% Danceability • 24% Energy • 18% Liveness
96% Instrumentalness • 6% Positiveness
12% Popularity • 21% Danceability • 24% Energy • 18% Liveness
96% Instrumentalness • 6% Positiveness
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Zuzanna Koziej
Stabat Mater: O quam tristis et afflicta
85 bpm • D# min • 02:02 • -25.34db
11% Popularity • 19% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 19% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
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Andrej Makor
O lux beata Trinitas
106 bpm • F# Maj • 02:37 • -25db
25% Popularity • 16% Danceability • 6% Energy • 16% Liveness
83% Instrumentalness • 5% Positiveness
25% Popularity • 16% Danceability • 6% Energy • 16% Liveness
83% Instrumentalness • 5% Positiveness
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Claude Debussy
Dieu, qu'il l'a fait bon regarder
85 bpm • G# min • 02:15 • -36db
13% Popularity • 9% Danceability • 1% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 9% Danceability • 1% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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Frank Ticheli
There Will Be Rest
106 bpm • D# Maj • 06:05 • -28db
10% Popularity • 16% Danceability • 5% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 5% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Henry Purcell
One Charming Night (Secrecy)
85 bpm • F# min • 02:13 • -25db
28% Popularity • 26% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
28% Popularity • 26% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Johannes Brahms
Fünf Gesänge, Op. 104: I. Nachtwache I
107 bpm • B min • 02:36 • -29.11db
9% Popularity • 20% Danceability • 8% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 8% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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Wolfgang Bankl
Spatzenmesse in C-Dur, KV. 220 'Missa - ...
85 bpm • C Maj • 01:53 • -18db
12% Popularity • 47% Danceability • 16% Energy • 9% Liveness
22% Instrumentalness • 44% Positiveness
12% Popularity • 47% Danceability • 16% Energy • 9% Liveness
22% Instrumentalness • 44% Positiveness
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Louis Vierne
Messe Solennelle, Op. 16 - Gloria
107 bpm • A Maj • 08:21 • -15.66db
9% Popularity • 20% Danceability • 16% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 16% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
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Michael Tippett
Five Spirituals from "A Child of Our Tim...
84 bpm • G Maj • 02:31 • -22db
11% Popularity • 14% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 14% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Eric Whitacre
Three Songs of Faith: I. hope, faith, li...
84 bpm • A# Maj • 04:06 • -23.28db
9% Popularity • 9% Danceability • 5% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 5% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
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Louis Spohr
Sechs deutsche Lieder, Opus 41: Nr. 2 Li...
84 bpm • A# min • 01:47 • -13.38db
13% Popularity • 45% Danceability • 16% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 45% Danceability • 16% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: II. "Blagoslovi dushe m...
84 bpm • F Maj • 05:06 • -34db
11% Popularity • 12% Danceability • 5% Energy • 6% Liveness
13% Instrumentalness • 4% Positiveness
11% Popularity • 12% Danceability • 5% Energy • 6% Liveness
13% Instrumentalness • 4% Positiveness
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Eleanor Daley
In Remembrance
107 bpm • E Maj • 03:07 • -28db
16% Popularity • 16% Danceability • 6% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 6% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
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John Taverner
Mother of God Here I Stand
84 bpm • F# Maj • 03:10 • -41db
18% Popularity • 8% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
18% Popularity • 8% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
