Songs like Requiem, Op. 48, N. 97: I. Introit et Kyrie by Gabriel Fauré
Based on a tempo of (+/- 10%) and a similar genre
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Gabriel Fauré
Requiem, Op. 48, N. 97: I. Introit et Ky...
113 bpm • D min • 07:20 • -25db
17% Popularity • 17% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
17% Popularity • 17% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Erik Satie
Gnossienne: No. 3
113 bpm • A min • 02:21 • -28db
45% Popularity • 34% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
45% Popularity • 34% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Paulus: II. Teil: Nr. 35 Rezitativ & Ari...
112 bpm • D min • 07:57 • -21db
12% Popularity • 25% Danceability • 9% Energy • 11% Liveness
8% Instrumentalness • 11% Positiveness
12% Popularity • 25% Danceability • 9% Energy • 11% Liveness
8% Instrumentalness • 11% Positiveness
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Christoph Willibald Gluck
Iphigénie en Tauride, Wq. 46 (Excerpts)...
114 bpm • A min • 01:34 • -31db
48% Popularity • 17% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
48% Popularity • 17% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Vespro della Beata Vergine, SV 206: V. C...
114 bpm • G# Maj • 03:34 • -28db
9% Popularity • 27% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 27% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Barbara Strozzi
Che si può fare?
112 bpm • E min • 04:23 • -19.16db
24% Popularity • 33% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 33% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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William Christie
Purcell : King Arthur : Act 3 "See, see,...
114 bpm • A# min • 01:27 • -24db
33% Popularity • 64% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 64% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
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Max Richter
Recomposed By Max Richter: Vivaldi, The ...
114 bpm • F Maj • 05:41 • -16.4db
42% Popularity • 39% Danceability • 15% Energy • 14% Liveness
46% Instrumentalness • 13% Positiveness
42% Popularity • 39% Danceability • 15% Energy • 14% Liveness
46% Instrumentalness • 13% Positiveness
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George Frideric Handel
Serse, HWV 40 / Act 1: "Ombra mai fu"
114 bpm • E Maj • 03:24 • -15db
24% Popularity • 25% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
24% Popularity • 25% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Léo Delibes
Delibes: Lakmé, Act 1: Flower Duet - "D...
112 bpm • B Maj • 04:38 • -19.62db
22% Popularity • 34% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
22% Popularity • 34% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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Alessandro Scarlatti
Il giardino di rose: "Mentre io godo"
111 bpm • B min • 04:47 • -27db
21% Popularity • 28% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
21% Popularity • 28% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Gabriel Fauré
Requiem, Op. 48: 7. In paradisum
111 bpm • D Maj • 03:31 • -33db
9% Popularity • 21% Danceability • 2% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
9% Popularity • 21% Danceability • 2% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
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Pérotin
Beata viscera
111 bpm • A Maj • 08:20 • -27.59db
20% Popularity • 19% Danceability • 3% Energy • 10% Liveness
75% Instrumentalness • 4% Positiveness
20% Popularity • 19% Danceability • 3% Energy • 10% Liveness
75% Instrumentalness • 4% Positiveness
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Max Richter
Recomposed By Max Richter: Vivaldi, The ...
111 bpm • F min • 04:39 • -15.34db
42% Popularity • 47% Danceability • 26% Energy • 32% Liveness
87% Instrumentalness • 4% Positiveness
42% Popularity • 47% Danceability • 26% Energy • 32% Liveness
87% Instrumentalness • 4% Positiveness
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Derek Lee Ragin
Rinaldo, HWV 7a: Cara sposa (Air de Rina...
116 bpm • C# min • 09:21 • -22db
26% Popularity • 28% Danceability • 5% Energy • 7% Liveness
1% Instrumentalness • 6% Positiveness
26% Popularity • 28% Danceability • 5% Energy • 7% Liveness
1% Instrumentalness • 6% Positiveness
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Antonio Vivaldi
Stabat Mater, RV 621: I. Stabat Mater do...
116 bpm • E min • 02:54 • -23.96db
37% Popularity • 19% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 7% Positiveness
37% Popularity • 19% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 7% Positiveness
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Joseph Haydn
Die Schöpfung, Hob. XXI:2, Erster Teil:...
110 bpm • D Maj • 02:09 • -15db
11% Popularity • 47% Danceability • 34% Energy • 16% Liveness
2% Instrumentalness • 47% Positiveness
11% Popularity • 47% Danceability • 34% Energy • 16% Liveness
2% Instrumentalness • 47% Positiveness
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Felix Mendelssohn
Ein Sommernachtstraum (A Midsummer's Nig...
110 bpm • D min • 03:32 • -29.19db
12% Popularity • 23% Danceability • 3% Energy • 13% Liveness
74% Instrumentalness • 10% Positiveness
12% Popularity • 23% Danceability • 3% Energy • 13% Liveness
74% Instrumentalness • 10% Positiveness
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Ludwig van Beethoven
Christus am Ölberge, Op. 85: XII. Choru...
116 bpm • D Maj • 02:23 • -13.5db
6% Popularity • 37% Danceability • 33% Energy • 23% Liveness
85% Instrumentalness • 20% Positiveness
6% Popularity • 37% Danceability • 33% Energy • 23% Liveness
85% Instrumentalness • 20% Positiveness
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Max Richter
Recomposed By Max Richter: Vivaldi, The ...
111 bpm • E Maj • 03:09 • -12.82db
47% Popularity • 54% Danceability • 30% Energy • 12% Liveness
90% Instrumentalness • 41% Positiveness
47% Popularity • 54% Danceability • 30% Energy • 12% Liveness
90% Instrumentalness • 41% Positiveness
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Gabriel Fauré
Requiem, Op. 48: 7. In paradisum (I)
110 bpm • D Maj • 03:16 • -36.44db
11% Popularity • 16% Danceability • 1% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 1% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Magnificat in D Major, BWV 243: VI. Et m...
116 bpm • D# min • 03:40 • -27db
22% Popularity • 20% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
22% Popularity • 20% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
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Joseph Haydn
Die Schöpfung, Hob. XXI:2, Zweiter Teil...
116 bpm • A Maj • 06:33 • -19.8db
8% Popularity • 31% Danceability • 16% Energy • 23% Liveness
2% Instrumentalness • 22% Positiveness
8% Popularity • 31% Danceability • 16% Energy • 23% Liveness
2% Instrumentalness • 22% Positiveness
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George Frideric Handel
Serse, HWV 40, Act I Scene 1: Arioso "Om...
109 bpm • E Maj • 03:03 • -23.48db
40% Popularity • 20% Danceability • 10% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
40% Popularity • 20% Danceability • 10% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
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Edward Elgar
Sospiri, Op. 70
117 bpm • F Maj • 05:07 • -30db
38% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
38% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Philip Glass
Satyagraha: Evening Song
117 bpm • A min • 04:07 • -16db
12% Popularity • 27% Danceability • 19% Energy • 9% Liveness
68% Instrumentalness • 25% Positiveness
12% Popularity • 27% Danceability • 19% Energy • 9% Liveness
68% Instrumentalness • 25% Positiveness
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Felix Mendelssohn
Paulus: I. Teil: Nr. 5 Rezitativ & Chor ...
109 bpm • G min • 04:33 • -21.04db
16% Popularity • 39% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
16% Popularity • 39% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232, Kyrie: No. 1, ...
110 bpm • A# min • 09:28 • -16.75db
22% Popularity • 16% Danceability • 21% Energy • 31% Liveness
86% Instrumentalness • 9% Positiveness
22% Popularity • 16% Danceability • 21% Energy • 31% Liveness
86% Instrumentalness • 9% Positiveness
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Joseph Haydn
Die Schöpfung, Hob. XXI:2, Zweiter Teil...
109 bpm • A# Maj • 08:03 • -17.6db
9% Popularity • 32% Danceability • 23% Energy • 26% Liveness
3% Instrumentalness • 18% Positiveness
9% Popularity • 32% Danceability • 23% Energy • 26% Liveness
3% Instrumentalness • 18% Positiveness
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Gioachino Rossini
Petite messe solennelle: I. Kyrie
118 bpm • C Maj • 02:29 • -14db
30% Popularity • 26% Danceability • 26% Energy • 12% Liveness
96% Instrumentalness • 20% Positiveness
30% Popularity • 26% Danceability • 26% Energy • 12% Liveness
96% Instrumentalness • 20% Positiveness
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Henry Purcell
Hail! bright Cecilia, Z. 328: X. In vain...
107 bpm • G# min • 06:09 • -32.83db
5% Popularity • 18% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
5% Popularity • 18% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
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Kim André Arnesen
MAGNIFICAT: III. Quia fecit
120 bpm • G Maj • 05:48 • -24.42db
15% Popularity • 22% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
15% Popularity • 22% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: Scher...
118 bpm • G min • 04:59 • -28.98db
18% Popularity • 49% Danceability • 13% Energy • 20% Liveness
91% Instrumentalness • 50% Positiveness
18% Popularity • 49% Danceability • 13% Energy • 20% Liveness
91% Instrumentalness • 50% Positiveness
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Johann Sebastian Bach
Vergnügte Ruh, beliebte Seelenlust, BWV...
107 bpm • G# Maj • 06:43 • -18.05db
5% Popularity • 22% Danceability • 13% Energy • 10% Liveness
6% Instrumentalness • 9% Positiveness
5% Popularity • 22% Danceability • 13% Energy • 10% Liveness
6% Instrumentalness • 9% Positiveness
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Antonio Vivaldi
Vivaldi: Stabat Mater in F Minor, RV 621...
106 bpm • F min • 03:06 • -23db
22% Popularity • 25% Danceability • 5% Energy • 11% Liveness
10% Instrumentalness • 7% Positiveness
22% Popularity • 25% Danceability • 5% Energy • 11% Liveness
10% Instrumentalness • 7% Positiveness
► Preview
Joseph Haydn
Die Schöpfung, Hob. XXI:2, Zweiter Teil...
118 bpm • A Maj • 03:11 • -21.42db
7% Popularity • 41% Danceability • 22% Energy • 8% Liveness
3% Instrumentalness • 32% Positiveness
7% Popularity • 41% Danceability • 22% Energy • 8% Liveness
3% Instrumentalness • 32% Positiveness
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Gioachino Rossini
Petite Messe solennelle, Kyrie: III. Kyr...
119 bpm • A Maj • 02:22 • -30db
27% Popularity • 27% Danceability • 4% Energy • 7% Liveness
68% Instrumentalness • 5% Positiveness
27% Popularity • 27% Danceability • 4% Energy • 7% Liveness
68% Instrumentalness • 5% Positiveness
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Rebecca Dale
Materna Requiem: 2. Kyrie
121 bpm • B min • 04:02 • -22.64db
13% Popularity • 17% Danceability • 4% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 4% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Elias, Op. 70, MWV A25, Part II: No. 34,...
108 bpm • B min • 04:04 • -22db
13% Popularity • 21% Danceability • 8% Energy • 15% Liveness
40% Instrumentalness • 4% Positiveness
13% Popularity • 21% Danceability • 8% Energy • 15% Liveness
40% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Matthäus-Passion, BWV 244, Zweiter Teil...
107 bpm • G# min • 04:44 • -29db
35% Popularity • 26% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
35% Popularity • 26% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Richard Strauss
4 Letzte Lieder, TrV 296: No. 4, Im Aben...
105 bpm • A# Maj • 07:41 • -25db
20% Popularity • 15% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
20% Popularity • 15% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Joseph Haydn
Die Schöpfung, Hob. XXI:2, Erster Teil:...
118 bpm • A# Maj • 04:51 • -22.04db
11% Popularity • 34% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 34% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Gioachino Rossini
Petite messe solennelle: Kyrie
120 bpm • C Maj • 06:17 • -29db
29% Popularity • 18% Danceability • 4% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 4% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Miserere II in C minor: 1. Miserere mei,...
105 bpm • C min • 03:38 • -19.89db
9% Popularity • 20% Danceability • 13% Energy • 10% Liveness
10% Instrumentalness • 5% Positiveness
9% Popularity • 20% Danceability • 13% Energy • 10% Liveness
10% Instrumentalness • 5% Positiveness
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Felix Mendelssohn
Elias, Op. 70, MWV A25, Part II: No. 38,...
107 bpm • G# Maj • 02:14 • -17.63db
12% Popularity • 44% Danceability • 26% Energy • 30% Liveness
56% Instrumentalness • 32% Positiveness
12% Popularity • 44% Danceability • 26% Energy • 30% Liveness
56% Instrumentalness • 32% Positiveness
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Wolfgang Amadeus Mozart
Requiem, K. 626, III. Sequenz: III. Rex ...
105 bpm • G min • 01:52 • -17.94db
16% Popularity • 25% Danceability • 18% Energy • 25% Liveness
13% Instrumentalness • 9% Positiveness
16% Popularity • 25% Danceability • 18% Energy • 25% Liveness
13% Instrumentalness • 9% Positiveness
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George Frideric Handel
Rinaldo, HWV 7: Lascia ch´io pianga (Le...
105 bpm • D Maj • 03:52 • -22.39db
25% Popularity • 31% Danceability • 5% Energy • 9% Liveness
5% Instrumentalness • 7% Positiveness
25% Popularity • 31% Danceability • 5% Energy • 9% Liveness
5% Instrumentalness • 7% Positiveness
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Claudio Monteverdi
Vespro della Beata Vergine, SV 206: XIII...
123 bpm • F# Maj • 01:16 • -26db
17% Popularity • 26% Danceability • 8% Energy • 10% Liveness
23% Instrumentalness • 8% Positiveness
17% Popularity • 26% Danceability • 8% Energy • 10% Liveness
23% Instrumentalness • 8% Positiveness
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Antonio Vivaldi
Stabat Mater, RV 621: 1. Stabat Mater (L...
104 bpm • E min • 03:20 • -26.92db
29% Popularity • 16% Danceability • 3% Energy • 11% Liveness
57% Instrumentalness • 4% Positiveness
29% Popularity • 16% Danceability • 3% Energy • 11% Liveness
57% Instrumentalness • 4% Positiveness
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Ensemble Concerto
Settimo Libro de Madrigali: Non vedrò m...
123 bpm • A min • 03:31 • -20db
6% Popularity • 30% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
6% Popularity • 30% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Felix Mendelssohn
Paulus: II. Teil: Nr. 27 Rezitativ T "Da...
120 bpm • G min • 01:31 • -19db
12% Popularity • 47% Danceability • 7% Energy • 54% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 47% Danceability • 7% Energy • 54% Liveness
0% Instrumentalness • 34% Positiveness
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Gabriel Fauré
Requiem, Op. 48: 6. Libera me
104 bpm • G min • 05:21 • -23.33db
9% Popularity • 17% Danceability • 8% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 8% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
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Georgy Sviridov
Pushkin's Garland: Reveille
103 bpm • C# Maj • 05:32 • -29.8db
41% Popularity • 15% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 3% Positiveness
41% Popularity • 15% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 3% Positiveness
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Alexander Borodin
Polovtsian Dances From "Prince Igor"
103 bpm • D Maj • 11:30 • -21.85db
33% Popularity • 22% Danceability • 10% Energy • 9% Liveness
62% Instrumentalness • 8% Positiveness
33% Popularity • 22% Danceability • 10% Energy • 9% Liveness
62% Instrumentalness • 8% Positiveness
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Joseph Haydn
Die Schöpfung, Hob. XXI:2, Erster Teil:...
103 bpm • C Maj • 04:08 • -17db
11% Popularity • 40% Danceability • 29% Energy • 20% Liveness
11% Instrumentalness • 32% Positiveness
11% Popularity • 40% Danceability • 29% Energy • 20% Liveness
11% Instrumentalness • 32% Positiveness
► Preview
Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: II. Cujus anima...
103 bpm • G Maj • 02:07 • -16.32db
33% Popularity • 38% Danceability • 11% Energy • 19% Liveness
1% Instrumentalness • 10% Positiveness
33% Popularity • 38% Danceability • 11% Energy • 19% Liveness
1% Instrumentalness • 10% Positiveness
► Preview
Felix Mendelssohn
Paulus: I. Teil: Nr. 15 Choral "Wachet a...
106 bpm • D Maj • 02:06 • -17.43db
17% Popularity • 24% Danceability • 13% Energy • 12% Liveness
68% Instrumentalness • 8% Positiveness
17% Popularity • 24% Danceability • 13% Energy • 12% Liveness
68% Instrumentalness • 8% Positiveness
► Preview
George Frideric Handel
Handel: Rinaldo, HWV 7, Act 2: "Lascia c...
103 bpm • E Maj • 05:32 • -22.76db
29% Popularity • 21% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 21% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
Requiem, Op. 48: 3. Sanctus
103 bpm • D# Maj • 03:37 • -21.66db
5% Popularity • 14% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
5% Popularity • 14% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Gioacchino Rossini
Rossini: Petite messe solennelle: I. Kyr...
103 bpm • C Maj • 03:01 • -27.01db
18% Popularity • 16% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
18% Popularity • 16% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
► Preview
Filharmonie Brno
Requiem for my Friend: Lacrimosa Day of ...
124 bpm • D min • 01:36 • -19.04db
35% Popularity • 17% Danceability • 15% Energy • 13% Liveness
97% Instrumentalness • 21% Positiveness
35% Popularity • 17% Danceability • 15% Energy • 13% Liveness
97% Instrumentalness • 21% Positiveness
► Preview
Anton Bruckner
Mass No. 2 in E Minor, WAB 27: IV. Sanct...
125 bpm • E min • 02:18 • -16.32db
10% Popularity • 23% Danceability • 12% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
10% Popularity • 23% Danceability • 12% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
Paulus: I. Teil: Nr. 7 Rezitativ & Chor ...
121 bpm • C min • 01:57 • -15.63db
16% Popularity • 53% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 53% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Ludwig van Beethoven
Christus am Ölberge, Op. 85: XIII. Reci...
125 bpm • A# Maj • 01:23 • -21.53db
5% Popularity • 36% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
5% Popularity • 36% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Joseph Haydn
Die Schöpfung, Hob. XXI:2, Erster Teil:...
102 bpm • G# Maj • 04:53 • -24.03db
11% Popularity • 15% Danceability • 1% Energy • 10% Liveness
17% Instrumentalness • 3% Positiveness
11% Popularity • 15% Danceability • 1% Energy • 10% Liveness
17% Instrumentalness • 3% Positiveness
► Preview
Claudio Monteverdi
Vespro della Beata Vergine, SV 206: VIII...
102 bpm • B Maj • 04:55 • -20.18db
8% Popularity • 20% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 20% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Max Richter
Recomposed By Max Richter: Vivaldi, The ...
126 bpm • G min • 04:11 • -13db
46% Popularity • 33% Danceability • 52% Energy • 27% Liveness
24% Instrumentalness • 7% Positiveness
46% Popularity • 33% Danceability • 52% Energy • 27% Liveness
24% Instrumentalness • 7% Positiveness
► Preview
Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: VII. Aq...
126 bpm • A min • 02:41 • -35db
39% Popularity • 24% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
39% Popularity • 24% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
Elias, Op. 70, MWV A25, Part I: No. 2, D...
105 bpm • A min • 01:58 • -9.5db
19% Popularity • 30% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 30% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
George Frideric Handel
Zadok the Priest
126 bpm • D Maj • 01:54 • -18.1db
36% Popularity • 44% Danceability • 3% Energy • 15% Liveness
89% Instrumentalness • 14% Positiveness
36% Popularity • 44% Danceability • 3% Energy • 15% Liveness
89% Instrumentalness • 14% Positiveness
► Preview
Joseph Haydn
Die Schöpfung, Hob. XXI:2, Zweiter Teil...
101 bpm • D Maj • 01:53 • -23.57db
7% Popularity • 25% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
7% Popularity • 25% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Samuel Barber
4 Songs, Op. 13: No. 3. Sure on this shi...
101 bpm • A# Maj • 02:29 • -28.32db
18% Popularity • 16% Danceability • 3% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
18% Popularity • 16% Danceability • 3% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
► Preview
Claudio Monteverdi
Scherzi musicali, cioè arie, et madriga...
101 bpm • G Maj • 06:59 • -19.04db
27% Popularity • 38% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 38% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Antonio Caldara
Stabat Mater: I. Stabat Mater dolorosa
126 bpm • C# Maj • 01:38 • -21.97db
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Paulus: I. Teil: Nr. 12 Rezitativ & Ario...
124 bpm • D Maj • 02:48 • -25db
14% Popularity • 30% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 9% Positiveness
14% Popularity • 30% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 9% Positiveness
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Antonio Vivaldi
Cantate, RV 684 "Cessate, omai cessate":...
101 bpm • F# min • 05:16 • -22.44db
34% Popularity • 36% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 36% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Joseph Haydn
Die Schöpfung, Hob. XXI:2, Erster Teil:...
127 bpm • G# Maj • 02:26 • -24.87db
14% Popularity • 24% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Carissimi
Jephte: Plorate, filii Israel
127 bpm • F# Maj • 05:00 • -24db
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Symphony No. 6 in F Major Op. 68, "Pasto...
127 bpm • C Maj • 10:39 • -20.51db
2% Popularity • 35% Danceability • 5% Energy • 8% Liveness
58% Instrumentalness • 20% Positiveness
2% Popularity • 35% Danceability • 5% Energy • 8% Liveness
58% Instrumentalness • 20% Positiveness
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Wolfgang Amadeus Mozart
Mass in C Minor, K. 427: I. Kyrie eleiso...
100 bpm • C min • 07:38 • -21.75db
12% Popularity • 15% Danceability • 7% Energy • 10% Liveness
13% Instrumentalness • 3% Positiveness
12% Popularity • 15% Danceability • 7% Energy • 10% Liveness
13% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
Paulus: I. Teil: Nr. 1 Chor "Herr, der d...
125 bpm • A Maj • 04:30 • -17.54db
19% Popularity • 30% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
19% Popularity • 30% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
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Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
127 bpm • F Maj • 01:35 • -29.29db
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Laudate pueri in G Major, RV 601 "Salmo ...
128 bpm • G# Maj • 03:30 • -22db
26% Popularity • 32% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
26% Popularity • 32% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Antonio Caldara
Maddalena ai piedi di Cristo: No. 47 Ari...
128 bpm • B min • 04:31 • -20.98db
17% Popularity • 29% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
17% Popularity • 29% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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Luigi Cherubini
Requiem No. 1 in C Minor: Agnus Dei
128 bpm • C Maj • 07:24 • -26db
23% Popularity • 17% Danceability • 1% Energy • 6% Liveness
70% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 1% Energy • 6% Liveness
70% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Illumina faciem tuam
128 bpm • F Maj • 04:25 • -26.07db
20% Popularity • 18% Danceability • 9% Energy • 29% Liveness
80% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 9% Energy • 29% Liveness
80% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Paulus: II. Teil: Nr. 44 Schlußchor "Ni...
101 bpm • D Maj • 04:14 • -16db
13% Popularity • 25% Danceability • 23% Energy • 6% Liveness
80% Instrumentalness • 8% Positiveness
13% Popularity • 25% Danceability • 23% Energy • 6% Liveness
80% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Calme des nuits, Op. 68, No. 1
128 bpm • E min • 04:13 • -40.65db
25% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
25% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
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Antonio Vivaldi
Introduzione al miserere, RV 638 "Filiae...
127 bpm • E min • 06:37 • -23.38db
22% Popularity • 34% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
22% Popularity • 34% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Claudio Monteverdi
Canzonette d'amore
100 bpm • B min • 02:36 • -25db
31% Popularity • 23% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
31% Popularity • 23% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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George Frideric Handel
Zadok the Priest (Coronation Anthem No.1...
99 bpm • D Maj • 05:40 • -16db
14% Popularity • 38% Danceability • 14% Energy • 5% Liveness
34% Instrumentalness • 10% Positiveness
14% Popularity • 38% Danceability • 14% Energy • 5% Liveness
34% Instrumentalness • 10% Positiveness
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Carlo Gesualdo
Tenebrae Responsories, Feria quinta: VII...
100 bpm • D min • 05:14 • -20.73db
8% Popularity • 15% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 15% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
Paulus: II. Teil: Nr. 42 Chor "Sehet, we...
128 bpm • G# Maj • 02:46 • -26.04db
26% Popularity • 24% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 11% Positiveness
26% Popularity • 24% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 11% Positiveness
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Joseph Haydn
Die Schöpfung, Hob. XXI:2, Zweiter Teil...
129 bpm • C Maj • 03:20 • -24db
7% Popularity • 33% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
7% Popularity • 33% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Antonio Vivaldi
Gloria in D Major, RV 589: 1. Gloria in ...
128 bpm • C# Maj • 02:21 • -13.47db
24% Popularity • 46% Danceability • 32% Energy • 15% Liveness
43% Instrumentalness • 27% Positiveness
24% Popularity • 46% Danceability • 32% Energy • 15% Liveness
43% Instrumentalness • 27% Positiveness
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Claudio Monteverdi
Madrigali amorosi: No. 9, Canzonetta by ...
129 bpm • A min • 02:43 • -28db
33% Popularity • 30% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
33% Popularity • 30% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Kjartan Sveinsson
Teil II
129 bpm • G min • 08:21 • -23db
23% Popularity • 17% Danceability • 6% Energy • 11% Liveness
31% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 6% Energy • 11% Liveness
31% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Concerto grosso in G Minor, Op. 6 No. 8,...
129 bpm • D# Maj • 01:55 • -24.66db
46% Popularity • 17% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 8% Positiveness
46% Popularity • 17% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 8% Positiveness