Songs like Requiem, Op. 33 "Songs for Sue": From Emily Dickinson by Oliver Knussen
Based on a tempo of (+/- 10%) and a similar genre
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Magnus Lindberg
Aura - In memoriam Witold Lutoslawski (1...
126 bpm • D min • 12:57 • -22.32db
2% Popularity • 24% Danceability • 21% Energy • 36% Liveness
91% Instrumentalness • 4% Positiveness
2% Popularity • 24% Danceability • 21% Energy • 36% Liveness
91% Instrumentalness • 4% Positiveness
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Oliver Knussen
Two Organa, op.27: 2. Organum to honour ...
126 bpm • E min • 03:41 • -26.02db
0% Popularity • 21% Danceability • 9% Energy • 4% Liveness
69% Instrumentalness • 4% Positiveness
0% Popularity • 21% Danceability • 9% Energy • 4% Liveness
69% Instrumentalness • 4% Positiveness
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George Benjamin
Dance Figures, Nine Choreographic Scenes...
126 bpm • G# Maj • 01:12 • -46.92db
0% Popularity • 16% Danceability • 0% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
0% Popularity • 16% Danceability • 0% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Johannes Brahms
Six Canonic Studies, Op. 56: No. 1, Con ...
126 bpm • C Maj • 03:04 • -32.3db
17% Popularity • 17% Danceability • 1% Energy • 9% Liveness
74% Instrumentalness • 7% Positiveness
17% Popularity • 17% Danceability • 1% Energy • 9% Liveness
74% Instrumentalness • 7% Positiveness
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Ruth Crawford Seeger
Suite (1952): 1. Allegretto
126 bpm • C Maj • 03:09 • -29.24db
1% Popularity • 33% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
1% Popularity • 33% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Lennox Berkeley
Divertimento, Op.18: II. Nocturne. Andan...
125 bpm • D# min • 05:12 • -27.74db
7% Popularity • 17% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 3% Positiveness
7% Popularity • 17% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 3% Positiveness
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Juan Pablo Fernández Ramos
Las tres culturas: 3. Los pasos de Jehov...
127 bpm • D min • 04:08 • -33.21db
13% Popularity • 21% Danceability • 1% Energy • 8% Liveness
58% Instrumentalness • 7% Positiveness
13% Popularity • 21% Danceability • 1% Energy • 8% Liveness
58% Instrumentalness • 7% Positiveness
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Oliver Knussen
The Sword in the Stone Suite (Arr. O. Kn...
126 bpm • F min • 01:10 • -20.99db
17% Popularity • 68% Danceability • 25% Energy • 24% Liveness
96% Instrumentalness • 12% Positiveness
17% Popularity • 68% Danceability • 25% Energy • 24% Liveness
96% Instrumentalness • 12% Positiveness
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Gerard Pastor
Femina Feminae VI. L'ecole Buissonière
125 bpm • D Maj • 01:44 • -27.59db
9% Popularity • 50% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
9% Popularity • 50% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
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Mieczysław Weinberg
The Passenger, Op. 97: Vorspiel
125 bpm • F# min • 02:46 • -23.06db
12% Popularity • 38% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
12% Popularity • 38% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
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Benjamin Britten
Britten: The Rape of Lucretia, Op. 37, A...
128 bpm • C Maj • 03:27 • -25.75db
2% Popularity • 43% Danceability • 5% Energy • 22% Liveness
0% Instrumentalness • 8% Positiveness
2% Popularity • 43% Danceability • 5% Energy • 22% Liveness
0% Instrumentalness • 8% Positiveness
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Witold Lutosławski
Lutoslawski : Concerto for Orchestra : I...
128 bpm • F# min • 07:17 • -26db
14% Popularity • 25% Danceability • 8% Energy • 9% Liveness
30% Instrumentalness • 11% Positiveness
14% Popularity • 25% Danceability • 8% Energy • 9% Liveness
30% Instrumentalness • 11% Positiveness
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Rolf Wallin
Whirld: II. Albedo
124 bpm • C Maj • 03:44 • -20.76db
8% Popularity • 35% Danceability • 28% Energy • 13% Liveness
87% Instrumentalness • 20% Positiveness
8% Popularity • 35% Danceability • 28% Energy • 13% Liveness
87% Instrumentalness • 20% Positiveness
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Elliott Carter
Soundings
128 bpm • G Maj • 08:12 • -26.91db
0% Popularity • 29% Danceability • 3% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
0% Popularity • 29% Danceability • 3% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
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Sanseti Sabaru
Samsara
128 bpm • C min • 02:12 • -32.51db
9% Popularity • 18% Danceability • 2% Energy • 11% Liveness
69% Instrumentalness • 9% Positiveness
9% Popularity • 18% Danceability • 2% Energy • 11% Liveness
69% Instrumentalness • 9% Positiveness
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Maurice Ravel
Valses Nobles Et Sentimentales: III. Mod...
129 bpm • G Maj • 01:25 • -21.14db
7% Popularity • 28% Danceability • 7% Energy • 10% Liveness
72% Instrumentalness • 7% Positiveness
7% Popularity • 28% Danceability • 7% Energy • 10% Liveness
72% Instrumentalness • 7% Positiveness
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Benjamin Britten
Britten: The Rape of Lucretia, Op. 37, A...
128 bpm • B min • 04:01 • -31.51db
2% Popularity • 23% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
2% Popularity • 23% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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James Ricci
Night Music
129 bpm • F# min • 07:53 • -19db
9% Popularity • 21% Danceability • 12% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 12% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Witold Lutosławski
Jeux vénitiens, Pt. 1
123 bpm • F# min • 02:24 • -23db
10% Popularity • 38% Danceability • 9% Energy • 34% Liveness
9% Instrumentalness • 15% Positiveness
10% Popularity • 38% Danceability • 9% Energy • 34% Liveness
9% Instrumentalness • 15% Positiveness
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Claude Debussy
6 Épigraphes antiques, L. 131: VI. Pour...
123 bpm • G# Maj • 02:13 • -26.72db
8% Popularity • 20% Danceability • 6% Energy • 21% Liveness
88% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 6% Energy • 21% Liveness
88% Instrumentalness • 4% Positiveness
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Erwin Schulhoff
5 Pieces for String Quartet: No. 2, Alla...
129 bpm • C Maj • 03:02 • -25.02db
17% Popularity • 45% Danceability • 9% Energy • 8% Liveness
41% Instrumentalness • 10% Positiveness
17% Popularity • 45% Danceability • 9% Energy • 8% Liveness
41% Instrumentalness • 10% Positiveness
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Daniel Shalit
Suite for String Orchestra: V. Postlude
123 bpm • C min • 01:17 • -19.5db
7% Popularity • 40% Danceability • 15% Energy • 14% Liveness
90% Instrumentalness • 9% Positiveness
7% Popularity • 40% Danceability • 15% Energy • 14% Liveness
90% Instrumentalness • 9% Positiveness
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Benjamin Britten
Britten: The Rape of Lucretia, Op. 37, A...
130 bpm • G min • 04:14 • -24.85db
2% Popularity • 32% Danceability • 9% Energy • 80% Liveness
0% Instrumentalness • 12% Positiveness
2% Popularity • 32% Danceability • 9% Energy • 80% Liveness
0% Instrumentalness • 12% Positiveness
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Jean-Jacques Charles
Les points cardinaux: II.
130 bpm • A min • 01:11 • -18.23db
13% Popularity • 41% Danceability • 13% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
13% Popularity • 41% Danceability • 13% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
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Witold Lutosławski
Concerto for Orchestra: I. Intrada. Alle...
123 bpm • F# min • 07:14 • -21.93db
10% Popularity • 30% Danceability • 13% Energy • 10% Liveness
81% Instrumentalness • 5% Positiveness
10% Popularity • 30% Danceability • 13% Energy • 10% Liveness
81% Instrumentalness • 5% Positiveness
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Elizabeth Alexander
My Aunt Gives Me a Clarinet Lesson
130 bpm • C Maj • 10:58 • -25.49db
9% Popularity • 36% Danceability • 4% Energy • 21% Liveness
23% Instrumentalness • 4% Positiveness
9% Popularity • 36% Danceability • 4% Energy • 21% Liveness
23% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Trittico botticelliano, P. 151: I. La pr...
130 bpm • A Maj • 06:05 • -21.8db
9% Popularity • 38% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
9% Popularity • 38% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
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Aaron Copland
Grohg - Ballet in one act (1922-5, rev. ...
130 bpm • C Maj • 04:37 • -17.28db
1% Popularity • 39% Danceability • 36% Energy • 40% Liveness
85% Instrumentalness • 17% Positiveness
1% Popularity • 39% Danceability • 36% Energy • 40% Liveness
85% Instrumentalness • 17% Positiveness
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Benjamin Britten
Britten: The Rape of Lucretia, Op. 37, A...
130 bpm • E Maj • 03:26 • -29.39db
2% Popularity • 30% Danceability • 4% Energy • 39% Liveness
0% Instrumentalness • 6% Positiveness
2% Popularity • 30% Danceability • 4% Energy • 39% Liveness
0% Instrumentalness • 6% Positiveness
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Oliver Knussen
Whitman Settings, Op. 25: III. The Dalli...
130 bpm • A Maj • 02:05 • -20.51db
1% Popularity • 39% Danceability • 8% Energy • 13% Liveness
30% Instrumentalness • 5% Positiveness
1% Popularity • 39% Danceability • 8% Energy • 13% Liveness
30% Instrumentalness • 5% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29, No. 2: II. Ost...
121 bpm • C Maj • 01:46 • -28.9db
18% Popularity • 34% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 23% Positiveness
18% Popularity • 34% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 23% Positiveness
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Henri Dutilleux
Dutilleux: The Shadows of Time: III. Mé...
131 bpm • A# min • 07:15 • -25.97db
3% Popularity • 21% Danceability • 6% Energy • 5% Liveness
80% Instrumentalness • 4% Positiveness
3% Popularity • 21% Danceability • 6% Energy • 5% Liveness
80% Instrumentalness • 4% Positiveness
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Radoslaw Pallarz
Ephesiaka: Ephesiaka
131 bpm • E min • 01:56 • -32.91db
8% Popularity • 27% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 27% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Ernst von Dohnányi
Variations on a Nursery Song, Op. 25: Va...
131 bpm • G# Maj • 01:30 • -23.37db
7% Popularity • 43% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
7% Popularity • 43% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
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Charles Gounod
Gounod: Petite Symphonie in B-Flat for 9...
121 bpm • A# Maj • 04:03 • -16.12db
1% Popularity • 65% Danceability • 18% Energy • 14% Liveness
80% Instrumentalness • 68% Positiveness
1% Popularity • 65% Danceability • 18% Energy • 14% Liveness
80% Instrumentalness • 68% Positiveness
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Oliver Knussen
Where the Wild Things Are, op.20 - Fanta...
121 bpm • C# Maj • 05:15 • -17.26db
0% Popularity • 32% Danceability • 40% Energy • 38% Liveness
70% Instrumentalness • 7% Positiveness
0% Popularity • 32% Danceability • 40% Energy • 38% Liveness
70% Instrumentalness • 7% Positiveness
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Dorothy Howell
The Rock
131 bpm • D min • 10:49 • -20.84db
22% Popularity • 29% Danceability • 8% Energy • 30% Liveness
85% Instrumentalness • 5% Positiveness
22% Popularity • 29% Danceability • 8% Energy • 30% Liveness
85% Instrumentalness • 5% Positiveness
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Richard Strauss
Ein Heldenleben, Op. 40, TrV 190: IV. De...
121 bpm • F# Maj • 05:51 • -29.91db
12% Popularity • 17% Danceability • 3% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 3% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Arnold Rosner
Concerto Grosso No. 2, Op. 74: III. Alle...
132 bpm • F Maj • 08:07 • -21.65db
8% Popularity • 21% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: Ma mère l'Oye, M. 60: III. Laide...
120 bpm • G# min • 03:28 • -18.55db
0% Popularity • 30% Danceability • 14% Energy • 8% Liveness
87% Instrumentalness • 16% Positiveness
0% Popularity • 30% Danceability • 14% Energy • 8% Liveness
87% Instrumentalness • 16% Positiveness
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György Ligeti
String Quartet No. 1 "Métamorphoses noc...
132 bpm • G Maj • 02:11 • -23.08db
11% Popularity • 58% Danceability • 22% Energy • 48% Liveness
48% Instrumentalness • 70% Positiveness
11% Popularity • 58% Danceability • 22% Energy • 48% Liveness
48% Instrumentalness • 70% Positiveness
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Oliver Knussen
Where the Wild Things Are, op.20 - Fanta...
132 bpm • C# Maj • 03:03 • -15.83db
0% Popularity • 26% Danceability • 45% Energy • 68% Liveness
26% Instrumentalness • 9% Positiveness
0% Popularity • 26% Danceability • 45% Energy • 68% Liveness
26% Instrumentalness • 9% Positiveness
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Igor Stravinsky
The Fairy's Kiss: Andante - Vivace agita...
132 bpm • A min • 01:34 • -21.57db
0% Popularity • 39% Danceability • 3% Energy • 16% Liveness
84% Instrumentalness • 16% Positiveness
0% Popularity • 39% Danceability • 3% Energy • 16% Liveness
84% Instrumentalness • 16% Positiveness
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Soeui Lee
Three Bagatelles: No. 2, Divertimenti in...
132 bpm • A# min • 03:57 • -18.35db
19% Popularity • 27% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
19% Popularity • 27% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
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mantekito loko
carino es hola de un poco de ruido
120 bpm • D min • 01:55 • -24.42db
8% Popularity • 66% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 26% Positiveness
8% Popularity • 66% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 26% Positiveness
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Peter Eötvös
DoReMi, Violin Concerto No. 2: I. First ...
132 bpm • D Maj • 07:19 • -18db
8% Popularity • 37% Danceability • 22% Energy • 36% Liveness
14% Instrumentalness • 9% Positiveness
8% Popularity • 37% Danceability • 22% Energy • 36% Liveness
14% Instrumentalness • 9% Positiveness
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Darius Milhaud
Scaramouche, Op. 165d: I. Vif
132 bpm • C Maj • 02:59 • -17.21db
10% Popularity • 46% Danceability • 25% Energy • 18% Liveness
70% Instrumentalness • 36% Positiveness
10% Popularity • 46% Danceability • 25% Energy • 18% Liveness
70% Instrumentalness • 36% Positiveness
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Oliver Knussen
Autumnal, Op. 14: Serenade
132 bpm • D Maj • 03:54 • -25.11db
0% Popularity • 36% Danceability • 5% Energy • 20% Liveness
1% Instrumentalness • 4% Positiveness
0% Popularity • 36% Danceability • 5% Energy • 20% Liveness
1% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Variations (1963-64): Aldous Huxley in m...
133 bpm • G# Maj • 05:04 • -21db
14% Popularity • 37% Danceability • 5% Energy • 5% Liveness
67% Instrumentalness • 8% Positiveness
14% Popularity • 37% Danceability • 5% Energy • 5% Liveness
67% Instrumentalness • 8% Positiveness
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Paul Chihara
Concerto-Fantasy: II. Interlude
133 bpm • C# Maj • 03:47 • -25.08db
11% Popularity • 22% Danceability • 7% Energy • 60% Liveness
86% Instrumentalness • 5% Positiveness
11% Popularity • 22% Danceability • 7% Energy • 60% Liveness
86% Instrumentalness • 5% Positiveness
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Benjamin Britten
Britten: The Rape of Lucretia, Op. 37, A...
133 bpm • G Maj • 04:50 • -29.25db
5% Popularity • 22% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
5% Popularity • 22% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Heitor Villa-Lobos
Fantasia for Cello & Orchestra, W454: II...
133 bpm • D# Maj • 07:00 • -26.09db
9% Popularity • 26% Danceability • 10% Energy • 12% Liveness
85% Instrumentalness • 23% Positiveness
9% Popularity • 26% Danceability • 10% Energy • 12% Liveness
85% Instrumentalness • 23% Positiveness
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KNOXVILLETRACKZ
SBC
119 bpm • F# Maj • 01:04 • -49.16db
15% Popularity • 25% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
15% Popularity • 25% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
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Charles Koechlin
The Seven Stars' Symphony, Op. 132: II. ...
119 bpm • A min • 02:17 • -24.68db
12% Popularity • 26% Danceability • 9% Energy • 13% Liveness
78% Instrumentalness • 11% Positiveness
12% Popularity • 26% Danceability • 9% Energy • 13% Liveness
78% Instrumentalness • 11% Positiveness
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Igor Stravinsky
Requiem Canticles (1965-66): Prelude
133 bpm • A# min • 01:11 • -22.8db
1% Popularity • 60% Danceability • 18% Energy • 9% Liveness
80% Instrumentalness • 33% Positiveness
1% Popularity • 60% Danceability • 18% Energy • 9% Liveness
80% Instrumentalness • 33% Positiveness
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Taipei New Dynasty Philharmonic & Chorus
Transcendental Symphony Part IV. Finale ...
133 bpm • G# Maj • 08:56 • -20.78db
7% Popularity • 20% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Oliver Knussen
Music for a Puppet Court, op.11: 3. Anti...
119 bpm • D# min • 02:03 • -24.4db
0% Popularity • 21% Danceability • 5% Energy • 20% Liveness
85% Instrumentalness • 4% Positiveness
0% Popularity • 21% Danceability • 5% Energy • 20% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Olivier Messiaen
Turangalîla-Symphony: IV. Chant d'amour...
118 bpm • A Maj • 10:24 • -21.52db
11% Popularity • 32% Danceability • 22% Energy • 8% Liveness
64% Instrumentalness • 5% Positiveness
11% Popularity • 32% Danceability • 22% Energy • 8% Liveness
64% Instrumentalness • 5% Positiveness
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Miljan Minic
Bright Horizon
118 bpm • C Maj • 01:37 • -38.78db
25% Popularity • 53% Danceability • 1% Energy • 13% Liveness
99% Instrumentalness • 31% Positiveness
25% Popularity • 53% Danceability • 1% Energy • 13% Liveness
99% Instrumentalness • 31% Positiveness
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Hans Werner Henze
Undine: 2 c. Vivace
134 bpm • D Maj • 00:59 • -15.95db
1% Popularity • 33% Danceability • 37% Energy • 79% Liveness
98% Instrumentalness • 22% Positiveness
1% Popularity • 33% Danceability • 37% Energy • 79% Liveness
98% Instrumentalness • 22% Positiveness
► Preview
Igor Stravinsky
The Soldier's Tale, Pt. 1: I. Introducti...
119 bpm • D Maj • 02:38 • -16.69db
1% Popularity • 80% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 20% Positiveness
1% Popularity • 80% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Rolf Wallin
Whirld: IV. Rubedo
135 bpm • G Maj • 05:57 • -26.01db
14% Popularity • 33% Danceability • 16% Energy • 46% Liveness
21% Instrumentalness • 10% Positiveness
14% Popularity • 33% Danceability • 16% Energy • 46% Liveness
21% Instrumentalness • 10% Positiveness
► Preview
Benjamin Britten
Britten: The Rape of Lucretia, Op. 37, A...
135 bpm • F min • 02:23 • -20.52db
2% Popularity • 40% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
2% Popularity • 40% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Milo Paulus
Proving the Existence of Folkloric Creat...
135 bpm • A min • 03:17 • -21.72db
10% Popularity • 38% Danceability • 13% Energy • 9% Liveness
45% Instrumentalness • 10% Positiveness
10% Popularity • 38% Danceability • 13% Energy • 9% Liveness
45% Instrumentalness • 10% Positiveness
► Preview
Ruth Crawford Seeger
Rissolty Rossolty
117 bpm • F Maj • 02:56 • -17.95db
12% Popularity • 30% Danceability • 28% Energy • 14% Liveness
85% Instrumentalness • 60% Positiveness
12% Popularity • 30% Danceability • 28% Energy • 14% Liveness
85% Instrumentalness • 60% Positiveness
► Preview
Bournemouth Symphony Orchestra
Summer Night - Suite from 'The Duenna', ...
117 bpm • C Maj • 04:50 • -29.77db
0% Popularity • 19% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
0% Popularity • 19% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
► Preview
Igor Stravinsky
The Soldier's Tale, Pt. 2: II. Royal Mar...
118 bpm • C min • 07:14 • -22.38db
1% Popularity • 68% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 23% Positiveness
1% Popularity • 68% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Oliver Knussen
Flourish with Fireworks, op.22 Tempo giu...
136 bpm • E Maj • 04:00 • -20.23db
1% Popularity • 29% Danceability • 18% Energy • 17% Liveness
90% Instrumentalness • 12% Positiveness
1% Popularity • 29% Danceability • 18% Energy • 17% Liveness
90% Instrumentalness • 12% Positiveness
► Preview
Elliott Carter
Horn Concerto
135 bpm • C# Maj • 10:41 • -17.5db
0% Popularity • 29% Danceability • 13% Energy • 9% Liveness
55% Instrumentalness • 7% Positiveness
0% Popularity • 29% Danceability • 13% Energy • 9% Liveness
55% Instrumentalness • 7% Positiveness
► Preview
Benjamin Britten
Sinfonia da Requiem, Op. 20: III. Requie...
136 bpm • G Maj • 06:06 • -28.19db
38% Popularity • 15% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
38% Popularity • 15% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Ruth Crawford Seeger
Music for Small Orchestra (1926): 2. In ...
136 bpm • F min • 02:32 • -20.05db
2% Popularity • 34% Danceability • 28% Energy • 6% Liveness
89% Instrumentalness • 40% Positiveness
2% Popularity • 34% Danceability • 28% Energy • 6% Liveness
89% Instrumentalness • 40% Positiveness
► Preview
Quartetto Fancelli
Rough Tango
136 bpm • A min • 03:12 • -21.35db
9% Popularity • 26% Danceability • 7% Energy • 22% Liveness
15% Instrumentalness • 16% Positiveness
9% Popularity • 26% Danceability • 7% Energy • 22% Liveness
15% Instrumentalness • 16% Positiveness
► Preview
![Ólafur Liljurós: [Crotchet = c. 96] cover art](https://i.scdn.co/image/ab67616d00001e0233c5d178cecc0ab03656565b)
Jórunn Viðar
Ólafur Liljurós: [Crotchet = c. 96]
136 bpm • C Maj • 01:19 • -24.57db
8% Popularity • 18% Danceability • 3% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 3% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Oliver Knussen
Where the Wild Things Are - A Fantasy Op...
136 bpm • G# Maj • 01:11 • -38.14db
0% Popularity • 15% Danceability • 1% Energy • 32% Liveness
1% Instrumentalness • 3% Positiveness
0% Popularity • 15% Danceability • 1% Energy • 32% Liveness
1% Instrumentalness • 3% Positiveness
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Elliott Carter
Dialogues
136 bpm • F# Maj • 13:05 • -27.88db
1% Popularity • 33% Danceability • 4% Energy • 8% Liveness
24% Instrumentalness • 8% Positiveness
1% Popularity • 33% Danceability • 4% Energy • 8% Liveness
24% Instrumentalness • 8% Positiveness
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Sergei Prokofiev
Prokofiev: Violin Concerto No. 1 in D Ma...
137 bpm • A min • 03:57 • -26.75db
17% Popularity • 52% Danceability • 19% Energy • 6% Liveness
32% Instrumentalness • 47% Positiveness
17% Popularity • 52% Danceability • 19% Energy • 6% Liveness
32% Instrumentalness • 47% Positiveness
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Arnold Rosner
Variations on a Theme by Frank Martin, O...
136 bpm • A Maj • 01:57 • -32.98db
14% Popularity • 15% Danceability • 2% Energy • 15% Liveness
90% Instrumentalness • 3% Positiveness
14% Popularity • 15% Danceability • 2% Energy • 15% Liveness
90% Instrumentalness • 3% Positiveness
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André Jolivet
Sonatine for Oboe and Bassoon: II. Réci...
116 bpm • F Maj • 02:49 • -26.92db
8% Popularity • 30% Danceability • 1% Energy • 7% Liveness
75% Instrumentalness • 4% Positiveness
8% Popularity • 30% Danceability • 1% Energy • 7% Liveness
75% Instrumentalness • 4% Positiveness
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Charles Koechlin
Pelleas et Melisande, Op. 80 (arr. C. Ko...
137 bpm • A min • 00:59 • -38.07db
33% Popularity • 18% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
33% Popularity • 18% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
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Oliver Knussen
Violin Concerto, Op. 30: III. Gigue (Liv...
136 bpm • F min • 05:44 • -21.14db
0% Popularity • 33% Danceability • 23% Energy • 9% Liveness
48% Instrumentalness • 11% Positiveness
0% Popularity • 33% Danceability • 23% Energy • 9% Liveness
48% Instrumentalness • 11% Positiveness
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Paul Hindemith
Kammermusik No. 1, Op.24 No.1: I. Sehr s...
137 bpm • B Maj • 01:06 • -19db
35% Popularity • 53% Danceability • 45% Energy • 34% Liveness
88% Instrumentalness • 83% Positiveness
35% Popularity • 53% Danceability • 45% Energy • 34% Liveness
88% Instrumentalness • 83% Positiveness
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Benjamin Britten
Britten: The Rape of Lucretia, Op. 37, A...
138 bpm • C min • 05:21 • -24.28db
2% Popularity • 36% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
2% Popularity • 36% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Erik Satie
Mercure: I. Ouverture
115 bpm • C Maj • 01:13 • -22.18db
7% Popularity • 59% Danceability • 9% Energy • 28% Liveness
87% Instrumentalness • 78% Positiveness
7% Popularity • 59% Danceability • 9% Energy • 28% Liveness
87% Instrumentalness • 78% Positiveness
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Richard Strauss
Ein Heldenleben, Op. 40, TrV 190: V. Des...
137 bpm • A# min • 06:20 • -20.57db
9% Popularity • 18% Danceability • 30% Energy • 34% Liveness
91% Instrumentalness • 10% Positiveness
9% Popularity • 18% Danceability • 30% Energy • 34% Liveness
91% Instrumentalness • 10% Positiveness
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Paule Maurice
Tableaux De Provence: V. Lou Cabridan
138 bpm • G# Maj • 03:47 • -17.08db
20% Popularity • 42% Danceability • 28% Energy • 14% Liveness
87% Instrumentalness • 28% Positiveness
20% Popularity • 42% Danceability • 28% Energy • 14% Liveness
87% Instrumentalness • 28% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition - Symphonic tr...
138 bpm • F# min • 02:41 • -28.14db
1% Popularity • 21% Danceability • 4% Energy • 13% Liveness
74% Instrumentalness • 4% Positiveness
1% Popularity • 21% Danceability • 4% Energy • 13% Liveness
74% Instrumentalness • 4% Positiveness
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Arnold Rosner
Variations on a Theme by Frank Martin, O...
138 bpm • A min • 02:16 • -23.84db
14% Popularity • 19% Danceability • 4% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 4% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
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Francis Poulenc
Trois mouvements perpétuels, FP 14b: I....
138 bpm • A# Maj • 01:29 • -25.68db
20% Popularity • 41% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 40% Positiveness
20% Popularity • 41% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 40% Positiveness
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Erik Satie
Relâche, Pt. 1: No. 1, Ouverturette
115 bpm • D Maj • 01:05 • -23.09db
5% Popularity • 56% Danceability • 10% Energy • 8% Liveness
89% Instrumentalness • 34% Positiveness
5% Popularity • 56% Danceability • 10% Energy • 8% Liveness
89% Instrumentalness • 34% Positiveness
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Peter Maxwell Davies
Canon ad honorem Igor Stravinsky
139 bpm • A min • 02:16 • -36.38db
0% Popularity • 15% Danceability • 1% Energy • 5% Liveness
90% Instrumentalness • 4% Positiveness
0% Popularity • 15% Danceability • 1% Energy • 5% Liveness
90% Instrumentalness • 4% Positiveness
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Sonja Grossner
Destiny (UK)
114 bpm • A min • 07:39 • -24.78db
13% Popularity • 29% Danceability • 13% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
13% Popularity • 29% Danceability • 13% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
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Modest Mussorgsky
Boris Godounov - Symphonic Synthesis by ...
138 bpm • F# min • 02:18 • -36.28db
0% Popularity • 14% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 18% Positiveness
0% Popularity • 14% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 18% Positiveness
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George Benjamin
Dance Figures, Nine Choreographic Scenes...
139 bpm • C Maj • 02:01 • -27.59db
1% Popularity • 16% Danceability • 8% Energy • 16% Liveness
90% Instrumentalness • 4% Positiveness
1% Popularity • 16% Danceability • 8% Energy • 16% Liveness
90% Instrumentalness • 4% Positiveness
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Mily Balakirev
Symphony No.1 In C Major: II. Scherzo. V...
114 bpm • D min • 07:19 • -22.96db
9% Popularity • 20% Danceability • 8% Energy • 7% Liveness
61% Instrumentalness • 6% Positiveness
9% Popularity • 20% Danceability • 8% Energy • 7% Liveness
61% Instrumentalness • 6% Positiveness
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James MacMillan
Seven Last Words from the Cross: II. Wom...
139 bpm • B min • 05:11 • -15.11db
7% Popularity • 19% Danceability • 39% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
7% Popularity • 19% Danceability • 39% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
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Aaron Copland
Hear Ye! Hear Ye! - Ballet in One Act (1...
139 bpm • G# Maj • 01:37 • -25.69db
10% Popularity • 44% Danceability • 10% Energy • 31% Liveness
93% Instrumentalness • 19% Positiveness
10% Popularity • 44% Danceability • 10% Energy • 31% Liveness
93% Instrumentalness • 19% Positiveness
► Preview
Karsten Masch
Opus No. 5 Karsten Masch - Tubae Spei - ...
140 bpm • C# min • 03:12 • -16.48db
30% Popularity • 37% Danceability • 24% Energy • 12% Liveness
85% Instrumentalness • 14% Positiveness
30% Popularity • 37% Danceability • 24% Energy • 12% Liveness
85% Instrumentalness • 14% Positiveness
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Julian Anderson
Book of Hours: Pt. 1 (Live)
140 bpm • C# Maj • 11:55 • -20.33db
1% Popularity • 27% Danceability • 19% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
1% Popularity • 27% Danceability • 19% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness