Songs like Requiem: Tractus by Johannes Ockeghem
Based on a tempo of (+/- 10%) and a similar genre
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Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
131 bpm • C# Maj • 04:00 • -30.61db
14% Popularity • 34% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 34% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Heinrich Isaac
I. 1459 El Tiempo de Maximiliano I (Rey ...
131 bpm • F Maj • 04:19 • -20.5db
11% Popularity • 16% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Itene, o miei sospiri
131 bpm • C Maj • 04:11 • -19.28db
13% Popularity • 22% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Miserere: III. Auditui meo
131 bpm • F min • 02:45 • -21.56db
15% Popularity • 22% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 22% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 4% Positiveness
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Jacob Clemens non Papa
Sanctus
130 bpm • D Maj • 02:31 • -29db
22% Popularity • 20% Danceability • 10% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 10% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
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Jaufre Rudel
Lanquan li jorn
132 bpm • B min • 05:22 • -20db
9% Popularity • 17% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Maurice Duruflé
Requiem, Op. 9: I. Introit (1961 Version...
132 bpm • F Maj • 03:32 • -30.67db
24% Popularity • 16% Danceability • 4% Energy • 30% Liveness
94% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 4% Energy • 30% Liveness
94% Instrumentalness • 4% Positiveness
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John Dowland
Mistresse Nichols Almand
132 bpm • A# Maj • 00:52 • -24.27db
32% Popularity • 22% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 55% Positiveness
32% Popularity • 22% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 55% Positiveness
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Antonio de Cabezón
Diferencias sobre la Gallarda Milanesa (...
130 bpm • E Maj • 02:25 • -17db
23% Popularity • 26% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
23% Popularity • 26% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
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Jean Mouton
Celeste beneficium - Audiutorium nostrum
132 bpm • F Maj • 06:15 • -18db
10% Popularity • 20% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
10% Popularity • 20% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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Johannes Ockeghem
Missa Prolationum: Agnus Dei I
130 bpm • F Maj • 02:11 • -22.6db
3% Popularity • 17% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
3% Popularity • 17% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Jordi Savall
Imperayritz de la ciutat joyosa
132 bpm • A min • 05:14 • -13.74db
15% Popularity • 26% Danceability • 30% Energy • 22% Liveness
5% Instrumentalness • 34% Positiveness
15% Popularity • 26% Danceability • 30% Energy • 22% Liveness
5% Instrumentalness • 34% Positiveness
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Antoine Brumel
Messe Et ecce terrae motus: I. Kyrie
132 bpm • C# Maj • 05:48 • -20db
14% Popularity • 17% Danceability • 25% Energy • 5% Liveness
5% Instrumentalness • 10% Positiveness
14% Popularity • 17% Danceability • 25% Energy • 5% Liveness
5% Instrumentalness • 10% Positiveness
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John Taverner
Taverner: Missa Gloria Tibi Trinitas - B...
130 bpm • F min • 02:59 • -23db
13% Popularity • 18% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 18% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Heinrich Isaac
Chanson: Innsbruck, ich muß dich lassen
132 bpm • F Maj • 03:26 • -24db
9% Popularity • 23% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
9% Popularity • 23% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Francesco Landini
Non avra ma'pieta questa mia donna
133 bpm • C Maj • 04:18 • -15db
9% Popularity • 23% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 23% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
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Johannes Ockeghem
Requiem (Missa pro defunctis) a 2-4: Gra...
132 bpm • D min • 05:23 • -28.97db
3% Popularity • 17% Danceability • 8% Energy • 11% Liveness
15% Instrumentalness • 4% Positiveness
3% Popularity • 17% Danceability • 8% Energy • 11% Liveness
15% Instrumentalness • 4% Positiveness
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Thomas Tomkins
When David heard
129 bpm • C Maj • 04:36 • -23.62db
11% Popularity • 17% Danceability • 13% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 13% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
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The Rose Ensemble
O Gloriosissimi Lux
129 bpm • C min • 06:09 • -26db
14% Popularity • 24% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
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Nicholas Ludford
Ave cujus conceptio
133 bpm • D Maj • 08:51 • -20db
24% Popularity • 18% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
24% Popularity • 18% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
18% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Robert Lucas Pearsall
Lay a garland on her hearse
129 bpm • C min • 03:01 • -25db
23% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
35% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Johannes Ockeghem
Missa Prolationum: Sanctus
133 bpm • F# Maj • 03:14 • -23.64db
11% Popularity • 19% Danceability • 14% Energy • 11% Liveness
39% Instrumentalness • 5% Positiveness
11% Popularity • 19% Danceability • 14% Energy • 11% Liveness
39% Instrumentalness • 5% Positiveness
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Claudio Monteverdi
Anima dolorosa
133 bpm • C Maj • 03:49 • -22.99db
16% Popularity • 22% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 22% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Pérotin
Alleluia / Posui adiutorium
133 bpm • G min • 05:45 • -22db
13% Popularity • 27% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 27% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Giacomo Carissimi
Jephte: Plorate filii Israel plorate (Ch...
129 bpm • F# Maj • 04:49 • -25db
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Luca Marenzio
Euridice, Prologo: Sinfonia a 5
129 bpm • F Maj • 01:37 • -27db
11% Popularity • 30% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 30% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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La Capella Reial De Catalunya
Sibil-La Mallorquina: Ans Del Judici Tot...
128 bpm • F Maj • 02:23 • -29db
21% Popularity • 20% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Ockeghem
Requiem: Graduale
129 bpm • E min • 04:38 • -23.69db
3% Popularity • 21% Danceability • 16% Energy • 16% Liveness
5% Instrumentalness • 12% Positiveness
3% Popularity • 21% Danceability • 16% Energy • 16% Liveness
5% Instrumentalness • 12% Positiveness
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Léonin
Viderunt omnes No. 1: ...Dominus...
128 bpm • C# Maj • 01:34 • -19.79db
28% Popularity • 23% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 23% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Ich bin die Auferstehung und das Leben, ...
134 bpm • D min • 03:36 • -19.66db
19% Popularity • 21% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
19% Popularity • 21% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Guillaume de Machaut
Chanson: Rose, liz, printemps, verdure
128 bpm • C Maj • 04:25 • -26db
10% Popularity • 20% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 20% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Resu...
128 bpm • D min • 01:35 • -22.99db
27% Popularity • 19% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
27% Popularity • 19% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Claudio Monteverdi
Intonatio: Deus in adiutorium / Responso...
128 bpm • D Maj • 02:12 • -12.99db
12% Popularity • 33% Danceability • 21% Energy • 11% Liveness
33% Instrumentalness • 14% Positiveness
12% Popularity • 33% Danceability • 21% Energy • 11% Liveness
33% Instrumentalness • 14% Positiveness
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Johannes Ockeghem
Missa Prolationum: Kyrie I
133 bpm • F Maj • 01:15 • -20db
32% Popularity • 17% Danceability • 14% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
32% Popularity • 17% Danceability • 14% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
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Thomas Tomkins
Burial Sentences: I Am the Resurrection ...
134 bpm • C# min • 07:51 • -24db
12% Popularity • 16% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Antoine Boësset
Ballet des fous et des estropiés de la ...
128 bpm • A# Maj • 02:21 • -27.25db
8% Popularity • 17% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
8% Popularity • 17% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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Jean Mouton
Tota pulchra es
128 bpm • D min • 01:44 • -15.41db
11% Popularity • 17% Danceability • 26% Energy • 37% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 26% Energy • 37% Liveness
0% Instrumentalness • 4% Positiveness
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Léonin
Viderunt omnes... (2-part organum)
135 bpm • G# Maj • 01:20 • -23.1db
36% Popularity • 24% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
36% Popularity • 24% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
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Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
127 bpm • F Maj • 01:35 • -29.29db
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
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Johannes Ockeghem
Missa Prolationum: Gloria
128 bpm • F Maj • 07:56 • -20.31db
6% Popularity • 18% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
6% Popularity • 18% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Pierre Passereau
ll est bel et bon, commere, mon mary: Il...
135 bpm • C min • 01:01 • -18db
21% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Girolamo Frescobaldi
Frescobaldi: Messa sopra l'aria della mo...
127 bpm • G min • 01:40 • -26db
27% Popularity • 18% Danceability • 11% Energy • 13% Liveness
92% Instrumentalness • 10% Positiveness
27% Popularity • 18% Danceability • 11% Energy • 13% Liveness
92% Instrumentalness • 10% Positiveness
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Claude Goudimel
Psaume 128: Bienheureux est quiconque
135 bpm • G min • 01:26 • -19db
25% Popularity • 29% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 29% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Heinrich Isaac
Innsbruck, ich muß dich lassen
135 bpm • C Maj • 01:57 • -29.02db
16% Popularity • 15% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
16% Popularity • 15% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
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Antonio Lotti
Crucifixus
127 bpm • C min • 03:29 • -25.68db
22% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
22% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
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Thomas Morley
The Second Dirge Anthem: Man That Is Bor...
135 bpm • G# min • 05:31 • -21.31db
10% Popularity • 16% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Allegri: Miserere - 01. Miserere Mei, De...
135 bpm • A# Maj • 01:12 • -27db
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
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Carlo Gesualdo
O vos omnes
135 bpm • A min • 03:51 • -32db
21% Popularity • 15% Danceability • 1% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 1% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: II. Aleph
135 bpm • F# min • 01:50 • -24.69db
33% Popularity • 15% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
33% Popularity • 15% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Giacomo Carissimi
Jephte: Plorate, filii Israel
127 bpm • F# Maj • 05:00 • -24db
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Sergei Rachmaninoff: Bogoróditse Dévo
135 bpm • F Maj • 02:49 • -24db
24% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
24% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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The Monteverdi Choir
Missa Orbis factor: I. Kyrie eleison
127 bpm • G Maj • 01:16 • -32.48db
34% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Jordi Savall
Laudemus Virginem
127 bpm • E min • 02:45 • -15.62db
15% Popularity • 22% Danceability • 26% Energy • 22% Liveness
64% Instrumentalness • 18% Positiveness
15% Popularity • 22% Danceability • 26% Energy • 22% Liveness
64% Instrumentalness • 18% Positiveness
► Preview
Carlo Gesualdo
Qual fora, donna, un dolce Ohime
135 bpm • F min • 02:51 • -23.41db
17% Popularity • 18% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Johannes Ockeghem
D’un autre amer
136 bpm • D# min • 05:33 • -23.38db
2% Popularity • 17% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
2% Popularity • 17% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Thomas Weelkes
Noel, Adieu Thou Court's Delight
136 bpm • B Maj • 05:48 • -23.25db
14% Popularity • 18% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Herbert Howells
Requiem: Requiem aeternam I
126 bpm • E min • 03:47 • -35db
20% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Jehan de Lescurel
A vous, douce debonnaire (Rondeau) W!
136 bpm • C# Maj • 03:39 • -27db
12% Popularity • 16% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
12% Popularity • 16% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Hilaire Penet
Virgo prudentissima
136 bpm • D min • 03:55 • -23db
13% Popularity • 18% Danceability • 14% Energy • 6% Liveness
22% Instrumentalness • 6% Positiveness
13% Popularity • 18% Danceability • 14% Energy • 6% Liveness
22% Instrumentalness • 6% Positiveness
► Preview
La Capella Reial De Catalunya
Sibil-La Valenciana: Vosaltres Tots Que ...
136 bpm • G min • 02:53 • -22.04db
10% Popularity • 20% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Claudio Monteverdi
Canzonette, Book 1: La fiera vista
136 bpm • E Maj • 05:55 • -22.29db
18% Popularity • 25% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
18% Popularity • 25% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Jordi Savall
Recercada Ottava Sobre La Folia, 1553 (O...
136 bpm • D min • 01:45 • -18.56db
30% Popularity • 40% Danceability • 26% Energy • 11% Liveness
96% Instrumentalness • 49% Positiveness
30% Popularity • 40% Danceability • 26% Energy • 11% Liveness
96% Instrumentalness • 49% Positiveness
► Preview
Joan Ambrosio Dalza
Intabolatura de lauto, Book 4: Calata al...
126 bpm • A# Maj • 02:06 • -25.91db
38% Popularity • 47% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 61% Positiveness
38% Popularity • 47% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 61% Positiveness
► Preview
Marc-Antoine Charpentier
Sub tuum praesidium, H. 28
126 bpm • G min • 02:18 • -26db
11% Popularity • 24% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 24% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Jean Mouton
Nesciens mater
126 bpm • G Maj • 06:51 • -30.95db
14% Popularity • 17% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Johannes Ockeghem
Requiem: Tractus: Sicut cervus
136 bpm • B Maj • 07:25 • -28.04db
1% Popularity • 19% Danceability • 4% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
1% Popularity • 19% Danceability • 4% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
► Preview
Giovanni Pierluigi da Palestrina
Missa Papae Marcelli: Kyrie
136 bpm • A Maj • 04:30 • -21db
36% Popularity • 16% Danceability • 16% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 16% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
► Preview
Gregorio Allegri
Messe vidi turbam magnam: No. 1, Introï...
126 bpm • D Maj • 02:50 • -25db
23% Popularity • 26% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 26% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Michael Praetorius
Terpsichore*: Ballet
126 bpm • A# Maj • 02:04 • -35db
36% Popularity • 53% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 50% Positiveness
36% Popularity • 53% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 50% Positiveness
► Preview
The Tallis Scholars
Tallis: Sancte Deus - 4. Quia Per Crucem...
137 bpm • A min • 01:26 • -23.78db
38% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
► Preview
John Dunstable
Quam pulchra es, JD 44
125 bpm • A# Maj • 02:35 • -26db
25% Popularity • 18% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
25% Popularity • 18% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Johannes Ockeghem
Ma maistresse
125 bpm • F Maj • 05:32 • -23db
17% Popularity • 18% Danceability • 13% Energy • 12% Liveness
11% Instrumentalness • 5% Positiveness
17% Popularity • 18% Danceability • 13% Energy • 12% Liveness
11% Instrumentalness • 5% Positiveness
► Preview
Marco Dall'Aquila
Cara cossa: Gagliarda, "La cara cossa"
125 bpm • C Maj • 01:04 • -30db
35% Popularity • 43% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 60% Positiveness
35% Popularity • 43% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 60% Positiveness
► Preview
Johann Caspar Kerll
Missa pro defunctis: II. Kyrie
138 bpm • F Maj • 02:01 • -18.24db
21% Popularity • 15% Danceability • 14% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 14% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Herr, nun lässest du deinen Diener in F...
138 bpm • A min • 03:18 • -21.46db
17% Popularity • 19% Danceability • 12% Energy • 11% Liveness
53% Instrumentalness • 9% Positiveness
17% Popularity • 19% Danceability • 12% Energy • 11% Liveness
53% Instrumentalness • 9% Positiveness
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Guillaume Dufay
Missa "Se la face ay pale": I. Kyrie
138 bpm • A# Maj • 03:08 • -20.39db
8% Popularity • 16% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
8% Popularity • 16% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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St. Petersburg Optina Pustyn Male Choir
The Waves are Sleepy
138 bpm • G# Maj • 01:26 • -22db
32% Popularity • 23% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
32% Popularity • 23% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Johannes Ockeghem
Requiem (Missa pro defunctis): 4. Tractu...
138 bpm • D Maj • 08:13 • -22.6db
0% Popularity • 20% Danceability • 13% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
0% Popularity • 20% Danceability • 13% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Marco Dall'Aquila
La traditora: Saltarello, "La traditora"
138 bpm • A# Maj • 02:18 • -35db
33% Popularity • 35% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
33% Popularity • 35% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Johann Walter
Christ lag in Todesbanden
138 bpm • D min • 01:12 • -29.1db
35% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
35% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Hail...
139 bpm • F Maj • 03:06 • -30db
31% Popularity • 15% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
31% Popularity • 15% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: Salvator mundi
139 bpm • G Maj • 02:00 • -31.24db
26% Popularity • 15% Danceability • 4% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
26% Popularity • 15% Danceability • 4% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Moro, lasso, al mio duolo
139 bpm • F Maj • 05:35 • -21db
15% Popularity • 18% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
15% Popularity • 18% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Johannes Ockeghem
S’elle m’amera / Petite camusette
125 bpm • C# min • 04:03 • -19.33db
1% Popularity • 23% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
1% Popularity • 23% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Philippe de Vitry
Tuba sacre fidei - In arboris (Arr. Harr...
139 bpm • G Maj • 02:17 • -19.88db
10% Popularity • 21% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 21% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Claudin de Sermisy
Tant que vivrai
124 bpm • G Maj • 01:22 • -32db
33% Popularity • 18% Danceability • 0% Energy • 15% Liveness
98% Instrumentalness • 36% Positiveness
33% Popularity • 18% Danceability • 0% Energy • 15% Liveness
98% Instrumentalness • 36% Positiveness
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Sergei Rachmaninoff
Liturgy of St. John Chrysostom for Choru...
139 bpm • G min • 06:33 • -29.37db
11% Popularity • 15% Danceability • 2% Energy • 10% Liveness
32% Instrumentalness • 3% Positiveness
11% Popularity • 15% Danceability • 2% Energy • 10% Liveness
32% Instrumentalness • 3% Positiveness
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Francesco da Milano
Fantasia sexta
123 bpm • F Maj • 02:00 • -30db
24% Popularity • 48% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 94% Positiveness
24% Popularity • 48% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 94% Positiveness
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Léonin
Léonin / Pérotin: Magnus Liber / Easte...
139 bpm • A min • 10:27 • -17db
7% Popularity • 18% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 9% Positiveness
7% Popularity • 18% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 9% Positiveness
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Johannes Ockeghem
Intemerata Dei mater: III. Aspiciat faci...
124 bpm • F Maj • 02:23 • -18.71db
8% Popularity • 17% Danceability • 20% Energy • 13% Liveness
3% Instrumentalness • 8% Positiveness
8% Popularity • 17% Danceability • 20% Energy • 13% Liveness
3% Instrumentalness • 8% Positiveness
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Vicente Lusitano
Regina caeli
139 bpm • G# Maj • 04:11 • -22.47db
30% Popularity • 18% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 18% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
123 bpm • E Maj • 04:33 • -29.95db
8% Popularity • 34% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 34% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 3. Respice
140 bpm • B min • 00:59 • -22db
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Clément Janequin
III. 1525 Batalla de PavÃa: Pavana "La ...
140 bpm • G# Maj • 02:07 • -20.52db
11% Popularity • 54% Danceability • 20% Energy • 11% Liveness
83% Instrumentalness • 10% Positiveness
11% Popularity • 54% Danceability • 20% Energy • 11% Liveness
83% Instrumentalness • 10% Positiveness
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Jordi Savall
Música Religiosa (Vol. I), I. Adoramus ...
123 bpm • E min • 01:10 • -24db
26% Popularity • 28% Danceability • 4% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
26% Popularity • 28% Danceability • 4% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
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Léonin
Viderunt omnes... (2-part organum)
141 bpm • C# Maj • 02:09 • -23.08db
31% Popularity • 21% Danceability • 6% Energy • 12% Liveness
2% Instrumentalness • 8% Positiveness
31% Popularity • 21% Danceability • 6% Energy • 12% Liveness
2% Instrumentalness • 8% Positiveness
